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An excellent addition to Webern's variations as an aesthetic cross-section of the era.
Absolutely magnificent. Scelsi deserves to be better known here in the U.S.
var. I 0:06var. II 0:43var. III 1:38var. IV 2:13var. V 2:49var. VI 3:35var. VII 4:35var. VIII 4:58var. IX 5:20var. X 5:40var. XI 6:02var. XII 6:57var. XIII 7:49var. XIV 8:25var. XV 8:54var. XVI 9:27fuga 10:36
Wonderful performance!
I find variations four and five pleasing, especially considering the angularity of the theme. Nine and fourteen are nice in an ethereal way too.
You’re right! Those variations are particularly pleasing. I really wish the 9th was longer. It’s so chattery and contrapuntal, but so smooth.
An excellent addition to Webern's variations as an aesthetic cross-section of the era.
Absolutely magnificent. Scelsi deserves to be better known here in the U.S.
var. I 0:06
var. II 0:43
var. III 1:38
var. IV 2:13
var. V 2:49
var. VI 3:35
var. VII 4:35
var. VIII 4:58
var. IX 5:20
var. X 5:40
var. XI 6:02
var. XII 6:57
var. XIII 7:49
var. XIV 8:25
var. XV 8:54
var. XVI 9:27
fuga 10:36
Wonderful performance!
I find variations four and five pleasing, especially considering the angularity of the theme. Nine and fourteen are nice in an ethereal way too.
You’re right! Those variations are particularly pleasing. I really wish the 9th was longer. It’s so chattery and contrapuntal, but so smooth.