Rimsky-Korsakov​‘s Sheherezade, Horn Solo

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  • Опубликовано: 3 окт 2024
  • Horn: Markus Maskuniitty
    Conductor: Pablo Heras-Casado
    Orchestra: Royal Stockholm Philharmonic Orchestra
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Комментарии • 15

  • @Jennifer-jn2gv
    @Jennifer-jn2gv 7 месяцев назад +1

  • @dlmonn
    @dlmonn 7 месяцев назад

    Хорошо сыграл, браво!

  • @jeangosset
    @jeangosset 5 месяцев назад

    Musique qui remue lame

  • @ОлегЕгоров-в4ш
    @ОлегЕгоров-в4ш 7 месяцев назад +2

    if you play Russian music, keep the original articulation!

    • @mr.pancakes9213
      @mr.pancakes9213 7 месяцев назад +7

      Think of different orchestras making a cover of pieces instead of recreating the exact same performance over and over again. The musicians and conductor have the freedom to change aspects of the music whether we like it or not, Bernstein is a prime example of this.

    • @ОлегЕгоров-в4ш
      @ОлегЕгоров-в4ш 7 месяцев назад +1

      @mr.pancakes9213 do you mean Bernstein and adagietto #5 Mahler? I'm talking about something completely different. Author's leagues, in which the composer's meaning is closed, are no less important than notes. Or do you let the conductor and performer change notes, do a trill or melism, and somewhere on the fermata do a jazz cadenza? I don't think. every performance is different, even if everything written is the same

    • @JonatasAdoM
      @JonatasAdoM 6 месяцев назад

      ​@@ОлегЕгоров-в4шThey sure alter the tempo depending on the interpretation.
      Some pieces sound completely different.
      We are done with the trend of writing the key the piece is on the title. That hlwever, leads me to believe that is also a variant.

    • @Emil-sx5gd
      @Emil-sx5gd 20 дней назад

      ⁠@@ОлегЕгоров-в4шdont be so small minded. Im glad if we’d argue about to whom a piece belongs after it has been written, but I fell like you just want to school people. This place in the piece, which itself doesn’t have very Slavic influences doesn’t it ;), is actually pretty much free and you could argue improvised. So please be quiet if you don’t have anything valuable to add

    • @ОлегЕгоров-в4ш
      @ОлегЕгоров-в4ш 19 дней назад

      @@Emil-sx5gd Firstly, you have no idea who I am and how many times I have performed this piece. Secondly, I was not talking about the nature of the work, but about the composer, who, by the way, wrote the strokes and articulation in his scores, wrote and worked in the country where I live and work, having received 2 additional higher educations in different countries. So I have something to add and be respectful towards others.