Muti Conducts Pines of Rome
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- Опубликовано: 9 май 2019
- Riccardo Muti leads an evening of dramatic and evocative works, pairing Respighi’s captivating Pines of Rome with a rare performance of Bizet’s own portrait of the great city.
Tuesday, May 7, 2019
Chicago Symphony Orchestra
Riccardo Muti, conductor
Videography: ©Todd Rosenberg Photography 2019
For additional videos of Riccardo Muti, visit riccardomutimusic.com.
More info:
cso.org/ticketsandevents/prod... 
Видеоклипы
Not a single close up of the trumpets...on the finale of Pines. A musical war crime.
You could see the little kid in the timpani player come out at the end
Hard to believe this entire clip is less than 15 measures of music
There is no better person to conduct this piece.
Absolutely thrilling and riveting! Such a lovely way to start my day! Came here because of New York Times article on the amazing Maestro Muti 6.18.23. I wish I could have heard the entire piece! Although I am inclined to agree with him that today “we are lost” as to classical music and music education in general, I hope Muti will continue to inspire and educate young conductors, instrumentalists, and marvelous orchestras like this one, for many years to come after he retires this season from the musical directorship in Chicago. Chapeau to all!
What a brass section!!!!!
Who can resist the temptation of the CSO brass?
Bravo! Man how about that Chicago Brass! Outstanding! You can hear the tradition! What a sound! I wish there was a video of the entire concert!
Makes me tear up every time 😌😌
The lady at the bass drum was going ham on it!! What a beautiful ending to a beautiful piece!! :)
It feels so good to see CSO is back from the strike!
I am only here because Muti has the best, OG bass bone in the business: Charlie Vernon. With Pokorny and the tympanist backing him up: the end. 😎
Excuse me, but all those guys are backing up the timpanist, David Herbert! better
believe it. :>))
@@billy5821 so true…the best!
Can you image what that one poor bass player standing almost in front of Charlie Vernon was hearing?
@@jauch0 string players have thrown ear plugs at him as they walk by
Resurrecting this to tell a CV story: We were at Brevard right after Fantasia 2000 came out, and Charlie was giving a masterclass. When we got to talking about Pines BC that was on the rep list that year, he looked at everybody, paused, and asked, "Anybody seen Fantasia 2000 yet? Those are my (I swear he said pedal Cs but not a trombonist so not sure what the end is for bass)!" Every time I hear it, all I can think about is his grin and pride.
I do request this performance from CSO RESOUND ✨✨✨
The olympic and mature Muti ❤️
I like how the brass is along the back wall, so they don't blow the woodwind's heads off.
@ SMW I know pretty good, right? Before the renovation of Orchestra Hall, because the stage was so shallow, the trumpets and bones were literally against the back wall of the hall......
GREAT to see David Cooper get his shot at principal horn! We all know he deserves it.
Would he want the gig now that he is co principal in Berlin? I personally don't think he fits the CSO style of play. But at any rate, he's one of the greatest hornists out there.
I was at this concert on Tuesday. I'd pay a chunk of money for video of the whole thing.
I hope one day Congress passes a law to mandate all symphony orchestras to post every video of every performance and every recording on the Internet for free, public access. What an exciting world that would be!
@@austincunningham3991 that would be stupid. Symphony orchestras are barely able to stay running as of late and being forced to upload entire concerts for free would put them out of business
My inspiration
FANTASTIC!!!
The best.
maravilloso
Respighi is the Best. Muti is ABSOLUTELY USUAL CONDUCTOR.... TOSCANINI, MRAVINSKY, REINER IS THE GREATEST CONDUCTORS
Muti has a look on his face like, “Dang, this is fun!”, except in Italian.
David Herbert is beast!
I know, right?
And so is his offsider on the bass drum !
No. She was very off. Maestro Muti tried so hard to keep her on tempo but she didn't get it. I was sitting at terrace and could see his face and gesture. (on the video)
I miss James Ross in this recording! Excellent cymbal playing Vadium!!
Thank you Nathan! I miss Jim as well....unfortunately he got very sick half way through the performance and I had to move over to play cymbals so we could cover all the parts. He sounded fantastic the whole week!! Hope all is well!
@@vadimkarpinos4842 Sure enough; there's no triangle being played throughout the ending.
Christmas Day 2019 Thank You's from Artist - Pupil of Jascha Heifetz and Nathan Milstein ~
Utterly Grand and Resolute in Epic Fashion, I'm thrilled by Muti & my CSO colleagues in this shortened clip of a Live CSO performance in The Pines of Rome!!! We not only have Charlie Vernon, but Gene Pokorny as well as other members of our fabled CSO Brass, which when invited by Sir Georg Solti to be a CSO member, 'Bud' Herseth, or 'Herr Herseth' as he was known & referred to by Maestro Herbert von Karajan, was CSO Principle Trumpet, & Dale Clevenger, Principle Horn, to name a few CSO 'Star' Brass! 'Tho' a Violinist (1 of 7 original artist-pupil's of Jascha Heifetz - JH Violin Master Class - Khachaturian, JH-7, Elisabeth Matesky, Russian version, from Library of Master Performers, RUclips), & 1st artist-protege of Nathan Milstein in London, UK, on same violin roster under Wilfrid Van Wyck Concert Artist Management in London & Spain, with Henryk Szeryng, Ruggiero Ricci and Nathan Milstein, I was thrilled to perform in & with the Solti/Chicago Symphony Orchestra which included the greatest symphonic players in The World, making electrifying Music under the Baton of Sir Georg Solti! The Maestro left all an unsurpassable Legacy of Beyond Musical Border's, which Zell Music Director, Riccardo Muti, has & is carrying on and ever reaching higher for Mountain Peak ethereal Heights, Now!!! Thank you's to RUclips Responder, Gerardo Garza Garcia, writing, "I am only here because Muti has the best, OG bass bone in the business: Charlie Vernon. With Pokorny and the tympani so backing him up: the end." Bravo, to Gerardo Garza Garcia on such high praise for some in a continuing to be praised Greatest American Orchestra & possibly in Major Leagues with the Berliner Philharmoniker! Musically from Chicago ~ Elisabeth Matesky *Biography on E. Matesky International Concert Violin/Artist Teaching Career
*www.violinist.com/directory/bio.cfm?member=Milstein (Christmas Day, December 25, 2019 )
how do I watch the full thing
Unfortunately the whole thing was not recorded for video.
Outta this fuckin world foreal😩🥵🥵🔥🔥🔥🔥🔥🔥
I wish the low brass would have played fff! 😎
I live for loud Chicago brass
Travis Shivers Ditto. I grew up in the burbs and went to NIU on a Tuba Performance scholarship. 👍❤️
No. You want them playing louder. But the audio tech won’t like it.
Gerardo Garza García pffffffft 😝
@@ggarzagarcia True! They can play as loud as they want, as long as it's balanced with the rest of the band!
Anyone know who was playing the first trumpet part?
I think Esteban Batallán, but I'm not sure
@@user-rn1lb8sx2c yes, you are right when you say he was inducted 7 months ago, but officially. Before he got the position, I think he made a trial period and even before he appeared as guest principal trumpet...
@@user-rn1lb8sx2c absolutely no!! David Cooper is the principal horn... Anyway if it is not Esteban Batallán, the principal trumpet in that concert was Mark Ridenour
Simone Brocchi thanks for the clarification, I was genuinely confused
I was at this series last year (although I think this was the night before I was there). Hagstrom and Tage are onstage playing the orchestral trumpet parts. I believe the Civic trumpets formed the antiphonal trumpet sections, with Esteban playing first on one side and Ridenour playing first one the other.
So why did the Bass Drum roll stop at 0:48? It's supposed to continue for 2 more bars (of slow 4/4).
looks like she was confused with the horn entrance and the brass tuitti later in the end and made a mistake.
That measure sounds the same as the end, except the trumpets only join the rest of the brass in the last 3 repeats of that same motif.
0:47 bass drum going HAM
Brilliant....(some hearing damage, though....)
The camera work is appalling: timpani and low brass, only.
what else is there in the last minute of this work?
@@ibizaking Your ears should be hearing on and off stage trumpets
Is this orchestra and audience the same life form that is killing one another in the same city?
Excellent orchestra of course - but they always seem to play in a very casual manner with little intensity: the back 2 desks of the violins just lolling back in their chairs gently sawing back and forth. I recall the Berlin PO being asked about a new design of chairs, they responded that they didn't care how comfortable the back was because they never used it...
This short clip does not compare favourably to Fritz Reiner's recording with the CSO.
play Berio
BIT TO SLOW FOR MY TASTE
2nd bassoon too loud!!!
(LOL) And what about Emma Gerstein and her flute? Talk about FFF!!!
LOL and ehat about Charlie Vernon and his bass trombone?
*what
Tempo is strangely slow...
66 is the marking! Muti and old Bernstein recordings are some of the Only recordings with the correct tempo! Most recordings are drastically too fast.
in this clip, they are playing it below 60
No Passion, slow .... A typical for Mutti.
Respighi is the Greatest Composer in history of Music.
Muti looks bored.
What? Not even a whole minute and a half?
THAT'S the clip?
Why even bother?
Thanks for nothing.
Non si capisce niente!