Si algo piden los roles Wagnerianos es darle a la voz un verdadero tratamiento de instrumento dentro del discurso orquestal ,con dominio del legato,contrastes, dinámica.Indiscutiblemennte era una qvoz sonora,de carácter ,pero no la dominaba del todo.Es mi modesta opinión.No se como le quedaría la Santuzza o la Lady Macbeth.Pero en éstos tipos de voz hay que tener entre otras cosas un dominio del fillare di voce.Necesario en todas las obras de los distintos compositores que escribieron música para ésta específicamente.No le he oído mucho en general.No se como serían sus resultados en la cuerda de mezzosoprano.
Not her role. This rendition is really wanting. Intonation problems; "scooping", constricted top notes really painful. Also, this is later in her career when, I believe, she had already assumed mezzo roles. Her voice was too "big" and idiosyncratic for Isolde. But one of the greatest Brunhildes. Especially in Gotterdammerung.
Not true... I hear something different... I hear an Isolde with a grown and full mature voice... Certainly no intonation problems... I don't care about the scoops because what would we give to have voices like her's today... Isoldes of today have barely 10% of her vocal darkness, size and intonation security... both her high and low notes are absolutely fearless...
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
The world is big enough for multiple versions. Varnay's is unusual, dark, inward. What a sound! Spectacular intonation.
Just gorgeous ...fully realized tone...never forced -
❤
Si algo piden los roles Wagnerianos es darle a la voz un verdadero tratamiento de instrumento dentro del discurso orquestal ,con dominio del legato,contrastes, dinámica.Indiscutiblemennte era una qvoz sonora,de carácter ,pero no la dominaba del todo.Es mi modesta opinión.No se como le quedaría la Santuzza o la Lady Macbeth.Pero en éstos tipos de voz hay que tener entre otras cosas un dominio del fillare di voce.Necesario en todas las obras de los distintos compositores que escribieron música para ésta específicamente.No le he oído mucho en general.No se como serían sus resultados en la cuerda de mezzosoprano.
She sounds like a grandmother rather than a young Celtic princess. I think at this point, she was more of a mezzo than a soprano.
But she sings with a perfect open vocal technique and in full voice unlike some so-called "dramatic sopranos" today...
Not her role. This rendition is really wanting. Intonation problems; "scooping", constricted top notes really painful. Also, this is later in her career when, I believe, she had already assumed mezzo roles.
Her voice was too "big" and idiosyncratic for Isolde. But one of the greatest Brunhildes. Especially in Gotterdammerung.
Arbiter Veritatis I agree!
I do second!
Not true... I hear something different... I hear an Isolde with a grown and full mature voice... Certainly no intonation problems... I don't care about the scoops because what would we give to have voices like her's today... Isoldes of today have barely 10% of her vocal darkness, size and intonation security... both her high and low notes are absolutely fearless...