you prolly dont give a damn but does anybody know a method to log back into an Instagram account? I somehow forgot the login password. I would appreciate any assistance you can offer me
Trilli che non sono nella partitura e le cantati moderni mettono tutto il tempo... bravo. Come i compositori volevano... non ce rispetto per le sue creazione.
@@moisessalaslopez5352 non ho mai visto la partitura, ma mi sembra che altre cantanti che ho sentito anche cantino così. insomma: ho voluto elogiare i trilli perché sono infatti molto puri, cose che non tutte le cantanti riescono a fare...
There was a moment during the cabaletta she seemed to have a scared look, but I think she was just concentrating on the hardest part for her. She actually sings this quite nicely.
Although the role of Verdi's Leonora isn't well suited to Ms. Fleming's vocal weight and color, here she offers a very credible, convincing and satisfying performance of Tacea la notte... Fidelity to the demands of "The Verdian Line" are on full display and handled elegantly. Brava! The Met is very lucky to have her on their roster..
Ms. Fleming, if you're reading this.....I've heard many versions, and your's is my favorite by far. Dee-vine. Brava. I often wish that you would have sung (on stage) this, and 'Maria di Rohan'......
Despite her usual stylistic liberties, Fleming does a lovely job with this aria. I'd love to hear more dramatic Verdi out of her mouth, even if she doesn't perform the roles on stage.
@@operabilia totally.. and as she once said in a interview in 1969: it will be a day where this mosquito singers will sing everything and wont understand how the composer wanted their creations to be played..... we have here the example...
What makes Renee Fleming stand out among other sopranos is her consistant vocal line, from bottom to top. I hear in her vocal production an even endless solid line. One feels that she has no difficulty with breath in long phrases and no change in 'timbre', be they with trills or without. This tells me that she has a solid technique which makes her performances wonderful, when not 'sung out' due to the excess of appointments, be they musical or other. I quibble with another detail which has to do with her real feeling of text as she portrays the various personages of the works that she is singing. Opera is one thing, oratorio another and the most exigent of classical vocal music, the various composers of concert chamber music, Beethoven, Brahms, Schubert, Wolf, Mozart Debussy only to mention a few.
This song does not suit her voice type and still she sung it absolutely wonderfully. The technique and skill involved in the way she sang this aria is incredible. Truly one of the greats.
I admire Miss Fleming.......But, its just so difficult to listen to todays sopranos when Im spoiled with L.Price, Callas, Sutherland, Caballe......even Crespin, and M Price.......
+george prentice She is much better than most singers today though. I haven't heard a Leonora more convincing than Leontyne Price, either! I also suggest (if you haven't) you listen to Anna Moffo's D'amor sull'ali rosee - heartbreakingly beautiful!
Isaballa Serrano Right. The only Verdi roles she's good at are Violetta, Desdemona and, maybe, Alice Ford and Maria Boccanegra/Amelia Grimaldi. But certainly NOT Leonora ("Trovatore" and "Forza") as well as other dramatic ones
@@waltercastillor.9658 if being able to sing was a requirement to cast singers in repertoire, no opera house would be operational. What a dumb thing to say
@@christophersokolowski "El que sabe sabe, el que no sabe, enseña y el que no sabe enseñar es el crítico" 😄 please continue casting great voices in RUclips. Very useful 😉
Голос красивый, тембр тоже. Но вторая часть очень медленная. Текст перепутала... Со страха смотрит в больбах о помощи на дирижёра, в финале вставная нота не нужна. У Верди её нет.
I love her and i find it gorgeous, but i have to say i don't get why does she sing this Bb at the end. I think it is the first time i hear it, and i admit i don't like it. There is not a Bb in the score and from my point of view it doesn't suit it at all.
I don't know, she has more like a broadway interpretation style rather than Italian bel canto, the finale is horrible with that ah siii. Definitely a great and reliable soprano that only Americans like...well....they also think that Bocelli and Grigolo are operatic tenors.... What a sad time I'm living lol
She has her own special way of interpreting music. It`s not always to my liking but sometimes she hits the nail right on the head. But at least she´s in love with her own voice. Isn´t that something wonderful? Even though it sometimes hurts :-)
Massimiliano Collicelli yes . Je ne sais qu' en penser . La fin me gêne beaucoup . C est pourtant une chanteuse d une grande justesse et musicalité . Peut etre cette fin qui nous fait mal à l oreille est juste un dérapage! ? . (On dirait qu elle n est plus là tout d un coup ) Et puis elle est sur scène en situation . donc bravo malgré tout . La scène c est la grande epreuve .
Si, non e' granche'. La Fleming, bellissima voce e cattivo gusto assieme e pare non tenga conto di quello che sta cantando, come quasi sempre. Sembra che stia interpretando My Fair Lady.
As is often noted on RUclips and by critics, Madame Fleming has one of the most beautiful voices ever heard but no sense of proper style or accurate acuti, or true emotive meaning. It is always a pleasure to hear the voice but it is never what any of the composer actually wrote.
I'm probably not a good person to comment on this video: I listen to the song, not the singer. That is, unless the singer is really quite miserable. Or it's a queen song. Because then it better be freddy mercury.
rooitenen it's a Dramatic coloratura role, yet a spinto with with some flexibility voice would be enough to justify the role but she is a full lyric with no flexibility. good attempt anyway and among the current opera singers she is the best
Bon ,on peut dire que madame Fleming a bien la voix du rôle .Elle est puissante ,agile et flexible .Donc je dirais que techniquement il n'y a rien à lui reprocher .Mais est elle pour autant le personnage ? Au niveau du style il y a des lacunes ,car c'est très peu Italien .Sait elle ce qu'elle chante ? On a l'impression d'assister à une démonstration ,ou a un " Barnum show " .C'est très Américain ,mais ce n'est pas Verdi .De plus les décors du Met sont ridicules et dignes d'un théâtre de province Européen.Dommage !!!!😄
Elle a une technique parfaite, une voix flexible avec un timbre agréable. Bien sûr son italien n'est pas des plus châtiés, mais les italiens mêmes sont assez souvent difficiles à comprendre du fait qu'ils avalent souvent les mots. Je pense qu'on ne peut lui faire grief de cela, d'autant qu'elle chante dans plusieurs langues. bien entendu, contrairement à ce que vous pensez, elle doit savoir le sujet de ce qu'elle chante . Salutations.
voce magnifica che appartiene à una attrice fredda e poco educata. un'interpretazione poco adatta allo stile italiano. è asmatica questa bellissima donna? la frigidità artistica fa parte dell'arte moderna. non mi piace affatto.
@@janetflier6192 A poor vision of life, knowing only about what you like... it's ok but don't even try others to neglet getting a bigger vision and expressing it :)
Pronuncia approssimativa…( “la NNotte placida”… “i bella in ciel sereno” “gli agordi di un liuto”…) è completamente fuori ruolo. Ci sono bravissime cantanti italiani che fanno molto meglio di lei.
This tempo skewers the aria... but this is typical Fleming.. tempos not written by the composer. its all about her... we need to notice her voice.. the hell with the rest of the music. I have grown to dislike her, for her lack of musical taste. Immensely talented, but flawed as an artist. her interpretations of these various roles , will be forgotten in the annals of operatic history.. They are not inciteful. And you do not alter VERDI( the B flat at the end).
Her Marschallin, Arabella, Manon, Thais, Rusalka, Tatiana, Armida are all already classic interpretations, each amongst the best ever sung and interpreted, offering endless insights, and actually serving the composers' intentions where most can't even sing what's on the page, let alone interpret it. This is not a particularly slow account of this aria...
Видеоклипы
![[BLACKSWAN] ‘Roll Up’ Official Music Video](http://i.ytimg.com/vi/ulvCwyKrwqw/mqdefault.jpg)
Her voice is wonderful!:))))
Thanks!
Beautiful performance, beautiful woman! Renee, we love you!
I love her singing!
Voix superbe un régal en plus Renée Fleming est d une beauté qui reflète la gentillesse et l amabilité je l adore
Renee came and tore this song UP. She said i'm gonna SANG today!!
Bravo!
Occurs to me this is a love song to Verdi: "Only the angels have been allowed such joy." Fitting, as his music is like 'praying to God.'
you prolly dont give a damn but does anybody know a method to log back into an Instagram account?
I somehow forgot the login password. I would appreciate any assistance you can offer me
@Kylen Junior instablaster ;)
her voice is perfect!:)
She is amazing !!
I suoi trilli sono purissimi, bellissimi, perfetti.
Trilli che non sono nella partitura e le cantati moderni mettono tutto il tempo... bravo. Come i compositori volevano... non ce rispetto per le sue creazione.
@@moisessalaslopez5352 non ho mai visto la partitura, ma mi sembra che altre cantanti che ho sentito anche cantino così. insomma: ho voluto elogiare i trilli perché sono infatti molto puri, cose che non tutte le cantanti riescono a fare...
I actually like her dress, I think it's cool! But now her voice, that I LOVE! She is great! =)
Beautiful.
I like the voice and the passion with which he accompanies it!
I love the way she phrase this.
A complete artist.
beautiful!
So eine schöne Frau 👏, ich mag diese Stimme sehr!
A wonderful voice and the height of professionalism. Just not what we are used to where Verdi is concerned...
Leonora de la Gardie I guess we are lucky that her speciality is Strauss!
Yes leotyne price sings it beautifully and also a little faster
una de mis preferidas Que bien canta
Impresionante en verdad, ¡magnífica!
Brava Renee! Almost perfect. Vocal production even, right on the note and dramatic interpretation convincing.
"Almost perfect". It was perfect.
Me too - I have been disinterested in her lately but I really enjoyed this.
Stupenda interpretazione
Lol just noticed the prompter's voice! lol...Renée conveniently looks down when the need comes :P
Великолепно! Мастер!
There was a moment during the cabaletta she seemed to have a scared look, but I think she was just concentrating on the hardest part for her. She actually sings this quite nicely.
she forgot the words during the cabaletta. But she pulled it off~! :D
She is utterly tremendous, such a technician and actress.
She is just a joy
Although the role of Verdi's Leonora isn't well suited to Ms. Fleming's vocal weight and color, here she offers a very credible, convincing and satisfying performance of Tacea la notte... Fidelity to the demands of "The Verdian Line" are on full display and handled elegantly. Brava! The Met is very lucky to have her on their roster..
W O N D E R F U L
❤❤❤❤❤❤❤❤❤❤❤❤❤
Ms. Fleming, if you're reading this.....I've heard many versions, and your's is my favorite by far.
Dee-vine. Brava. I often wish that you would have sung (on stage) this, and 'Maria di Rohan'......
Love 😍
I love the youtube comments on opera clips, knowing there's appreciative people out there.
can you imagine hearing tu che le vanita (french version) out of her mouth?... even a studio recording of just the aria wouldve just made my decade..
I agree with you .. that is a very astute comment.. because both of those arias are narratives . .they are telling a story.
What a beautiful rendition! She looks so like Keri Te Kanawa here :)
Welch ein umwerfender Wohllaut!! Eine einzige Freude!
Bravissima! Looooooove!💖💖💖💖💖
Despite her usual stylistic liberties, Fleming does a lovely job with this aria. I'd love to hear more dramatic Verdi out of her mouth, even if she doesn't perform the roles on stage.
Because she is RF
Que voz linda é a dela,parabéns e sucesso.Brava!!!
This woman has the voice of an angel!!!
Well the angel's voice was Tebaldi.
@@operabilia totally.. and as she once said in a interview in 1969: it will be a day where this mosquito singers will sing everything and wont understand how the composer wanted their creations to be played..... we have here the example...
Moisés Salas Are you a Fleming basher?
@@janetflier6192 nope I'm a bad opera singing technique basher ;)
Moisés Salas Sorry, but you can't say that Renée Fleming has a bad technique!!
❤❤❤❤
M A R A V I L L O SA
❤❤❤❤❤❤❤❤❤❤❤❤❤
What makes Renee Fleming stand out among other sopranos is her consistant vocal line, from bottom to top. I hear in her vocal production an even endless solid line. One feels that she has no difficulty with breath in long phrases and no change in 'timbre', be they with trills or without. This tells me that she has a solid technique which makes her performances wonderful, when not 'sung out' due to the excess of appointments, be they musical or other. I quibble with another detail which has to do with her real feeling of text as she portrays the various personages of the works that she is singing. Opera is one thing, oratorio another and the most exigent of classical vocal music, the various composers of concert chamber music, Beethoven, Brahms, Schubert, Wolf, Mozart Debussy only to mention a few.
bel timbro vocale,dizione chiara e ottima interpretazione,l'allestimento scenografico è avanti con gli anni.
d'accordo
BRAVA
God, I wish I could sing!
She has a heavy lyric voice. This is great for her... She did well... :-)
This song does not suit her voice type and still she sung it absolutely wonderfully. The technique and skill involved in the way she sang this aria is incredible. Truly one of the greats.
Está ella y luego las otras!!!
Bravissima è dir poco.
A 1000% Class Act, all the way./
This woman wondering me each time
perchè tutti questi legati?
Ma mi piace tanto quando canta "per esso non morrò" 6:05...
Basta con gli eccessivi sacrifici!
some mistakes in text, but what golden voice!
I love all the mistakes she makes! I really mean that. Its awesome to know she's human.
It is a very smart and interesting saying~ I love Renee!!
Brava Renée Fleming même si elle en fait trop......Quelle voix!!!....
Le falta entrenar esta aria, ella catna muy lento, es buena pero esta canción es rápida..
Antonio rojas castillo el director da la nota y la velocidad no esunic
Oh wow we got a touchy touchy sensitive ...hold on what's the name...paperlapip...paperlawhat? Well I guess the name says it all
I admire Miss Fleming.......But, its just so difficult to listen to todays sopranos when Im spoiled with L.Price, Callas, Sutherland, Caballe......even Crespin, and M Price.......
george prentice you are so right. i mean, she has a really beautiful voice but her style....no, no and no. it is NOT Verdi, sorry.
+george prentice She is much better than most singers today though. I haven't heard a Leonora more convincing than Leontyne Price, either! I also suggest (if you haven't) you listen to Anna Moffo's D'amor sull'ali rosee - heartbreakingly beautiful!
you missed Tebaldi!!!!
Isaballa Serrano Right. The only Verdi roles she's good at are Violetta, Desdemona and, maybe, Alice Ford and Maria Boccanegra/Amelia Grimaldi. But certainly NOT Leonora ("Trovatore" and "Forza") as well as other dramatic ones
All of you are opera nerds and for this I love you.
She seems a bit terrified by this aria.
wouldn't you be? :)
It’s one of the hardest entrance arias ever written 😭
@@alioffe4321 😆
You should listen this from LEYLA GENCER Who is turkish opera arstist.
She is wonderful! One of the greatest assoluta sopranos!
Необычайно сбалансированный ,чарующий тембр.Это говорит не только о вокальной школе . но и о необыкновенной личности певицы
LOL, the cabaleta had her gasping for air and giving a scared face hahah. I was afraid she would choke at any time lol!
NOT FUNNY!!!
Splendida tecnica. Voce passabile. Il punto e' che sono cresciuto col Trovatore di Maria Callas. Ammazza qualsiasi cosa.
Supratutto amazza il buon gusto...
Молчание
Impecabile dal punto di vista canto ,ma sotto Callas al interpretazione
Beautiful singing. Hideous dress.
Suth Pav What is wrong with the dress??
Кто от Понасенкова?
That C was hardly comfortable!
This is not Leonore!
Sure, try yourself this aria and let us know .. lol
@@waltercastillor.9658 if being able to sing was a requirement to cast singers in repertoire, no opera house would be operational. What a dumb thing to say
@@christophersokolowski "El que sabe sabe, el que no sabe, enseña y el que no sabe enseñar es el crítico" 😄 please continue casting great voices in RUclips. Very useful 😉
@@waltercastillor.9658 y el critico del critico? 😉😉
Yes it is .
Голос красивый, тембр тоже. Но вторая часть очень медленная. Текст перепутала... Со страха смотрит в больбах о помощи на дирижёра, в финале вставная нота не нужна. У Верди её нет.
Я вообще не понимаю её "итальянский". По-моему оно много тут где текст перепутала, и с дикцией как-то местами хм. А голос да, красивый..
I love her and i find it gorgeous, but i have to say i don't get why does she sing this Bb at the end. I think it is the first time i hear it, and i admit i don't like it. There is not a Bb in the score and from my point of view it doesn't suit it at all.
A truly stunning voice, but the mannerisms get extremely distracting after a while.
So don’t look at her. Just listen!
I don't know, she has more like a broadway interpretation style rather than Italian bel canto, the finale is horrible with that ah siii. Definitely a great and reliable soprano that only Americans like...well....they also think that Bocelli and Grigolo are operatic tenors.... What a sad time I'm living lol
+Massimiliano Collicelli Heheheh, I agree. But I like her sometimes though ;)
She has her own special way of interpreting music. It`s not always to my liking but sometimes she hits the nail right on the head. But at least she´s in love with her own voice. Isn´t that something wonderful? Even though it sometimes hurts :-)
Massimiliano Collicelli What in the hell does this have to do with America. Y'all are getting in my nerves across the ocean
Massimiliano Collicelli
yes . Je ne sais qu' en penser . La fin me gêne beaucoup .
C est pourtant une chanteuse d une grande justesse et musicalité .
Peut etre cette fin qui nous fait mal à l oreille est juste un dérapage! ? . (On dirait qu elle n est plus là tout d un coup )
Et puis elle est sur scène en situation . donc bravo malgré tout . La scène c est la grande epreuve .
I don't understand why she always ruins her performance with some extra stuff. Taste I guess.
Hmmm... She clearly didn't know the text. Lots of mistakes, but wonderful singing though. Maybe she had to do it on very short notice.
Mamma mia! Ma che cazzo è questo? Povero Verdi.
Si, non e' granche'. La Fleming, bellissima voce e cattivo gusto assieme e pare non tenga conto di quello che sta cantando, come quasi sempre. Sembra che stia interpretando My Fair Lady.
could she breath any louder? good god.......
As is often noted on RUclips and by critics, Madame Fleming has one of the most beautiful voices ever heard but no sense of proper style or accurate acuti, or true emotive meaning. It is always a pleasure to hear the voice but it is never what any of the composer actually wrote.
Wilson Watt How do you know, "What the composer actually wrote"?
@@janetflier6192 Er, uh, it’s called THE SCORE and it’s the basis of what should be followed.
@@johnpickford4222 Well, since the composer is dead, I don’t think it matters if a singer takes a few liberties with the score!
Where are the goosebumps?
I'm probably not a good person to comment on this video: I listen to the song, not the singer.
That is, unless the singer is really quite miserable. Or it's a queen song. Because then it better be freddy mercury.
Why must she sing like everything is Puccini ? whats going on from 4.18 ???
Bellissima voce, peccato superficiale e generica in tutto.
Do you have the slightest idea of what you are talking about? I dont think so.
... some very odd vowels in this, and that's not all. Listen to Ponselle sing this, PLEASE.
Not a Verdi voice!
Okay, once again Fleming mixes Lied with opera. I rather hear Strauss than Verdi in her voice and her mannerisms are not suited for the aria
Se hace lo que se puede,y aquí se puede muy poco, que horror de interpretación
A nice attempt but a coloratura soprano she is not.
I can be mistaken but this is NOT a role for a coloratura soprano!
rooitenen it's a Dramatic coloratura role, yet a spinto with with some flexibility voice would be enough to justify the role but she is a full lyric with no flexibility. good attempt anyway and among the current opera singers she is the best
She surely enjoys her own voice! This is little too much porn and out of style now and then. And not always in tune...
I don't agree...
Artem Smirnov Good for you 😜
I think so
I think sok
and I don't
does she have the slightest idea of what she is singing about?
Bon ,on peut dire que madame Fleming a bien la voix du rôle .Elle est puissante ,agile et flexible .Donc je dirais que techniquement il n'y a rien à lui reprocher .Mais est elle pour autant le personnage ? Au niveau du style il y a des lacunes ,car c'est très peu Italien .Sait elle ce qu'elle chante ? On a l'impression d'assister à une démonstration ,ou a un " Barnum show " .C'est très Américain ,mais ce n'est pas Verdi .De plus les décors du Met sont ridicules et dignes d'un théâtre de province Européen.Dommage !!!!😄
Of course she sounds, “ Very American “!! She IS an American!!
Elle a une technique parfaite, une voix flexible avec un timbre agréable. Bien sûr son italien n'est pas des plus châtiés, mais les italiens mêmes sont assez souvent difficiles à comprendre du fait qu'ils avalent souvent les mots. Je pense qu'on ne peut lui faire grief de cela, d'autant qu'elle chante dans plusieurs langues. bien entendu, contrairement à ce que vous pensez, elle doit savoir le sujet de ce qu'elle chante . Salutations.
voce magnifica che appartiene à una attrice fredda e poco educata.
un'interpretazione poco adatta allo stile italiano.
è asmatica questa bellissima donna?
la frigidità artistica fa parte dell'arte moderna.
non mi piace affatto.
This was painful to listen to/watch
So don't listen or watch! I loved it!
That's NOT the way the aria finishes!!
@@janetflier6192 it's important to know how the things dont have to be done.... so we have to see this for knowing whats good and whats better...
Moisés Salas I only know what I like, and I like Renée Fleming!
@@janetflier6192 A poor vision of life, knowing only about what you like... it's ok but don't even try others to neglet getting a bigger vision and expressing it :)
Pronuncia approssimativa…( “la NNotte placida”… “i bella in ciel sereno” “gli agordi di un liuto”…) è completamente fuori ruolo. Ci sono bravissime cantanti italiani che fanno molto meglio di lei.
This tempo skewers the aria... but this is typical Fleming.. tempos not written by the composer. its all about her... we need to notice her voice.. the hell with the rest of the music. I have grown to dislike her, for her lack of musical taste. Immensely talented, but flawed as an artist. her interpretations of these various roles , will be forgotten in the annals of operatic history.. They are not inciteful. And you do not alter VERDI( the B flat at the end).
Her Marschallin, Arabella, Manon, Thais, Rusalka, Tatiana, Armida are all already classic interpretations, each amongst the best ever sung and interpreted, offering endless insights, and actually serving the composers' intentions where most can't even sing what's on the page, let alone interpret it.
This is not a particularly slow account of this aria...
Nope, not for her.
🤮