The Velvet Underground performing 'I'm Waiting For The Man' & 'Venus In Furs' (off-camera) in 1967

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  • Опубликовано: 28 янв 2023
  • Excerpt from a German documentary called '498 Third Avenue.' by Klaus Wildenhahn, showing an audience dancing to The Velvet Underground playing 'I'm Waiting For The Man' and 'Venus In Furs' live (off-camera) live during a Benefit for Merce Cunningham at The Glass House, New Canaan, Connecticut, on June 3rd 1967.
    This clip is shortened to exclude the voiceover audio from the documentary and include only the VU audio, but if you go to the full documentary - vimeo.com/521485453 - skip to 45:14, and look VERY closely, you can JUST about see the band playing on stage in the background as the camera pans over to the right during the voiceover section - it's difficult to make out, but it appears Sterling was on the left playing bass, Lou in the centre playing guitar and singing next to Maureen who is just behind/next to him (you can see her mallet whacking down on the bass drum a few times), and John on the far right (visible behind the tree in the foreground) playing his viola.
    Previously uploaded by:
    / @cityworker
    / @jakobkrajcik3017
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Комментарии • 36

  • @kjcs_1896
    @kjcs_1896 Год назад +18

    How I would kill to be in this performance. Too bad we couldn't see The Velvets, but if there's anything to learn from such a footage (which is new to me, didn't even know this existed), is that no matter how obscure the band is, there will always be an audience listening to you, like us today listening to The Velvets.

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад +4

      It's painful that the photographer didn't have the foresight to shoot even a few moments of the band...it would have been great to see Sterling's playing his solo...but at least it's another little glimpse I guess! I came across it a few years ago and thought I'd upload it as I'm sure a great many haven't seen it.

    • @kjcs_1896
      @kjcs_1896 Год назад +1

      @@CAMFORRESTER I really hate it that Sterling, or The Velvets for that matter, is really obscured like that, but then again, they wouldn't be my favorite band if the answers were given to me so easily, especially for Sterling, the true enigma, in my opinion. I guess the beauty is in the mystery....

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад +1

      @@kjcs_1896 vimeo.com/521485453
      If you skip to 45:14 and look VERY closely, you can JUST about see Sterling playing bass, and Moe Tucker's mallet whacking her bass drum toward the left of the frame during the voiceover section (which is cut from the shortened clip I've uploaded). I never noticed this before just now.

    • @kjcs_1896
      @kjcs_1896 Год назад +1

      @@CAMFORRESTER That is just amazing. One of very few footage of Sterling playing bass! I guess another Velvet footage has been unearthed, if only just a glimpse. Cool!

    • @ghostexits
      @ghostexits Год назад +1

      @@CAMFORRESTER does Sterling usually take the solo on Waiting for the Man?

  • @Burukop
    @Burukop 19 дней назад +2

    God, that live recording of Venus in Furs. It's like some occult hymn that's existed for as long as humanity has. Utterly spellbinding. I can't imagine the audience being anything other than speechless.

  • @hickoryhippie
    @hickoryhippie Месяц назад +1

    I have NEVER seen this footage, and I thought I saw and heard everything.
    Part of the allure of the Velvets is about how little there is to watch of them. The only live performance I've seen of them in their prime is the Warhol footage of them from the lighting booth, as well as the famous Factory jam.

  • @iansutherlandcraig
    @iansutherlandcraig Год назад +3

    ‘Well you could look at that band and wonder where all the sound was coming from with just four people there.’

  • @edwardmulholland7912
    @edwardmulholland7912 Год назад

    Manna from Heaven!
    Never seen or heard this before.
    Thank you!

  • @sydpink
    @sydpink Год назад

    Cam, thanks for sharing. As a fan since the 70's, I've never seen this,

  • @pinkzeppelin428
    @pinkzeppelin428 Год назад +1

    Never seen before footage of the VU!

  • @Xcalator35
    @Xcalator35 Год назад

    Never seen this before!! Many thanks. For some reason this reminded me of 'La dolce vitta'.

  • @je7647
    @je7647 Год назад

    Such a tight band

  • @ericrobson4291
    @ericrobson4291 Год назад +1

    Louis Reed/ true visionary way ahead of his time/ this audience/dancers must of been totally hip×××××

  • @meanlifemusic
    @meanlifemusic Год назад +2

    people from the past point your damn camera at the VU challenge

  • @fernandosegal688
    @fernandosegal688 Год назад

    Whats the name of the german documentary?

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад

      '498 3rd Ave' by Klaus Wildenhahn:
      vimeo.com/521485453
      If you skip to 45:14 and look VERY closely, you can JUST about see Sterling playing bass, and Moe Tucker's mallet whacking her bass drum toward the left of the frame during the voiceover section (which is cut from the shortened clip I've uploaded). I never noticed this before just now.

  • @russellurwin7396
    @russellurwin7396 Год назад

    Doesn't sound like lou singing on WFTM, does sound like the VU though. Definitely Lou singing Venus.

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад

      It is him, he's just singing it higher than on the album recording. He often did that live, usually fuelled by amphetamines of course! Here's another live performance from the same year: ruclips.net/video/e0cQAHrTcpQ/видео.html

    • @russellurwin7396
      @russellurwin7396 Год назад

      Do you think it's a full octave higher than the recorded version otherwise how would it fit against the performance.?

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад +1

      @@russellurwin7396 It varies, as he changes the melody a lot...but generally yes, it's about an octave higher. The deeper style of the studio vocal would have been difficult for audiences to hear in a live situation, and the only way to have achieved it would be setting the microphone gain really high, to the point where feedback would be inevitable (in the studio the vocals were overdubbed separately using a condenser microphone and lots of compression, whereas live it would have been a dynamic mic with no compression, plus leakage from all the surrounding noise)...and in those days feedback was a nightmare!

    • @gordonlyon2351
      @gordonlyon2351 Год назад

      it's definitely Lou and our boys. This film has been in circulation since it was shown on German TV in the late 1980s/early 1990s. I have always been so frustrated that it contains so little VU. A friend of mine contacted the original filmmaker a while back, and no, there is nothing that was not used in the film....

  • @kelechi_77
    @kelechi_77 Год назад +2

    Is this real?

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад +1

      Yep! Scroll to June 3rd, 1967:
      olivier.landemaine.free.fr/vu/live/1967/perf67.html

    • @kelechi_77
      @kelechi_77 Год назад

      @@CAMFORRESTER OH damn! I was thinking it was a mash up of live audio with 60s dancers footage, great job man!

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад +1

      @@kelechi_77 vimeo.com/521485453
      If you skip to 45:14 and look VERY closely, you can JUST about see Sterling playing bass, and Moe Tucker's mallet whacking her bass drum toward the left of the frame during the voiceover section (which is cut from the shortened clip I've uploaded). I never noticed this before just now.

    • @kelechi_77
      @kelechi_77 Год назад

      @@CAMFORRESTER just noticed it, good catch! May I ask what is the documentary about? It seems pretty interesting and I'd like to watch it

    • @CAMFORRESTER
      @CAMFORRESTER  Год назад +1

      @@kelechi_77 "A documentary that details the early days of the Merce Cunningham Dance Company, the film tells the story of the making of the dance Scramble, showing the daily routine of the dancers involved, and other aspects of producing new work. Includes performance footage at the Philip Johnson Glass House, with music by the Velvet Underground." - Merce Cunningham Trust