Thankyou, yeah spring reverbs are a lot of fun. Realising I could use guitar amp ones with a computer was a great pandemic week lol. If you're interested then using preamps, compressors and eq on the ins and the outs makes them very adaptable.
@@MusicEnthuZone Frequency crowding seems to be a problem with most post FX. Multiple channels and attenuated "sends" seems to be one solution for that issue. Multiband EQ is deceptively powerful and useful. The low tech form still works.
I watch a lot of vids like this about music or genre history, but i like to think the algorithm recommended this vid because of the brief shade thrown at metallica (ive been getting a lot of videos like that lately)
dub is one of my influences, I use the idea in my basslines, something about that. The Sun was once Yellow is just one of those songs of mine that do this.
I'd like to add that the explosion of creativity on the island is also linked to Jamaica's decolonization and achievement of independence, which happened just a few years earlier. Additionally, it's crucial to recognize that despite the explosion of creativity on the island, many musicians and artists were heavily exploited by producers in the capitalist system. For the vast majority, financial compensation was minimal or nonexistent, reflecting the essence of capitalism: the exploitation of labor, rather than being the driving force of creativity. Furthermore, the suffering and hardships endured in Jamaica's ghettos serve as the wellspring of the magic in the music, echoing the legacy of slavery from which capitalism emerged. It's important not to sugarcoat the narrative by suggesting that capitalism was the driving force behind creativity, at least not in a positive sense. Instead, one might argue that its influence was dialectical, intertwined with the struggles and contradictions inherent to capitalism.
Yes, and it's difficult to get this stuff down in in ten minutes. This is all actually part of a series. The series is about the collision of British and Jamaican music in the 1970s with a focus on post punk and dub. So, a little on rudeboys, skinheads and then to the punk/rasta union. ruclips.net/video/6BNn16-9Ahs/видео.html The first episode has a lot of the background of the story. Sounds like we're totally on the same page on this. It's a knotty one to unpick. Rastafarianism is anti materialist but it was a cash cow. Thanks for taking the time to comment. It's always good to have input.
Thank you. I'm trying to tie some stuff together and youtube is kind of wierd. These are all chapters. And the comments are the footnotes lol. I make things very complicated.
Thank you. I'm trying to tie some stuff together and youtube is kind of wierd. These are all chapters. And the comments are the footnotes lol. I make things very complicated.
I'm not sure I fully agree with you mate but that's by the by. Enjoyable video. Don't forget that those spring reverbs were often found in cabs and organs in the 50s, early 60's. They were the built-in ' sound. '
It'd be rubbish if we all agreed anyway. Week 5 of the pandemic I took the springs out my guitar amps and started using them with preamps compressor and eq's. Week 5 was a pretty good week.
I think this was great little summary overall (despite the few minor quibbles mentioned elsewhere in the comments). What's great that you mentioned was the influence of American psychedelia in the late 60s / early 70s. Jamaicans were obviously listening to that stuff and it's likely the most direct influence. I think another probable influence along the way was the creative use of sound effects in film, tv and radio and on popular records of the 50s / 60s. You can hear the influence in ska records like The Skatalites "Rocket Ship" or Lee Perry's seminal "Kimble" (credited as The Creators). The reason I think this influence is important is because the term "Dub" actually means to recombine a recording with new recorded material to create a new master recording. It's a term used mainly in the film, television and radio industries, for example a Kung-Fu movie "dubbed" in English. Tubby, like a number of dub's founders, was an educated audio engineer and electrician, so he used the correct technical term for what he was doing.
Seeing as how there were so many american records influencing the scene it'd be odd if psychedelic sounds didn't make their way to the ears of Jamaican engineers and producers. Obviously no way to prove that but as someone who makes music and noises I know that listening for nover sounds is part of the job. You'll probably notice I'm trying to connect the dots a bit between forms (this is working towards the influence dub had on post punk. Just thinking on how scratch would use sound effects like foley artists do with films (the cow moo for a start). I paid tribute to this subtly on the soundtrack with the sound of a can opening and pouring. for me what dub, and versioning did was abstract music. Breaking it down and recombined elements. That fascinates me as a musician and is what kind of initiated this series. Thanks for taking the time to stop by and comment.
@@MusicEnthuZone Very cool thread of ideas. And yes, I agree - dub is very much disassembling the song and putting it back together into a musical collage. I’ll come back and check out your next videos on the topic.
I already added my input to this always fascinating subject, but I have a Duke 7" of *"To The Fields"* by Herman (of "Aquarious Dub" fame) which has a straight instrumental piece on the B side. And this came out in 1971. I love this subject because you will never get a concrete conclusion.
Question is.. what is the first dub reggae b-side? (not just a version) I reckon it’s Takro by Lee Perry, B-side of Yakkety Yak from ‘69. Are there any earlier ones?
Really don't know if it was first but it's an incredible record. Got it on a reissued 45. Savage sound. Think that elsewhere in comments first dub track has been pinpointed.
I don't know much about dub music or the jamaican dancehall scene from those eras. I do know a bit about Reggae tho, and Jimmy Cliff is like required listening imo. Bob Marley too of course, yet Jimmy Cliff kinda set the stage. Fun fact: if you doubletime reggae and add some horns...you basically get ska lol.
Railing against "Babylon" wasn't against capitalism. It was railing against oppression. All human beings want to earn more money from their work. That point was weak and unnecessary. But the rest is mostly accurate. I was lucky to learn from Clement Dodd aka Coxsone Dodd.
Hi I listened to hiphop in the 80s along of the tracks would have instrumental or Dub or both versions on the record I always thought of dub with a more heavyweight beat to instrumental versions .
Hi, thanks so much. Here's a playlist of some of my personal favourites. Of course, just about every track has other beauties on the same record. ruclips.net/video/ESasEHZjbDw/видео.htmlsi=Y-hUsAcd_dlpQ91A Not just dub, there's a few vocal tunes (Deejay stuff is a big obsession). Enjoy!
They were definitely mining similar seams. Joe Meek didn't quiet inherit the earth but he left something left something behind. Thanks for stopping by.
Keith Hudson was an incredible maniac musically lol. Never knew Ian Curtis loved him. It's right to link to the culture of sound to money. It's always the driving force. Talk to any Jamaican, old or young, and they still don't understand this sort of ' Preciousness ' Europeans put on Dub. Bottom line is the dollar line.
Yes, the vast majority of artists who sang and played in the thousands of records that weren't paid or were paid the bare minimum will tell you all about the dollar line being the bottom line.
Yep, and you can buy them seperate as parts (Belton and accutronics two big manufacturers). In my experience a preamp , eq and compressor both before and after gives a great amount of tonal possibilities. And thank you!
Good question that and luckily you're spoilt for choice. I mention Lee Perry's Blackboard Jungle Dub in the video. That's a goodie. My own personal introduction was 'Dub Gone Crazy' on the Blood and Fire Label. The engineers trained by Tubby in their prime. For Tubby himself a great early one is 'Meets rockers uptown'. To be honest there are so many compilations of disparate tracks that ones centred around studios and labels could help. The trojan dub rarities box has a load, as does the Studio one Dub on Soul Jazz Records. One more 'Black Ash Dub' by Sly and the Revolutionaries is a beauty.
Sorry to be picky (again) but there's a few things that I think you're misunderstood ... that first 'version' - not a dub mix! - was already being cut on to a dubplate (acetate) when the vocal was accidentally left out, so it was already playable by Ruddy, he had no need to ask for a 7 inch to be 'pressed', it was already being cut (probably on a 10") ... funnily enough, even though the 'version' was accidentally invented there, Treasure Isle's recording practice didn't allow then to fully exploit the dub phenomenon when it was established a couple of years later in the way that Studio 1 did ... the first actual dub track is on the B-side of 'Sock It To Them JB' (Rex Garvin, 1966) ... Joe Gibbs didn't own Studio 1, Sir Coxsone did ... Pop A Top isn't a dub record ... radio play was very important to JA producers and artists (if they could get it), the stations had their own charts and it was very desirable to be on them ... the dub albums were deliberately pressed in limited numbers - explicitly for sound system play! - and they were sold at double or triple the price of a regular album, although obviously cheaper than buying dub plates ... and it's generally accepted that Aquarius dub preceeded Java Java ... Hope that helps!
It definitely does Chris. Actually is there a way I can run stuff by you and others you trust to consult a bit? As I said on another comment here I'm putting this up as subject to peer and expert review. Then, I'll edit accordingly and work things up into a full doc. As for the radio yeah I know I reduced things (Dread at the Controls for a start) but didn't want to go off target in the 10 or so minutes. Still the country and western popularity blows my mind.
@@MusicEnthuZone Of course, that's no problem, but a lot of this stuff is findable in books and on the internet (although I suppose you have to know where to look!) ... I've never heard anyone who knows anything to suggest that the first dub mixes were made by Hendrix and Funkadelic, and the Rex Garvin B-side is really well known (I think I must have mentioned it in my dub article) ... I know Jamaican music history is a real minefield if you don't know anything about it, but there are plenty of books and sleeve notes out there for research. There's a lot of assumptions and misconceptions that are easy to make if you don't read up on it thoroughly to get the right perspective (and sort the sense from the nonsense!) ...
@@MusicEnthuZone This response has me subscribing because this is how it's supposed to work. You take the criticism and incorporate into later work making everyone richer for the effort. Excellent attitude and I applaud it. Thank you.
Some of the same mad noises definitely. I think it's a case of morphic resonance where people with the same tools have similar ideas. Meek was a one of a kind wasn't he?
Not just mad proff the illustration of sir coxsone all those guys are british Must not to be confused with the great coxsone dodd but you are correct on the copyright issues it would be a headache for any lawyer
Yeah, reckon you nailed it there. Absolute minefield, tried to find a picture of Byron Smith. Found two other people in music with the same name. Thanks for this by the way. Plan with this whole series is to edit them together as a full documentary and take on board feedback.
@judahboogiemix Thanks for that. I'll be honest the race to the end with editing to go out friday has been a bit mental. Crazy week all round. Surprised I haven't made far worse mistakes. I consciously tried to stay away from naming names because it's a bit of a side quest. The records and their credits do the talking on that count I reckon. You have a good weekend. If you see any other schoolboy errors on videos let me know. Always open to fact checking.
Imagine my surprise. I order Shakey from Amazon. I sit down hoping to glean some knowledge on the Welsh Elvis. It's about bloody Neil Young. What a letdown. 0/5*
As in I neglected him? Don't fret, he's in the episode I did on King Tubby and his team ruclips.net/video/jgPdrH6fIFE/видео.htmlsi=gd0I3ZwIomhdx4eG Such a massive subject all this that impossible to cover every base in 10 minute chunks. At the end this is going to be a film legnth doc, so all of the 'you missed this' comments are being taken on board.
"dubbing" had been done for years before dub music really got any traction. House (studio) bands would record a track, and it was cheaper to have vocalists record on a library track compared hiring the band for multiple live sessions and multiple vocalists could have versions of the same song - giving the producer a chance to test the popularity of each version on a sound before pressing a run of records. The Dub sound (limited vocals, echo etc) came later .
The Roland wasn't released until 74, and tape echo had been a thing for 20 years prior. Many producers never liked the clean treble forward BBD echo and stuck with tape, and many still do.
Cool stuff bruv. That spring reverb is hilariously simple and awesome sounding.
Thankyou, yeah spring reverbs are a lot of fun. Realising I could use guitar amp ones with a computer was a great pandemic week lol. If you're interested then using preamps, compressors and eq on the ins and the outs makes them very adaptable.
@@MusicEnthuZone Yeah, that plus multichannel send processing seems like it could make some odd sounds that still fit in a mix.
@@MusicEnthuZone Frequency crowding seems to be a problem with most post FX. Multiple channels and attenuated "sends" seems to be one solution for that issue.
Multiband EQ is deceptively powerful and useful. The low tech form still works.
@@MusicEnthuZone And since we are talking dub music...sample then resample with an mpc like tool lol.
Another absolute banger. Could watch these all day. Proper infotainment
I watch a lot of vids like this about music or genre history, but i like to think the algorithm recommended this vid because of the brief shade thrown at metallica (ive been getting a lot of videos like that lately)
Haters gonna hate.
I do like Battery and Enter Sandman though.
Metallica needs to be erased from history.
dub is one of my influences, I use the idea in my basslines, something about that. The Sun was once Yellow is just one of those songs of mine that do this.
"Pop A Top" is an absolutely crazy single.
The way the bass is mixed in and out is revolutionary. No wonder the tune smash up Jamaica back in the day. It was massive.
Amazing track.
sick video mate! keen to see more. subscribed :)
Cheers Huey. Thankyou.
I'd like to add that the explosion of creativity on the island is also linked to Jamaica's decolonization and achievement of independence, which happened just a few years earlier.
Additionally, it's crucial to recognize that despite the explosion of creativity on the island, many musicians and artists were heavily exploited by producers in the capitalist system.
For the vast majority, financial compensation was minimal or nonexistent, reflecting the essence of capitalism: the exploitation of labor, rather than being the driving force of creativity.
Furthermore, the suffering and hardships endured in Jamaica's ghettos serve as the wellspring of the magic in the music, echoing the legacy of slavery from which capitalism emerged.
It's important not to sugarcoat the narrative by suggesting that capitalism was the driving force behind creativity, at least not in a positive sense.
Instead, one might argue that its influence was dialectical, intertwined with the struggles and contradictions inherent to capitalism.
Yes, and it's difficult to get this stuff down in in ten minutes. This is all actually part of a series. The series is about the collision of British and Jamaican music in the 1970s with a focus on post punk and dub. So, a little on rudeboys, skinheads and then to the punk/rasta union.
ruclips.net/video/6BNn16-9Ahs/видео.html
The first episode has a lot of the background of the story. Sounds like we're totally on the same page on this. It's a knotty one to unpick. Rastafarianism is anti materialist but it was a cash cow.
Thanks for taking the time to comment. It's always good to have input.
@@MusicEnthuZone Just watched. Really good. Congratulations man! 😎
Thank you. I'm trying to tie some stuff together and youtube is kind of wierd. These are all chapters.
And the comments are the footnotes lol. I make things very complicated.
Thank you. I'm trying to tie some stuff together and youtube is kind of wierd. These are all chapters.
And the comments are the footnotes lol. I make things very complicated.
You don’t understand capitalism at all.
Lovely breakdown, brother.
Thankyou for stopping by.
Well put, sir. I don't even like dub, and I found this fascinating.
Thank you. I'm trying to make stuff accessible for those with no background in the genre so I'll take that as a real complimentm
Very good summary, many thanks from Germany
You have access to unknown emoticons Arno. Thank you.
I'm not sure I fully agree with you mate but that's by the by. Enjoyable video. Don't forget that those spring reverbs were often found in cabs and organs in the 50s, early 60's. They were the built-in ' sound. '
It'd be rubbish if we all agreed anyway. Week 5 of the pandemic I took the springs out my guitar amps and started using them with preamps compressor and eq's. Week 5 was a pretty good week.
Love your videos big up!
Thank you! Have a great weekend.
aren't they brilliant
Blackboard jungle dub by Perry one of the most important ever
And loads of fun too, just joyful.
I think this was great little summary overall (despite the few minor quibbles mentioned elsewhere in the comments). What's great that you mentioned was the influence of American psychedelia in the late 60s / early 70s. Jamaicans were obviously listening to that stuff and it's likely the most direct influence. I think another probable influence along the way was the creative use of sound effects in film, tv and radio and on popular records of the 50s / 60s. You can hear the influence in ska records like The Skatalites "Rocket Ship" or Lee Perry's seminal "Kimble" (credited as The Creators). The reason I think this influence is important is because the term "Dub" actually means to recombine a recording with new recorded material to create a new master recording. It's a term used mainly in the film, television and radio industries, for example a Kung-Fu movie "dubbed" in English. Tubby, like a number of dub's founders, was an educated audio engineer and electrician, so he used the correct technical term for what he was doing.
Seeing as how there were so many american records influencing the scene it'd be odd if psychedelic sounds didn't make their way to the ears of Jamaican engineers and producers.
Obviously no way to prove that but as someone who makes music and noises I know that listening for nover sounds is part of the job.
You'll probably notice I'm trying to connect the dots a bit between forms (this is working towards the influence dub had on post punk.
Just thinking on how scratch would use sound effects like foley artists do with films (the cow moo for a start). I paid tribute to this subtly on the soundtrack with the sound of a can opening and pouring.
for me what dub, and versioning did was abstract music. Breaking it down and recombined elements. That fascinates me as a musician and is what kind of initiated this series.
Thanks for taking the time to stop by and comment.
@@MusicEnthuZone Very cool thread of ideas. And yes, I agree - dub is very much disassembling the song and putting it back together into a musical collage. I’ll come back and check out your next videos on the topic.
Thanks Mate! Educating the Youth! Jah! Cheers, Peace and Love
Thanks so much. Yeah, meek was a one wasn't he? Some similarities to Martin Hannett to tie my various threads together a little.
Nice perspective. Thanks!
Glad you liked it. Thanks.
Thanks for posting!
Excellent Job - ⭐⭐⭐⭐⭐
Thank you too
I already added my input to this always fascinating subject, but I have a Duke 7" of *"To The Fields"* by Herman (of "Aquarious Dub" fame) which has a straight instrumental piece on the B side. And this came out in 1971. I love this subject because you will never get a concrete conclusion.
Nice breakdown.
Appreciate it! Thank you
Nice exploration of the beginning of DUB
Question is.. what is the first dub reggae b-side? (not just a version) I reckon it’s Takro by Lee Perry, B-side of Yakkety Yak from ‘69. Are there any earlier ones?
Really don't know if it was first but it's an incredible record. Got it on a reissued 45. Savage sound. Think that elsewhere in comments first dub track has been pinpointed.
I don't know much about dub music or the jamaican dancehall scene from those eras. I do know a bit about Reggae tho, and Jimmy Cliff is like required listening imo. Bob Marley too of course, yet Jimmy Cliff kinda set the stage.
Fun fact: if you doubletime reggae and add some horns...you basically get ska lol.
Thanks for that
Great vid.
Railing against "Babylon" wasn't against capitalism. It was railing against oppression. All human beings want to earn more money from their work. That point was weak and unnecessary. But the rest is mostly accurate. I was lucky to learn from Clement Dodd aka Coxsone Dodd.
Fair comment. We all have to eat. Capitalism doesn't equal babylon but it's a big part of keeping people down. Shady contracts and so on.
I make dub and this is actually a really good history! This genre is probably the most influential genre you’ve never heard of 😅
Thankyou. Not meant to be exhaustive. Just an introduction for those that might not know where it came from.
Hi I listened to hiphop in the 80s along of the tracks would have instrumental or Dub or both versions on the record I always thought of dub with a more heavyweight beat to instrumental versions .
lol, i have many ventures records. love that 'wet' sound. I grew up on it
Spring reverb on cross stick is mmmmmmm
Mulatu in the background. Good stuff
That album's something special isn't it?
Love your videos
Thanks so much.
hi, thx for vid. What are the 5 or 10 dub records (LP, 12", 10" or 7") you prefer ?
Hi, thanks so much. Here's a playlist of some of my personal favourites. Of course, just about every track has other beauties on the same record. ruclips.net/video/ESasEHZjbDw/видео.htmlsi=Y-hUsAcd_dlpQ91A
Not just dub, there's a few vocal tunes (Deejay stuff is a big obsession).
Enjoy!
Good work.
superlative explanation...shout out to Joe Meek and his blue men and their 1950s dub pioneering
They were definitely mining similar seams. Joe Meek didn't quiet inherit the earth but he left something left something behind.
Thanks for stopping by.
Oh Yes. Meek was all about Production, never mind the tune!
Keith Hudson was an incredible maniac musically lol. Never knew Ian Curtis loved him. It's right to link to the culture of sound to money. It's always the driving force. Talk to any Jamaican, old or young, and they still don't understand this sort of ' Preciousness ' Europeans put on Dub. Bottom line is the dollar line.
Yes, the vast majority of artists who sang and played in the thousands of records that weren't paid or were paid the bare minimum will tell you all about the dollar line being the bottom line.
Yeah, it's why New Order covered 'turn the heater on'. I can hear reggae in Joy Division and not just in the effects.
Btw, you any relation to Pat Kelly the singer and engineer or just a coincidence?
@@MusicEnthuZone Well I am an engineer and live on a small island but it's the Isle of Man so no relation lol. I love his music dearly though.
love your work sir
💯💯💯 so good!
Thankyou for taking the time to stop by.
brilliant documentary. thankyou.
Glad you enjoyed it and thank you.
Great video! Does that spring instrument/sound effect device have a name?
It is called a spring reverb/reverberation unit/reverb tank
Yep, and you can buy them seperate as parts (Belton and accutronics two big manufacturers).
In my experience a preamp , eq and compressor both before and after gives a great amount of tonal possibilities.
And thank you!
@@MusicEnthuZone Thank You!
Gosh i love to learn the origin stories 😁
Check my Krautrock and Joy Division ones and thank you.
world class content
Ah you're too kind. Thanks so much. Really great that people are enjoying the videos. Thankyou.
@@MusicEnthuZone that was a jam-packed brief overview of the goods! thanks and cheers
What album or CD would you recommend for someone new to dub?
Good question that and luckily you're spoilt for choice. I mention Lee Perry's Blackboard Jungle Dub in the video. That's a goodie. My own personal introduction was 'Dub Gone Crazy' on the Blood and Fire Label. The engineers trained by Tubby in their prime. For Tubby himself a great early one is 'Meets rockers uptown'.
To be honest there are so many compilations of disparate tracks that ones centred around studios and labels could help. The trojan dub rarities box has a load, as does the Studio one Dub on Soul Jazz Records.
One more 'Black Ash Dub' by Sly and the Revolutionaries is a beauty.
@@MusicEnthuZone Many thanks, a new sub well eared.
@@MusicEnthuZone Trojan has some brilliant box sets (and a good YT channel)
+1 for your selection
Sorry to be picky (again) but there's a few things that I think you're misunderstood ... that first 'version' - not a dub mix! - was already being cut on to a dubplate (acetate) when the vocal was accidentally left out, so it was already playable by Ruddy, he had no need to ask for a 7 inch to be 'pressed', it was already being cut (probably on a 10") ... funnily enough, even though the 'version' was accidentally invented there, Treasure Isle's recording practice didn't allow then to fully exploit the dub phenomenon when it was established a couple of years later in the way that Studio 1 did ... the first actual dub track is on the B-side of 'Sock It To Them JB' (Rex Garvin, 1966) ... Joe Gibbs didn't own Studio 1, Sir Coxsone did ... Pop A Top isn't a dub record ... radio play was very important to JA producers and artists (if they could get it), the stations had their own charts and it was very desirable to be on them ... the dub albums were deliberately pressed in limited numbers - explicitly for sound system play! - and they were sold at double or triple the price of a regular album, although obviously cheaper than buying dub plates ... and it's generally accepted that Aquarius dub preceeded Java Java ... Hope that helps!
It definitely does Chris. Actually is there a way I can run stuff by you and others you trust to consult a bit?
As I said on another comment here I'm putting this up as subject to peer and expert review.
Then, I'll edit accordingly and work things up into a full doc.
As for the radio yeah I know I reduced things (Dread at the Controls for a start) but didn't want to go off target in the 10 or so minutes.
Still the country and western popularity blows my mind.
@@MusicEnthuZone Of course, that's no problem, but a lot of this stuff is findable in books and on the internet (although I suppose you have to know where to look!) ... I've never heard anyone who knows anything to suggest that the first dub mixes were made by Hendrix and Funkadelic, and the Rex Garvin B-side is really well known (I think I must have mentioned it in my dub article) ... I know Jamaican music history is a real minefield if you don't know anything about it, but there are plenty of books and sleeve notes out there for research. There's a lot of assumptions and misconceptions that are easy to make if you don't read up on it thoroughly to get the right perspective (and sort the sense from the nonsense!) ...
@@MusicEnthuZone PS ... I've got a picture of Byron Smith if you want it !
👍Aquarius dub is generally considered to be the first dub lp.
@@MusicEnthuZone This response has me subscribing because this is how it's supposed to work. You take the criticism and incorporate into later work making everyone richer for the effort. Excellent attitude and I applaud it. Thank you.
this guy knows his shit lol
Mum, we talked about this. X
Joe Meek surly must have had an influence on the Jamaican scene in one way or another.
Some of the same mad noises definitely. I think it's a case of morphic resonance where people with the same tools have similar ideas. Meek was a one of a kind wasn't he?
Funkadelic DID do ALL the drugs. Outside of Jamaican music, Funk from that era, especially Funkadelic & Parliament are my biggest faves
Still have heard Dub I guess I should check it out
You really should. It goes great with a cup of tea.
my man spitting the truthhhh
Trying, but will accept fact checking.
Your not correct with the picture's you show your mixing uk reggae sounds with jamaican producers
I'll take that criticism tbf. Would love to contract some of that stuff out. Are you meaning Mad Professor? I do note in the V/O that he's British.
Not just mad proff the illustration of sir coxsone all those guys are british
Must not to be confused with the great coxsone dodd but you are correct on the copyright issues it would be a headache for any lawyer
Yeah, reckon you nailed it there. Absolute minefield, tried to find a picture of Byron Smith. Found two other people in music with the same name. Thanks for this by the way. Plan with this whole series is to edit them together as a full documentary and take on board feedback.
@@MusicEnthuZone keep it up cause it is still a good watch and informative
@judahboogiemix Thanks for that. I'll be honest the race to the end with editing to go out friday has been a bit mental. Crazy week all round. Surprised I haven't made far worse mistakes. I consciously tried to stay away from naming names because it's a bit of a side quest. The records and their credits do the talking on that count I reckon.
You have a good weekend. If you see any other schoolboy errors on videos let me know. Always open to fact checking.
3:44 🫠
Hell of a band. Been on a real funkadelic binge lately.
Yeah, hated the name, loved the music. 😁 (Apparently Dave Brock from Hawkwind listened to 'Kozmisch Muzik'.)
Imagine my surprise. I order Shakey from Amazon.
I sit down hoping to glean some knowledge on the Welsh Elvis.
It's about bloody Neil Young. What a letdown. 0/5*
Scientist?
As in I neglected him? Don't fret, he's in the episode I did on King Tubby and his team ruclips.net/video/jgPdrH6fIFE/видео.htmlsi=gd0I3ZwIomhdx4eG
Such a massive subject all this that impossible to cover every base in 10 minute chunks. At the end this is going to be a film legnth doc, so all of the 'you missed this' comments are being taken on board.
"dubbing" had been done for years before dub music really got any traction.
House (studio) bands would record a track, and it was cheaper to have vocalists record on a library track compared hiring the band for multiple live sessions and multiple vocalists could have versions of the same song - giving the producer a chance to test the popularity of each version on a sound before pressing a run of records.
The Dub sound (limited vocals, echo etc) came later .
shoutout to Detroit drugs lol
From the Stooges to Techno probably the most influential ones in history.
@@MusicEnthuZone now you can get ounces of herb for 50 bucks and legalish shrooms 😉
Roland space echo the backbone of dub
The Roland wasn't released until 74, and tape echo had been a thing for 20 years prior. Many producers never liked the clean treble forward BBD echo and stuck with tape, and many still do.
the metallica lawsuit was a hoax