Wes Montgomery Secrets That Will Transform Your Playing...

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  • Опубликовано: 7 сен 2023
  • Guitar Pro Files, PDF's, and More for this lesson on Patreon:
    / nathanbortonmusicpatreon
    In todays lesson I'm going to talk about the Wes Montgomery concepts that transformed my playing and will do the same for you! We will cover his colorful guitar shapes and how to apply them over various chords, as well as ways to integrate them into your jazz vocabulary.
    Intro and outro backing tracks provided by Phil Wilkinson: www.playjazztracks.com
    If you want to support the channel, but not sign up for Patreon: paypal.me/nborton1
    I'm a proud Benedetto Artist/Educator and am playing a Bravo Deluxe. (benedettoguitars.com)
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    #JazzGuitar#Lessons#Transcriptions
    If you have any suggestions of future video topics leave you comments below!
    Thank you for your support!

Комментарии • 286

  • @NathanBortonMusic
    @NathanBortonMusic  10 месяцев назад +8

    Here is the PDF download link! patreon.com/NathanBortonMusicPatreon also here is the follow up lesson:
    ruclips.net/video/EsUXabLSpAM/видео.html

  • @SimpleManGuitars1973
    @SimpleManGuitars1973 9 месяцев назад +21

    I love the lick in Four On Six from Smokin' At the Half Note where the basically plays a Gm7 but winds up in like a Bb simple triad shape by starting on the 5th fret G on the D string and going to the 8th fret Bb on the D string and then just playing a simple looking 1-3-5 triad from there. I use that a lot over minor chords as a fun shape with a colorful sound that is actually a really simple but effective movement. Wes was just the best. There was so much range in his playing. He was almost like a jazz shredder on Cottontail but then like a jazz funk player on Full House. Unreal what he accomplished in such a short time. I'm not truly a "jazz player" but I love incorporating little bits of Wes into my blues and rock playing and I could listen to him every day for the rest of my life and never get sick of him.

    • @maxwellbarnhart1375
      @maxwellbarnhart1375 9 месяцев назад +2

      I'm gonna need a timestamp lol

    • @lucaspetrus2
      @lucaspetrus2 9 месяцев назад +1

      🤓

    • @SimpleManGuitars1973
      @SimpleManGuitars1973 9 месяцев назад +2

      @@maxwellbarnhart1375 It's basically the second bar of the solo. It's a super quick move and if you blink you'll miss it but man it's super sweet.

  • @rondorko
    @rondorko 10 месяцев назад +12

    Fantastic lesson, Nathan! I always appreciate your clear explanation of what you're doing and why. Yes! More Wes, please.

  • @thecurlymusicologist
    @thecurlymusicologist 10 месяцев назад +6

    Amazing lesson, Nathan! Thank you for all that you do for the jazz guitar community and jazz community at large!

  • @paulscheuer9455
    @paulscheuer9455 9 месяцев назад +3

    An excellent analysis. Clear, concise and most importantly ties back to the theory of what separates the sound of jazz guitar from all other styles. Keep these lessons coming!

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад +1

      Hi Paul, thanks for your comment! Really appreciate it!

  • @joeschmoe1301
    @joeschmoe1301 9 месяцев назад +6

    Doesn't matter who's playing Wes's lines. It ALWAYS sounds good!!

  • @nikigba
    @nikigba 3 месяца назад

    Just watched one of your earlier lessons and then this one, you've come a long way! I really enjoyed this lesson. And yes, more Wes!

    • @NathanBortonMusic
      @NathanBortonMusic  3 месяца назад

      Thanks so much! I'm always working on improving and appreciate you noticing!

  • @thepartimemusician65
    @thepartimemusician65 9 месяцев назад +1

    Superb uploads lately Nathan, thank you and may your channel success continue.

  • @JesusRamirez-vt6lk
    @JesusRamirez-vt6lk 9 месяцев назад +1

    This is one of the best lessons on i have watched !!! Good stuff

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Wow that means a lot! Thanks so much and I hope you can find more information on the channel that is as helpful to you!

  • @richfrommitch
    @richfrommitch 7 месяцев назад

    Been having jazz lessons for a few months and it is baking my brain. Thankfully a few of your videos are helping me out.

    • @NathanBortonMusic
      @NathanBortonMusic  7 месяцев назад

      Sorry about the brain baking, but glad to hear my lessons are helping that!

  • @hello55125
    @hello55125 9 месяцев назад +1

    Great stuff, more lessons on Wes would be great! Thanks for all your hard work

  • @terrybrown8151
    @terrybrown8151 2 месяца назад

    Super amazing playing and explanations west Montgomery is a amazing artist thanks a lot 🎵🎵🎶🎶

  • @hughmoore4117
    @hughmoore4117 2 месяца назад

    Sounds great. I love arpeggios and this a great lesson plus I need lots of help.

  • @-Dominique
    @-Dominique Месяц назад

    Well thank you ! Wise fingering, simple and logical in a intervallic manner 🎉

  • @cryn
    @cryn 9 месяцев назад

    Great lesson. This idea inspires so many possibilities. Thank you!

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      You are so welcome! Hope helps shape your playing!

  • @markford6154
    @markford6154 6 месяцев назад

    This is very informative Nathan and certainly does facilitate a more melodic approach. Thank you for a well presented tutorial.

  • @RachaelMagidsonjazz
    @RachaelMagidsonjazz 2 месяца назад

    Thank you so much ! So clear and interesting !!!

  • @royrensburg3099
    @royrensburg3099 9 месяцев назад

    Thank you so much for your brilliant insights…and that beautiful tone 👌🏽

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      You are so welcome! And can you believe that's DI? I'm using a golden age mkiii as a pre-amp!

  • @clifford7
    @clifford7 8 месяцев назад

    Good lesson....Nathan. Smooth examples

  • @JazzStrat781
    @JazzStrat781 9 месяцев назад

    Really great lesson 👍🎸 glad to have found your channel, best to you!!

  • @TechnologyofFreedom
    @TechnologyofFreedom 10 месяцев назад +1

    Great lesson! Yes, more Wes, please.

  • @koco2684
    @koco2684 9 месяцев назад

    hello, thank you for your course always well done, with the end study which includes the example licks. Your lessons are so rich that 10 minutes is enough. A new contributor

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Thanks for your kind words! There will be more Wes lessons in the future! I was thinking about doing one on his block chord soloing/comping!

  • @jjazzyt8588
    @jjazzyt8588 8 месяцев назад

    Great lesson, very clear and helpfull, merci beaucoup!

  • @peteandrews7169
    @peteandrews7169 4 месяца назад

    Great lesson Nathan, thank you

  • @klangfarben6
    @klangfarben6 8 месяцев назад

    Excellent lesson. Thank you!

  • @michaelottoguitar
    @michaelottoguitar 8 месяцев назад

    Great lesson and amazing playing!

  • @vspaulding1
    @vspaulding1 10 месяцев назад

    Thank You Nathan for Posting. Glad I Follow you:)

  • @LarrySiden
    @LarrySiden 10 месяцев назад

    Another gem. Thank you, Nathan.

  • @sunlightpictures8367
    @sunlightpictures8367 8 месяцев назад

    Very informative vide and nice playing!

  • @BlakePriddyMusic
    @BlakePriddyMusic 10 месяцев назад

    This was great. Thank you man!!

  • @duaneharlick
    @duaneharlick 8 месяцев назад

    Great lesson!

  • @vincenzo6162
    @vincenzo6162 9 месяцев назад

    Some great ideas! Much appreciated 👍

  • @rillloudmother
    @rillloudmother 9 месяцев назад

    this is a great Wes lesson, keep it up!

  • @oliverkoch7852
    @oliverkoch7852 9 месяцев назад

    wow Your lession are realy great and helpfull. They are one of the best among the best 👍🏻👍🏻👍🏻And…..please keep on going because its nice to hear you playing. thank you very much for your work…..😉

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Wow! Thanks so much Oliver! I’m glad you enjoyed it and thanks for the compliment about my playing, means a lot! I have a couple records out if your interested? Ones called “Each Step”

  • @fouroutoffour
    @fouroutoffour 9 месяцев назад

    Great one, Nathan! Thanks

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Thanks so much! Always appreciate your support :)

  • @martinowwwitsch
    @martinowwwitsch 9 месяцев назад

    Great! Thanks for that

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Appreciate your watching! Hope it was helpful :)

  • @jazzajour
    @jazzajour 5 месяцев назад

    Thanks! Great job!🙏🤘

  • @mobetterx1110
    @mobetterx1110 9 месяцев назад

    This was helpful! Thanks!

  • @danielbrunner5878
    @danielbrunner5878 9 месяцев назад

    Wow this is amazingly helpful

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Glad this video helped you! Thank for watching!

  • @JazzVocab
    @JazzVocab 10 месяцев назад

    Great stuff! Thanks😊

  • @fahrad69
    @fahrad69 9 месяцев назад

    Great lesson on Wes' approach.

  • @takedahiroaki
    @takedahiroaki 9 месяцев назад

    nice lesson.thanks.

  • @dominicdemercurio7933
    @dominicdemercurio7933 10 месяцев назад

    Thank you. Nice playing.

  • @meeno_the_man
    @meeno_the_man 9 месяцев назад +1

    I’m stumbling upon your channel at, perhaps just the right moment in my musical maturation. Wonderful lesson many thanks. And yes, more Wes Montgomery please.

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      So Glad to hear it helped you out!

    • @SimpleManGuitars1973
      @SimpleManGuitars1973 9 месяцев назад

      If you're sorta new to Wes I would HIGHLY recommend Smokin' At The Half Note and The Incredible Jazz Guitar of Wes Montgomery. Holy crap dude they're amazing!

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      @@SimpleManGuitars1973 YES!

  • @ssmith8958
    @ssmith8958 9 месяцев назад

    I found your video while searching for a Miles Davis video. This is amazing because I somehow discovered using the Minor shapes over 30 years ago. It has helped me to develop my own style. Because of your video I now understand why it works, Thank you so much for sharing your talent and knowledge. You made my day. Thanks again.

  • @DjangoThunders
    @DjangoThunders 9 месяцев назад

    Good lesson, very focused and I will be coming back. *****

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Appreciate that! Hope you find more lessons that help you out!

  • @jonathanbumpus3709
    @jonathanbumpus3709 9 месяцев назад

    Beautiful video 🔥

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Aw shucks man. Thanks so much for checking it out :)

  • @julianmiguelcases4994
    @julianmiguelcases4994 7 месяцев назад

    Really great lesson, what a beautiful sound you can get, Wes is magic, thank you so much for sharing your knowledge, I already subscribed to your channel, keep on doing lessons maestro!!! Thanks :)

  • @onceuponascale
    @onceuponascale 9 месяцев назад

    Great sound man!

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Appreciate it! I’m going DI into a golden age mkiii pre-amp

  • @mr.jazzbo2669
    @mr.jazzbo2669 9 месяцев назад

    More Wes lessons please. Good stuff.

  • @gurayozcana
    @gurayozcana 9 месяцев назад

    Thanks for the tips🎉🎉

  • @gregdarling8163
    @gregdarling8163 10 месяцев назад

    Some great information!

  • @ellane8441
    @ellane8441 8 месяцев назад

    Kudos !!

  • @olymoon2008
    @olymoon2008 9 месяцев назад

    Fantastic explanation. Very inspiring. Thank you!! ...... Subscribed. ; )

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад +1

      Awesome, thank you! Hope you find some more content you like on the channel :)

  • @carloscardona3924
    @carloscardona3924 9 месяцев назад

    Hearing you play Makes me appreciate Jazz More

  • @jean-lucbersou758
    @jean-lucbersou758 4 месяца назад

    INTERESTING APPROACH and we should add that the liminar secret was WES 's musical ear , absolute
    pitch of the neck that allows to play instantely his musical ideas anticipating several bars into a linear
    melodic flow . That can explain his incredible touch , balanced and subtle chromatisms , high tension
    and release through perfect timing , absolute control of interaction with his peers .THANKS for your
    precious work .

  • @guitariste47
    @guitariste47 7 месяцев назад

    Sounds great

  • @jjsbluz6081
    @jjsbluz6081 9 месяцев назад

    Thank You

  • @williammorson1535
    @williammorson1535 9 месяцев назад +2

    I'm not a guitarist, (just learning bass) but what you are teaching is music to my ears sorry I mean beautiful. I'm sure if I put all that in my head it will in some way improve my bass playing.

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      For sure! Using these colors in bass lines and in your soloing could be cool!

  • @ajkauly3682
    @ajkauly3682 9 месяцев назад

    vERY NICE PLAYING AND INSTRUCTION!!

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Glad it was helpful! And thanks for your kind words!

  • @davidkelly831
    @davidkelly831 10 месяцев назад

    Great tutorial 👍

  • @winstoncampbell6180
    @winstoncampbell6180 9 месяцев назад

    Great content brother 🔥🔥❤️

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Thanks 🔥Glad you enjoyed it and hope it was helpful!

  • @roqueflores4262
    @roqueflores4262 9 месяцев назад +1

    Hi Man more of Wes please! Some blues stuff or minor 2-5-1! Thanks for share this pure GOLD!

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад +1

      Hey thanks so much! Really glad you liked the lesson! I have one videos on these topics in the past, here are a couple of you want to check them out!
      Grant Green's Guide To The Blues | Tips and Tricks to Improve Your Improvisation
      ruclips.net/video/5EOZ8Q6RBGs/видео.html
      Grant Green's Guide to the MINOR Blues!
      ruclips.net/video/RLB-BRSTK8A/видео.html
      The Secret To Soloing Over Minor Tunes (and Chords)
      ruclips.net/video/Vu4n8x0YEUM/видео.html
      Every Jazz Musician Should Know This
      ruclips.net/video/Uz1KSPz5S2k/видео.html

  • @gabiacro1
    @gabiacro1 9 месяцев назад

    More of this!

  • @mjpslim
    @mjpslim 10 месяцев назад

    This is great information..

  • @jjsbluz6081
    @jjsbluz6081 9 месяцев назад

    Thx Marvelous

  • @daleschimpf
    @daleschimpf 9 месяцев назад

    Mind bending! 😀

  • @WhistlebirdInfinity
    @WhistlebirdInfinity 9 месяцев назад

    I have been finding this out for myself on piano, as it happens. I really love if I have say a C major in the bass, I will play a B minor pentatonic over that getting the major 7, 9, sharp 11, and 6 (or 13) it's pretty liberating

  • @sammyjacksonofhollywood1245
    @sammyjacksonofhollywood1245 8 месяцев назад

    good job 👏

  • @michaelhughes5595
    @michaelhughes5595 9 месяцев назад

    Awesome. Natalie Merchant, in a subtle way , reminds me of Joan Baez. Absolutely stated as high praise. They are both unbelievably talented as well as truly authentic .

  • @jfmax2000
    @jfmax2000 9 месяцев назад +2

    Oh Yeah Bro... Great Stuff.. I've Been Listening to Wes Since I Can Remember My Dad was a Jazz Guitarist and Wes was One of His Favorite Guitarist... Dead On Wes Theory.. Thanx for The Instructional ☺☺😎👊💯

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад +1

      Thanks so much! Glad you enjoyed it and heck yes for Wes! Did you see they released new Wes albums?! Unreleased bootlegs I think?

    • @jfmax2000
      @jfmax2000 9 месяцев назад

      @@NathanBortonMusic Yessir.... Oh Wow Really...Oh Gotta Look into That for Sure and Thanx for The Heads Up Bro 😀😀😎👊💯

  • @felliperockz7857
    @felliperockz7857 8 месяцев назад

    The first time I heard about the D-7 over G7 was with Joe Pass vhs video saying when he sees a G7 he thinks on D-7... something like that I don't remember exactly. But excellent video! Wes guitar sound is very sweet you nailed and explained clearly. A lot of people will learn something or even start to listen Wes Montgomery. Congrats!

    • @NathanBortonMusic
      @NathanBortonMusic  8 месяцев назад +1

      Thank you for the kind words! Yes, I hope I can help spread jazz music and make more people interested in this amazing genre!

  • @massimos6863
    @massimos6863 9 месяцев назад

    Wess Montgomery ❤ one of the greatest guitarist of our time. Beautiful playing

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад +1

      Yes indeed! And thanks for the kind words 🙏

    • @massimos6863
      @massimos6863 9 месяцев назад

      @NathanBorton your very welcome you are a great guitarist 🎸

  • @galbaribeirodefaria6104
    @galbaribeirodefaria6104 9 месяцев назад

    It's great! Thanks a lot!! From BRAZIL!!!

  • @jodyguilbeaux8225
    @jodyguilbeaux8225 8 месяцев назад

    dorian and its extensions or minor modal usage.over major and minor chords. i like it ,fantastic..................thanks

  • @robertomacheda592
    @robertomacheda592 10 месяцев назад

    Nice lesson man

  • @bwbillwilliamsbw
    @bwbillwilliamsbw 9 месяцев назад

    Ace lesson.

  • @AdrianFarrell
    @AdrianFarrell 9 месяцев назад +1

    Got nothing to add that others haven't already said, but I know it's good for your algorithms to comment 🙂👍🙏

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      It really does... thank you! Hope you enjoyed the lesson :)

  • @analogalien
    @analogalien 9 месяцев назад

    Bravo! Just subscribed.

  • @HristoVelev
    @HristoVelev 10 месяцев назад

    That's great! Will be cool to have more. The way I think about it is diatonically - when the harmony is diatonic to a key, you can play all the seven chords over it, and it sounds good. Not just major/minor, but add the modal color tones so it becomes Dorian, phrygian, lydian etc. Makes it easy to follow the harmony because key centers don't change as often.

    • @NathanBortonMusic
      @NathanBortonMusic  10 месяцев назад +1

      Yes definitely! You have to find the ways to that work for you. You might be interested in this video, where I talk about something similar via Barry Harris’s major 6th Diminished scale: The Barry Harris Concept That Will Change Your Playing Forever
      ruclips.net/video/_KLrdP7SCIw/видео.html

    • @HristoVelev
      @HristoVelev 10 месяцев назад

      @@NathanBortonMusic great, thanks for sharing!

  • @charpentierniko4613
    @charpentierniko4613 7 месяцев назад

    Yea really good, tanks for sharing,big up from Reunion island Indian ocean.

  • @almires6945
    @almires6945 9 месяцев назад

    Thank You Nathan! Appreciate this info. I’m curious, what guitar where you playing here?

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      No problem! I'm playing a Benedetto Bravo Deluxe. Very much love this guitar! I'm just recording DI into a golden age mkiii pre-amp.

  • @johnhendricks8140
    @johnhendricks8140 9 месяцев назад

    So many choices with the harmonies.

  • @makesenz
    @makesenz 9 месяцев назад

    One of my pops' (Jan Akkerman) and my heroes! what a legend

  • @crapadopalese
    @crapadopalese 9 месяцев назад +4

    The epiphany you had is basically "Dorian is a scale that sounds hip"

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад +4

      I would say this lesson is focused on uses Wes's guitar shapes rather than focusing on the scale it comes from. Yes, dorian is the sound (for some of these) but using Wes's shapes gives you some language and context on how to apply it. Thanks for your comment and for watching!

    • @guitarmusic524
      @guitarmusic524 8 месяцев назад

      Darrell was the Man in Indy when he got back from WW II. Monk often called him for gigs when Wes wasn't around.

    • @Mattcallaway86
      @Mattcallaway86 8 месяцев назад +2

      Thinking of it in Dorian is kind of surface level thinking. My takeaway is that it’s really more about arpeggios and adding specific chord tones. Moreover, the context is included which is a huge bonus. This is amazing free content.

    • @crapadopalese
      @crapadopalese 8 месяцев назад

      @@Mattcallaway86 it's a very specific arepgio. The one that implies a Dorian sound.

  • @ellane8441
    @ellane8441 8 месяцев назад

    You Gotta Love Wes.. Period.

  • @MrTroposphere
    @MrTroposphere 10 месяцев назад

    Gr8 vid, more Wesmo secrets plz

  • @dannysomoza9977
    @dannysomoza9977 15 дней назад

    Nathan ,I love your playing. Your lessons are full of important info. Can you tell me what Amp are you using? You get a great sound from that beautiful Benedetto guitar. Warm,crisp,punchy. Very clear notes on the 5th and 6th strings. Great lessons. Please keep them coming. You have a lot of really good things to say.!! It is greatly appreciated. By the way, Wes was my first Jazz Guitar hero back in the 60's. I think Wes was one the Greatest Jazz Guitarist that ever lived. Thanks.!!

    • @NathanBortonMusic
      @NathanBortonMusic  13 дней назад

      Hi Danny, thanks for your kind words! I acually don't use an amp but rather a pre-amp that goes straight into my DAW via DI. I use the golden age mkiii! I have a link in the video description if your interested in purchasing one!

  • @stevewhite3753
    @stevewhite3753 2 месяца назад

    Love these concepts Pat Martino does the same

  • @AManCalledAidan
    @AManCalledAidan 10 месяцев назад

    Great video again Nathan. Thank you! I have a question if I may - I notice when you demonstrate these arpeggios, you play extensions like the 9th added often at only one place so at the lower octave for example you may skip the 9th and just play the fundamental notes. This sounds good to my ears and more melodic and interesting as the extensions pops out vs playing the same notes in a different octave. Is that part of the overall sound of bebop would you say and would you recommend practicing arpeggios that way in general?

    • @NathanBortonMusic
      @NathanBortonMusic  10 месяцев назад +1

      Great question! These shapes are stolen from Wes so this is something he often does. That’s a point about the extensions popping out! I think, personally, it’s a shape things as playing these shapes (to me) seems to lay better on the guitar this way than if you added the lower extensions

    • @AManCalledAidan
      @AManCalledAidan 10 месяцев назад

      @@NathanBortonMusic Thanks Nathan - there’s always so much to take away from how the greats approach things (and of course from your lessons too)!

  • @Joel_Powell
    @Joel_Powell 10 месяцев назад

    Just ran across your channel today (and I learn a lot from many channels). But I will say this is one of the largest effects a concept has had on my playing for the first visit! So easy to understand. I pulled up some 2-5-1 tracks and was playing some lines that had me saying "who they heck is playing this!"
    Also a former Benedetto owner, but I sold them (☹). I subscribed and I am sure you are heading past 10k subscribers very soon. Thank you!

    • @NathanBortonMusic
      @NathanBortonMusic  10 месяцев назад

      Thanks so much! Really appreciate it and hope your can find more videos on the channel that help you! And yes for the Benedettos!

  • @BRich6
    @BRich6 8 месяцев назад

    Hey Nathan, Thank you for the video. I just signed up to be a Patreon. I have a question. Is it that these minor licks of Wes' are special and they can be applied the way you explained, or can other minor licks be used in the same way?

    • @NathanBortonMusic
      @NathanBortonMusic  8 месяцев назад +1

      Hi Rich, thanks for your Patreon support!! To answer your question, yes you could use language instead of the Wes Shapes/arpeggios. Plays more D-7 language over G7 is a fantastic way to solo, or reverse! If you haven't watched my video on grant green's language I would highly encourage you too, as that video cover these types of language concepts subs: ruclips.net/video/Vp6DqGcDbuw/видео.html

  • @andersbirddogjonasson3088
    @andersbirddogjonasson3088 9 месяцев назад

    Great

  • @sheldonnaiga3276
    @sheldonnaiga3276 9 месяцев назад

    Hmmmmm. Interesting concept. I see the theory using the related notes to particular chord. Like using a harmonic minor scale(Dm7) over the i(Bbmaj7)

  • @trentwells3553
    @trentwells3553 10 месяцев назад

    Killin’!!

  • @vecernicek2
    @vecernicek2 10 месяцев назад +1

    Man, great stuff as usual. I wonder if you ever came across Garrison Fewell's book and his approach to minor triads?

    • @NathanBortonMusic
      @NathanBortonMusic  10 месяцев назад +1

      I haven’t! But I’d love to check it out, thanks for the tip!

    • @rondorko
      @rondorko 10 месяцев назад +1

      I have this book and it is great. Garrison is a really good, practical teacher. The book is titled, "Jazz Improvisation for Guitar: A Melodic Approach"

    • @vecernicek2
      @vecernicek2 10 месяцев назад

      @@rondorko Yep, that's the one

  • @miket.5258
    @miket.5258 8 месяцев назад

    Nathan when are you going to write a book? Great stuff as usual.

    • @NathanBortonMusic
      @NathanBortonMusic  8 месяцев назад

      I don’t know if I know that much! Thanks for watching really appreciate it :)

  • @geeush
    @geeush 9 месяцев назад

    Well, I always suspected it should be as smart as that, but never figured it out myself, thanks 🙏)

  • @Guitarist33764
    @Guitarist33764 9 месяцев назад

    Great lesson! Earned a sub from me!

    • @NathanBortonMusic
      @NathanBortonMusic  9 месяцев назад

      Appreciate it! Hope the lesson helped you out!

  • @bernhard8260
    @bernhard8260 9 месяцев назад

    In the examples using minor arpeggios over major chords using the C-maj shape you use a-aeolian when starting from the 6th so you really are staying in the Cmaj- shape and its modes.
    But when starting from the third (e) using f# in the e-min-arpeggio isn't it still aeolian but therefore rather the Gmaj- shape/mode?
    Thx
    Bernhard

    • @NathanBortonMusic
      @NathanBortonMusic  8 месяцев назад +1

      Hi Bernhard. Thanks for your question! Actually, if based on Wes's shapes if you start on the 6th its Dorian (A, C, E, B, D over Cmaj) If you start on the 3rd it's a lydian sound because of #11 in guitar shape. Hope that helps!

    • @bernhard8260
      @bernhard8260 8 месяцев назад

      Hi Nathan,
      hope it helps :-) - didn't quite sort it out yet.
      Perhaps im thinking too "tonal" and additionally am mixing up shapes and modes ?
      Also have to find out about "Wes's" and "guitar" shapes too. Haven't heard about yet.
      So i think i have to go through your videos to find out. This one was the first i looked at and liked it really.
      Thanks !