i look at the extreme range as a carry over of the high range - we should try to stay as open as necessary and not force anything. i recommend people let go of belting or playing fff in their highest range because that leads unnecessary tension. other than that, slow, steady work on expanding range over time is my best advice
Question about legato: should you be able to hear the tonguing? Or should it be completely smooth, as if I were playing with valves? Also, what is the difference between tenuto and legato style (they seem similar to me)? Personally, my legato is subpar. When I record and listen to it, I can hear something. I'm not entirely sure if it's actual gaps, or if I'm hearing tonguing and perceiving that as a gap.
I personally aim for smooth tonguing (now whether I get there all the time is another question!) with tenuto style I usually aim for about 10 more tonight and definitely at the front of the note, but again, it's always contextual to what the music is trying to say. Tenuto and legato in differently tempos, styles, ranges, etc. will have different shades and shapes.
i image a sort of spanish/french "tU" or english "tOO" with the emaphasis on the vowel rather than the consonant. either way i'm trying to get there tongue out of the way as quickly as possible and also make sure i'm avoiding the tongue staying between the teeth at any point
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
awesome; thanks, will!
Thanks! Nice exercise!
Whats are some easy tips for hitting the extreme range
i look at the extreme range as a carry over of the high range - we should try to stay as open as necessary and not force anything. i recommend people let go of belting or playing fff in their highest range because that leads unnecessary tension. other than that, slow, steady work on expanding range over time is my best advice
Question about legato: should you be able to hear the tonguing? Or should it be completely smooth, as if I were playing with valves? Also, what is the difference between tenuto and legato style (they seem similar to me)? Personally, my legato is subpar. When I record and listen to it, I can hear something. I'm not entirely sure if it's actual gaps, or if I'm hearing tonguing and perceiving that as a gap.
I personally aim for smooth tonguing (now whether I get there all the time is another question!) with tenuto style I usually aim for about 10 more tonight and definitely at the front of the note, but again, it's always contextual to what the music is trying to say. Tenuto and legato in differently tempos, styles, ranges, etc. will have different shades and shapes.
¿Que tipo de ataque es el que realizas? . Tuh o Du ¿o uno en específico para los ligados?
i image a sort of spanish/french "tU" or english "tOO" with the emaphasis on the vowel rather than the consonant. either way i'm trying to get there tongue out of the way as quickly as possible and also make sure i'm avoiding the tongue staying between the teeth at any point
@@WilliamLangmuchas gracias por la explicación, si entendí . Excelente timbrado y ejercicios de registro agudo
"Low Bb"