The fact that ya’ll still choose to help educate us, when ya’ll clearly don’t have to, speaks volumes about the commitment and passion ya’ll have for wanting the community to WIN! 💯 Thank you 🙏🏾
You will never understand how many times my eyes have been opened by you bro. It’s only been a month making beats and because of you I’m making wise decisions and it’s helping me a lot. I’ll just say I’m selling because of you! 🙏🏽
I loved this conversation I have a lot of research to do still. Producers and artist should both be educated before doing any kind of deal just makes more sense that way.
The timing of this is ⚡🚀🚀. Great discussion!! Maybe you and Dame can definitely consider for a future discussion involving legal representation from Adam or Karl and also the sampling aspect from Deborah.
You guys should do an in-depth look into the pros/cons or providing trackouts which are basically your masters. CurtissKing and others either have stopped offering trackouts or charge artists a super high fee.
$100 for exclusive never that, the third legit beat i made from 2013 i just licensed non exclusively to a commercial for $500 hold out for real compensation
Hey Dj Pain 1. Love the content. Always informative and very much appreciated. I have some questions about what an online producer can do if a beat he or she leases non exclusively blows up. I read in an article by Darrel ‘diggah’ Branch in Hip Hop Dx dated aug 1, 2019 that the major label may agree to license the beat instead of own it. I think a producer owning the sound recording is the way to go. What would that agreement look like? Would there be royalty bumps every time sales exceeded a certain number? Would there still be an upfront payment. What about publishing? Thanks.
I can't answer any of these questions because contracts differ. For example, some don't include price bumps. If the beat contains a sample, that changes the publishing a lot, etc.
As an artist, I find it frustrating when I purchase a beat from a producer (unlimited lease minimum) then later down the road when I get to the track and finish the song, the producer is ghost. Doesn't respond to any messages or anything. Who else has gone through this and what do yall do? I guess the producer gonna miss out on easy money?..
@@DJPain1 What would you do in my shoes Pain? would you still work on putting the track out cause you purchased the beat or would you just scrap it so no legal troubles come your way in the future..
@@DJPain1 How am I supposed to pay the producer or renew the lease if he's ghost? His 50% split of the work.. The way things are now in this business im not trynna be in court for something that coulda been avoided by not posting the track.
@@DJPain1 Which Is why I started learning to produce/mix and master myself so I dont have to deal with this mess. Communication is key in any successful business. Just wish more people saw it that way as well..
Bruh! I love how you directly purposely insult that stupid “secret society” bs at the beginning of each show! It’s hilarious 😆🤣💀 Another great video G Appreciate the information as always 💯💪🏾🙏🏾
good speaking.. but the terms of a contract the composition listen folks if you didnt fully understand this and your just making a buck. not really. a thing . if you want the world to hear of you. you better learn
@@DJPain1 Good question. It's the term we use but I looked it up and here's Legal Definition of double dipping : the usually illicit practice of accepting income from two mutually exclusive sources
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The fact that ya’ll still choose to help educate us, when ya’ll clearly don’t have to, speaks volumes about the commitment and passion ya’ll have for wanting the community to WIN! 💯 Thank you 🙏🏾
PRI3STHOOD MUZIK why doesn’t this comment have more likes? ❤️❤️❤️👏🏼💯
The beat world is sometimes so complicated...the music industry is complicated
You will never understand how many times my eyes have been opened by you bro.
It’s only been a month making beats and because of you I’m making wise decisions and it’s helping me a lot.
I’ll just say I’m selling because of you!
🙏🏽
dendrixxbeatz good for you!
dendrixxbeatz 🔥🔥🔥
dendrixxbeatz he just saves us all
I loved this conversation I have a lot of research to do still. Producers and artist should both be educated before doing any kind of deal just makes more sense that way.
The timing of this is ⚡🚀🚀. Great discussion!! Maybe you and Dame can definitely consider for a future discussion involving legal representation from Adam or Karl and also the sampling aspect from Deborah.
I don't know what else Deborah could add after the super in-depth interview she gave me a year ago.
You guys should do an in-depth look into the pros/cons or providing trackouts which are basically your masters. CurtissKing and others either have stopped offering trackouts or charge artists a super high fee.
Your trackouts are not your masters. There.
I love the topics on this channel, valuable insight bro! Keep it up
$100 for exclusive never that, the third legit beat i made from 2013 i just licensed non exclusively to a commercial for $500 hold out for real compensation
Sontwisted imagine if you sold the beats and gave away your masters
@@larryneiberheim592 exactly my point
LOL when he started talking about that booking agent license etc I could see the cogs turning in Pain and Dame's heads like "oh really?" 😂😂
Hey Dj Pain 1. Love the content. Always informative and very much appreciated. I have some questions about what an online producer can do if a beat he or she leases non exclusively blows up. I read in an article by Darrel ‘diggah’ Branch in Hip Hop Dx dated aug 1, 2019 that the major label may agree to license the beat instead of own it. I think a producer owning the sound recording is the way to go. What would that agreement look like? Would there be royalty bumps every time sales exceeded a certain number? Would there still be an upfront payment. What about publishing? Thanks.
I can't answer any of these questions because contracts differ. For example, some don't include price bumps. If the beat contains a sample, that changes the publishing a lot, etc.
As an artist, I find it frustrating when I purchase a beat from a producer (unlimited lease minimum) then later down the road when I get to the track and finish the song, the producer is ghost. Doesn't respond to any messages or anything. Who else has gone through this and what do yall do? I guess the producer gonna miss out on easy money?..
I hear that a lot. It's really unfortunate that producers do this. It's terrible for their business and reputation.
@@DJPain1 What would you do in my shoes Pain? would you still work on putting the track out cause you purchased the beat or would you just scrap it so no legal troubles come your way in the future..
@@onlyvaccari I dont understand at all... you bought it, got the license to legally use the beat... what's preventing you from putting it out?
@@DJPain1 How am I supposed to pay the producer or renew the lease if he's ghost? His 50% split of the work.. The way things are now in this business im not trynna be in court for something that coulda been avoided by not posting the track.
@@DJPain1 Which Is why I started learning to produce/mix and master myself so I dont have to deal with this mess. Communication is key in any successful business. Just wish more people saw it that way as well..
you should have manages on to see how they are advising their clients
Ok, as a singer, this makes me very happy to make my own music!
Thank you !💯
Definitely sounds like fire 🔥
If producers stop selling their track outs on a nonexclusive basis this will stop a lot of problems. These are chopping beats and not giving credit.
Right on time 👍
Bruh! I love how you directly purposely insult that stupid “secret society” bs at the beginning of each show! It’s hilarious 😆🤣💀 Another great video G Appreciate the information as always 💯💪🏾🙏🏾
Great Podcast~
Thanks og 🙏🏼
👌🙏🦾 MEC LETS GET IT
good speaking.. but the terms of a contract the composition listen folks if you didnt fully understand this and your just making a buck. not really. a thing . if you want the world to hear of you. you better learn
Called double dipping when a mgr acts like a agent in CA and NY
That's the legal term?
@@DJPain1 Good question. It's the term we use but I looked it up and here's Legal Definition of double dipping
: the usually illicit practice of accepting income from two mutually exclusive sources
@@necolekey Link me to the actual law as it pertains to managers/agents who also run labels.
@@DJPain1 I just googled it. I know it's a term we use in the industry. As a manager I never want to double dip. It's unethical
@@DJPain1 your welcome ☺️