Dasha rasa ganapatim | Leela Samson team | Ravikiran's piece with 10 emotions, not 9 nava rasas
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- Опубликовано: 12 сен 2018
- This Carnatic Dance Ragamalika in Adi tala presents a unique perspective highlighting that there are at least 10 and not nine (9) major rasas (navarasa) in Indian culture. Ravikiran's contention is that Shoka (sorrow) and Karuna (compassion) should not be clubbed into one, as sorrow only (potentially) induces compassion and therefore the two are distinct. The other rasas - shringara, hasya, kopa, bheebhatsa, bhaya, atishaya, veera shanta have been conveyed conventionally in this composition that includes Gambheeranata, Ranjani, Bhoopalam, Sucharitra & Ratipatipriya.
Dance by: Satyapriya Iyer & K Sarveshan in a concert presented by Smt Leela Samson for Brahma Gana Sabha, Chennai in Jan 2018.
Vocal: Anahita & Apoorva Ravindran
Nattuvangam: Girish Madhu
Mrdangam: Karthikeyan Ramanathan
Flute: Sujith Nayak
Violin: Sanjay Suresh
Sangeet Samrat Chitravina N Ravikiran (www.ravikiranmusic.com), hailed as the "Mozart of India" (Wisconsin State Journal) and renowned for his "Teasing precision & dazzling effects" (New York Times) and for "Taking his music to new audiences" (CNN TV) discovered a new raga, Choodamani at age 2 and composed his first full piece at age 11. Youngest to win the President of India's Award for artistic excellence and a number of other honours, he has collaborated with frontline artists of several genres including Classical, Jazz, Blues, Rock, Pop, Chinese, South American, African and Middle Eastern.
Highlights:
* Over 800 compositions
* 5 languages - Tamil, Sanskrit, Telugu, Hindi and Kannada
* Music and dance forms: Geetam, Varnam, Krti, Tillana, Padam, Pada Varnam, Javali, Chindu, Bhajan, Kavuttuvam, Shabdam and his own inventive forms like Swarakrti (krti form but sans lyrics) and Shiruppuhazh (a la Arunagirinathar's Tiruppuhazh)
* Operas, dance productions: Ramayana, Mahabharata, Lakshmi Prabhavam, Vinayaka Vaibhavam, Almighty Trinity, Savitri, Cosmos, Illusion to Resolution, Panchakriya, Pushed to the Edge etc.
* Ragas Discovered: Keshavapriya, Vaishnavi, Katyayani, Mohini (dedicated to Mahatma Gandhi), Veetavanam (in honour of Beethoven), Andhakarini etc.
Unique Works: Ravikiran is perhaps the first to:
* Compose in each of the 35 talas of Carnatic Music,
* Compose the 72-mela-ragamalika geetam.
* Explore "Schematic svarakshara" pieces (where svaraksharas themselves have an underlying theme in each line like SR - RR - GR - MR or S,D - R,D - G,D- M,D etc)
* Employ innovative approaches to incorporating Raga-mudra (name of raga) in multiple ways within the same composition, "Adharam nee enakku" where the raga name Kedaram appears directly or suggestively 8-9 times).
* Other creations: Eulogies on Vyasa, Ramanuja, Ramana Maharshi, Kanchi Paramacharya, Mahatma Gandhi, M S Subbulakshmi, Guru Chitravina Narasimhan and social critiques or commentaries. 
Видеоклипы
Excellent performance 👏
Absolutely flawless and Gorgeous performance
Beautiful ,costumes is beautiful colour
Amazing.- both music and dance.Thanks.
This is beautiful!
So graceful. Congratulations
Lovely performance .. God bless both the dancers.
Leela akka's brilliance.........😍😍😍😍
Sharing the lyrics of this krti:
Dasha rasa ganapatim - Ragamalika - Adi
(This song, appropriate for both music and dance, highlights dasha rasas (10 predominant emotions) as opposed to the conventional nava (9) rasas by separating shoka (sorrow) from karuna (compassion) as has been done for centuries. The author postulates that (someone’s) shoka can (but need not) inspire karuna in another.)
P: Gambheeranata
dasha rasa ganapatim bhAvayE
ruchira naTanAkrtim santatam
AP: vashankara vallabhA saha krta shrngAram
pashupateesha vimatAm bhayankaram
S,, G, M P N P M G S P Ṇ P̣ Ṇ,| S,,,, M G P |M N P P M G S Ṇ||
S,, G, M P N P M G S Ṇ P̣ Ṇ , |S,, G S M G P |M N P P M G S Ṇ||
S G M P N, G M P N Ṡ, M P N Ṡ |Ġ, Ṁ Ġ Ṡ N P,| Ṡ N P M G, M G ||S Ṇ (dasha rasa)
C1: Ranjani
hAsya leelam valli guha prEmArtham
dAsya bhAva yuta bhakta karuNArdram
Ṡ Ṙ Ġ Ṡ N D, Ṡ N D M G M, D,| M G S Ṇ Ḍ S, R|, G, S R G M D||
Ṡ Ṙ D Ṡ Ṙ M D Ṡ Ṙ G M D Ṡ Ṙ R G| M D Ṡ Ṙ G M D Ṡ| Ṙ M D Ṡ Ṙ D Ṡ Ṙ ||S Ṙ (dasha rasa)
C2: Bhoopalam
tApa bharita nandi shOka nivArakam
kOpa sahita chandra shApa dAyakam
Ṡ Ṙ Ġ Ṙ, Ṡ D, P D Ṡ D, P G,| D P G R, S Ḍ, |, P̣ Ḍ S R G P D||
Ṡ Ṙ Ġ, S R GP D Ṡ Ṙ, S R G P| D Ṡ, S R G P D|, S R G P, S R|| G, (dasha rasa)
C3: Sucharitra
bheebhatsAtmaka daitya kulAntakam
shreevatsa sama veera pradarshakam
S R S R,, G M P D P D N,, Ṡ| Ṙ N Ṡ, P D M P|, S R Ṇ S, S R||
G M P M P D P D N, D N Ṡ, N Ṡ |Ṙ,,Ṡ N Ṙ Ṡ,|, Ṡ N D P,, M|| G R (dasha rasa)
C4: Ratipatipriya
atishaya bhArata lEkhana charitam
dyuti jita shata ravi shashi sama shAntam
S,, R G, S R G, S R G,,0P|,, Ṡ N, P Ṡ N|, P Ṡ N,, Ṡ,||
, Ṙ Ġ, Ṡ Ṙ Ġ, Ṡ Ṙ Ġ,,Ṗ,, |Ġ Ṙ Ṡ, Ṡ,, N| P G, P,, G R||
S,, R G, S R G, S R G,,P|,, Ṡ N, P Ṡ N|, P Ṡ N,, Ṡ,||
, Ṙ Ġ, Ṡ Ṙ Ġ, Ṡ Ṙ Ġ,,Ṗ Ġ ,| Ṙ, Ṡ, Ṡ N, P|, G, P G, R,||
S R G P G R S Ṇ S R, G P,,,|
Sucharitra
M P, D PD, N |Ṡ Ṙ , N Ṡ,,,||
Bhoopalam
Ṡ Ṙ Ġ Ṡ Ṙ D Ṡ, P D Ṡ P D G P,|
Ranjani
Ṡ N D N D M D M| G S R G S,,,||
Gambheera Nattai
S S G G M M P P G G M M P P N N |M M P P N N Ṡ Ṡ| P P N N Ṡ Ṡ Ġ Ġ||
Ṁ, Ġ, Ṡ,, Ṁ Ġ Ṙ Ṡ N P Ġ, Ṡ,|, Ġ , Ṡ , N P N | Ṡ,, Ṁ, Ġ,Ṁ||
Ġ Ṡ N P Ġ, Ṡ, Ġ Ṡ N P M N, P|, P M G S Ṇ S,|G, M ,, G M P||
N P M, P,, G ,M , P Ṡ N P,|, S, G, S G M| P M G, M, G M ||
P N P M, P, M P N Ṡ Ġ Ṁ, Ġ, |Ṡ,, Ṁ Ġ Ṡ N P| Ġ, Ṡ, , Ġ, Ṡ,||
,N P N Ṡ ,, Ṁ, Ġ, Ṁ Ġ Ṡ N P| Ġ, Ṡ, Ġ Ṡ N P|M N, P ,P M G|| S Ṇ (dasha rasa)
Beautiful. Can you kindly provide me with the meanings for the lyrics🙏
Tq so much 🙏💐
Beautiful 🙏
Great culture!
wonderful
Sarveshan👌👌👌👌👌👌👌💖
A wonderful male dancer - his line, rhythm, bhava is lovely to watch, dance just flows through his being! What is his name?
He is Sarveshan- Disciple of Natyacharya Dhananjayans
Super
Very nice
BEAUTIFUL COMPOISTION & CHOREOGRAPHY..EXECUTED BEAUTIFULLY....
Beautiful song very nicely portrayed with nice episodes. Sir, could you please explain the first line of Bhupala, and the context of Veera Rasa?
Parvati and Shiva both claimed victory in a game of dice and Nandi adjudicated his master Shiva as the winner. Parvati cursed him for perjury and it was Vinayaka who subsequently exonerated him from this curse...
Wonderful! Enjoying every minute of it! Thanks for sharing!
Can someone please explain to me all the incidents?
Dasha rasa ganapatim - Ragamalika - Adi
- Chitravina N Ravikiran
P: Gambheeranata Adi
dasha rasa ganapatim bhAvayE
ruchira naTanAkrtim santatam
AP: vashankara vallabhA saha krta shrngAram
pashupateesha vimatAm bhayankaram
C1: Ranjani
hAsya leelam valli guha prEmArtham
dAsya bhAva yuta bhakta karuNArdram
C2: Bhoopalam
tApa bharita nandi shOka nivArakam
kOpa sahita chandra shApa dAyakam
C3: Sucharitra
bheebhatsAtmaka daitya kulAntakam
shreevatsa sama veera pradarshakam
C4: Ratipatipriya
atishaya bhArata lEkhana charitam
dyuti jita shata ravi shashi sama shAntam
Can somebody please provide the meaning?
Namaskaram Sir. Is there any source for me to get lyrics and music .
HP pup
Male performance highlight ,and male to done abinayanam like a male .so long time I was seen good performance
Are u Nadarajan ? Can u raise ur patham like him in front people, (facing the eyes of audience) turn behind.