Kieran Grant on MERRY CHRISTMAS, MR. LAWRENCE | TIFF 2019

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  • Опубликовано: 4 дек 2019
  • In the Realm of Oshima: The Best of Japanese Master Nagisa Oshima
    11/16/19
    Merry Christmas, Mr. Lawrence
    (Senjo no Meri Kurisumasu)
    Nagisa Oshima
    UK, JAPAN, NEW ZEALAND | 1983 | Japanese, English
    123 minutes
    Set in a World War II POW camp in Java, Oshima's late-career triumph features two rock icons playing arch-nemeses: David Bowie as Celliers, an upper-crust New Zealand officer hiding a guilty family secret; and Ryuichi Sakamoto (who composed the film's hypnotically spare music track) as the fanatical camp commander Yonoi, whose Mishima-like obsession with hara-kiri is replaced by a growing fixation on his androgynous blonde prisoner. Mystified and intrigued by each other's code of honour, the two share tea and joust over cultural differences, until a series of incidents locks them in direct conflict. Circling around this central duo are the Lawrence of the title (Tom Conti), a cultured British POW who had lived in Japan for many years; and Sgt. Hara (Takeshi Kitano), a guard whose brutishness belies a curious kind of compassion. "One of the few Oshima works to wear its heart so clearly on its sleeve … no moment can rival the final episode of Merry Christmas, Mr. Lawrence for sheer melodramatic impact and merciless courting of audience tears" (Chuck Stephens).
    Former music critic and TIFF Editor-in-Chief Kieran Grant reflects on the parallel cinematic paths of music superstars David Bowie and Ryuichi Sakamoto, and their momentous pairing in Nagisa Oshima’s gripping WWII drama.
    Guest:
    Kieran Grant
    Kieran Grant joined TIFF in 2011 and currently oversees the organization's print and online output as Editor-in-Chief in its Brand & Media division. He was previously film editor for the Toronto alt-weekly Eye (R.I.P.), and wrote about music for the better (and worse) part of two decades. He is a founding member of pseudo-legendary, semi-dormant post-punk band The Two Koreas. He once had a telephone conversation with David Bowie.
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Комментарии • 3

  • @matthewct8167
    @matthewct8167 3 года назад +8

    This gave me a great insight of everything related to this film. Thank you!

  • @ruffian1868
    @ruffian1868 Год назад +3

    I was always under the impression that Jack Celliers was of South African ancestry, not from New Zealand ?

    • @defaultx238
      @defaultx238 8 месяцев назад

      Yeah he's supposed to be south African, at least in the book he was