The Mridangam Explorative | Praveen Sparsh | Module II | Mridangam Lessons for Beginners
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- Опубликовано: 7 авг 2024
- The Mridangam Explorative is a tutorial for beginners and perhaps those who might have started, lost touch and want to get back to playing the Mridangam. It is a way to explore the basics of this instrument, and the art form, and discover for yourself if and how you want to take it further.
This tutorial draws upon the lessons I was fortunate enough to learn from my Gurus Guruvayur Sri. Dorai, Uzhavoor Sri. P. K. Babu and Nellai Sri. A Balaji.
Module II deals with Farance and Mohra. Make sure you've completed Module I before proceeding with this video.
Videos Shot and Edited by
Shreya Devnath
Special Thanks
Vignesh Ishwar
Susha
Varisha Narayanan
Poster Design
Shreya Devnath
Module Conceptualised and Presented by
Praveen Sparsh
Notations
www.praveensparshmusic.com/th...
If you are benefiting from this tutorial, you can contribute what you like to Sumanasa Foundation which supports artists and artisans from India throughout the year, more significantly so during this current Covid-19 crisis. Link below.
sumanasafoundation.org
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Twitter: / praveensparsh
Website: www.praveensparshmusic.com 
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Very useful lesson. Thank you Sir ❤
super. its very helpfull to lern.
your teaching i like anna .very very thanku
Most welcome :)
Thank you so much !! great help for foreign people
Most welcome :) I'm glad it's helpful to you!
Cool👏🏻
It will be great if u include nadas in upcoming lessons!
🙏🙏🙏
Praveen, It is a blessing to be able to watch your videos. Thanks for the bottom of my heart.
Most welcome :)
Thanks a lot, Praveen.. It can't get better than this.. This video made my day.. :)
Most welcome!
Great job dude ...
Praveen , could you post an appendix session for the module 2? . Just like what you did for module 1.
You are a great teacher
Thanks for sharing your experience with everyone
Most welcome!
Thank you Shri. Praveen.
Most welcome!
Thanks Praveen, please edit the spelling in the Sripts. The word prompt has made a mess. Thanks a million for your lessons
Many many thanks for the video..... You explained well and it's most useful.... Looking forward to further modules, preferably on sarva laghu... And more...,!.... Do you teach online...?
Sure, will keep that in mind for the next video. And you can write to praveensparshmusic@gmail.com for classes
Namaskaram Praveen... Eagerly waiting for the third module.. I m practising the first two though and have achieved moderate dexterity. Thanks once again.
Most welcome
Thanks Praveen for module 2.
Most welcome!
It's very good Sparsh sir.
Most welcome!
Excellent.
Thank you!
Thanks a lot sir
Most welcome!
Fantastic!! Great showcase and detailed indeed. If possible can you do some sessions on accompaniment? Will be very useful
Will definitely keep that in mind :)
Verry good lesson sir
Thank you.
Sir can You make a video for Sarvalagu. Thanks
Will keep that in mind
Two modules are very nicely done.
But tha lam tha and ki ta tha ka , these 2 chollus are played in different positions in different modules, which leads to confusion.
Can we make 1 as Tha Ri Ki Ta and other one as Ki Ta Tha Ka
And 1 as Tha Lam Tha and other as Tha Lam Dhi ?
The fingering of thalaan’gu’ epends on the context in which it’s played. Can be dhi/dhom/tha
Could you please go slow on each syllable thanks
Video is very useful..thank u.one doubt.. correct me if I'm wrong..thalongu fingering is different in this module and module 1.
Most welcome and It depends on the context in which it’s played .
Hi Praveen, Thanks for the great modules! I had a question that relates to the ubiquitous phrase "Thalangu". Am I correct in my understanding that the "gu" can be played either on (a) the right hand as "thi" or (b) left hand as "thom". Is it also correct to assume that the gu should be played on the right hand if the next syllable is played on the left hand, and vice versa? So, to be specific, in the the phrase "Thalangu thom", the gu should be played with right hand (as thi) because the following syllable is thom, played by left hand. Similarly in the phrase "Thalangu, Thalangu" the gu should be on right hand because the following Tha is on the left. In the phrases "Thalangu thakadhina" the gu should be played with the left hand (as thom) because thakadhina starts off with right hand "thi". Playing two thi's together is of course possible, but challenging at higher speeds. I would appreciate your clarification, and sorry for the long-winded comment.
Hi sir, yes Thalangu is ubiquitous and the fingering is entirely context specific. It can't be assumed that the 'gu' should be played on the right hand if the next syllable is played on the left hand, and vice versa. Classic example is 'Thalangu Thakadhina', here gu is dhi. It entirely depends on the sound, context and the aesthetic. Hope this helps.
Many many thanks for the video..... You explained well and it's most useful.... Looking forward to further modules, preferably on sarva laghu... And more...,!.... Do you teach online...?