'Son queste le speranze' (Section) from 'Axur, Re d'Ormus' Antonio Salieri.
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- Опубликовано: 14 янв 2012
- Axur, re d'Ormus ("Axur, king of Ormus") is an operatic dramma tragicomico in five acts by Antonio Salieri. The libretto was by Lorenzo da Ponte.
Axur is the Italian version of Salieri's 1787 French-language work Tarare which had a libretto by Pierre-Augustin Caron de Beaumarchais.
Axur premiered at the Burgtheater in Vienna on 8 January 1788, the title role being sung by Francesco Benucci, Mozart's first Figaro. It became one of the most famous operas in Vienna, being performed much more frequently than Mozart's Don Giovanni, which was first performed in Vienna on 7 May 1788.
The finale of Axur appears in the 1984 film Amadeus. The film is incorrect in presenting Axur as being performed soon after the ninth and final performance of Mozart's Marriage of Figaro in 1786, and before the death of Mozart's father Leopold Mozart on 28 May 1787. 
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Have you ever wondered why Salieri was the official composer of the monarchy in Vienna - the capital of Music by that time? Or why did many of his students become top musicians (Beethoven, Schubert, Liszt)? Well, this is only a little piece of the answer. It's true that Salieri is known thanks to Schaffer's Amadeus. But he doesn't have the place he deserves in the history of music so far.
Wiliam Masias salieri is an amazing composer and it’s our duty as music lovers to keep his name, work and dignity in our time.
I really much prefer Salieri music than Mozart !!!!!!
Because he was a far better teacher than he was a composer? Just a thought….IMHO.
I’d say the fact that you know this is proof he does
I mean some Composer are know to be better teacher than Composer,as you said salieri's student like Beethoven, Schubert and liszt is more popular than him,and who is Mozart's teacher?yes Hayden,and yes Mozart is more popular than Hayden,some PPL only know how to teach other,the know the theory but didn't make their music good enough to be "easy" to listen to a listener.don't get me wrong,i also like the music of salieri,but PPL make it like salieri > Mozart,which is bothering me(same like every PPL that comparing Composer)
One of the greatest scenes in possibly the best movie of all time.
In braccio all'empia sorte..
non mi lasciar...AMOR
non mi lasciar...AMOR
non mi lasciar amor...
In the arms of the godless fate...
Don't leave me, MY LOVE...
Don't leave me, MY LOVE...
Don't leave me my love...
Bravo maestro Salieri.
Actually it's ancor
Non mi lasciar ancor
I can feel the nostalgia that he is having. The reason why I keep repeating the same clip.
The greatest scene ever achieved about what opera is. Just a perfect summary in 38 seconds of what opera means. Have seen it so many times and always touchs me deeply.
Bahaha I'm not the only one who thinks that those few seconds of the aria is my favorite part of the whole movie!! Many time I rewind it!! Why oh why did they not include this on the soundtrack?!! And yet they include a song that is NOT even in the movie, Ruhe Zanft! I love that English version of Ruhe don't get me wrong, but it's just strange to me!Anyone else agree??
YES ..I,M A PIANIST....AND I´M AGREE WITH YOU !! THIS VOICE IS FANTASTIC !!
+operagirl81 Yes, I'd say the entire scene, from when the priest approaches the asylum, Salieri's reaction to him and quizzing him and digging at him already for the slight he perceives he received from God, then the priest urging Salieri to repent for killing Mozart if he did it, leading Salieri to stare at him say, with such delicious suspense, "He... was... my idol!" and go on to tell the story of his youth, all the way through the flashback of his father praying "to protect commerce" and then being right back at church in a coffin, all to the sublime and diving music of Pergelosi, then cutting back to the old Salieri smiling, bright-eyed, at the thought of his fortune even 60 years later, like he was a little boy again, thinking of how that opened up the world of music to him... yeah, that one sequence was certainly among the greatest achievement in cinema. It is something to watch again and again, I agree.
+operagirl81 You know, I was thinking something else. Another really appealing aspect of this clip is how they picked a dramatic and suspenseful excerpt from what really was a popular opera, and, even though we watching it know what pain and mockery and humiliation is to come to Salieri during the rest of the movie, here they made him look really good, really respectful, looking so sharp in his suit while he confidently conducts his great composition to the tones of the superstar Caterina Cavalieri behind him, after which the audience bursts into adoring applause. I think we're all pulling for Salieri, and it's nice to see him have his moment.
YES! I actually came here because the soundtrack sadly does not have this scene's song :(
Yes agreed. 100 pc. It must've been on the original OST.
It was a very popular tune in it's day!
Whats great about this scene is that Salieri stops playing on the piano and starts mimicking directing the orchestra on his head. To the priest this makes no sense since he cannot no longer hear him of course which brings to him the idea of Salieri's madness as a real one, both Salieri and the priest share in this small scene a sense of realism to music appreciation
It's just impossible to not have a full length version of this floating around the internet. Eva Mei is a lovely singer but the person singing this gives it such a sublime quality!
The voice is from Suzanne Murphy. Absolutely sublime!
Rómulo Lamas you are lying, is not her.
Give us the correct name then!
°:° i actually thought Christine Ebersole sang with her own voice... I'm wrong, aren't I?
I think it's Felicity Lott
You just feel Salieri’s nostalgia.
I just love this scene where old Salieri reminisces about the glorious days of his youth as the Court Composer in Vienna. By far this is my favourite scene in this timeless classic Amadeus (1984)
Morte, pietosa morte,
dà fine al mio dolor;
in braccio all'empia sorte
non mi lasciare ancor.
Magico Lorenzo Da Ponte
0:18 Man I really love that final:)
On this day: Premiere: Axur, re d'Ormus Antonio Salieri; Vienna, Burgtheater, 8 January 1788, in my opinion an excellent Opera
Must say I love the speed of this
god how much i love this part of this opera
Not many thirty-eight-second (twenty-six, to be more precise) snippets of anything have gotten me so interested. I so want to have the full thing. They couldn't've just recorded that bit, could they? If ANYONE finds the whole thing, I'm buying.
It was performed in 1787 in Paris, there are a lot of recordings since then.
"A lot"... Surely not. I want to know if this ensemble here recorded the whole aria. I've heard the "Son queste" by Mei, out of a full rec., and she's a tad on the bland side. This here is Absolutely Riveting.
@@GeorgiNM its very hard to find..im still searching.that voice is fucking AWESOME..who is and what is this voice..maybe a Hollywood mystery.
@@damianhunt3932 It is an English soprano, that's all I know
Sadly there's no full recording with this singer and ensemble. This was the only snippet that was recorded for the film.
One of my most watched 30 seconds of the entire movie, along with the finale. This opera needs a recording of the same quality it got in this film
The editing in this movie is so good.
BRAVO SALIERI!
“One hears such music and what can one say but, Salieri!”
So I see that I am not alone in my absolute adoration for this tiny clip of music. I have wanted to own *_THIS_* performance since the 80's when I saw this for the first time. It is completely compelling to me.
Amadeus film was never meant to be a history lesson-but unfortunately many people have the wrong impression of Salieri from it. Gotta admit though, F. Murray makes you feel this part almost as much as the music does. I hear Salieri's compositions are getting a revival in music circles lately, so maybe there will be some new appreciation for him after all.
È una bellissima aria e bellissima è l'opera Axur!
Why can't I have this beautiful version? I have read that this one was included in a second special version of the recording soundtrack, but it's lost.. :-(
Where did you read that? I can't find any information at all. Got any links? Anything at all??
Thank you for uploading this! These few seconds are my favourite part of the entire movie!
Salieri, un maestro.
sin entender lo que dice , la sola musica me ha echo llorar ;) extraordinario , grande salieri
It’s bull that this part isn’t in the soundtrack I have
This music is medicine for the soul
Why is this section not included on the soundtrack of the movie?
This track is on the director's cut soundtrack, but it isn't the same. It's more subdued than this movie portrayal. This version, in the film, is more powerful.
The singing voice in this clip is not that of the actor's. The singer's name is Suzanne Murphy and she was uncredited for this part, but she is on IMDB for this singing role. www.imdb.com/name/nm3026747/?ref_=ttfc_fc_cl_t101
The actor, who is quite beautiful, is named Christine Ebersole, voice dubbed was Suzanne Murphy, whom we are all take aback by in this beautiful section of Axur.
The more you investigate the history of music the more you realise that the also rans wrote a lot of pretty good stuff too. In the 19th century there was an exaggerated reverance for the Austro-German school to the detriment of Italian composers and I think that this imbalance is gradually being corrected.
Is this included in any of the Amadeus Soundtrack recordings that are on sale? Because, it's included in full in some of the Amadeus Soundtrack recordings on RUclips.
Man, the music canon is great, but listening to underrated composers or underrated pieces of already famous ones, would be fantastic 🥺
Question: What is the term for the notes, starting at 0:21, that are continuously offbeat? I used to know the term for them but I can't remember now.
+TheBoshack Do you mean syncopated?
This music has been tinkered with.
Já procurei versões com o instrumental similar a esse aqui no RUclips mas não achei:(
ruclips.net/video/ksp5DANvS7Y/видео.html&pp=gAQBiAQB8AUB
Here Salieri beats Mozart
I agree with you. I find salieri's music simple but very elegant. I do appreciate Mozart's genius but for my ear, salieri's music is more pleasing. I think it's just because we have different tastes in music.
Funny, that high B flat was added by the Amadeus crew. Isn’t that ironic?
Il Maestro . . . Salieri!
Does anybody know the piece he plays right before this one in the scene? Can't find it anywhere.
Is the slower beginning section of this aria/scene-the actual "Son queste le speranze." The video above is above the faster second section, "Morte, pietosa morte..."
Grazie, signore.
Can you recall no melody of mine?
in braccio all'empia sorte
non mi lasciare ancor. ♫
Väkivaltaa!
Maybe Salieri was a "very-classical" composer, in his operas there are kings, queens, noblemen, his characters are very respectable and maybe too serious. Serious and rigid Aristocratics did like Salieri, because in his music they recognized themselves. Look instead at Mozart's characters ike Papageno/Papagena, they seems very less "well educated" and "respectable" more informal if we can say so, it is consequential that during XVIII and XIX century Salieri was not so famous while Mozart's music did rise in public's favour
Cena linda.
Bravo salieri
Full song where the meeting
who players in the opera
You are welcome :3
In other recordings of this the singer does not sustain those high notes. There is a break in them. Check out 6:21 elapsed here: ruclips.net/video/EXqaTPePXzM/видео.html
This ending sounds a lot like the ending to Beethoven’s concert aria Ah Perfido Op 65
I live in Veneto and I feel offended by the movie of Amadeus. I am proud to live in the same land of Salieri and Mozart. The Europe. L'Europa riconosciuta.
Offended by what?
I know he was the bad guy in this movie, but that agonizing hell of being trapped longing for something which he knows he'll never have, trapped in past glories and past torments moves a terrible pity and even sympathy for this character. This does not excuse however his villainy against the innocent Mozart who did not deserve the sabotage by Salieri's hand.
He never did any of the stuff in this movie, just letting you know.
@@kentrosaurusboi3909 We don't know that for certain. He may have done something to sabotage Mozart's career and life, or he might not have.
@@flintwestwood3596 No, we have plenty proof that they weren't enemies. They wrote songs together and Salieri even taught Mozart's kids
@@kentrosaurusboi3909 None of that means he didn't sabotage him and stab him in the back. Like I said, no one knows what really happened.
@@flintwestwood3596 Why would he though?