It is surprisingly smooth how this third-driven half downstepping works even on a cheap guitar. Which makes me think that if the current naming convention of notes wasn't this firm, the more and more widely accepted chromatic solutions would cause a system to emerge in which all the 12 semitones have their own names to wipe away the virtual barrier between the chords with flat and sharp enharmonic notes -- like in C - Eb - G and B - D# - F# where at first sight, something dramatic happened while quite the contrary, the slightest movement took place.
quick enough. latency is affected by a number of elements, and i've got my system trimmed to play. that said, there's always some. but when was the last time you played a pipe organ in a church? that latency is insane. and we get through it.
Excellent many thanks
Wow!, very inspiring and a great video! You give me new musical idea's for composing. Yank you so much!!!!
Thank you. This really is a profoundly beautiful virtual instrument. A masterpiece of its kind.
13:14 Okay glad I stayed for this, best part of the way, I never used this device thank you for showing that!
PS - loving the chord play. Such great composition ideas there. I'm off to try those out. Inspiring.
Wow! Great stuff. I'm a Kontakt user, so I'll give that a try. Like you say, great tuning.
It is surprisingly smooth how this third-driven half downstepping works even on a cheap guitar.
Which makes me think that if the current naming convention of notes wasn't this firm, the more and more widely accepted chromatic solutions would cause a system to emerge in which all the 12 semitones have their own names to wipe away the virtual barrier between the chords with flat and sharp enharmonic notes -- like in C - Eb - G and B - D# - F# where at first sight, something dramatic happened while quite the contrary, the slightest movement took place.
Exactly
There is a name for making the minor third of one chord the major third of the next one. In neo-reimannian theory, it's called a "slide."
Harry for the win.
You should do a video about Mad Rush with this. Originally composed for organ.
Hmmmm. Yes.
@@ImpliedMusic Woot!
I’ve been noodling with these kinds of chord movements for over 30 years. I just lump them into the pivot chord category. 🤷🏻♂️
How about calling it Mediation?
That’s an awesome name
Hi is it responsive immediately for latency. Its this reason ive never been able to use vst pianos . Many thanks
quick enough. latency is affected by a number of elements, and i've got my system trimmed to play. that said, there's always some. but when was the last time you played a pipe organ in a church? that latency is insane. and we get through it.