Drawing Eyes With Charcoal On Gray Toned Paper (part 2)
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- Опубликовано: 13 июл 2024
- In this time lapse video, I am drawing three very different eyes and explaining my technique as well as my thought process. My previous video breaks down the anatomy and structure a bit more, while this video applies those basic concepts to drawings done from photo references. All of this information and more is covered in my portrait drawing and portrait painting classes which can be found at www.riverafinearts.com. Also if you liked the video, please subscribe to my channel. I am preparing a bunch of new online classes for 2019, so if any of you have interest in a particular topic, please let me know by leaving your comments below or emailing them to me at riverafinearts@gmail.com. Enjoy the video!
To learn more about my online classes, go to riverafineartstudios.thinkific...
Additional resources:
Website: www.riverafineartstudio.com
Blog: www.riveradavid.wordpress.com
Other resources:
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Probably one of the most helpful art videos i've seen. Thank you.
Thank you Jojo C! Glad you enjoyed it!
Thank you for making this video, it was very helpful. I was satisfied with my results. This you❤
Taking a leap for unit 2 of my art course and doing charcoal for the second time ever. Watching your technique is very helpful ,thank you.
Very very useful lessons you gave with symple way thanks for your help.
ThAnk you so much for providing such information for free
VERY awesome lesson and easy to understand!!! Thank you very much! Part one was great as well.
Thank you!
my god what a perfect job
Very helpful.
This has helped me more than any other video thank you
look at the my artwork and paintings :))) ruclips.net/video/emp7qr1YrR8/видео.html
I love studies like this; not many people take the time to do them outside of Art School anymore. Really well done, and some super important info here. I'll have to go check out some of the other videos you referenced as well- the anatomy one sounds particularly interesting. I like what your doing here, a lot of people could benefit from this; keep it up.-Best of luck on your art and your channel, and much support from one artist to another. Liked and subbed.
Thank you Larry! Glad you enjoyed the info!
this is very useful to me...thank you for your tips🙏
look at the my artwork and paintings :))) ruclips.net/video/emp7qr1YrR8/видео.html
❤❤❤
New subbie here. I've just started using charcoal on grey paper, totally different to graphite on white paper. Finding your videos very helpful Thankyou as I get used to working charcoal and seeing what the papers able to take :)
look at the my artwork and paintings :))) ruclips.net/video/emp7qr1YrR8/видео.html
GOOD
OMG the asian eye looks like my eye!
What do you use to blend
which type of pencil best for drawing
I agree that your instructions here are really well done. I have a question about the brush used for smoothing the Nitram charcoal. I’ve seen others do this as well, and it looks like you may have cut the hairs down so that the brush is short and stiff. Or, perhaps it’s just an old brush that’s worn down but serving the same affect. I’ve been using a small flat for this myself and I wonder how important it is to shorten the brush? I’m getting some blending but not as much as you are here.
Rob,
I am using a very small flat brush for this demo. I haven’t cut the bristles down, but I do think shorter bristles allow for easier blending when working with the nitram charcoal. Occasionally I will use soft rounds when working with pastels. A lot of it depends on how soft or hard the medium is. I hope this helps!
@@riverafineartstudios2593 Perfect, thanks! One other question. What are your thoughts about the "truists" that feel you should not use any blending tools for doing studies like a Bargue litho and assert that one needs to be able to do this completely by sensitivity of touch? I sort of get their point and I've been trying to avoid the stump specifically (for now), but I'm on the fence about allowing myself to use the brush on my first Bargue copy (I used the brush in my preliminary charcoal tests and it really did help to smooth things out and get some of the charcoal in to the tooth of the paper). I just don't want to short change my learning :) Lmk your thoughts-thanks!
I myself have worked with both methods. I do agree that it is helpful to develop a lighter touch by using only the charcoal, however the finish will never be quite as smooth. Alternatively I enjoy layering, by smoothing out my base layer with a blending tool and then adding more subtle texture on the upper layer with intricate marks using just the charcoal. Shading, when applied in a specific direction, can also accentuate the form.
Please kind sir, which toned grey paper is this? Thank you in advance
so you just using B nitram and white generals charcoal pencil right?
Is that a willow charcoal?
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What is the name of the paper
What brand of paper
What paper is this? 🤔 Beautiful btw and good explanation
Anna Nsubuga idk what his is but strathmore toned gray paper is nice :)
Not as nice as this toned grey here is! If anybody knows, please leave reply.I'd really ppriciate it@@glssbead
⭐💙
so nitram white is enough😊
Please, anybody,what toned grey paper is this please?? I've spent a ton of money, to find it, and I've never run across it. Please anybody
I’m an Asian and I do not have “hooded” eyes.