I'm new here. The others that comment know their stuff. All I know is that I fell in love with her voice when I was 10 years old. This unbelievable woman made me weep. I did not understand or even know the words or their meaning, just she made my heart pound and the tears flow from my eyes.......10 years old.....to this day the same thing. God Bless and keep Her. God Bless you for being here if your reading this. What words are left? This incredible, beautiful voice. There just are no words. Just a 10 year old girl....weeping at this magic not understanding the power but being moved by it. Thank you God for such a thing of beauty
She could have sung for another 5 or 10 years. All she needed was confidence. You can see how much she had prepared herself for those concerts. A pity they were unforgivable. It doesn’t matter, Maria. You ARE the best!
She sounds fantastic here. She had obviously recovered a lot of what she seemed to have lost during the 60s as her upper range sounds a lot less constricted here than in years prior. So sad she died just three years after this.
The world lost her too early only age of 53 What I have never ever had understood..I have understood at after death of Onassis..she lost enjoy of living..tooking pils to sleep and wake up..etc..what has been reason to her heartattact..😢😢😢😢
Il suffit d'écouter l'air de Don Carlo pour comprendre quelles étaient encore les possibilités dramatiques bien sûr, mais aussi VOCALES de la dernière Callas: vibrato maîtrisé, souffle, phrasé, musicalité, puissance aussi. Si seulement elle avait voulu se cantonner dans le medium et le grave, elle aurait pu chanter encore longtemps, au moins en concert. C'est aussi ce rêve perdu qui rend ce document aussi exceptionnel, aussi émouvant et poignant. Merci OperaMy World!
0:57 Suicidio! (La Gioconda) 6:22 Voi lo sapete (Cavalleria Rusticana) 10:57 Sola, perduta (Manon Lescaut) 16:34 Vissi d’arte (Tosca) 20:19 Tu che le vanità (Don Carlo) 30:27 Habañera (Carmen) 35:24 O mio babbino caro (Gianni Schicchi)
Any late Callas fascinates me. It's not about flaws - it's about the sheer musicianship. She sounds in great shape this whole recital, but Tu che la Vanita is just beautiful. I wonder what would have happened if she'd lived longer. Amazing artist
@@maxcornise7204 , no, dovevano fare assieme il disco di Samson et Dalila e studiava anche Charlotte che doveva incidere con Kraus. Obratszova prese il suo posto.
I saw her in this tour in Chicago at the Lyric Opera. She sang at least as well there as here but that was not what just blew me away. All of us in the audience knew we would be hearing less than what we could hear on recordings. We also knew that we would still hear the great interpretive expressiveness applied to everything she sang. What those of us who had never seen her live got in addition was one of the most fascinating acting performances I have ever seen. With each aria as the piano began the introduction she seemed to disappear and in her place was whichever character she was singing. Her body movements, use of her hands, her expressive face and eyes allowed this even though there was no scenery and no costume. It was what I believe showed the ancient magical meaning of the word glamour. For me, it allowed me to more fully understand what seeing her in a fully staged performance must have been like for the audience.
Qué suerte haber podido asistir a este recital de la grandísima María Callas : con unas Arias muy difíciles y llevando solo 5 meses de gira , sienta cátedra en cada interpretación . Esta mucho mejor sin Di Stefano . Y es con el Recital de Boston uno de los mejores de la Gira 1973-1974 . El sonido también es bueno , y María esta extraordinaria :musicalidad , expresión , dramatismo , sutilezas .. la voz sin vibración . Y sigue emocionándo como ningún artista del siglo XX . Este testamento de María Callas es una verdadera joya ,aunque una orquesta la hubiera acompañado mejor . Gracias por la publicación .
Es un regalo escuchar esto, precisamente en este mes de septiembre a pocos días, del 45 año de su fallecimiento. Es tan grato y refrescante el arte de la divina. De nuevo Gracias, de todo mi corazón.
Is this the recital that I commented on where she sung Verdi Don Carlos Elisabeth aria....from recent? She was so good in vocal shape. And did a great job. Hear how she balanced the voice and her registers. Nothing wrong, NOTHING!!!!! Pitch perfect and so youthfully. Here we can hear La Divina wasn't on her last days vocally. If she'd only would have lived longer.
Trovo che questo concerto sia il migliore tra tutti quelli della tournée con Di Stefano, forse perchè lui non cantava. La voce della Callas molto più ferma e il concerto molto impegnativo per il numero delle arie. Credo , tra i vari concerti della Callas . che questo sia con il maggior numero di arie.
Then after she died he pretended like it didn’t happen so he and Zeffirelli could grab the spotlight to make that documentary. Low blow to a great artist!
While she sings well here, you do heat a difference between her execution of these arias in 1974 and twenty years earlier. The production is different. However her musicianship and musicality are the same.
8140 Certo avrebbe potuto continuare dal 60 in poi a sostenere i ruoli mezzosopranili deliziandoci col registro grave e di petto. Dimenticando il registro acuto È sempre stata da preferire in Medea, Norma, Abigaille e ls lady piuttosto che in Lucia o Amina o Mimì.
![Maria Callas “Tu Che le Vanita” (4.11.1962) [TV Broadcast/Great Sound]](http://i.ytimg.com/vi/oqpeDTVHXdU/mqdefault.jpg)
I'm new here. The others that comment know their stuff. All I know is that I fell in love with her voice when I was 10 years old. This unbelievable woman made me weep. I did not understand or even know the words or their meaning, just she made my heart pound and the tears flow from my eyes.......10 years old.....to this day the same thing. God Bless and keep Her. God Bless you for being here if your reading this. What words are left? This incredible, beautiful voice. There just are no words. Just a 10 year old girl....weeping at this magic not understanding the power but being moved by it. Thank you God for such a thing of beauty
My sentiments exactly.
She could have sung for another 5 or 10 years. All she needed was confidence. You can see how much she had prepared herself for those concerts. A pity they were unforgivable. It doesn’t matter, Maria. You ARE the best!
She sounds fantastic here. She had obviously recovered a lot of what she seemed to have lost during the 60s as her upper range sounds a lot less constricted here than in years prior. So sad she died just three years after this.
The world lost her too early only age of 53
What I have never ever had understood..I have understood at after death of Onassis..she lost enjoy of living..tooking pils to sleep and wake up..etc..what has been reason to her heartattact..😢😢😢😢
@@alexandercallasti3420 Maria was an 11. I love the bit at the beginning - 'Can you hear me?' I recommend Maria Callas: Verdi Arias III (1964-69).
Absolutely AMAZING. CALLAS ETERNA
Il suffit d'écouter l'air de Don Carlo pour comprendre quelles étaient encore les possibilités dramatiques bien sûr, mais aussi VOCALES de la dernière Callas: vibrato maîtrisé, souffle, phrasé, musicalité, puissance aussi. Si seulement elle avait voulu se cantonner dans le medium et le grave, elle aurait pu chanter encore longtemps, au moins en concert. C'est aussi ce rêve perdu qui rend ce document aussi exceptionnel, aussi émouvant et poignant. Merci OperaMy World!
0:57 Suicidio! (La Gioconda)
6:22 Voi lo sapete (Cavalleria Rusticana)
10:57 Sola, perduta (Manon Lescaut)
16:34 Vissi d’arte (Tosca)
20:19 Tu che le vanità (Don Carlo)
30:27 Habañera (Carmen)
35:24 O mio babbino caro (Gianni Schicchi)
Música, poesía, pasión, sentimiento, interpretación todo en su voz y más. Callas irrepetible en cualquier época. La más grande soprano del siglo XX.
Any late Callas fascinates me. It's not about flaws - it's about the sheer musicianship. She sounds in great shape this whole recital, but Tu che la Vanita is just beautiful. I wonder what would have happened if she'd lived longer. Amazing artist
In the months before she died, she was studying the role of Charlotte in Massenet’s Werther, and was going to sing it with Placido Domingo!
@@maxcornise7204 So sad it didn’t come to pass!
@@maxcornise7204 , no, dovevano fare assieme il disco di Samson et Dalila e studiava anche Charlotte che doveva incidere con Kraus. Obratszova prese il suo posto.
Na minha modesta(e insapiente) opinião, o acompanhamento de piano, não lhe faz jus!
E a acústica da sala também não é das melhores!
I saw her in this tour in Chicago at the Lyric Opera. She sang at least as well there as here but that was not what just blew me away. All of us in the audience knew we would be hearing less than what we could hear on recordings. We also knew that we would still hear the great interpretive expressiveness applied to everything she sang. What those of us who had never seen her live got in addition was one of the most fascinating acting performances I have ever seen. With each aria as the piano began the introduction she seemed to disappear and in her place was whichever character she was singing. Her body movements, use of her hands, her expressive face and eyes allowed this even though there was no scenery and no costume. It was what I believe showed the ancient magical meaning of the word glamour. For me, it allowed me to more fully understand what seeing her in a fully staged performance must have been like for the audience.
Una maravilla escuchar!!! 👍👍👍👏👏👏👏
This is amazing
I love it when she says, 'Can you hear me.'
Callas in Dallas, mesmerizing!
Lei resta la diva assoluta La più grande cantatrice la più grande del 20 siècle merci pour l'éternité
Qué suerte haber podido asistir a este recital de la grandísima María Callas : con unas Arias muy difíciles y llevando solo 5 meses de gira , sienta cátedra en cada interpretación . Esta mucho mejor sin Di Stefano . Y es con el Recital de Boston uno de los mejores de la Gira 1973-1974 . El sonido también es bueno , y María esta extraordinaria :musicalidad , expresión , dramatismo , sutilezas .. la voz sin vibración . Y sigue emocionándo como ningún artista del siglo XX . Este testamento de María Callas es una verdadera joya ,aunque una orquesta la hubiera acompañado mejor .
Gracias por la publicación .
Usted fue o se refiere a las personas que asistieron?
@@KrishnaSimoneclaro .
A las personas qué asistieron .
Queremos verla !!
Wonderful!
Thank you for sharing ^^
Es un regalo escuchar esto, precisamente en este mes de septiembre a pocos días, del 45 año de su fallecimiento. Es tan grato y refrescante el arte de la divina. De nuevo Gracias, de todo mi corazón.
UNA DELICIA RECORDARLA
Brava, amada María Callas
Is this the recital that I commented on where she sung Verdi Don Carlos Elisabeth aria....from recent?
She was so good in vocal shape. And did a great job.
Hear how she balanced the voice and her registers.
Nothing wrong, NOTHING!!!!! Pitch perfect and so youthfully.
Here we can hear La Divina wasn't on her last days vocally.
If she'd only would have lived longer.
THANKS A LOT !!!!!
Trovo che questo concerto sia il migliore tra tutti quelli della tournée con Di Stefano, forse perchè lui non cantava. La voce della Callas molto più ferma e il concerto molto impegnativo per il numero delle arie. Credo , tra i vari concerti della Callas . che questo sia con il maggior numero di arie.
Callas Does Dallas
And the critics tore her apart. So much so that it ended her friendship with John Ardoin. She was magnificent! I love her, delighted to hear this…
Then after she died he pretended like it didn’t happen so he and Zeffirelli could grab the spotlight to make that documentary. Low blow to a great artist!
Is this available on CD?
No!!
@@OperaMyWorld That's a shame - a bootleg 'Callas in Dallas' would have been great.
While she sings well here, you do heat a difference between her execution of these arias in 1974 and twenty years earlier. The production is different. However her musicianship and musicality are the same.
Of course! In this recital She was 51 years old!!! Not in her 20s-30s!
She got her voice fuller at the end of 1974! Listen to her Fukuoka, recorded on October 1974,recital on my channel!
@@OperaMyWorld Thanks for this posting and information.
8140
Certo avrebbe potuto continuare dal 60 in poi a sostenere i ruoli mezzosopranili deliziandoci col registro grave e di petto.
Dimenticando il registro acuto
È sempre stata da preferire in Medea, Norma, Abigaille e ls lady piuttosto che in Lucia o Amina o Mimì.
Wasn't it just a few months or a year before she died that she was recorded accompanying herself singing Ah Perfido?
It was actually on March 1974! Ah Perfido was recorded in March 1976! She died 16 September 1977!
Most of the singing is really good... she just lost all control in and out of her chest voice...