Jens, I’m not a musician. Just play to myself for my own pleasure. But i’ve been reading lots of outside playing. What you taught here is wonderful and made me understand the real concept others had failed to do. Thanks so much.
I’ve been playing for awhile and I think I’m a pretty good “rock” guitarist that can dabble in diminished and altered chords and arpeggios. However, trying to get more into the Jazz side of things is a whole different concept altogether. You’re blowing my mind! Thank you!
The fact, that you nail the issue straight from square one with no beautiful stories about Adam and Eve makes you such a precious teacher in a world full of narcissists with nothing to say. Kudos for that!
You have the best lessons ever, love the concepts and idea's and also the whole video is extremely well made ! The guitar sound is superb. Thanks for sharing and making all this effort. Keep it up !
Thanks Jens! Brilliant lesson, it explains so much that has been a bit of a dark area to me. A goldmine, packed with nuggets, and at breathtaking speed, worth watching over and over again. And free! 😁.
I Have always used on a minor seventh chord, the neighbour note a half step below and above's, harmonic minor scale. I will either start outside, with fast runs, and quickly either start going into the next chords scale sounds I wanna hear, or play, or, I will come right into the present scales harmonic minor scale, or any other scales or runs or lines I know will sound in. This has always worked for me. This was a good video. All your videos are really well thought out and concise. Thanks again.
Wow! Jens, it is amazing how your videos still keep on getting better in the quality how you present something and how you use some „special effects“ in your videos, it is really nice to watch 😃
You've done so many great videos, and this is one of the very best. The material is not overly complicated and is straight to the point. There will be a Cm7 on my looper later tonight.
So cool. Just got back from a 2 week trip without a guitar or much internet - suffering from withdrawal. I really like the altered dominant material, and the half step stuff too - pretty simple but all about feel. Great.
Thanks sooo much for this mind blowing and mind opening lesson! Now I have a few years of practice ahead of me to make it happen! :) It's crazy when you think about the amount of 'unlocked secrets' the younger generations have on RUclips these days at their finger tips... this amount of condensed and structured info simply wasn't available when I started out! No doubt the world is going to see a very talented next generation of musicians...greatly thanks to Mr Jens Larsen! 🙏🏼
Wow yeah, this is exactly what I’ve been needing for a while. Great advice and amazing playing in the examples! How about a video talking about playing more dynamically? I got used to having my compressor on all the time and am just rediscovering a lighter touch!
@@JensLarsen I am working on "practice arpeggios like this" and a couple of others, incorporation with some of my practices. It seems it takes a bit to sequence the notes and then I should likely use a mestome too So I cant move on tot he net ... My ability to play (improvise) melody, in just working on these, is vastly improved.. You'll forget more than I'll ever know and a rational inspiration for me. Thank You.
I'd love to see more fusion and model stuff, this is really excellent. I have both your books and have access to the jazz road map course, but I really like the leaning to more modern stuff too!
Great stuff, loads to work on here. Allowing your child to choose a few notes while you play works too, especially on the piano, and frequently results in playing a half step up and a half step down at the same time. This harmonic sophistication can then be transposed to the guitar
thanks for help, precious suggestions, great outside lines are in john scofield "resolution" with M.Johnsson and Benson's Tutu, and some Metheny tune too, ciao from Italy
Jens, another amazing lesson. I think you could create an entire book on just this material - inside-outside sounds in jazz guitar. I was always fascinated about certain types of outside sounds and wondered how it was achieved - the 7th alt and diminished sounds seem to be the answer. Understanding these concepts seems similar to studying chess - I imagine a first goal is to get these types of concepts under the fingers through a lot of practice in at least one key.
The most important skill to master for this is probably just being able to improvise clearly and melodically over chord changes. Then you can add other chords when you want to go outside.
00:18 Hmm?!!! I kind of liked those frases and the tensions they produced. Maybe my preferences is so much outside, that I'll ought to invest in a space suit. 😅
How you explore that material is pretty different from person to person, and 99% of the work is not coming out of the book so I doubt if it really makes sense as a video, or rather if I made it then you probably would not find it useful. Not sure if that makes sense?
I observe a superficial parallel between the triads of the augmented scale in their order and the tonics of the Coltrane changes. The augmented scale triads sound nice over the Cm7.
If I had one suggestion to get across even more information it would be if the chord interval numbers were included below the staff, directly below the tab number. Because while the fretting information is definitely helpful, it really only matters when I'm playing the riff, but the interval information is pretty much universal and helps to watch the video without a guitar. If I quickly know the riff is b3-5-2-b2-1, then I can employ that in other positions and octaves. I can also sort of hear the relationships in my mind and know where the dissonance occurs. Of course, I understand that I can just do this myself for each example you show, and I just might, but I do wonder whether that information would help others too. As always though, thanks for your great content!
Why not just use the sheet music? that gives you the same information since you have a tonal center. That is also how we train most musicians at school.
@@JensLarsen That is totally true. I should really just do the work on my sight reading I guess! But I did think for those who only read tabs, it could be helpful as well. Because with the sheet music there, technically the tab music itself is already rendered unnecessary, except for those who don't read music.
Phrase well, and everything works. Personally, I think minor pentatonics (not blues oriented) a half step up or down can create some really hip lines, especially if you create some 4th or 5th oriented melodies with them.
@@JensLarsen I'm really enjoying the diminished scale triads as a "subdominant" sound that goes to the altered V sound. I'm starting to hear the Brecker sounds more clearly. Thanks for these videos, Jens.
It doesn't really exist as a stack of 3rds in any of the "normal scales" because the scale would have to have 3 half- steps next to each other: 3 4 b5. But it is possible to construct already in a major scale and most other scales.
@@JensLarsen Thanks for the help! I still haven't left the video as this led me on a tangent. Good to hear, I was a bit worried and now I can just keep practicing this all day!
Hey you got an AS200 , like me , and use other pickups , like me , maybe Gibson PAF , like me ? In bridgeposition i got a Dimarzio Superdistortion . This guitar is a beast .
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
What is your faovurite when it comes to playing outside?
Level up your altered dominant soloing with this: ruclips.net/video/pAkipvT2CtQ/видео.html
my favorite way is just to play a scale a half step up on the 7th chords and to resolve it by playing the next extension of the original scale.
Oz Noy Jens. Check out a tune called ‘Come On’. It’s got some sweet moves in the solo.
I think we all had that awkward moment of trying to play outside without really knowing what it takes, but no more! Thanks Jens for this great lesson!
Glad it was useful 🙂
this is basically the exact lesson I've been wanting someone to put up for a decade now. as always Jens, top notch work.
Glad you like it 🙂
I wish I had this video when I first started out jazz......It decodes lots of myths and mysteries of outside playing for me.
When it comes to playing outside, I like it to be about 72˚F with a gentle breeze from the northeast. ( also… great lesson ! )
You could just open the window and put the Amp outside
idk… from the south…over my shoulder is sweet.
…GREAT lesson, Jens. …wait, did Jens just say: Michael Brecker? i’m in…and out. :))
@@JensLarsen Wifes happy, but not the neighbours
3:00 very John Scofield kinda tone, love it Jens!
Thank you! :)
This is playing outside made simple, very easy to understand for anyone starting out on upper structural phrasing 👍👍
Glad you think so!
Wow, what a talented teacher. This video is just oozing coaching experience and understanding. Thanks mate from Australia
Thank you 🙂
always interesting. one of the best channels ever
Glad you think so!
Jens, this lesson is a gold mine. Loving the uptempo groove and your swing in and out of Cm7. Thanks!
Glad you like it :)
@@JensLarsen I love your channel …it’s been a big help though I’m still terrible..thanks
That really is a great backing track. I keep expecting the soloist to come in and start playing any second now...
Not only are you a bloody good guitar player, you're a bloody good teacher too. Many thanks.
Thank you 🙂
Jens, I’m not a musician. Just play to myself for my own pleasure. But i’ve been reading lots of outside playing. What you taught here is wonderful and made me understand the real concept others had failed to do. Thanks so much.
Glad it was helpful 🙂
I’ve been playing for awhile and I think I’m a pretty good “rock” guitarist that can dabble in diminished and altered chords and arpeggios. However, trying to get more into the Jazz side of things is a whole different concept altogether. You’re blowing my mind!
Thank you!
Your phrasing are so musical and you play it so confident that doesn't really sound outside. Absolute great lesson👏👏👏
The fact, that you nail the issue straight from square one with no beautiful stories about Adam and Eve makes you such a precious teacher in a world full of narcissists with nothing to say. Kudos for that!
Glad you think so!
Wat
Greatest RUclips channel to ever exist
Thank you!
The augmented scale is my favorite, it sounds good !
love the touch of overdrive on the tone
Ma sei un grande. Concetti essenziali e non sempre scontati
You have the best lessons ever, love the concepts and idea's and also the whole video is extremely well made ! The guitar sound is superb. Thanks for sharing and making all this effort. Keep it up !
Thank you! Really great you like the video! 🙂
Thanks Jens! Brilliant lesson, it explains so much that has been a bit of a dark area to me. A goldmine, packed with nuggets, and at breathtaking speed, worth watching over and over again. And free! 😁.
Glad you like it Keith 🙂
Thank You Jens.
Just thank you. This is the lesson I was looking for this years. Thanks!!!
Glad you like it 🙂
Thanks!!
Gonna play “around” with these tips!
Magnificent material Mr Larsen,and your playing here is soulful,first-rate smooth jazz,also enjoyed your educated English.. Greetings from Cuba.
I Have always used on a minor seventh chord, the neighbour note a half step below and above's, harmonic minor scale. I will either start outside, with fast runs, and quickly either start going into the next chords scale sounds I wanna hear, or play, or, I will come right into the present scales harmonic minor scale, or any other scales or runs or lines I know will sound in. This has always worked for me. This was a good video. All your videos are really well thought out and concise. Thanks again.
Man what I’m getting from this lesson is that triads are everything! I definitely need to shed this more …thanks for the great lesson Jens
Glad it was helpful!
One of my favorite lessons of the year. Much thanks Jens. ^-^
My pleasure!
Wow! Jens, it is amazing how your videos still keep on getting better in the quality how you present something and how you use some „special effects“ in your videos, it is really nice to watch 😃
Thank you 🙂
One of your best lessons for us rock players trying spice up our playing. Thanks Jens!
I just commented something similar. 🤙🏼
You've done so many great videos, and this is one of the very best. The material is not overly complicated and is straight to the point. There will be a Cm7 on my looper later tonight.
Go for it :)
Really great lesson, I finally understood how to do it, thanks to you!
You're very welcome!
What a beauifoul lesson Jens! Thanks
Glad you liked it!
Kijk aan dit is nog eens een SUPER informatief stukje uitleg Jens en SUPER goed toe te passen! THX !!
Dankjewel Paul!
@@JensLarsen Graag gedaan Jens! Dit is gewoon SUPER 2 the point: BULLSEYE ;)
oh! This is risqué and I love it. Very challenging, great post. Nice mention about the backing track, just added his channel to my list. Cheers.
Glad you like it 🙂
I loved the random notes as well...
Great lesson, beautiful soloing!!!
Glad you liked it!
Thanks!
Thank you very much for the support!
On minor chords I LOVE going up a bVI and playing Lydian dominant. Sounds AMAZING
So cool. Just got back from a 2 week trip without a guitar or much internet - suffering from withdrawal. I really like the altered dominant material, and the half step stuff too - pretty simple but all about feel. Great.
Great! Hope you had a nice holiday :)
I love this lesson because it is so immediately useful. Thank you!
You're very welcome!
golden infos here JENS , THANKS you are FANTASTIC!!!
Glad you like it 🙂
This is so great, thanks so much Jens
You're very welcome! I am glad you like it! 🙂
Thanks sooo much for this mind blowing and mind opening lesson! Now I have a few years of practice ahead of me to make it happen! :) It's crazy when you think about the amount of 'unlocked secrets' the younger generations have on RUclips these days at their finger tips... this amount of condensed and structured info simply wasn't available when I started out! No doubt the world is going to see a very talented next generation of musicians...greatly thanks to Mr Jens Larsen! 🙏🏼
Thank you! Glad you find it useful! 🙂
Good stuff. I like starting On the Db Lydian Dom Over C minor. Good stuff as usual TY Jens.
Great lessons, Jens. For me, this is teaching you how to do the bit in the John Scofield solo where the other members of Scary Pockets look impressed.
Cool, thanks!
Wow yeah, this is exactly what I’ve been needing for a while. Great advice and amazing playing in the examples! How about a video talking about playing more dynamically? I got used to having my compressor on all the time and am just rediscovering a lighter touch!
The ones that you say that sound bad for me they sound good lol
This video is gold to me.
Glad you like it!
Jens, Your videos are great! Thank you.
Glad you like them!
Great video again. Thank you Jens!
Thank you, Andreas 🙂
Geat material as always! Thank you :)
Thank you, Antoine 🙂
man, thats an awesome videooo!!! thanks!! these examples are fantastic :)))
You're very welcome!
Thank you Jens!! Exellent :)
Glad you liked it!
Quite illustrative coverage and so succinct. 5 star
Thank you Roger!
As usual, another great lesson!
Thanks Jens!
Glad you enjoyed it!
Piece of cake ... great mind stretching ... pat
Go for it!
@@JensLarsen I am working on "practice arpeggios like this" and a couple of others, incorporation with some of my practices. It seems it takes a bit to sequence the notes and then I should likely use a mestome too So I cant move on tot he net ... My ability to play (improvise) melody, in just working on these, is vastly improved.. You'll forget more than I'll ever know and a rational inspiration for me. Thank You.
The random notes were not that bad ^^
Thank you for the knowledge!
Glad you like the video 🙂
Ótima aula! Parabéns e obrigado!
Fantastic lesson Jens, really something that is enormously useful and helpful :)!
Glad you think so!
First riff in and already awesome! 👊
Thank you! :)
I'd love to see more fusion and model stuff, this is really excellent. I have both your books and have access to the jazz road map course, but I really like the leaning to more modern stuff too!
Awesome, thank you! I will keep that in mind :)
Great lesson !!! Greetings from Argentina.
Thank you 🙂
this is gold , thanks , Jens !!!
Glad you like it 🙂
Fantastic video!!! I am going to have to sit down and really dig into this. How about a similar video for other static chord jams?
Great stuff, loads to work on here. Allowing your child to choose a few notes while you play works too, especially on the piano, and frequently results in playing a half step up and a half step down at the same time. This harmonic sophistication can then be transposed to the guitar
Once again, thank you very much!
Man, you're an amazing guitarist
Thanks! 😃
Thank you for lesson
thanks for help, precious suggestions, great outside lines are in john scofield "resolution" with M.Johnsson and Benson's Tutu, and some Metheny tune too, ciao from Italy
A Interesting Topic..nice explanation..Good guitar sound...Gold for the true Fusion digger
Thank you for this excellent lesson!!!
My favourites is Dominant altered and the Augmented Scale, very magic sound!
Great - that’s given me loads of ideas. Currently my ‘outside sections’ usually happen by accident!
Fantastic lesson, so helpful, thank you 👌
Thank you! Glad you like it 🙂
thanks Jens! great lesson as always
Glad you liked it!
Jens, another amazing lesson. I think you could create an entire book on just this material - inside-outside sounds in jazz guitar. I was always fascinated about certain types of outside sounds and wondered how it was achieved - the 7th alt and diminished sounds seem to be the answer. Understanding these concepts seems similar to studying chess - I imagine a first goal is to get these types of concepts under the fingers through a lot of practice in at least one key.
The most important skill to master for this is probably just being able to improvise clearly and melodically over chord changes. Then you can add other chords when you want to go outside.
00:18 Hmm?!!! I kind of liked those frases and the tensions they produced. Maybe my preferences is so much outside, that I'll ought to invest in a space suit. 😅
This is beautiful!!! Thank you so much!
You are sverywelcome!
This is an excellent video!
Thank you 🙂
Hermosa lección 👏 👏 👏
You're very welcome! I am glad you like it! 🙂
Great
Glad you like it! :)
uah! bravo bravissimo! bene benissimo! sei un bravo insegnante, maestro
this is the exact video i was looking for
Great! 👍🙂
Very cool! I'd love a lesson about motivic development, but maybe it's something you already addressed in a video? Thanks!
Thanks for great tipps!
Glad it is useful!
Hi Jens, could you do a lesson on how to use Nicolas Slonimsky’s thesaurus of scales and melodic patterns?
How you explore that material is pretty different from person to person, and 99% of the work is not coming out of the book so I doubt if it really makes sense as a video, or rather if I made it then you probably would not find it useful. Not sure if that makes sense?
A video of that would be about 24hours long and extremely boring 😁. Just take what you like from the book.
Excellent...
Thank you!
real relaxin
1:10
2:55
4:43
6:23
7:54
Great Video again.Top Man.
Glad you enjoyed it
I like to use the whole tone scale from the 5th of the m7 chord. e.g. Cm7 = G wholetone.
Yes, that is a great one as well 🙂
I observe a superficial parallel between the triads of the augmented scale in their order and the tonics of the Coltrane changes. The augmented scale triads sound nice over the Cm7.
If I had one suggestion to get across even more information it would be if the chord interval numbers were included below the staff, directly below the tab number. Because while the fretting information is definitely helpful, it really only matters when I'm playing the riff, but the interval information is pretty much universal and helps to watch the video without a guitar. If I quickly know the riff is b3-5-2-b2-1, then I can employ that in other positions and octaves. I can also sort of hear the relationships in my mind and know where the dissonance occurs. Of course, I understand that I can just do this myself for each example you show, and I just might, but I do wonder whether that information would help others too. As always though, thanks for your great content!
Why not just use the sheet music? that gives you the same information since you have a tonal center. That is also how we train most musicians at school.
@@JensLarsen That is totally true. I should really just do the work on my sight reading I guess! But I did think for those who only read tabs, it could be helpful as well. Because with the sheet music there, technically the tab music itself is already rendered unnecessary, except for those who don't read music.
The Altered Scale with a natural 5 also works great In this situation .
Awsm more lessons on jazz funk pls
Phrase well, and everything works. Personally, I think minor pentatonics (not blues oriented) a half step up or down can create some really hip lines, especially if you create some 4th or 5th oriented melodies with them.
Woody Shaw, McCoy Tyner, Tom Harell pops into my mind.
great lesson
thanks \m/
(ps i dig the desktop pic on your computer \m/ )
Thank you 🙂
awesome!
Glad you think so! Which approach do you prefer?
@@JensLarsen I'm really enjoying the diminished scale triads as a "subdominant" sound that goes to the altered V sound. I'm starting to hear the Brecker sounds more clearly. Thanks for these videos, Jens.
Upper structure is nice, and your playing, but I'm here to understand where the major b5 triad mainly comes from. Anyone?
It doesn't really exist as a stack of 3rds in any of the "normal scales" because the scale would have to have 3 half- steps next to each other: 3 4 b5.
But it is possible to construct already in a major scale and most other scales.
@@JensLarsen Thanks for the help! I still haven't left the video as this led me on a tangent.
Good to hear, I was a bit worried and now I can just keep practicing this all day!
Hey you got an AS200 , like me , and use other pickups , like me , maybe Gibson PAF , like me ? In bridgeposition i got a Dimarzio Superdistortion . This guitar is a beast .
Actually it is an AS2630, which is pretty different from the AS200. I don't really like the AS200 neck that much
When playing outside, do you have to move back inside before the next chord change? Or can you move outside into the next change?
There aren't really any rules for that 🙂
Man, I like them all very much; but this one was particularly good! And I am actually a keyboarder ...
Glad you liked it!