Lugansky - Liszt, Transcendental Étude No. 12 “Chasse-neige"

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  • Опубликовано: 7 сен 2024
  • Franz Liszt (1811-1886)
    Transcendental Études (Études d'exécution transcendante), S.139 (1852)
    No. 12 in B♭ minor “Chasse-neige.” Andante con moto
    Nikolai Lugansky, 2010
    “[…] The history of the Transcendental Studies is tolerably well known, but may be briefly recapitulated here. In 1826, not yet fifteen years of age, the young prodigy published the first installment of what promised to be an ‘Étude en 48 exercises’ in which Liszt intended to run twice through all the keys in the pattern C major, A minor, F major, D minor, etc, and the volume included twelve short studies of considerable flair, somewhat under the influence of his teacher Czerny but showing much melodic invention and technical skill. In 1837, at the height of his Glanzperiode, Liszt took these little pieces and developed a formidable set of studies which, as Schumann noted in his laudatory review, were probably too difficult for anyone other than Liszt to play musically. The essential musical poetry of the pieces was rescued by Liszt from the more extreme technical demands in the final version published in 1852, in which the pieces become by no means easy, but much clearer in musical intent.
    …In the final version, titles are appended to ten of the pieces. Of course these titles are only guides for performance rather than clues to the sources for Liszt’s inspiration, but they are evocative enough, and often uncannily paraphrase the atmosphere conjured up by the music. The second and third versions of these studies both bear a dedication to Czerny. Liszt exploits every then-known device of piano technique in a set of original structures in which the dramatic argument is often heightened by harmonic tensions and juxtapositions very daring for their day.”
    - Leslie Howard

Комментарии • 17

  • @user-st7fb2ty3u
    @user-st7fb2ty3u 3 года назад +10

    Lugansky played these really hard-to play piece perfectly, and I give a big round of applause to Lugansky and the great composer Liszt. You two are born musicians and composers.

  • @restonnova6745
    @restonnova6745 3 года назад +11

    Bravo!! Extremely hard piece.

  • @AnaPaula-np5rq
    @AnaPaula-np5rq 3 года назад +7

    Magnificent! No words to describe this wonderful Music, perfect ♥️♥️♥️♥️♥️♥️♥️♥️💗♥️

    • @AnaPaula-np5rq
      @AnaPaula-np5rq 3 года назад

      @@valdemarsolbraaheilemann7134 O que?

  • @user-bc9um1hb8d
    @user-bc9um1hb8d 3 года назад +7

    Здорово!!! Браво!!!

  • @Professor694
    @Professor694 3 года назад +6

    Великолепно сыграно!

  • @lluisrafalessole-classical5068
    @lluisrafalessole-classical5068 3 года назад +2

    Bravo Beautiful music Thanks 🎶😘🎹

  • @SergeBottari55
    @SergeBottari55 Год назад +2

    Magnificent interpretation ! Reminds me of Claudio Arrau. Very elegant but missing the wild touch which characterises Liszt. Listen to Trifonoff and even better to Gabriel Stern !

  • @Pianochobo123
    @Pianochobo123 3 года назад +8

    와 증말 잘친다 진짜루..

  • @cleusafaria9026
    @cleusafaria9026 3 года назад +1

    Bravíssimo! You"re the best! I love you.

  • @granumuse7847
    @granumuse7847 3 месяца назад +1

    Godlike Performance 😍🤩✨❤

  • @leangeee
    @leangeee 7 месяцев назад +1

    really like his sound❤

  • @MrDuffy
    @MrDuffy 11 месяцев назад +4

    the editing of this video is obnoxious. the camera angle changes every 10 seconds which doesn't allow to concentrate, and also loses so so much of what happens at the keyboard. I cannot understand how the camera work could be allowed to intrude so much and spoil the viewing experience a wonderful performance. there's a recording from the audience which is way more spectacular

  • @salisuladze5995
    @salisuladze5995 18 дней назад +1

  • @claudioparrella183
    @claudioparrella183 3 года назад +3

    esecuzione personale ma apprezzabile

  • @user-jd4uc1vi9n
    @user-jd4uc1vi9n 11 месяцев назад

    🔥🔥🔥🔥🔥🔥🔥

  • @lampadairevisqueux5247
    @lampadairevisqueux5247 4 месяца назад

    Ah ouah