P Jaroussky est le premier contre-tenor que j’ai entendu puis apprécie .Puis il y en a eu d’autres tous très connus . Puis il y’a eu Franco Fagioli et c’est celui qui m’a le plus impressionnée .Il est le plus grand à mes yeux et dans mon cœur
Bien que cette interprétation soit l'une des plus intéressante de PJarousky, je trouve qu'il a le souffle court, ses notes manquent d’aiguë et de longueur. Franco Fagioli est sans nul doute l'une des meilleurs contre tenors de la décénie
I believe that Farinelli movie version of this song is so incredible. But it is nice to to be reassured that it is when it is compared, back to back, with other versions.
Farinelli sarebbe onorato da questi tributi alla sua bravura. Col tempo è diventato un vero e proprio mito della lirica. Sono rimasta rapita dal timbro di Ewa Podles
The artificial composited (Ragin-Madowleska) voice used in ‘Farinelli’ still sounds better than all the other examples, not only by virtue of technique (clear and precise) but also by the attractiveness of the da capo arrangement. I really wish the film soundtrack album included this aria. Strange that it didn’t. It was my favorite part of the film - a scant 1 minute and 15 seconds.
Amigos: este vídeo es una pequeña joya( aunque la parte de Fagioli es un poco fallida técnicamente), pues nos pone ante una aria que fue clave en FARINELLI. Lástima que en todos estos años no ha sido suficientemente admirado.
A real "tour de force" here. Though to be absolutely precise just 2 of them should be considered in similar conditions: Philippe Jaroussky and Franco Fagioli.
the singers have to be suicidal to perform such MATERIAL . It's a known voice killer . Ms Bartoli singing now resembles. more dog's barking then BEL CANTO
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P Jaroussky est le premier contre-tenor que j’ai entendu puis apprécie .Puis il y en a eu d’autres tous très connus . Puis il y’a eu Franco Fagioli et c’est celui qui m’a le plus impressionnée .Il est le plus grand à mes yeux et dans mon cœur
Monsieur qJaroussky notre contre-ténor !quel talent.
All of them. It's a privilege to have such artistry recorded for our pleasure.
Bien que cette interprétation soit l'une des plus intéressante de PJarousky, je trouve qu'il a le souffle court, ses notes manquent d’aiguë et de longueur. Franco Fagioli est sans nul doute l'une des meilleurs contre tenors de la décénie
I believe that Farinelli movie version of this song is so incredible. But it is nice to to be reassured that it is when it is compared, back to back, with other versions.
Все замечательно! Но в сердце Ф.Жарусски.
Dereck Lee Ragin la voix lumineuse de Farinelli. J’adore
Farinelli sarebbe onorato da questi tributi alla sua bravura. Col tempo è diventato un vero e proprio mito della lirica.
Sono rimasta rapita dal timbro di Ewa Podles
💖
The artificial composited (Ragin-Madowleska) voice used in ‘Farinelli’ still sounds better than all the other examples, not only by virtue of technique (clear and precise) but also by the attractiveness of the da capo arrangement. I really wish the film soundtrack album included this aria. Strange that it didn’t. It was my favorite part of the film - a scant 1 minute and 15 seconds.
Amigos: este vídeo es una pequeña joya( aunque la parte de Fagioli es un poco fallida técnicamente), pues nos pone ante una aria que fue clave en FARINELLI. Lástima que en todos estos años no ha sido suficientemente admirado.
A real "tour de force" here. Though to be absolutely precise just 2 of them should be considered in similar conditions: Philippe Jaroussky and Franco Fagioli.
Maravilloso Fagioli, su versión es mejor q la de philippe, x demás virtuosa
Eva best✨✨✨
the singers have to be suicidal to perform such MATERIAL . It's a known voice killer . Ms Bartoli singing now resembles. more dog's barking then BEL CANTO