Outstanding gold mine of rare photos, great sound (considering) was just listening to Ya Ya's and then this popped up, now it feels like Friday night. Let's go! Thanks for the great post!
flip .your forgivin for standing me up in the ozarks for the last stones show july 21. 2024 ...nice puting the altamont audio in here from gimme shelter movie, i still get goose bumps listining to it, , flip is the stones king,, have a great 2025
Greatest Rock&Roll band in the world, for ever. That sound ! Love re-intro of Mick Taylor at 21:05, it's a mix of rythm&blues and soul that lead to funk and reggae, it's history ! And Keith's part on Under My Thumb is in my sense one of the best guitar part ever.
I saw the Stones live on this tour in Los Angeles in late 1969. The only photo I have seen here does not show Keith Richards. He is the heart and soul of the band, and of all Rock 'n' Roll.
Rolling Stones Coast To Coast 0:00 Jumpin’ Jack Flash 4:34 (I Can’t Get No) Satisfaction 10:16 Love In Vain 14:24 Honky Tonk Women 18:40 Sympathy For The Devil #1 21:01 Sympathy For The Devil #2 29:28 Under My Thumb 34:00 Gimme Shelter 36:05 Stray Cat Blues 40:49 Prodigal Son 44:52 You Got To Move 1-4 NYC/MSG Nov. 27/28, 1969 5-8 Altamont Speedway December 6, 1969 9-11 LA Forum November 8, 1969 2nd show Notes from The True Adventures Of The Rolling Stones by Stanley Booth Edited by Flip. “With all due respect, and I think he’s due it, I think he has the idea that he’s Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded with people who tell him he can when he can’t. And someplace on the tour, that’s gonna blow up on him.” Jon Jaymes - Self-appointed Fixer, Stones’ 69 Tour, as it was beginning. Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients. When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk- ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead… Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his bright eyes, he appeared a pleasant open-faced charming western guy. He was talking about how to give a free concert, how it might be done, with whose help. The Dead had done this sort of thing many times, and Scully might actually have known how to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass gathering, had taken place in the park with no unpleasantness. The Hell’s Angels, who had attended the Be-In, had acted as security at some Grateful Dead concerts, and it was natural (not to say organic) to have the Angels help you do your thing, or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room where our destinies were being formed, though we were too tired to give much of a shit, “The Angels are really some righteous dudes. They carry themselves with honor and dignity.” He was so blue-eyed and open about it, it seemed really convincing. Nobody was particularly paying attention, but I noticed the way he used the words honor and dignity, these high-flown words here but you know what I mean. (Backstage at Oakland, CA., between shows) “I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some after the show.” “Like to take some before the show,” I say. “No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the stage…” “I’ve got some, we can take it whenever you want,” I say. “Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like to take some and just wander around in the crowd and talk to the people.” “All right, I’ll take some with you.” I say, “but I don’t know, man, you believe all this generation-revolution hype a lot more than I do.” “No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a film crew to document the free concert), that’s all. It’s going to be very interest- ing for the film.” (Conversation the night before Altamont, after inspecting the site) Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales of how the Hell’s Angels were fighting with civilians, women, and each other, bounc- ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran- cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels eating it by the handfuls, smearing the excess on their faces. It didn’t sound good but there was no way to do anything about it, nothing to do in the center of a hurri- cane but ride it out. Wyman’s helicopter was late, so we waited. And in the last light of day Wyman and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived… Jon Jaymes waddled in, “There are four Highway Patrol cars,” he told Mick. “Those are the only ones available to take you to the airport. We can have them right at the back of the stage, so when you come off…” Mick was shaking his head. “Not with the cops,” he said. “I ain’t going out with the cops.” “I knew you’d say that,” Jon said. For some reason, as he stood surrounded by Hell’s Angels in the world’s end of freakdom denying the only safe way out, I was proud to know Mick Jagger, and I put my arm around his shoulder, on his orange and black satin batwinged outfit, nodding my head in agreement. We looked at each other and began to laugh.
Yes sir! Mick, Keith and Brian lived there for a few months. Keith said that it was a "... dump, a beautiful dump. There was not much to eat there, but at least we could buy some records...."😅
@flipdaboid8007 also on the cuts you're used to seeing w/ a video with when it's just audio no video for me I'm seeing different music .. hearing and getting a different rush Hope that makes sense then explain it to me 🤣 Your release of that MSG soundboard did that to me Not long ago 👍 It's good when it's new doesn't get old always refreshing and exciting Not always under a microscope
Think I get it. Gimme Shelter used a lot of quick cuts in the editing if I remember correctly. Distracts from the music, of which there wasn't enough, complete songs anyway.
Taylor playing on HTW is so cleaver & edgy fills turnarounds then catchy rhythm (Add Stu's JrryLee keys🌟) Never gets old 🙏 Plus entire song KR playing w\o a pick '59LP solo and late staggered bkup vocals 🌟 Listen to the guitars start up SFTD sounds like a division of Abrams tanks rolling thru your living room 💥
@flipdaboid8007 Just listening to your recording here w\o the visual distraction gimme shelter bullshit Richards plexiglass is getting an incredible amount of sustain and gain throughout a snarl\ howl to it Keith Richard's still is a lead guitarist badass playing for this show '69 Tour edgy AF. ( AGAIN This recording SFTD has that haunting hardness you hear on Gimme shelter 👊) How much of the sound is responsible to the Wally Hieder truck Glyn Johns also remember in the movie we're watching them mix Ya Ya's and this Altamont show itself (along with Charlotte Zwerin and the brothers Maysles had absolutely no fucking idea what to film let alone edit for the final take ....They had multiple cuts to decide on that were so good from the Garden + Altamont missing chop chop chop ... 😱 I get lost on the possibilities here There's no definitive answers Core stones fans have been ripped off from the MICK TAYLOR years time after time Bootlegs Forever 🙏🌟🌟🌟🙏
These Altamont recordings sound like they were recorded by the Maysles with a good portable recorder like a Nagra. If so, then they probably have the entire show, or most of it. Quality seems too good to be from the bootleg that those two guys leaning on the stage with the cassette recorder could have gotten.
He came up with a great introduction for the band, but I think he got fired for inviting the Angels up on the stage and then defending them after the show when Mick & Keith were totally pissed off at them. Grover Lewis reported that someone from the stage invited the Angels up on the stage during Santana's set. Since Cutler was doing the announcing, and considering what happened later, think it's safe to say that Cutler is the one who made the announcement.
@flipdaboid8007 exactly these hell's Angels security recommendations resume were figured to be same @Hyde Park Hell's Angels UK version ... 😱 🤣 Sam's introductions his mic has the impact that the stones have for me personally Euphoric I got this factor whoever came up with the mix on GYYYO editing his different intros was absolute genius🏝️
@flipdaboid8007 jic your aware of the type Panavision Japanese laser disk quality entire set in correct order '69 Hyde Park concert. I just tried to find link on YT I'm not seeing it ..I might have "ran" across it on Euro Yandex libraries It's just an amazing clean complete new experience from grainy deteriorated or incomplete versions almost 2 gigs data 👍
Thanks for the info, but I don't have much interest in that show. Very disappointing. Too many other shows that are good or great to spend time on that one. Worst show ever, according to Stu.
Imagine an official cleaned up release sounding like that mix on Gimme Shelter I'd settle for a complete unofficial soundboard tape Altamont has MSG '69 pocket. Gimme Shelter Billy Wyman's playing band aura frightens me to this day 🌟 (Completely Maysle bros. pro shot video+ Glyn John's\ Wally Heider truck recorded)
By 1969 - the Stones had not toured in 3 years - Mick Taylor had just joined them and found them to be a very "sloppy" live act - he took it upon himself to whip them into shape - but rough edges were always part of the Stones appeal - so Taylor probably met them somewhere in the middle ..
Rolling Stones Coast To Coast 0:00 Jumpin’ Jack Flash 4:34 (I Can’t Get No) Satisfaction 10:16 Love In Vain 14:24 Honky Tonk Women 18:40 Sympathy For The Devil #1 21:01 Sympathy For The Devil #2 29:28 Under My Thumb 34:00 Gimme Shelter 36:05 Stray Cat Blues 40:49 Prodigal Son 44:52 You Got To Move 1-4 NYC/MSG Nov. 27/28, 1969 5-8 Altamont Speedway December 6, 1969 9-11 LA Forum November 8, 1969 2nd show Notes from The True Adventures Of The Rolling Stones by Stanley Booth Edited by Flip. “With all due respect, and I think he’s due it, I think he has the idea that he’s Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded with people who tell him he can when he can’t. And someplace on the tour, that’s gonna blow up on him.” Jon Jaymes - Self-appointed Fixer, Stones’ 69 Tour, as it was beginning. Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients. When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk- ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead… Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his bright eyes, he appeared a pleasant open-faced charming western guy. He was talking about how to give a free concert, how it might be done, with whose help. The Dead had done this sort of thing many times, and Scully might actually have known how to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass gathering, had taken place in the park with no unpleasantness. The Hell’s Angels, who had attended the Be-In, had acted as security at some Grateful Dead concerts, and it was natural (not to say organic) to have the Angels help you do your thing, or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room where our destinies were being formed, though we were too tired to give much of a shit, “The Angels are really some righteous dudes. They carry themselves with honor and dignity.” He was so blue-eyed and open about it, it seemed really convincing. Nobody was particularly paying attention, but I noticed the way he used the words honor and dignity, these high-flown words here but you know what I mean. (Backstage at Oakland, CA., between shows) “I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some after the show.” “Like to take some before the show,” I say. “No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the stage…” “I’ve got some, we can take it whenever you want,” I say. “Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like to take some and just wander around in the crowd and talk to the people.” “All right, I’ll take some with you.” I say, “but I don’t know, man, you believe all this generation-revolution hype a lot more than I do.” “No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a film crew to document the free concert), that’s all. It’s going to be very interest- ing for the film.” (Conversation the night before Altamont, after inspecting the site) Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales of how the Hell’s Angels were fighting with civilians, women, and each other, bounc- ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran- cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels eating it by the handfuls, smearing the excess on their faces. It didn’t sound good but there was no way to do anything about it, nothing to do in the center of a hurri- cane but ride it out. Wyman’s helicopter was late, so we waited. And in the last light of day Wyman and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived… Jon Jaymes waddled in, “There are four Highway Patrol cars,” he told Mick. “Those are the only ones available to take you to the airport. We can have them right at the back of the stage, so when you come off…” Mick was shaking his head. “Not with the cops,” he said. “I ain’t going out with the cops.” “I knew you’d say that,” Jon said. For some reason, as he stood surrounded by Hell’s Angels in the world’s end of freakdom denying the only safe way out, I was proud to know Mick Jagger, and I put my arm around his shoulder, on his orange and black satin batwinged outfit, nodding my head in agreement. We looked at each other and began to laugh.
Rolling Stones Coast To Coast 0:00 Jumpin’ Jack Flash 4:34 (I Can’t Get No) Satisfaction 10:16 Love In Vain 14:24 Honky Tonk Women 18:40 Sympathy For The Devil #1 21:01 Sympathy For The Devil #2 29:28 Under My Thumb 34:00 Gimme Shelter 36:05 Stray Cat Blues 40:49 Prodigal Son 44:52 You Got To Move 1-4 NYC/MSG Nov. 27/28, 1969 5-8 Altamont Speedway December 6, 1969 9-11 LA Forum November 8, 1969 2nd show Notes from The True Adventures Of The Rolling Stones by Stanley Booth Edited by Flip. “With all due respect, and I think he’s due it, I think he has the idea that he’s Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded with people who tell him he can when he can’t. And someplace on the tour, that’s gonna blow up on him.” Jon Jaymes - Self-appointed Fixer, Stones’ 69 Tour, as it was beginning. Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients. When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk- ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead… Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his bright eyes, he appeared a pleasant open-faced charming western guy. He was talking about how to give a free concert, how it might be done, with whose help. The Dead had done this sort of thing many times, and Scully might actually have known how to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass gathering, had taken place in the park with no unpleasantness. The Hell’s Angels, who had attended the Be-In, had acted as security at some Grateful Dead concerts, and it was natural (not to say organic) to have the Angels help you do your thing, or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room where our destinies were being formed, though we were too tired to give much of a shit, “The Angels are really some righteous dudes. They carry themselves with honor and dignity.” He was so blue-eyed and open about it, it seemed really convincing. Nobody was particularly paying attention, but I noticed the way he used the words honor and dignity, these high-flown words here but you know what I mean. (Backstage at Oakland, CA., between shows) “I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some after the show.” “Like to take some before the show,” I say. “No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the stage…” “I’ve got some, we can take it whenever you want,” I say. “Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like to take some and just wander around in the crowd and talk to the people.” “All right, I’ll take some with you.” I say, “but I don’t know, man, you believe all this generation-revolution hype a lot more than I do.” “No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a film crew to document the free concert), that’s all. It’s going to be very interest- ing for the film.” (Conversation the night before Altamont, after inspecting the site) Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales of how the Hell’s Angels were fighting with civilians, women, and each other, bounc- ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran- cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels eating it by the handfuls, smearing the excess on their faces. It didn’t sound good but there was no way to do anything about it, nothing to do in the center of a hurri- cane but ride it out. Wyman’s helicopter was late, so we waited. And in the last light of day Wyman and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived… Jon Jaymes waddled in, “There are four Highway Patrol cars,” he told Mick. “Those are the only ones available to take you to the airport. We can have them right at the back of the stage, so when you come off…” Mick was shaking his head. “Not with the cops,” he said. “I ain’t going out with the cops.” “I knew you’d say that,” Jon said. For some reason, as he stood surrounded by Hell’s Angels in the world’s end of freakdom denying the only safe way out, I was proud to know Mick Jagger, and I put my arm around his shoulder, on his orange and black satin batwinged outfit, nodding my head in agreement. We looked at each other and began to laugh.
Rolling Stones Coast To Coast 0:00 Jumpin’ Jack Flash 4:34 (I Can’t Get No) Satisfaction 10:16 Love In Vain 14:24 Honky Tonk Women 18:40 Sympathy For The Devil #1 21:01 Sympathy For The Devil #2 29:28 Under My Thumb 34:00 Gimme Shelter 36:05 Stray Cat Blues 40:49 Prodigal Son 44:52 You Got To Move 1-4 NYC/MSG Nov. 27/28, 1969 5-8 Altamont Speedway December 6, 1969 9-11 LA Forum November 8, 1969 2nd show Notes from The True Adventures Of The Rolling Stones by Stanley Booth Edited by Flip. “With all due respect, and I think he’s due it, I think he has the idea that he’s Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded with people who tell him he can when he can’t. And someplace on the tour, that’s gonna blow up on him.” Jon Jaymes - Self-appointed Fixer, Stones’ 69 Tour, as it was beginning. Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients. When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk- ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead… Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his bright eyes, he appeared a pleasant open-faced charming western guy. He was talking about how to give a free concert, how it might be done, with whose help. The Dead had done this sort of thing many times, and Scully might actually have known how to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass gathering, had taken place in the park with no unpleasantness. The Hell’s Angels, who had attended the Be-In, had acted as security at some Grateful Dead concerts, and it was natural (not to say organic) to have the Angels help you do your thing, or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room where our destinies were being formed, though we were too tired to give much of a shit, “The Angels are really some righteous dudes. They carry themselves with honor and dignity.” He was so blue-eyed and open about it, it seemed really convincing. Nobody was particularly paying attention, but I noticed the way he used the words honor and dignity, these high-flown words here but you know what I mean. (Backstage at Oakland, CA., between shows) “I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some after the show.” “Like to take some before the show,” I say. “No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the stage…” “I’ve got some, we can take it whenever you want,” I say. “Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like to take some and just wander around in the crowd and talk to the people.” “All right, I’ll take some with you.” I say, “but I don’t know, man, you believe all this generation-revolution hype a lot more than I do.” “No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a film crew to document the free concert), that’s all. It’s going to be very interest- ing for the film.” (Conversation the night before Altamont, after inspecting the site) Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales of how the Hell’s Angels were fighting with civilians, women, and each other, bounc- ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran- cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels eating it by the handfuls, smearing the excess on their faces. It didn’t sound good but there was no way to do anything about it, nothing to do in the center of a hurri- cane but ride it out. Wyman’s helicopter was late, so we waited. And in the last light of day Wyman and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived…
Outstanding gold mine of rare photos, great sound (considering) was just listening to Ya Ya's and then this popped up, now it feels like Friday night. Let's go! Thanks for the great post!
flip .your forgivin for standing me up in the ozarks for the last stones show july 21. 2024 ...nice puting the altamont audio in here from gimme shelter movie, i still get goose bumps listining to it, , flip is the stones king,, have a great 2025
You too! Sorry I couldn't make it. Maybe next time.
If you have never seen The Rolling Stones you have never seen Or heard true Rock and Roll !
This when Keith Richards became the blueprint for guitar player look and attitude for decades. This is RAW POWER. This is off the movie Gimme Shelter.
Thanks for your comment.
Greatest Rock&Roll band in the world, for ever. That sound ! Love re-intro of Mick Taylor at 21:05, it's a mix of rythm&blues and soul that lead to funk and reggae, it's history ! And Keith's part on Under My Thumb is in my sense one of the best guitar part ever.
I saw the Stones live on this tour in Los Angeles in late 1969. The only photo I have seen here does not show Keith Richards. He is the heart and soul of the band, and of all Rock 'n' Roll.
Thanks for your comment. Any other details about the show would be great! Have you checked my Rolling Stones Concerts playlist for LA 69?
I had this cassette as a bootleg recorded from Gimme Shelter movie stones at their best Raw Mick Taylor amazing
Love the occasional dissonance. Beautiful.
Rolling Stones
Coast To Coast
0:00 Jumpin’ Jack Flash
4:34 (I Can’t Get No) Satisfaction
10:16 Love In Vain
14:24 Honky Tonk Women
18:40 Sympathy For The Devil #1
21:01 Sympathy For The Devil #2
29:28 Under My Thumb
34:00 Gimme Shelter
36:05 Stray Cat Blues
40:49 Prodigal Son
44:52 You Got To Move
1-4 NYC/MSG Nov. 27/28, 1969
5-8 Altamont Speedway December 6, 1969
9-11 LA Forum November 8, 1969 2nd show
Notes from The True Adventures Of The Rolling Stones by Stanley Booth
Edited by Flip.
“With all due respect, and I think he’s due it, I think he has the idea that he’s
Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded
with people who tell him he can when he can’t. And someplace on the tour, that’s
gonna blow up on him.”
Jon Jaymes - Self-appointed Fixer, Stones’ 69
Tour, as it was beginning.
Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients.
When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk-
ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead…
Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his
bright eyes, he appeared a pleasant open-faced charming western guy. He was talking
about how to give a free concert, how it might be done, with whose help. The Dead
had done this sort of thing many times, and Scully might actually have known how
to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass
gathering, had taken place in the park with no unpleasantness. The Hell’s Angels,
who had attended the Be-In, had acted as security at some Grateful Dead concerts,
and it was natural (not to say organic) to have the Angels help you do your thing,
or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room
where our destinies were being formed, though we were too tired to give much of a
shit, “The Angels are really some righteous dudes. They carry themselves with honor
and dignity.” He was so blue-eyed and open about it, it seemed really convincing.
Nobody was particularly paying attention, but I noticed the way he used the words
honor and dignity, these high-flown words here but you know what I mean.
(Backstage at Oakland, CA., between shows)
“I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some
after the show.”
“Like to take some before the show,” I say.
“No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the
stage…”
“I’ve got some, we can take it whenever you want,” I say.
“Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like
to take some and just wander around in the crowd and talk to the people.”
“All right, I’ll take some with you.” I say, “but I don’t know, man, you believe
all this generation-revolution hype a lot more than I do.”
“No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a
film crew to document the free concert), that’s all. It’s going to be very interest-
ing for the film.”
(Conversation the night before Altamont, after inspecting the site)
Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales
of how the Hell’s Angels were fighting with civilians, women, and each other, bounc-
ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran-
cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels
eating it by the handfuls, smearing the excess on their faces. It didn’t sound good
but there was no way to do anything about it, nothing to do in the center of a hurri-
cane but ride it out.
Wyman’s helicopter was late, so we waited. And in the last light of day Wyman
and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived…
Jon Jaymes waddled in, “There are four Highway Patrol cars,” he told Mick.
“Those are the only ones available to take you to the airport. We can have them
right at the back of the stage, so when you come off…”
Mick was shaking his head. “Not with the cops,” he said. “I ain’t going out with
the cops.”
“I knew you’d say that,” Jon said.
For some reason, as he stood surrounded by Hell’s Angels in the world’s end of
freakdom denying the only safe way out, I was proud to know Mick Jagger, and I
put my arm around his shoulder, on his orange and black satin batwinged outfit,
nodding my head in agreement. We looked at each other and began to laugh.
Thanks for the history! Always inspiring...
This is how good as it can get. Peroid ---
FANTASTIC!
Incredible Sound!! The Stones at their best. Thanks for uploading this amazing record!!!
Great job, thank you.
On behalf of 102 Edith Grove, The Rolling Stones Tribute Band ❤
Thanks for listening. So that was their actual address in 62?
Yes sir! Mick, Keith and Brian lived there for a few months. Keith said that it was a "... dump, a beautiful dump. There was not much to eat there, but at least we could buy some records...."😅
So many great stories from that time period. Would make an excellent movie!
Prime era Stones! Love it and thanks!
My favorite live version of jumping jack, and satisfying 69.
Ala, otis redding .
@@brianbard3410 Satisfying 69,your dreams.
I love it!
Wow this is fantastic thanks and happy new year
Happy New Year!
Goddamn flip ,this sounds better than I remember, is a newfangled jigger of the original.
🪄🪄🪄
The LA acoustic stuff got a volume boost, but that's the only alteration from the original.
@flipdaboid8007 also on the cuts you're used to seeing w/ a video with when it's just audio no video for me I'm seeing different music .. hearing and getting a different rush Hope that makes sense then explain it to me 🤣
Your release of that MSG soundboard did that to me Not long ago 👍
It's good when it's new doesn't get old always refreshing and exciting
Not always under a microscope
Think I get it. Gimme Shelter used a lot of quick cuts in the editing if I remember correctly. Distracts from the music, of which there wasn't enough, complete songs anyway.
Lets have a look and see wot they look like 👍, you sound very lovley tonight, flip.!
Welcome to the breakfast show.!!!!
It was called The breakfast show because the show started at 4:00 a.m. because the medicine square garden was not ready for a concert was not set up
The best version of Under My Thumb..esp the bass guitar
Bill swings!
Wyman on steroids ⚡🌟
Taylor playing on HTW is so cleaver & edgy fills turnarounds then catchy rhythm
(Add Stu's JrryLee keys🌟) Never gets old 🙏
Plus entire song KR playing w\o a pick '59LP solo and late staggered bkup vocals 🌟
Listen to the guitars start up SFTD sounds like a division of Abrams tanks rolling thru your living room 💥
Excellent solo from Keith on SFTD.
@flipdaboid8007 Just listening to your recording here w\o the visual distraction gimme shelter bullshit Richards plexiglass is getting an incredible amount of sustain and gain throughout a snarl\ howl to it
Keith Richard's still is a lead guitarist badass playing for this show '69 Tour edgy AF.
( AGAIN This recording SFTD has that haunting hardness you hear on Gimme shelter 👊)
How much of the sound is responsible to the Wally Hieder truck Glyn Johns also remember in the movie we're watching them mix Ya Ya's and this Altamont show itself (along with Charlotte Zwerin and the brothers Maysles had absolutely no fucking idea what to film let alone edit for the final take ....They had multiple cuts to decide on that were so good from the Garden + Altamont missing chop chop chop ... 😱
I get lost on the possibilities here There's no definitive answers
Core stones fans have been ripped off from the MICK TAYLOR years time after time
Bootlegs Forever 🙏🌟🌟🌟🙏
These Altamont recordings sound like they were recorded by the Maysles with a good portable recorder like a Nagra. If so, then they probably have the entire show, or most of it. Quality seems too good to be from the bootleg that those two guys leaning on the stage with the cassette recorder could have gotten.
Working on Keith solo is not really exciting, for Taylor one you can't get higher in pleasur.
Absolutely fantastic sound! A thousand thanks, Flip Daboid, Hope you're enjoying the hell out of your weekend!
Thanks! You too!
👑 Sam Culter 👑
He came up with a great introduction for the band, but I think he got fired for inviting the Angels up on the stage and then defending them after the show when Mick & Keith were totally pissed off at them. Grover Lewis reported that someone from the stage invited the Angels up on the stage during Santana's set. Since Cutler was doing the announcing, and considering what happened later, think it's safe to say that Cutler is the one who made the announcement.
@flipdaboid8007 exactly these hell's Angels security recommendations resume were figured to be same @Hyde Park Hell's Angels UK version ... 😱 🤣
Sam's introductions his mic has the impact that the stones have for me personally
Euphoric I got this factor whoever came up with the mix on GYYYO editing his different intros was absolute genius🏝️
@flipdaboid8007 jic your aware of the type Panavision Japanese laser disk quality
entire set in correct order '69 Hyde Park concert.
I just tried to find link on YT I'm not seeing it ..I might have "ran" across it on Euro Yandex libraries It's just an amazing clean complete new experience from grainy deteriorated or incomplete versions almost 2 gigs data 👍
Thanks for the info, but I don't have much interest in that show. Very disappointing. Too many other shows that are good or great to spend time on that one. Worst show ever, according to Stu.
Mick Taylor!!!!!!!!!!
Imagine an official cleaned up release sounding like that mix on Gimme Shelter
I'd settle for a complete unofficial soundboard tape Altamont has MSG '69 pocket.
Gimme Shelter Billy Wyman's playing band aura frightens me to this day 🌟
(Completely Maysle bros. pro shot video+ Glyn John's\ Wally Heider truck recorded)
@16:25 Taylor & Stu 🤗.... 😜
Never heard Under my thumb so sad as on Altamont.
Horrible vibe all day
Maybe cause if the hight adrenalin level, they were pretty good at Altamont, for me.
Well Alright Charlie s good tonite in the? Sounds great like Ya-Yas😎
they had taylor before they were able to rest on their laurels... thank god for bootlegs...
sound track from gimmie shelter
Thanks for your comment.
some lines from get your ya ya s out
Thanks for your comment.
By 1969 - the Stones had not toured in 3 years - Mick Taylor had just joined them and found them to be a very "sloppy" live act - he took it upon himself to whip them into shape - but rough edges were always part of the Stones appeal - so Taylor probably met them somewhere in the middle ..
Thanks for your comment.
Amazing!!! THANK U❤❤
Glad you like it!
Rolling Stones
Coast To Coast
0:00 Jumpin’ Jack Flash
4:34 (I Can’t Get No) Satisfaction
10:16 Love In Vain
14:24 Honky Tonk Women
18:40 Sympathy For The Devil #1
21:01 Sympathy For The Devil #2
29:28 Under My Thumb
34:00 Gimme Shelter
36:05 Stray Cat Blues
40:49 Prodigal Son
44:52 You Got To Move
1-4 NYC/MSG Nov. 27/28, 1969
5-8 Altamont Speedway December 6, 1969
9-11 LA Forum November 8, 1969 2nd show
Notes from The True Adventures Of The Rolling Stones by Stanley Booth
Edited by Flip.
“With all due respect, and I think he’s due it, I think he has the idea that he’s
Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded
with people who tell him he can when he can’t. And someplace on the tour, that’s
gonna blow up on him.”
Jon Jaymes - Self-appointed Fixer, Stones’ 69
Tour, as it was beginning.
Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients.
When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk-
ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead…
Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his
bright eyes, he appeared a pleasant open-faced charming western guy. He was talking
about how to give a free concert, how it might be done, with whose help. The Dead
had done this sort of thing many times, and Scully might actually have known how
to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass
gathering, had taken place in the park with no unpleasantness. The Hell’s Angels,
who had attended the Be-In, had acted as security at some Grateful Dead concerts,
and it was natural (not to say organic) to have the Angels help you do your thing,
or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room
where our destinies were being formed, though we were too tired to give much of a
shit, “The Angels are really some righteous dudes. They carry themselves with honor
and dignity.” He was so blue-eyed and open about it, it seemed really convincing.
Nobody was particularly paying attention, but I noticed the way he used the words
honor and dignity, these high-flown words here but you know what I mean.
(Backstage at Oakland, CA., between shows)
“I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some
after the show.”
“Like to take some before the show,” I say.
“No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the
stage…”
“I’ve got some, we can take it whenever you want,” I say.
“Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like
to take some and just wander around in the crowd and talk to the people.”
“All right, I’ll take some with you.” I say, “but I don’t know, man, you believe
all this generation-revolution hype a lot more than I do.”
“No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a
film crew to document the free concert), that’s all. It’s going to be very interest-
ing for the film.”
(Conversation the night before Altamont, after inspecting the site)
Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales
of how the Hell’s Angels were fighting with civilians, women, and each other, bounc-
ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran-
cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels
eating it by the handfuls, smearing the excess on their faces. It didn’t sound good
but there was no way to do anything about it, nothing to do in the center of a hurri-
cane but ride it out.
Wyman’s helicopter was late, so we waited. And in the last light of day Wyman
and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived…
Jon Jaymes waddled in, “There are four Highway Patrol cars,” he told Mick.
“Those are the only ones available to take you to the airport. We can have them
right at the back of the stage, so when you come off…”
Mick was shaking his head. “Not with the cops,” he said. “I ain’t going out with
the cops.”
“I knew you’d say that,” Jon said.
For some reason, as he stood surrounded by Hell’s Angels in the world’s end of
freakdom denying the only safe way out, I was proud to know Mick Jagger, and I
put my arm around his shoulder, on his orange and black satin batwinged outfit,
nodding my head in agreement. We looked at each other and began to laugh.
Rolling Stones
Coast To Coast
0:00 Jumpin’ Jack Flash
4:34 (I Can’t Get No) Satisfaction
10:16 Love In Vain
14:24 Honky Tonk Women
18:40 Sympathy For The Devil #1
21:01 Sympathy For The Devil #2
29:28 Under My Thumb
34:00 Gimme Shelter
36:05 Stray Cat Blues
40:49 Prodigal Son
44:52 You Got To Move
1-4 NYC/MSG Nov. 27/28, 1969
5-8 Altamont Speedway December 6, 1969
9-11 LA Forum November 8, 1969 2nd show
Notes from The True Adventures Of The Rolling Stones by Stanley Booth
Edited by Flip.
“With all due respect, and I think he’s due it, I think he has the idea that he’s
Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded
with people who tell him he can when he can’t. And someplace on the tour, that’s
gonna blow up on him.”
Jon Jaymes - Self-appointed Fixer, Stones’ 69
Tour, as it was beginning.
Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients.
When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk-
ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead…
Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his
bright eyes, he appeared a pleasant open-faced charming western guy. He was talking
about how to give a free concert, how it might be done, with whose help. The Dead
had done this sort of thing many times, and Scully might actually have known how
to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass
gathering, had taken place in the park with no unpleasantness. The Hell’s Angels,
who had attended the Be-In, had acted as security at some Grateful Dead concerts,
and it was natural (not to say organic) to have the Angels help you do your thing,
or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room
where our destinies were being formed, though we were too tired to give much of a
shit, “The Angels are really some righteous dudes. They carry themselves with honor
and dignity.” He was so blue-eyed and open about it, it seemed really convincing.
Nobody was particularly paying attention, but I noticed the way he used the words
honor and dignity, these high-flown words here but you know what I mean.
(Backstage at Oakland, CA., between shows)
“I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some
after the show.”
“Like to take some before the show,” I say.
“No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the
stage…”
“I’ve got some, we can take it whenever you want,” I say.
“Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like
to take some and just wander around in the crowd and talk to the people.”
“All right, I’ll take some with you.” I say, “but I don’t know, man, you believe
all this generation-revolution hype a lot more than I do.”
“No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a
film crew to document the free concert), that’s all. It’s going to be very interest-
ing for the film.”
(Conversation the night before Altamont, after inspecting the site)
Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales
of how the Hell’s Angels were fighting with civilians, women, and each other, bounc-
ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran-
cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels
eating it by the handfuls, smearing the excess on their faces. It didn’t sound good
but there was no way to do anything about it, nothing to do in the center of a hurri-
cane but ride it out.
Wyman’s helicopter was late, so we waited. And in the last light of day Wyman
and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived…
Jon Jaymes waddled in, “There are four Highway Patrol cars,” he told Mick.
“Those are the only ones available to take you to the airport. We can have them
right at the back of the stage, so when you come off…”
Mick was shaking his head. “Not with the cops,” he said. “I ain’t going out with
the cops.”
“I knew you’d say that,” Jon said.
For some reason, as he stood surrounded by Hell’s Angels in the world’s end of
freakdom denying the only safe way out, I was proud to know Mick Jagger, and I
put my arm around his shoulder, on his orange and black satin batwinged outfit,
nodding my head in agreement. We looked at each other and began to laugh.
RIP Mr. Booth. Your book changed my life.
Rolling Stones
Coast To Coast
0:00 Jumpin’ Jack Flash
4:34 (I Can’t Get No) Satisfaction
10:16 Love In Vain
14:24 Honky Tonk Women
18:40 Sympathy For The Devil #1
21:01 Sympathy For The Devil #2
29:28 Under My Thumb
34:00 Gimme Shelter
36:05 Stray Cat Blues
40:49 Prodigal Son
44:52 You Got To Move
1-4 NYC/MSG Nov. 27/28, 1969
5-8 Altamont Speedway December 6, 1969
9-11 LA Forum November 8, 1969 2nd show
Notes from The True Adventures Of The Rolling Stones by Stanley Booth
Edited by Flip.
“With all due respect, and I think he’s due it, I think he has the idea that he’s
Mick Jagger, Rolling Stone, and he can do anything he wants, and he’s surrounded
with people who tell him he can when he can’t. And someplace on the tour, that’s
gonna blow up on him.”
Jon Jaymes - Self-appointed Fixer, Stones’ 69
Tour, as it was beginning.
Flip note: Self-appointed fixer with connections to the Chrysler car company is how Jaymes/James/Ellsworth was described by Stanley Booth. My guess is that he was an Allen Klein plant, someone dug out of the depths of the mob bureaucracy to monitor the tour and provide extra security. The Stones had cut Klein out of the tour but they were still his clients, very valuable clients.
When I came back to the Stones’ dressing room Bill, Charlie and Keith were talk-
ing to Rock Scully. Scully was, I’d heard, a sort of manager for the Grateful Dead…
Scully was wearing Levi’s and a plaid cowboy shirt, and with his beard and his
bright eyes, he appeared a pleasant open-faced charming western guy. He was talking
about how to give a free concert, how it might be done, with whose help. The Dead
had done this sort of thing many times, and Scully might actually have known how
to give a free concert in, say, Golden Gate Park (San Francisco). The Be-In, a mass
gathering, had taken place in the park with no unpleasantness. The Hell’s Angels,
who had attended the Be-In, had acted as security at some Grateful Dead concerts,
and it was natural (not to say organic) to have the Angels help you do your thing,
or so it seemed to Rock Scully. He was saying, sitting on a couch in that oblong room
where our destinies were being formed, though we were too tired to give much of a
shit, “The Angels are really some righteous dudes. They carry themselves with honor
and dignity.” He was so blue-eyed and open about it, it seemed really convincing.
Nobody was particularly paying attention, but I noticed the way he used the words
honor and dignity, these high-flown words here but you know what I mean.
(Backstage at Oakland, CA., between shows)
“I’d like to get some mescaline for tomorrow,” Mick says, “Like to take some
after the show.”
“Like to take some before the show,” I say.
“No, I have to sing, I can’t sing if I’m stoned, I’ll be freaking out all over the
stage…”
“I’ve got some, we can take it whenever you want,” I say.
“Do you? Great, I haven’t had any psychedelics in a couple of years. I’d like
to take some and just wander around in the crowd and talk to the people.”
“All right, I’ll take some with you.” I say, “but I don’t know, man, you believe
all this generation-revolution hype a lot more than I do.”
“No I don’t; I don’t, I’m just thinking about the film (the Stones had hired a
film crew to document the free concert), that’s all. It’s going to be very interest-
ing for the film.”
(Conversation the night before Altamont, after inspecting the site)
Michelle Phillips of the Mamas and the Papas came into the trailer bearing tales
of how the Hell’s Angels were fighting with civilians, women, and each other, bounc-
ing full cans of beer off people’s heads. Augustus Owsley Stanley III, the San Fran-
cisco psychedelic manufacturer, known as Owsley, was giving away LSD, the Angels
eating it by the handfuls, smearing the excess on their faces. It didn’t sound good
but there was no way to do anything about it, nothing to do in the center of a hurri-
cane but ride it out.
Wyman’s helicopter was late, so we waited. And in the last light of day Wyman
and Astrid (Bill’s significant other, eventually Mrs. Wyman) arrived…