2:10 you should mention, that you go to F minor on C7 everything is true, bit - for me - it"s easier to understand - and this is how I hear that - that we play the C7 in as in F minor, and it resolves to F major
@@johnhoey7984 idk, if it's sarcasm or not, for me this type of lines always feel (has the same emotional effect) than the picardy third (resolve minor melody to a major chord at the end). It's pretty common, that you can find different theoretical backgrounds for the same group of notes :) if it's not sarcasm: I'm glad, if it helps
Keep up the aaaamazing work Brent and team! 🔥🙏👏
Thank you so much!
Beautiful sounding licks. The last one is my favourite. Thanks a lot for this Brent!
My pleasure!
What guitar is this? It is beautiful, Where can I get one.
Thanks Bjarne! It's custom-made by Victor Baker www.victorbakerguitars.com/NYCLuthier/
Re lick #2. From a theory perspective, why are you ending the phrase on a six chord?
Is there a link to the sheet music used in this?
I've been looking for ideas over 1 6 2 5
👍
2:10 you should mention, that you go to F minor on C7 everything is true, bit - for me - it"s easier to understand - and this is how I hear that - that we play the C7 in as in F minor, and it resolves to F major
This is a “WOAH” mind-blowing concept. Something that’s right there but was never seen before sorta thing. Makes complete sense thanks for sharing it.
@@johnhoey7984 idk, if it's sarcasm or not, for me this type of lines always feel (has the same emotional effect) than the picardy third (resolve minor melody to a major chord at the end). It's pretty common, that you can find different theoretical backgrounds for the same group of notes :) if it's not sarcasm: I'm glad, if it helps
What about THE lick?
thahks men they are really good jazz links
greetings Ray
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