🌼💐🌼 Seeing this presentation is so wonderful, yet I can only imagine. If only I could have seen all these magnificent paintings, live in New York, at your gallery. All of this great beauty in one place, the exhibition of a lifetime, so near by in the 🇱🇷 USA. The consolation I have? To go from my cell phone to a larger screen format, and be in Wonderland for a long while whenever I want. Your presentation here is like a huge birthday present to me, because I am taking it all in so personally, and with a great deal of gratitude. Thank you, David Zwirner 🍾🍾🥂🥂Thank you so much. 🍾🍾🌹🌼🌹
Not usually a fan of the abstract stuff, goes right over my head but these paintings are INCREDIBLE...I hope im lucky enough to see at least one in person sometime
I hope you make a video of the excellent Kenneth Noland show at Pace. For the longest time I thought his work was second tier, under giants like Ellsworth Kelly. This show proves he deserves to be with the greats. Noland's sensitivity for the viscosity of paint to the weave of the canvas is a quality missing from many painters today. With prices reaching $9 million for Agnes Martin’s lesser acrylic paintings (as opposed to her superlative oils), $350,000 for Noland’s uncompromising work is a bargain.
Gerhard Richter en tant que peintre ne montre aucun tremblement sur l'échelle de Richter de la peinture. Une image est une image + la qualité est la qualité. L'artiste peut réunir les deux qualités et le public ne peut évidemment pas les séparer. C'est précisément cette différence qui explique le succès de Richter. Il est facile de se séparer de quelque chose qui n'a aucune qualité - et nous aimons regarder quelque chose qui n'a pas non plus de qualité. Parce que ça nous donne de l'affirmation de soi: même si je n'y arriverais pas, se dit le visiteur, c'est la preuve que je ne finirais comme lui.
The squeegee technique is much too over-rated, though the smaller works is more interesting-a play between blurry and textured, solid and multicoloured scraping. 👍😊
Gerhard Richter's "Mood" works, at 14:35, are utterly perverse. They appear to be generic color-field works on paper made for a corporate lobby. The vibrant, deep saturated colors, markings, and gestures are palatable.. but this is Gerhard Richter. They are not original works on paper. They are inkjet prints that look like original paintings but are reproductions of original paintings that then become... original. They are impossible to assimilate. As I lose my sanity, they sit there mockingly, silent, boring, pretty. Richter's "Mood" works make Bruce Nauman's "Clown Torture" look like a stroll in the park.
Those bills won't pay by itself bro. If anything I like his small work more. Probably if they are prints indeed they are affordable. Hi-quality colour prints It's not something innovative or scandalous this days.
A technique with great potential, but the painter does not commit to anything, it is cold and impersonal, something empty. (Una técnica con un gran potencial, pero el pintor no entra a comprometerse con nada, resulta fría e impersonal, algo vacuo.)
Großartig😊👍
❤❤❤
🌼💐🌼 Seeing this presentation is so wonderful, yet I can only imagine. If only I could have seen all these magnificent paintings, live in New York, at your gallery. All of this great beauty in one place, the exhibition of a lifetime, so near by in the 🇱🇷 USA. The consolation I have? To go from my cell phone to a larger screen format, and be in Wonderland for a long while whenever I want. Your presentation here is like a huge birthday present to me, because I am taking it all in so personally, and with a great deal of gratitude. Thank you, David Zwirner 🍾🍾🥂🥂Thank you so much. 🍾🍾🌹🌼🌹
Thank you, great 👍
😊ME GUSTA VERLO PINTAR. ME DAN GANAS DE LLORAR...❤DESDE ARGENTINA.😊
Slight change in style and colour palette carry more energy within ❤
❤.
❤❤❤pur beauty
Not usually a fan of the abstract stuff, goes right over my head but these paintings are INCREDIBLE...I hope im lucky enough to see at least one in person sometime
É um marco na pintura moderna. A partir de aqui os pintores têm que procurar novos caminhos
Música cursi y predecible
I hope you make a video of the excellent Kenneth Noland show at Pace. For the longest time I thought his work was second tier, under giants like Ellsworth Kelly. This show proves he deserves to be with the greats. Noland's sensitivity for the viscosity of paint to the weave of the canvas is a quality missing from many painters today. With prices reaching $9 million for Agnes Martin’s lesser acrylic paintings (as opposed to her superlative oils), $350,000 for Noland’s uncompromising work is a bargain.
We went to the show. I will put it up next week. Thank you so much for your comment!
Der Meister.
❤AMOOOO SUS PINTUAS.
Seus pretos e brancos são majestosos
Перед тем, как энергия переходит к другому обьекту.
Рихтер останавливается там, где событие выворачивается. Путь закрывается, скоро будет другой мир. Это слово художника.
What is the music used in this?
Gerhard Richter en tant que peintre ne montre aucun tremblement sur l'échelle de Richter de la peinture.
Une image est une image + la qualité est la qualité. L'artiste peut réunir les deux qualités et le public ne peut évidemment pas les séparer.
C'est précisément cette différence qui explique le succès de Richter. Il est facile de se séparer de quelque chose qui n'a aucune qualité - et nous aimons regarder quelque chose qui n'a pas non plus de qualité. Parce que ça nous donne de l'affirmation de soi: même si je n'y arriverais pas, se dit le visiteur, c'est la preuve que je ne finirais comme lui.
Художник обязывает всмотреться, увидеть исчезновение, пережить прощание. Почувствовать другой мир, встретиться с ним на рассвете.
Прощание Земли.
More Baroque in abstraction. Not my thing.
The squeegee technique is much too over-rated, though the smaller works is more interesting-a play between blurry and textured, solid and multicoloured scraping. 👍😊
Seems as though he’s tapped into an alternate reality.
Gerhard Richter's "Mood" works, at 14:35, are utterly perverse. They appear to be generic color-field works on paper made for a corporate lobby. The vibrant, deep saturated colors, markings, and gestures are palatable.. but this is Gerhard Richter. They are not original works on paper. They are inkjet prints that look like original paintings but are reproductions of original paintings that then become... original. They are impossible to assimilate. As I lose my sanity, they sit there mockingly, silent, boring, pretty. Richter's "Mood" works make Bruce Nauman's "Clown Torture" look like a stroll in the park.
Those bills won't pay by itself bro. If anything I like his small work more. Probably if they are prints indeed they are affordable. Hi-quality colour prints It's not something innovative or scandalous this days.
A technique with great potential, but the painter does not commit to anything, it is cold and impersonal, something empty. (Una técnica con un gran potencial, pero el pintor no entra a comprometerse con nada, resulta fría e impersonal, algo vacuo.)