How To Improvise Over Spain by Chick Corea

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  • Опубликовано: 23 июл 2024
  • I had few people asking to break down intro on one of the videos on melodic minor I've posted.
    And so tho is it :) took me longer than I thought.
    The concept is relatively simple, every time you see Altered chord play melodic minor half step above.
    So there are three altered chords in this tune:
    F#7alt
    A7alt
    C#7alt
    which melodic minor to use ?? :)
    Also the book I've mentioned in the video:
    Super Chops: Jazz Guitar Technique in 20 Weeks www.amazon.co.uk/dp/089915010...
    the price is crazy lol
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Комментарии • 40

  • @leventguner642
    @leventguner642 3 года назад +10

    It's great that he's not trying to show his improvisation skills off but to show which scale we need to use along the track.

  • @VictorCastillo4
    @VictorCastillo4 3 года назад +4

    The way the loop of the chords are slowed down like how you have it playing sounds a lot like “Blue in Green”
    Love it! Thank you for the breakdown!

  • @tritone3284
    @tritone3284 3 года назад +1

    Ed man happy to see you are doing well. God bless you mi hermano!

  • @owelguitar
    @owelguitar 10 месяцев назад +1

    Thank you for sharing this!

  • @sergeikorotkov
    @sergeikorotkov 4 года назад +1

    !!!!! thanks for the video! great content as always!!!

    • @EdArmGuitar
      @EdArmGuitar  4 года назад

      Thanks for your comment !! 🙏 Great encouragement for me to make more videos

  • @mostlyedm4539
    @mostlyedm4539 3 года назад +1

    U are the man, thank a lot!! Realy helps me

  • @leofamily3846
    @leofamily3846 Год назад +1

    amazingman!! Thank you!

  • @mostlyedm4539
    @mostlyedm4539 4 года назад +1

    Man its brilliant thanks alot !!

  • @kaishassen9513
    @kaishassen9513 4 года назад +1

    this is so good I'm subscribing and thank you

  • @ScHaMyLGuitArt
    @ScHaMyLGuitArt Год назад +1

    thanks. great video. I feel more confortable now when I'm playin. this song🙏

  • @aleksandraarmoniene1169
    @aleksandraarmoniene1169 4 года назад

    Bless you, that's great

  • @bernadusrikosantosa2002
    @bernadusrikosantosa2002 2 года назад +2

    Thanks for the share

  • @alextseitlin2450
    @alextseitlin2450 Год назад

    great

  • @andrejorlov1561
    @andrejorlov1561 4 года назад

    Amazing !

    • @EdArmGuitar
      @EdArmGuitar  4 года назад

      Thanks dude! Would love to hear your version

    • @andrejorlov1561
      @andrejorlov1561 4 года назад

      Ok i,ll send my version to you directly soon :)

  • @MegaDuvaldo
    @MegaDuvaldo 4 года назад +1

    Thanks!!!

  • @daniellurman9093
    @daniellurman9093 3 года назад +3

    Hey mate, nice lesson! Try putting a b7 after your last b min, that’ll set you up with some nice tension before you come ‘round to the g maj7 again, could make it a b7 alt if you like!

  • @gaetaneichelberger6556
    @gaetaneichelberger6556 4 года назад +1

    Great ! :)

  • @etzenhammer
    @etzenhammer 7 месяцев назад

    What I like to do sometimes is play an Emaj7 instead of the F#al ... very cool effect!

    • @EdArmGuitar
      @EdArmGuitar  7 месяцев назад

      That's interesting, never tried it
      Thanks

    • @EdArmGuitar
      @EdArmGuitar  7 месяцев назад

      Is Emaj7 Lydian b5 due to the melody?

  • @JGCanning
    @JGCanning 4 года назад +2

    I love the way it sounds, but theoretically, shouldn’t the MM scale choice for the non-resolving F#7th be Db (the Lydian Dominant mode)? Or am I missing something. Not that rules aren’t made to be broken, ESPECIALLY in jazz, but I’ve always heard that non-resolving dominants should be treated with the MM scale a 5th away from the root. Thanks!

    • @EdArmGuitar
      @EdArmGuitar  4 года назад

      Thanks for you comment!
      This tune is in Bm key so F#7 most of the times is altered like in most of the minor key tunes. Lydian dom would work better and its used in most cases as secondary dominant. Its just more comon choice but you can use three different MM over Dominant chord im not talking about Alt Dom. Make sence ?

    • @JGCanning
      @JGCanning 4 года назад +1

      Ed Arm sort of, yes. The fact that the tune is in Bm and so, it’s 5th (F#) can (should!) be altered etc make sense. But it’s just interesting that that 1st F#7 doesn’t resolve to Bm, but goes to Em7 and a II V I in Dmaj and yet the altered scale really works over it is interesting and NOT something I’ve seen before (I don’t think.)

    • @JGCanning
      @JGCanning 4 года назад +1

      For what it’s worth, your Melodic Minor vids have really helped me! I’m in the thrall of MM and am spellbound by its mystique and mysterious sound, but am still struggling to get it into my playing in a melodic and musical way. It’s hard! I hope you’ll make more MM lessons! Perhaps one on Lydian Dominant? Thanks! -JGC

    • @tedz24
      @tedz24 2 года назад +1

      @@JGCanning it does sound nice when you use the lydian dominant there as an extra spice in your playing.

    • @tedz24
      @tedz24 2 года назад +1

      @@JGCanning also try C MM over the first f#7 alt and it'll sound as though you're intentionally telegraphing your resolution to Em

  • @gmborromeo
    @gmborromeo 10 месяцев назад +1

    By the way what is to be älteren? Can u be specific???

    • @EdArmGuitar
      @EdArmGuitar  8 месяцев назад

      Altered b2 #2 b5 #5 also b7

  • @korgaskorgapa3898
    @korgaskorgapa3898 3 года назад +1

    Ok.