I can't think of another CEO who's i) as passionate about his products, ii) so able to demonstrate them properly and engagingly, iii) so clearly an excellent engineer, iv) so obsessed about quality and useability, v) thinks about future serviceability, etc etc. Most impressive.
Very fortunate to have one of the first units in the UK, and it is PHENOMENAL. From bread and butter sounds all the way up to crazy soundscapes... it's just exquisite. A masterpiece.
@@theshillpill6937OB-X8 is great but very much THAT sound. The Super Gemini is my favourite by far…hugely versatile and very inspiring to sit in front of and create.
If the quality of a synth is directly proportional to the number of different happy synth gurns that come out of Nick during a presentation, this must be the greatest synth made in a very long time.
Being from the US, I’d never heard the term “gurn” prior to this comment (in fact, autocorrect wanted to make that “burn”), and after a quick google search, my appreciation of British culture has expanded a bit
I’m going to have to get one of these eventually. Everyone always says “poly aftertouch is a gimmick” or “only virtuoso keyboardists can pull it off”, but in my experience with synths like the Osmose and Ensoniq SQ-80, that is simply not true. I am far from a virtuoso keyboardist, and within the first ten minutes I spent with an Osmose, I was already getting the hang of bending individual notes up and down or introducing vibrato on a single note. Of course there is technique involved, but I found that it came naturally, and wasn’t something I had to think about while doing it. It just sort of happened, and I think that’s a testament to good instrument design in some ways, but also our brains know what they want to hear and I think our hands can act on that before we even realize what’s going on.
Yeah if you want to add polyphonic expression to your playing, you don't need to be a better keyboard player than you are right now. You just end up paying more attention to the pressure you place with each finger, while you continue playing at whatever level you played before. That's talking about polyphonic aftertouch, and the "z-dimesnsion" on Osmose/Continuum. With those latter instruments, pitch precision can take some extra practice (x-dimension, IOW left to right pitch instabilities). The pressure dimension is easy, especially when it's like Super Gemini, where it's simply a velocity per key, and polyphonic aftertouch.
2032 spouse: "Funny, I don't remember you buying a yellow & orange synth?" "It's khaki..." "I know it's tacky." "It used to look like a creamsicle." "Now it's Halloween candy corn." "Still sounds lovely." "True, that."
I was just going to say that same comment. I know it’s early in his synth manufacturing journey to be on that list, but his pure love and enthusiasm for these wonderful machines is just infectious and wonderful to see. Ps don’t forget Tom!!
It comes across as rude - and even childish, right at the end. Dude stuck a Summit and a Hydrasynth together. It’s not like he invented a lush new filter-type, or the world’s first programmable fully-analog poly-synth, or MIDI … but he sure acts like it. Super 6 and Gemini are overhyped and overpriced. But, good luck to him!
Good controls (except the horrible mod-stick). Sounds bright …. but then, imagine the price of this thing, if it had analog oscillators … lol. It’s bad enough, as it is!
The overall character of the synth's sound is amazing. It has this sort of softness to it, in which all the sounds and characteristics are drenched. Very beautiful design too! 🥰
I have a Hydrasynth Deluxe, a Peak, a Moog Model D and a number of other machines, and I'm able to combine them into a single voice... I don't have the space for this fantastic machine, I can't really play and I don't need it - but I _need_ it. What a beast. I need to build a bigger synth cave.
@@kierenmoore3236 It's the oscillators that are digital which really just means they are high resolution, the rest of the audio pipeline is analog. So this purity really doesn't mean anything anymore. Even the Moog One is hybrid. What makes things sound fat is the filters not the oscillator.
@@UberOcelot I own fully analogs, hybrids (eg Summit, which has ‘high-res’ FPGA digital oscillators) and digitals (vintage/early VAs and modern - there’s big difference there, too) … and it definitely makes a difference having analog oscillators, or not (moreover, which type of analog oscillators makes a huge difference, eg DCO vs VCO). You might prefer one or another. But it definitely makes a difference, and often a big one, IMHO and that of many others. I was a vintage blues guitar tone-hound, before I got into synths … so perhaps that makes a difference (I’m sure it does) … 🤷🏻♂️. I wish I’d got into synths earlier, though - when I could have picked up some great ones, dirt cheap!
Gorgeous instrument... and not cheap. Like you could sell everything in that shelf in the background and still be a few hundred quid short eh? But still absolutely worth it. Great job UDO, a king has been born.
Andertons are still listing stock available as of now (early 24th Nov 23), for what it's worth. For delivery on Monday. (I don't work for them or anything, just saying that stock is available)
I have to have this!!! They are on back order, but as soon as one is available... OMG. Lovely presentation and I can't wait to create music with one in the future.
I have Summit and the Gemini. They both have their own value. The keyboard of the Gemini is my cup of tea. The dual layer immediacy of the Gemini wins over the flexibility of the Summit. It isn’t as deep as a Summit, but the concept of not being able to menu dive forces you to learn the instrument in a way we are not used to anymore. And the sound of the oscillators is different allthough both are FPGA based. I’m not sure yet I’ll keep the Summit. But the Gemini stays. There is something emotional about its sounds I do not experience on a Summit
@@subs4794not a very tasteful comment 🤦♀️ The fact Vangelis had a Hydrasynth in his final studio pics is all you need to know, really.. it’s a great shame he missed out on things like Osmose, Quantum V2, Super Gemini, Montage M8x and Aodyo Anyma Omega. He would have been having a whale of a time for sure, after waiting all these years
@@Wagoo For some reasons I doubt you're able to speak or predict dead persons future art. So I'll go by what I heard by Klaus Schulze and Vangelis in their early music/gear versus their more recent output. In my humble opinion, their modern music/gear material was boring AF.
If it had a suite of effects like reverb and phaser tied in with the presets it would up the game a bit. Yeah, I can use my Strymon pedals but that is not saved with the preset or easy to carry around.
I received my Super Gemini. The service and support from UDO is AMAZING! Also, as a CS80 owner, I was delighted to see how incredibly easy it is to open, with the lid up and to see the insides or service the insides of this remarkable keyboard - it is really the upgraded dream-synth for CS80 owners and those who wished they could have a CS80 -- I can assure you as an owner that this synth does everything the CS80 could do and so much more. The only other synth on the market today that can compete in terms of quality is the John Bowen Solaris but it is fully digital while the Super Gemini provides that complement of the rich creamy analog filters. George and Ben Hearn: Great Jobs!!!
@@kierenmoore3236 Polybrute’s A B morphing and plugin integration just can’t be done in the Deluxe. Just like the Deluxe can do things the Poly can’t. I wish that ASM would make a plugin controller though. I don’t understand why they didn’t.
Eyy up, a competent workstation with easy programmability and no display - they are certainly rare enough to be worth a shout! With aftertouch, they could actually replace a 90s one, if they have programmability beyond envelope (phase/chorus, layering and "chiff"). Layering, check. So very promising indeed despite a kind of nervous demonstration with lots of "so, yeah". And I absolutely adore the return of the performance section on the left...
I know it's expensive. But I want it. I will save, and I will acquire. Super 6 is awesome but this'll trump that on the list. Oh my! I've seen other big king synth things (large workstations, too utilitarian for me) or things like the Moog One (too... I'm not sure what, busy? More like a big heaping helping of Moog for you to get stuff done). This feels like synth enjoyment and passion for the sake of the groove. I'm saving for a Pulsar 23 for similar reasons - but man this might be the big synth of 2024 for me.
I love this synth, I will buy it regardless, but would really like the option of basic black, as is offered as a color for the Super 6. Will this be offered in black??? I sure hope so...
next bladerunner movie we know what instrument will be used :-) just when you thought software synths are now extremely good like the legend, then this comes out
Nope. Sounds too digital. There’s loads of great VCO options … not that there’ll be another movie, anytime soon. They are working on a TV series, but 😏 …
What a fabulous introduction to a magnificent synth. George is irrepressible, and the best keyboards/pianos are always the ones you just wanna keep playing. If Blade Runner made synths….
along with the 3rd wave, solaris, udo super six. modal cobalt, and the hydrasynth - this is another amazing synth from an unknown company that I don't play on buying
I’s take a 3rd Wave or a Hydrasynth Deluxe … Not a fan of the sound of this or the Super 6, though. And they’re stupid expensive, for what they actually are (FPGAs + Analog Filter). Have people gone mad? So overhyped … !!!!
It’s awesome. Would look nice next to that new little ko2 just released for the drum parts. Looks like TE might have designed the ko2 with that in mind. (I’m sure that’s not the case but they do look related)
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I can't think of another CEO who's i) as passionate about his products, ii) so able to demonstrate them properly and engagingly, iii) so clearly an excellent engineer, iv) so obsessed about quality and useability, v) thinks about future serviceability, etc etc. Most impressive.
Bob Moog?
Alan Pearlman?
Tom Oberheim?
Dave Smith?
Yeah, hardly any..😅
@@hb-fc3jj I guess he refers to the present day and time.
@@hb-fc3jjI stand by what I said...
@@hb-fc3jj sadly, they’ve been and gone
George Hearn is a better player than the legendary synth designer mentioned.
Very fortunate to have one of the first units in the UK, and it is PHENOMENAL. From bread and butter sounds all the way up to crazy soundscapes... it's just exquisite. A masterpiece.
Green with envy does not cover it....!!!!
How does it stack up against other synths like the OBx8
Mine arrived today haven't even switched it on yet
@@AndyVonalif you get chance to try one, you’ll be blown away 👍
@@theshillpill6937OB-X8 is great but very much THAT sound. The Super Gemini is my favourite by far…hugely versatile and very inspiring to sit in front of and create.
If the quality of a synth is directly proportional to the number of different happy synth gurns that come out of Nick during a presentation, this must be the greatest synth made in a very long time.
Polybrute?
I clocked that too ...
Being from the US, I’d never heard the term “gurn” prior to this comment (in fact, autocorrect wanted to make that “burn”), and after a quick google search, my appreciation of British culture has expanded a bit
I’m going to have to get one of these eventually.
Everyone always says “poly aftertouch is a gimmick” or “only virtuoso keyboardists can pull it off”, but in my experience with synths like the Osmose and Ensoniq SQ-80, that is simply not true. I am far from a virtuoso keyboardist, and within the first ten minutes I spent with an Osmose, I was already getting the hang of bending individual notes up and down or introducing vibrato on a single note. Of course there is technique involved, but I found that it came naturally, and wasn’t something I had to think about while doing it. It just sort of happened, and I think that’s a testament to good instrument design in some ways, but also our brains know what they want to hear and I think our hands can act on that before we even realize what’s going on.
Totally agree with you - simple things can be so much more expressive
Yeah if you want to add polyphonic expression to your playing, you don't need to be a better keyboard player than you are right now. You just end up paying more attention to the pressure you place with each finger, while you continue playing at whatever level you played before.
That's talking about polyphonic aftertouch, and the "z-dimesnsion" on Osmose/Continuum. With those latter instruments, pitch precision can take some extra practice (x-dimension, IOW left to right pitch instabilities). The pressure dimension is easy, especially when it's like Super Gemini, where it's simply a velocity per key, and polyphonic aftertouch.
You can't go wrong with that Space 1999 white and orange look it never looks bad
It'll go nice with TE's new EP-133 sampler on your desk. Fun!
2032 spouse: "Funny, I don't remember you buying a yellow & orange synth?"
"It's khaki..."
"I know it's tacky."
"It used to look like a creamsicle."
"Now it's Halloween candy corn."
"Still sounds lovely."
"True, that."
Love that show, and you're super right
@@ianskinner633 "This Episode... This Episode..." Moonbase Alpha, the Eagles... rad.
@@Daphoid It's almost as if the space on the top left was made for that haha
Bob Moog, Dave Smith... Soon George Hearn to be added to the list of legends...
Take it easy…
@@dingbatjack1234 Back at ya', everybody is entitled to their opinion.
@@X22GJPBack at YOU
I was just going to say that same comment. I know it’s early in his synth manufacturing journey to be on that list, but his pure love and enthusiasm for these wonderful machines is just infectious and wonderful to see. Ps don’t forget Tom!!
Instead of being just western centric, don’t forget to add Ikutaro kakehashi, toshifumi kunimoto, tsutomu katoh etc.
This is what a modern take on the CS80 would be like
Just without the heft / VCOs / sound, lol
I love how George Hearn answers Nick by just playing and demonstrating. :)
It comes across as rude - and even childish, right at the end. Dude stuck a Summit and a Hydrasynth together. It’s not like he invented a lush new filter-type, or the world’s first programmable fully-analog poly-synth, or MIDI … but he sure acts like it. Super 6 and Gemini are overhyped and overpriced. But, good luck to him!
Nick's expression at 18.56 tells you everything you need to know about this synth. Amazing work George
I think it was kind of rude he never answered the questions but hey he's lost in the sound I guess..
@@CRayBeats I don't think he ignores the question, he did the same thing with Jack in Andertons...just gets lost in the sound.
Gotta be a Florian gif right there!
It's one of the nicest synths ever made, in my opinion.
To be fair, I think it is perfectly accurate to say your statement is a fact and not an opinion.
Good controls (except the horrible mod-stick). Sounds bright …. but then, imagine the price of this thing, if it had analog oscillators … lol. It’s bad enough, as it is!
agree
UDO's George is British engineering gold... proper 'racing car out of a shed' romantic. Helps that he's so damn musical!
Well, he´s norwegian after all, and I love that
Well done, George. This instrument is absolutely sublime. Looking forward to welcoming one into my studio!
IMO a truly momentus release in the history of synthesisers. To me this thing is almost indistinguishable from magic.
It has the power of Zeus.
I’ve never seen another synth designer enjoying his own products so much - good sign
expressive touch e, also Eric from Omnishphere
Thank you so very much for this video! It helped me deciding on purchasing this amazing instrument! Congrats UDO! You guys are changing the game!
I’m 5min in and can feel and hear that George has learned to play this thing even more since the first demos. Lovely.
Goodness me. Beautiful. Well done Mr. Hearn, you and your team have done an exceptional job. 👍
This, and a Take-5... Sell it all!
I would love to see a UDO take on a drum machine / drum synth. That could be very exciting as well!
Does he ever let anyone else have a go on his udo super gemini.🤔 😳
I could listen to George's demos all day.
Currently THE most desirable synthesizer in the world, by my estimation. Gorgeous instrument.
lol, wut
@@kierenmoore3236 brain damage?
Sounds nice but doesn't have that instant wow factor that the Polybrute does. Can't quite put my finger on it. 🤔
That thing… sounds gorgeous!!! Congratulations UDO Audio!
The overall character of the synth's sound is amazing. It has this sort of softness to it, in which all the sounds and characteristics are drenched. Very beautiful design too! 🥰
Oh man I wanna get my hands on one of these so bad!
said it the first time i heard and any time i hear it.. this is one of the best poly synths ever
A remarkable instrument, a great time for synthesiser players.
I have a Hydrasynth Deluxe, a Peak, a Moog Model D and a number of other machines, and I'm able to combine them into a single voice... I don't have the space for this fantastic machine, I can't really play and I don't need it - but I _need_ it. What a beast. I need to build a bigger synth cave.
can always wish for a desktop version.
@@xiaoxia5 Will probably not happen, but yeah, that purchase I could potentially rationalize :).
Start digging!!!!
Gemini is basically a Summit plus a Hydrasynth … except, you could have both those synths, for considerably less money - lol
If a Jupiter 8 and a CS80 had a love-child....
No - it’s not fully analog … A CS-80 and a Jupiter-80, maybe …
@@kierenmoore3236 It's the oscillators that are digital which really just means they are high resolution, the rest of the audio pipeline is analog. So this purity really doesn't mean anything anymore. Even the Moog One is hybrid. What makes things sound fat is the filters not the oscillator.
@@UberOcelot I own fully analogs, hybrids (eg Summit, which has ‘high-res’ FPGA digital oscillators) and digitals (vintage/early VAs and modern - there’s big difference there, too) … and it definitely makes a difference having analog oscillators, or not (moreover, which type of analog oscillators makes a huge difference, eg DCO vs VCO). You might prefer one or another. But it definitely makes a difference, and often a big one, IMHO and that of many others. I was a vintage blues guitar tone-hound, before I got into synths … so perhaps that makes a difference (I’m sure it does) … 🤷🏻♂️. I wish I’d got into synths earlier, though - when I could have picked up some great ones, dirt cheap!
Sounds and looks absolutely incredible!
Gorgeous instrument... and not cheap. Like you could sell everything in that shelf in the background and still be a few hundred quid short eh? But still absolutely worth it. Great job UDO, a king has been born.
TO be honest, the Moog one is wayyy more expensive and id rather buy this one. :)
UDOs are way overpriced, for FPGA + Analog Filter hybrids … tho’ maybe you have to pay extra for the word Binaural, instead of Stereo … lol
It's as aesthetically beautiful as it is beautiful sounding.
Yep, lol. But not in a great way.
sweet jeebus, ok, this i will put an order for tomorrow
Just heard mine's being shipped today 😊
Vangelis would love this ❤ Beautiful
I just ordered one, should get it at the weekend, yay.
Andertons are still listing stock available as of now (early 24th Nov 23), for what it's worth. For delivery on Monday.
(I don't work for them or anything, just saying that stock is available)
Picked it up yesterday (Saturday). Not much housework is getting done this weekend!
Got mine from Andertons last week. What a synth! Zero regrets
A simple concept beautifully executed 👏
I have to have this!!! They are on back order, but as soon as one is available... OMG. Lovely presentation and I can't wait to create music with one in the future.
I used to really want a Moog one, but I NEED a Super Gemini
I'm in love with this instrument. Good lord. It isn't cheap, but it's a very fair price imo.
lol, wut. How? It’s FPGA oscillators. It’s well over double the price of a Summit.
I have Summit and the Gemini. They both have their own value. The keyboard of the Gemini is my cup of tea. The dual layer immediacy of the Gemini wins over the flexibility of the Summit. It isn’t as deep as a Summit, but the concept of not being able to menu dive forces you to learn the instrument in a way we are not used to anymore. And the sound of the oscillators is different allthough both are FPGA based. I’m not sure yet I’ll keep the Summit. But the Gemini stays. There is something emotional about its sounds I do not experience on a Summit
just imagine the Super Gemini in the hands of Vangelis...that would've been amazing!
Nothing would happen in the hands Vangelis 💀 but he would make for a newsworthy prop.
@@subs4794not a very tasteful comment 🤦♀️
The fact Vangelis had a Hydrasynth in his final studio pics is all you need to know, really.. it’s a great shame he missed out on things like Osmose, Quantum V2, Super Gemini, Montage M8x and Aodyo Anyma Omega. He would have been having a whale of a time for sure, after waiting all these years
@@Wagoo For some reasons I doubt you're able to speak or predict dead persons future art. So I'll go by what I heard by Klaus Schulze and Vangelis in their early music/gear versus their more recent output. In my humble opinion, their modern music/gear material was boring AF.
Vangelis couldn’t have improved its basic tone, tho’ …
This synth is just amazing.
And still no display for at least patch names... Absolute NOGO for me, already hate using my Prophet 6 for this major blunder.
The patch in the opening is so beautiful!
It sounds like a pedal steel in the best way possible. Very unique and cool.
If it had a suite of effects like reverb and phaser tied in with the presets it would up the game a bit. Yeah, I can use my Strymon pedals but that is not saved with the preset or easy to carry around.
So cool! I wish some major brands had awakened that kind of creativity and enthusiasm! It sounds fantastic and expressive! 🙂
Seems like a sound design heaven and a super playable instrument. I wish I could have one, one day.
The moment the summit met the Hydrasynth deluxe.
You could own both, for significantly less than the price of the Gemini - lol
Good lord this thing sounds amazing
I received my Super Gemini. The service and support from UDO is AMAZING! Also, as a CS80 owner, I was delighted to see how incredibly easy it is to open, with the lid up and to see the insides or service the insides of this remarkable keyboard - it is really the upgraded dream-synth for CS80 owners and those who wished they could have a CS80 -- I can assure you as an owner that this synth does everything the CS80 could do and so much more. The only other synth on the market today that can compete in terms of quality is the John Bowen Solaris but it is fully digital while the Super Gemini provides that complement of the rich creamy analog filters. George and Ben Hearn: Great Jobs!!!
CS80 doesn’t sound that bad.
saving ...saving and selling the , wife , and mother in-law
Looks and sounds nice. However, the Hydrasynth Deluxe is quite the match especially for its price.
If I hadn’t already got a Deluxe and a Polybrute this would have definitely been on the shopping list.
I’d prefer the Hydrasynth Deluxe, and pocketimg all the change.
@@kierenmoore3236 Polybrute’s A B morphing and plugin integration just can’t be done in the Deluxe. Just like the Deluxe can do things the Poly can’t.
I wish that ASM would make a plugin controller though. I don’t understand why they didn’t.
Lovely moment at 6:48
Eyy up, a competent workstation with easy programmability and no display - they are certainly rare enough to be worth a shout! With aftertouch, they could actually replace a 90s one, if they have programmability beyond envelope (phase/chorus, layering and "chiff"). Layering, check. So very promising indeed despite a kind of nervous demonstration with lots of "so, yeah". And I absolutely adore the return of the performance section on the left...
Wow ... my potential big synth purchase was the Dekards Dream mk2 but after seeing this I've changed my mind .... this thing is incredible !
sounds incredible, just so clean
Fantastic sound!!!
I know it's expensive. But I want it. I will save, and I will acquire. Super 6 is awesome but this'll trump that on the list. Oh my!
I've seen other big king synth things (large workstations, too utilitarian for me) or things like the Moog One (too... I'm not sure what, busy? More like a big heaping helping of Moog for you to get stuff done).
This feels like synth enjoyment and passion for the sake of the groove.
I'm saving for a Pulsar 23 for similar reasons - but man this might be the big synth of 2024 for me.
Mine is on the way!❤❤❤
Sounds gorgeous.
I cried at 8:20, this is The Synth! Congrats to the UDO team.
If in US do you have to send back to UK for repairs?
I love this synth, I will buy it regardless, but would really like the option of basic black, as is offered as a color for the Super 6. Will this be offered in black??? I sure hope so...
Brilliant - What a great sounding synth and I’m sure UDO sell loads of them . I’m hoping Signal Sounds in Glasgow get one so I can try one too.
Merci beaucoup George and Nick. I desire your synths so much.. as a way to work..
It's just glorious.
Amazing !!! Can’t wait for a sounds only demo, Jexus would be good for that I’ll bet!!
A wonderful synthesiser and a passionate George Hearn.
sounds beautiful in my ears
next bladerunner movie we know what instrument will be used :-) just when you thought software synths are now extremely good like the legend, then this comes out
Nope. Sounds too digital. There’s loads of great VCO options … not that there’ll be another movie, anytime soon. They are working on a TV series, but 😏 …
I can feel a fire sale of gear coming on to finance the purchase of this truly magnificent instrument.
Best synth demo EVER!!!
Such a cool synthesizer! Super tempted to get one!
That opening lick sounds very familiar.
Next Gen Blade Runner... the designer is so good at demo-ing his machine
He never lets anyone else play it, lol.
Wonderful instrument.
Just one question: the reverb is external, right?
There’s no reverb on this demo. If you hear anything like that, it’ll be the delay.
Lovely synth, but haha would be nice to get a cohersive walkthrough without the presenter getting lost in sound all the time ☺️
That guy has a unique way about him, amazing demo.
I love this!
Lovely! Well done in creating this.
I love listening to George play.
To remedy the lack of display, some librarian/VST is a must.
Outstanding awesone kind of a soundmonster. Wow!!!
My dream synth right now.
Great job UDO. Sounds wonderful.
Similar in colour to the new TE sampler btw. 😎
What a fabulous introduction to a magnificent synth. George is irrepressible, and the best keyboards/pianos are always the ones you just wanna keep playing. If Blade Runner made synths….
This sounds soooooo good!
It’s like the CS80 2023 💪🏻
This is a top shelf synth💪
Better hope that shelf doesn’t break - this thing would kill you instantly, lol. It’s so big/deep - how heavy is it?!
MPO, best sounding, looking, hands on Synth in the last 20yrs.
along with the 3rd wave, solaris, udo super six. modal cobalt, and the hydrasynth - this is another amazing synth from an unknown company that I don't play on buying
@connor_flanigan Good for you. Now, step aside...🙄😎
I’s take a 3rd Wave or a Hydrasynth Deluxe … Not a fan of the sound of this or the Super 6, though. And they’re stupid expensive, for what they actually are (FPGAs + Analog Filter). Have people gone mad? So overhyped … !!!!
Maybe someone here can confirm - are the faders the shorter variety (like the Super Six desktop) or the longer ones like the Super Six keyboard?
yes there more like the desktops
Shorter throw faders like on the desktop, unfortunately. It looks like longer ones would've fit, too.
@@GizzyDillespee That sucks
Sounds lush even thru my phone.
Im watching this to get tips on playing from George, hes a wizard
This is now on my list ! The never ending list of kit !
It’s awesome. Would look nice next to that new little ko2 just released for the drum parts. Looks like TE might have designed the ko2 with that in mind. (I’m sure that’s not the case but they do look related)
this is a beast ane I want it!
Should have gotten mine by now. Any production delays?