Panucci Guitars - Six String Tales Ep.10

Welcome to Episode 10 of Six String Tales. Subscribe now to see more episodes coming very soon! This time we explore the world of Panucci Guitars. With a background in antique repairs Panucci owner Angelo Van Merrienboer's talks about his approach to guitar building and why once you go relic you can't go back!
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Six String Tales is produced by Dark Sky Media, for further information on the series please contact us through out website - www.darksky-media.com

[@tween80]

This is too short! I want to see a 60 minute extended directors cut video of this!!!

[@TheTheoNijssen]

Angelo’s guitars are time travellers, perfectly aged, great video🙌

[@bluebirdguitarstraps]

This is amazing, We love Angelo's work.

[@theovannieljr]

Maestro.

[@CarstenGoeke]

Nice video. Thanks for sharing ✌🏼

[@JJMewett]

Please do Leo Scala, his and Angelos are some of the best modern guitars out there

[@MayorMcCheese2000]

The painting and paint analogy couldn't be a more perfect example of why electric guitars aren't respected as art the same way paintings are but more comparably the way wrist watches became which share a parallel history to guitars... The Layla album art sold for 1.2 million more than the guitar that made the music... why is that? Lightfastness rating of high quality pigment paints... that painting will be around in 300 years if its maintained, but that fender strat will rust and fade to dust because the stainless used for the parts was poor quality and the finishing techniques used to protect the wood are laughable to be nice, hilariously bad to be more accurate... I dig what this dude is making but that example he used couldn't be more wrong... theres a reason violins go for 20x what electric guitars do... its the quality of the craftsmanship and the techniques used that assure the buyer the lifespan is indefinite vs guitars which are still made in such a way that the lifespan is likely about 50 years before serious concerns about the integrity arise. Lightfastness ratings are just one of the many factors that guitar makers fail to account for even today, that hold them back from making pieces that can rival even Amati or Stradivari...