Wintergrass 2014 Vintage Guitar - Full Workshop
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- Опубликовано: 22 мар 2016
- The Fretboard Journal's vintage guitar workshop at Wintergrass, featuring Chris Eldridge and Julian Lage.
Cameras:
Dale Adkins
Fred Forssell
Petra Morris
David Patterson
Audio: Fred Forssell
Editing: Scott Krashan 
Видеоклипы
I love how in this, the performance is quite clearly just Lage and Eldridge hanging out playing the music that they love. To imagine them in a wooded cabin doing the same exact thing with no audience is a wonderful image to imagine
Chris has quite the voice!
Julian on an acoustic arch top with Chris singing SOMEONE TO WATCH OVER ME is really special.
I guess im randomly asking but does someone know of a method to log back into an Instagram account..?
I stupidly forgot my login password. I love any assistance you can give me.
@Antonio Colton instablaster ;)
Much too long since anyone has posted to this incredible performance. Such a joy to just sit and listen without distraction. Like the old days putting on an vinyl LP.
So true
It's so much fun to watch these two guys play together....I think they inspire each other and they have a great time when they're playing.
I like how Chris enjoys when Julian is freakin out on this Big Archtop guitar ... Both great players and musician ...
Awesome
very cool. these guys are so great
Such a joy to watch these two being so in TUNE ❤️
Excellent playing guys
Brilliant
More than spectacular playing. Damn...
awesome
Setlist:
1. Red Prairie Dawn (Harrison) 1:30
2. For Critter (Lage) 14:45
3. Whiskey Before Breakfast (Traditional) 22:23
4. Someone To Watch Over Me (Gershwin) 29:45
5. At The Meeting House (Lage/Eldridge) 35:17
6. Unknown - Julian Solo 42:30
7. Fiddle Tune Medley/Church Street Blues (Blake) - Chris Solo 50:00
8. Old Grimes (Traditional) 58:00
9. Keep Me From Blowing Away (Craft) 1:09:00
10. Boca Grande (Eldridge) 1:19:25
11. Steady Proof (Lage) 1:31:00
That Eddie lang song is April kisses.
julian lage is the new eddie lang
DAM
Somenone should master this, its Gold
Stroke is the word.
OH MY LORD IM BOUTTA BUSTTTTT
understandable
what are the 4 chords that Julian plays to listen to overtones?
Anyone know of the video Chris is referring to around 1:07:45? I love Norman's guitars just wondering which specific one he's referring to.
Pretty sure it's this one: ruclips.net/video/Ai6T6eO71hw/видео.html
Why didn't they play the Hendersons? ;-(
Anyone know what tune Julian plays at around 43:00?
I think that's called "Fake Standard" or something like that . . . I'm having trouble finding it anywhere, but i know I've seen him play it before (I think in concert with Margaret Glaspy). Critter seems to really like it, ha ha
Anyone know what the tune is starting at ruclips.net/video/3ximNaHx_Oc/видео.html ? Really cool!
Never mind, Old Grimes which they answered right after
goddamn. never seen a more in sync foot tapping or guitar playing, especially on red prairie dawn.
Anybody know what song is at 14:45 ish?
"For Critter." You can find it here: chriseldridge.bandcamp.com/
22:22
Im no pro but maybe you should turn their mics on?
What's the song called at 1.00.00?
Gustav Alte pretty sure it's Whiskey Before Breakfast
I take that back, you hear Chris say it's Old Grimes
Does anyone know what is the song on 35:18 ???
It's called "At the meeting house" and it's from their debut EP "Close to picture". You can download the EP for free here:
www.pastemagazine.com/noisetrade/music/lageeldridge/close-to-picture
@@PI227 Thanks alot for the information, mate!
mic these guys with wireless lavs so we can hear everything they say when they are wandering
All that nice sound equipment. It should sound a lot better! I hear a lot of AC fan noise.
Zzzzzzz...
Einfach Gibson....
Chris's pick angle first excites string vibration then cancels part of it in one stfoke. And it makes unwanted noise. That right hand technique needs adjusting. Once mastered he would be a more dynamic player.
bluegrass police sighting
John Geddes Yeah, you should go teach the professional a lesson in “proper” right hand technique. You must be delusional, dude.
No. It's a nice percussive sound, not everything is about sustain and clean technique. He provided an interesting counterpoint to Julian's approach.