Apologies to those of you for whom the video isn't working right. I'm not sure what's going on. I've been emailing the folks at RUclips (who still haven't gotten back to me) to see if we can resolve what's going on. It's not a copyright issue, but a playback one, so whatever's messed up is from RUclips's end. If this persists, I'll just re-upload, but I would rather not resort to that since I'll lose all the current views and comments. Again, my apologies. If you're still interested, you can find the video here on Vimeo - vimeo.com/194717322
Yeah. But in the context of the movie, he has five-or-six gags going on at once. So when you come back to the doorknob, the audience is thinking "Holy shit, I totally forgot about the doorknob bit". And that somehow makes it funnier.
That's the idea: you build a world, you play with it. He applied it to set ups too, so they go beyond being setups and become part of the building of the logic of the world, I guess.
Samuel Wallace, yup, Tati's gags are usually not about funny actions, but about actions typical for certain characters and merely exaggerated to the point of absurdity. It's funny mostly because we recognise the people from our everyday life.
The door knob gag is from Play Time. Watch the whole film, it's genius. He uses visual comedy to comment on the absurdity of modern technology and modern life. Almost every single joke is deep and multi-layered.
This compliments that video by every frame a painting really well rather than just iterating on it. Which seems to becoming rare for a video essay about film.
Satyam Dwivedi Yes, or the Wright video for that matter. The first 30 second made me think it was going to be very iterative (like other videos on youtube) he chose different director and a focus on objects, which wasn't explored that much so far.
I grew up watching Mr Bean, and have only found Tati's films much later. Influences on Rowan Atkinson's character can be found in almost every M. Hulot scene. Makes me appreciate both of these comedians even more.
The art direction and production design for Mon Oncle is crazy. All the cars, the surrounding area and even the clothes of the office scenes are so stylized. It looks amazing.
"Most comedy movies these days are just people standing around and ad-libbing at each other." THANK YOU!! As someone who's a huge lover of comedy and anything that can get a laugh out of me, it killed me to see every comedy movie after The 40 Year Old Virgin just be a worse version of it (especially since that movies SUCKED to begin with!), and until recently, it felt like I was the only one who felt that way. I'm so glad I'm not.
I always think of original Looney Toons cartoons when working with comedy... set-up an expectation, then subvert the expectation. even if you know how the setup/subversion will end, it's still good. first thing that comes to mind is the tunnel painted on a wall. you know the hunted (bugs, road runner) will be able to go through the tunnel but the hunter (fudd, daffy, coyote) will run into the wall; and it's still funny
The glass door shattering in Playtime is terrifically funny in your excerpt. What makes it sublime in the movie is that its destruction is the climax of many earlier problematic encounters with the door. As in all great films, with Playtime we realize we are watching the art of a supreme master, who can make a simple prop like a glass door fill us with explosive laughter.
Whenever here in the USA they talk about great comedians or film actors I wonder if they have missed all the great european films. So many are better and funnier than modern american films. Tati is so funny I have his entire collection and none of Adam Sandler to name one.
I like Adam Sandler films, I like Tati, I like silent comedy, and basically most slapstick. That's what's good about Sandkerr, yes, he can get a bit mouthy but he does do good slapstick too. I could easily say the old films do it the best but you have to give modern films a nod for trying. Leslie Nielsen did so well at them too.
7:12 This has to be the greatest gag in movie history. No matter how many times I watch it, either on this video or on DVD, it never fails to make me smile. Hulot's reaction is priceless.
This is one of my favorite channel, definitely under appreciated. You should make a video on how RUclips and other online videos are changing what we think as film.
Jared Bullock I agree. This is a really good channel, the content is different from other movie video essays. Good to see someone not making videos about the same tired things we've seen over and over. This channel inspired me to start making videos, because I knew different could still be good.
I decided just a few moments ago to search RUclips for Jacques Tati, and happily came upon this. This brilliant Frenchman's work was introduced to me a few years ago by a dear friend of mine who passed away only recently. Thank you for posting this feature.
I know this is meant to be a swipe at SNL, but a lot of the really great deadpan British comedy is based on reacting to an absurd situation as if it's totally normal.
FANTASTIC video! I'd been wondering about his films since I saw the Criterion Collection's Complete Jacques Tati set. I laughed all throughout your video, so now I'm absolutely checking his films out. Also I just watched all the videos on your channel. Great work. I look forward to whatever you put out next!
Key and Peele are great at visual comedy or observation comedy like you said, their sketch show on comedy central was by far the funniest thing I've seen in the 2010s and maybe ever. Because it's a mix of what makes a great video sketch: 1) acting: because K&P come from stage improv, so their comedy is very visual and on point 2) writing: they write a lot and only select a few, they're not on a weekly deadline like SNL, they get the people and the time to work on their craft and even throw away what's not good. So the structures are on point, clear set up, punchline going crescendo. Impeccable writing. Based on surprising the audience, You'll never guess what's the final punchline or gag is. 3) Cinematography: their sketches looks like films, but more importantly they go by the rule of “show don't tell”, which means that they don't explain jokes, you figure it out by yourself instantly, because of what's shown to you. That's very difficult to do because you have to start from a very unfunny base which is real day to day things, and make comedy out of that. Whereas most of pop comedy nowadays just make fun of already laughable situation, I find key and Peel is more grounded in reality in an absurd way, they find comedy where I wasn't even searching. Watch key and peele it's cool, why did I do a comment essay (Ps: great video, I don't agree with you because as you can see I love nowadays comedy. I may have a nerd view on it, I mostly watch things like Tomska, Bo Burnham, Key and Peele, Dan Harmon. They're widely popular, but it's still like something else, weird, alternative comedy. And they really care about everything they do, they're the kind of writers who make the comedy they want to see. Long story short, again, they cool. I oversold them you might not like it now, sorry)
There's a lengthy sequence in Monsieur Hulot's Holiday where the holidaymakers are waiting on a platform for their train. They end up being shuffled around different platforms and the whole scene has me in stitches every time. There's something oddly familiar about indecipherable announcements in railway stations, wondering if you're on the right platform and being told to go to another platform with seconds to spare that seems universal and exploited to perfection by Tati.
Fantastic! I am literally laughing helplessly with tears running from my eyes. Many thanks for this brilliant essay and so many Tati gags one after another!
Andrew...cannot thank you enough for this look at one of the true geniuses of comedy.... we saw 'Monsieur Hulot's Holiday" in about 1959 and that did it.... "Mon Oncle" is a masterpiece.... I truly feel sorry for folks who do not have the chance to relax, turn off the brain for a while and soak up this nectar which is a lot like reading the old Sunday newspaper color funnies. It tweaks one's mind differently, and perhaps increases brain power I suspect.
My introduction to this type of comedy was the 3 stooges on TV land on saturday mornings. I went back and watched some episodes for free on vimeo or something, and once I got past the shock to the system involved with watching something from that era and re-entered the universe of physical/visual gags such as the ones in playtime, I found myself belly laughing at some of the bits! Your point about “most modern comedy being 2 people standing improvving at eachother” really hits home, even with some of my favorite comedy from today! Great point, great video, great channel!
The tow-rope canal gag isn't complete without the lorry driver's reaction to Mr Hulot's sudden disappearance! Tati's films are a joy - especially these days with large format hd tv's. There is so much going on!
8:26 dang this one was my favourite, didn't see it coming at all
7 лет назад+1
Bravo. Ta vidéo est juste superbe. Du choix des séquences à la narration parfaitement montés, l'analyse fonctionne et nous captive. Bel hommage, un grand merci.
This is soooo good.. may god bless you.. thank you soo much... Tools like these never let me think twice of not opting for film school coz there is soooooo much out there... Great video essays come with great observations.. :D kudos
Great content! I went from watching Cowboy Bebop to looking up Saul Bass to stumbling on your channel. I need to get back into watching film. Top of the year to ya!
Part of the opportunity for this kind of comedy must be the characters never pointing to how funny they're actions actually are. A lot of comedies nowadays laugh at their own actions and jokes. It works completely because some of the scripts are that funny. In those instances, I believe the focus on dialogue heavy comedy is completely justified. But yeah these type of gags work especially well in heightened stylized and oblivious comedy like Tati's. It works in movies like Anchorman, Shaun of the Dead where funny line after line goes unrecognized. Movies where it might feel tacked on : Superbad, Knocked Up, where the characters are all too aware of their own wit. I hesitate to add Bridemaids to this list because the way that movie is presented does allow this type of comedy. I don't remember it that well but in Bridesmaids, was it taken as a given that every character introduced was inexplicably funny. There wasn't an insider feeling to the comdey like there is in an Apatow comedy. that may be a key difference. I suppose if you separate actions and dialogue in a knowing way, there's some new comedic ground to cover..
I really enjoyed this video, I never read or saw much about Tati, but love his films. Your presentation was informative and fun. Lot of good laughs and wonder.
This is in my recommendations for days now, yet when i try to watch it, every time a error occurs or it lies to me telling me there is no internet connection.
I was taken with the camera placement and choreography of every scene/painting, artistic angle, background foreground, workmen, people in camera, off camera, lights inside and out, buildings far away and close, coats going on and off simultaneously, groups tired seeking rest and those on there way out for a great time. The list endless, hats and ribbons, food trays and innuendo. Enough, but not! Mesmerising. 👋
A really good essay, Enjoyed it and had some laughs thanks. :) I guess visual comedy is still strong nowadays in animation, as this kind of art is still innocent I guess. The minions is a pretty good example.
Bad horror can be salvaged by throwing blood at a wall. Bad drama can be salvaged with editing and music. Bad action can be salvaged with good story. Bad comedy destroys a movie. In a studio-style, linear production, it's safest to focus on the performers' heads and dialog. Good physical comedy requires a benevolent dictator over the production, like Tati, Chaplin, or Jackie Chan. Or at least it needs a very functional oligarchy, like the Coen Bros., Woody Allen and his regular team, and Blake Edwards with Sellers. These people will gently transport the delicate egg of comedy from one end of the production to the other. If you can't get your gag through the finish line, don't even try making comedy.
I wouldn't have considered myself much of a film nerd in terms of looking at films based on their technique until recently, and one of the earlier things I was introduced to through video essays such as these was visual gag comedy (and action scenes, but that's besides the point). And honestly, insights like this I feel have been making more fond of simply watching movies because I can recognize and see things based on these fundamental techniques. And realizing there are for sure better movies, for what ever it's worth I can at least appreciate something like the '06 Pink Panther movie for being a little more than a handful of actors in a room trying to exchange one-liners to the point the entire movie could be turned into a radio drama and no one would notice.
It reminds me of the great British comedy "The Plank", the entire story evolves around the journey of a plank of wood... it tied together many funny sequences, with little or no dialogue needed.... it was all visual... You can watch Buster Keaton's silent movie, "The General" and never loose track of the plot... it was told, visually... I love watching anything done by Jacques Tati, Buster Keaton, Peter Sellers and Norman Wisdom, they were masters of visual comedy...
This is a fantastic look into Tati's influences in and expansion of the visual comic form. I love Tati, and his work never fails to make me laugh. A brilliant essay. However, while Chaplin and Lloyd are both filmmakers to remember, in the world of silent comedy, it's also important to look at the way Keaton influenced Tati. Keaton is the almost undisputed master of silent stunt work, and I think any essay that harkens back to physical comedy of the silver screen is remiss without at least a mention of his skills. Tati himself mentioned Keaton as an influence, and a number of people who interviewed Keaton in his later years asked if he'd ever seen Tati's films since the latter thought so highly of Keaton's work. They met once, though I don't remember the outcome, and when I watch Tati's films, I see distinct similarities to Keaton's physicality and charismatic command of the screen. Again, this essay is an excellent look at Tati, and while the silent screen features only briefly, I am always here to champion Buster Keaton.
Yeah! That video is fantastic, and I'm glad that each essay focuses on a single filmmaker. I mainly wanted to point out the connection between Tati and Keaton, since Keaton's influence is clear in Tati's work.
I think you're absolutely right! I'm not acting, writing essays or filming a comedy, but this surely is valuable lesson - just need to pick the essence up when needed!
Cool channel. I like that you show how the movies should be made or just how they used to be made. It started off with silent movies where the dialog was used only when necessary, now all you hear is talk, no visuals, just special effects to fill in the large content gap....
Even with you priming me to laugh at it, the fish tank scene made me laugh outloud, and you're so right about the slow burn of a good sight or prat-gag. The remake of Willy Wanka has a lot of problems, but Depp banging into the glass door gag gets me every time. In the theater I laughed for a half minute longer each time. My girlfriend at the time held her hand over my mouth the last time because I was out-loud belly laughing. Monster's Inc is a better overall film but does a similar bit and it never landed the same way, and I think you hit on it from a few angles in this video.
PLAYTIME is one of my alltime favorite films - the restaurant segment alone raises this film equal to or higher than classic US comedies such as BRINGING UP BABY, DUCK SOUP, IT'S A GIFT, LOVE AND DEATH, etc.).
One of my favorite moments of visual comedy is in the 1962 Lolita, how Kubrick portrays the movie theater scene. It's definitely worth the watch if you've never seen it.
That's Tati's savage attack on the totalitarian qualities of modern architecture. Architecture was a theme in his work, witness the two different kinds of houses in Mon Oncle, a "clean" modern one, and a "dirty" old one with lots of character and a singing bird. That movie should be required viewing in every architecture school.
When I was a child, about 9-13 I watched a French film late at night, (like you did) and all I can remember really is something like the house in 'Mon Oncle' but I don't recognise anything else, I've been watching clips for 40 minutes. I'm sure ( in my mind), there was a group of square buildings but I can't find that in the clips I've watched. Do you know if the film was on British tv in the late 70's, early 80's? I've been watching a lot of observational comedy on RUclips lately, this weekend I've watched 'my name is nobody' and searching for Lucky Luke, I ended up watching the French version of 2009, it was brilliant and my French is really pathetic.
as someone trained in classical mime, i have to disagree to the notion that mime means exaggeration. Mime is the art of making visible. It is more about the precise order of minute events than exaggeration. Doing to much is often detrimental to the clearness mime strives for. (you can see some of my stuff at floris-gerber.de/Regie.html)
Tati was the master of sound design... Inspiring many masters like Antonioni, Tarkovsky, Lynch in this regard. Lynch is one who has acknowledged Tati's influence on him.
Even though not mentioned, this has me thinking about classic Looney Tunes and Tom Jerry cartoons. They had minimal to no dialogue, but the sound was the key.
Blake Edward's "Pink Panther" series was a clear example of this kind of humor. I think the last two didn't have Peter Sellers in them, so I will say all the ones with Sellers do fit this category. Also, if you see Twin Peaks: Fire Walk With Me" had several scenes (The Blue Rose Woman) that screems "Mon Oncle".
Apologies to those of you for whom the video isn't working right. I'm not sure what's going on. I've been emailing the folks at RUclips (who still haven't gotten back to me) to see if we can resolve what's going on. It's not a copyright issue, but a playback one, so whatever's messed up is from RUclips's end. If this persists, I'll just re-upload, but I would rather not resort to that since I'll lose all the current views and comments. Again, my apologies. If you're still interested, you can find the video here on Vimeo - vimeo.com/194717322
The Royal Ocean Film Society Thank you, man!
Update: Holy. Fucking. Shit. I can finally watch the damn video.
Just tried in California. I got nothing
Germany, nothing happens.
this chain is an example of anecdotal evidence. Germany, cant play
Couldn't play it from Canada
I love how at 2:16 they even make the music a bit louder, as if the door is real. This is hilarious.
Wow! Well spotted! Yeah, really effective.
great observation dude
I hadn't noticed! Thanks for giving me another reason to appreciate it. 😊
Dang they really got a crazy amount of mileage out of that doorknob joke
Tati milks a gag better than anyone.
Yeah. But in the context of the movie, he has five-or-six gags going on at once. So when you come back to the doorknob, the audience is thinking "Holy shit, I totally forgot about the doorknob bit". And that somehow makes it funnier.
neonatalpenguin haha awesome
That's the idea: you build a world, you play with it. He applied it to set ups too, so they go beyond being setups and become part of the building of the logic of the world, I guess.
Some jokes are funnier when stretched. That one had a lot of possibilities.
The glass door and knob gag is the greatest thing ever
Samuel Wallace I know right, that was genuinely incredibly smart and executed flawlessly.
That door knob has given me more laughs in this 10 minute video than are in most movies.
What's best is that not only is it slapstick but it conveys so much about the cultural mentality of the guy who comes to take over on "door duty".
Samuel Wallace, yup, Tati's gags are usually not about funny actions, but about actions typical for certain characters and merely exaggerated to the point of absurdity. It's funny mostly because we recognise the people from our everyday life.
The door knob gag is from Play Time. Watch the whole film, it's genius. He uses visual comedy to comment on the absurdity of modern technology and modern life. Almost every single joke is deep and multi-layered.
This compliments that video by every frame a painting really well rather than just iterating on it. Which seems to becoming rare for a video essay about film.
exactly my thought. The one with Keaton.
Satyam Dwivedi
Yes, or the Wright video for that matter.
The first 30 second made me think it was going to be very iterative (like other videos on youtube) he chose different director and a focus on objects, which wasn't explored that much so far.
I grew up watching Mr Bean, and have only found Tati's films much later. Influences on Rowan Atkinson's character can be found in almost every M. Hulot scene. Makes me appreciate both of these comedians even more.
The art direction and production design for Mon Oncle is crazy. All the cars, the surrounding area and even the clothes of the office scenes are so stylized. It looks amazing.
This type of visual humor is so great! a lot of the examples shown made me laugh, I kinda wish I saw this clever type of comedy used in modern cinema
sup dawg i saw you up in dunkeys comments on this movie as well
Edgar wright does it extremely well
We can make that happen.
I used to think that visual comedy is stupid and spoken comedy is clever but damn, that sure was a stupid take from me!
That one where the rope launches the guy killed me.
Blake Bonecutter i died at the one with the mailman getting flung over his bike with the chain
I laughed harder at the scenes in this video than I have in a comedy movie in a long time.
Josiah Hawkins Then buy Criterion's Tati boxed set!
Then you don't watch very good comedies. There are TONS of great comedies released every year. Missing out, dude.
@@TheGeorgeD13 What would you recommend that's come out this previous year?
"Most comedy movies these days are just people standing around and ad-libbing at each other."
THANK YOU!! As someone who's a huge lover of comedy and anything that can get a laugh out of me, it killed me to see every comedy movie after The 40 Year Old Virgin just be a worse version of it (especially since that movies SUCKED to begin with!), and until recently, it felt like I was the only one who felt that way. I'm so glad I'm not.
It’s why I really don’t like most modern comedies
I always think of original Looney Toons cartoons when working with comedy... set-up an expectation, then subvert the expectation. even if you know how the setup/subversion will end, it's still good. first thing that comes to mind is the tunnel painted on a wall. you know the hunted (bugs, road runner) will be able to go through the tunnel but the hunter (fudd, daffy, coyote) will run into the wall; and it's still funny
The glass door shattering in Playtime is terrifically funny in your excerpt. What makes it sublime in the movie is that its destruction is the climax of many earlier problematic encounters with the door. As in all great films, with Playtime we realize we are watching the art of a supreme master, who can make a simple prop like a glass door fill us with explosive laughter.
Whenever here in the USA they talk about great comedians or film actors I wonder if they have missed all the great european films. So many are better and funnier than modern american films. Tati is so funny I have his entire collection and none of Adam Sandler to name one.
You might want to watch uncut gems.
I like Adam Sandler films, I like Tati, I like silent comedy, and basically most slapstick. That's what's good about Sandkerr, yes, he can get a bit mouthy but he does do good slapstick too. I could easily say the old films do it the best but you have to give modern films a nod for trying. Leslie Nielsen did so well at them too.
7:12 This has to be the greatest gag in movie history. No matter how many times I watch it, either on this video or on DVD, it never fails to make me smile. Hulot's reaction is priceless.
This is one of my favorite channel, definitely under appreciated. You should make a video on how RUclips and other online videos are changing what we think as film.
Jared Bullock That's true, he deserves more subscribers.
Jared Bullock I agree. This is a really good channel, the content is different from other movie video essays. Good to see someone not making videos about the same tired things we've seen over and over. This channel inspired me to start making videos, because I knew different could still be good.
I decided just a few moments ago to search RUclips for Jacques Tati, and happily came upon this. This brilliant Frenchman's work was introduced to me a few years ago by a dear friend of mine who passed away only recently. Thank you for posting this feature.
Tati took ordinary situations and made them exceptional. SNL takes exceptional situations and makes them ordinary.
Mattchester SNL has sucked ass for many years now
Couldn't disagree more, but I digress. Some people with shit taste just can't be helped.
Now SNL takes extraordinary situations and makes them blatant corporate advertisements and political propaganda lol
SNL == comedians + drugs . That's why it fails.
I know this is meant to be a swipe at SNL, but a lot of the really great deadpan British comedy is based on reacting to an absurd situation as if it's totally normal.
The cocaine gag was also a pun too. "I blew it"
And it's a case of "let's explain the joke"
FANTASTIC video! I'd been wondering about his films since I saw the Criterion Collection's Complete Jacques Tati set. I laughed all throughout your video, so now I'm absolutely checking his films out.
Also I just watched all the videos on your channel. Great work. I look forward to whatever you put out next!
Key and Peele are great at visual comedy or observation comedy like you said, their sketch show on comedy central was by far the funniest thing I've seen in the 2010s and maybe ever. Because it's a mix of what makes a great video sketch:
1) acting: because K&P come from stage improv, so their comedy is very visual and on point
2) writing: they write a lot and only select a few, they're not on a weekly deadline like SNL, they get the people and the time to work on their craft and even throw away what's not good.
So the structures are on point, clear set up, punchline going crescendo. Impeccable writing.
Based on surprising the audience, You'll never guess what's the final punchline or gag is.
3) Cinematography: their sketches looks like films, but more importantly they go by the rule of “show don't tell”, which means that they don't explain jokes, you figure it out by yourself instantly, because of what's shown to you.
That's very difficult to do because you have to start from a very unfunny base which is real day to day things, and make comedy out of that. Whereas most of pop comedy nowadays just make fun of already laughable situation, I find key and Peel is more grounded in reality in an absurd way, they find comedy where I wasn't even searching.
Watch key and peele it's cool, why did I do a comment essay
(Ps: great video, I don't agree with you because as you can see I love nowadays comedy.
I may have a nerd view on it, I mostly watch things like Tomska, Bo Burnham, Key and Peele, Dan Harmon. They're widely popular, but it's still like something else, weird, alternative comedy.
And they really care about everything they do, they're the kind of writers who make the comedy they want to see. Long story short, again, they cool. I oversold them you might not like it now, sorry)
What a wonderful examination of Tati's work!!! Bravo!!!
Video essays on Takahata and Tati? You have earned a sub, sir.
oh my god that door handle scene had me laughing the whole time
There's a lengthy sequence in Monsieur Hulot's Holiday where the holidaymakers are waiting on a platform for their train. They end up being shuffled around different platforms and the whole scene has me in stitches every time. There's something oddly familiar about indecipherable announcements in railway stations, wondering if you're on the right platform and being told to go to another platform with seconds to spare that seems universal and exploited to perfection by Tati.
Fantastic! I am literally laughing helplessly with tears running from my eyes. Many thanks for this brilliant essay and so many Tati gags one after another!
This is your best essay. I've come back to it monthly for a year and a half.
Andrew...cannot thank you enough for this look at one of the true geniuses of comedy.... we saw 'Monsieur Hulot's Holiday" in about 1959 and that did it.... "Mon Oncle" is a masterpiece.... I truly feel sorry for folks who do not have the chance to relax, turn off the brain for a while and soak up this nectar which is a lot like reading the old Sunday newspaper color funnies. It tweaks one's mind differently, and perhaps increases brain power I suspect.
My introduction to this type of comedy was the 3 stooges on TV land on saturday mornings. I went back and watched some episodes for free on vimeo or something, and once I got past the shock to the system involved with watching something from that era and re-entered the universe of physical/visual gags such as the ones in playtime, I found myself belly laughing at some of the bits! Your point about “most modern comedy being 2 people standing improvving at eachother” really hits home, even with some of my favorite comedy from today! Great point, great video, great channel!
the build-up and pay-off of that party scene in Toni erdmann is one of the funniest things I've seen in film
One of the most well presented videos. Great job!!
I appreciate you using my music in the background. :)
The tow-rope canal gag isn't complete without the lorry driver's reaction to Mr Hulot's sudden disappearance! Tati's films are a joy - especially these days with large format hd tv's. There is so much going on!
8:26 dang this one was my favourite, didn't see it coming at all
Bravo. Ta vidéo est juste superbe. Du choix des séquences à la narration parfaitement montés, l'analyse fonctionne et nous captive. Bel hommage, un grand merci.
One of my favourite essays in a long time. Well done!
Just found your videos and I am loving them! Keep it up! You're very eloquent. They're a joy to watch.
I'm a big fan of him, thanks for this video!
Excellent! Thank You to the ones who made it! I´m a big Tati fan from the first moment on i saw "Trafic".
This is soooo good..
may god bless you..
thank you soo much...
Tools like these never let me think twice of not opting for film school coz there is soooooo much out there...
Great video essays come with great observations.. :D
kudos
This is great content! Really enjoyed your comparisons in this video.
I actually haven't had that many genuine laughs like this in long time from watching something funny in a movie, I'll check it out
this is the absolute best! Have mainlined all of your vids in one go, you deserve so many more views
That broken glass door scene made me literally burst out laughing wow!
Great content! I went from watching Cowboy Bebop to looking up Saul Bass to stumbling on your channel. I need to get back into watching film. Top of the year to ya!
Thank you for this! I was not aware of the work of Jacques Tati, but now I want to watch all his films.
This was very "Every Frame A Painting" and that's the best compliment I can give it. :-)
Part of the opportunity for this kind of comedy must be the characters never pointing to how funny they're actions actually are. A lot of comedies nowadays laugh at their own actions and jokes. It works completely because some of the scripts are that funny. In those instances, I believe the focus on dialogue heavy comedy is completely justified. But yeah these type of gags work especially well in heightened stylized and oblivious comedy like Tati's.
It works in movies like Anchorman, Shaun of the Dead where funny line after line goes unrecognized.
Movies where it might feel tacked on : Superbad, Knocked Up, where the characters are all too aware of their own wit. I hesitate to add Bridemaids to this list because the way that movie is presented does allow this type of comedy.
I don't remember it that well but in Bridesmaids, was it taken as a given that every character introduced was inexplicably funny. There wasn't an insider feeling to the comdey like there is in an Apatow comedy. that may be a key difference.
I suppose if you separate actions and dialogue in a knowing way, there's some new comedic ground to cover..
Thank you, that was brilliant. Can't wait to see what you share next
I really enjoyed this video, I never read or saw much about Tati, but love his films. Your presentation was informative and fun. Lot of good laughs and wonder.
This is in my recommendations for days now, yet when i try to watch it, every time a error occurs or it lies to me telling me there is no internet connection.
I've watched this video so many times...I love all your videos honestly. I re-watch this, Takahata, and Brad Bird all the time.
He is genius!!!! He knows all about comedy, perfomances, frame, rhythm ,observation, style etc ....
This channel brings so much content. I love it. Great work
Thank you for show me this, really i like a lot of filmmaking, but i really don't know to much, and you my friend, you are teaching me
I was taken with the camera placement and choreography of every scene/painting, artistic angle, background foreground, workmen, people in camera, off camera, lights inside and out, buildings far away and close, coats going on and off simultaneously, groups tired seeking rest and those on there way out for a great time. The list endless, hats and ribbons, food trays and innuendo. Enough, but not! Mesmerising. 👋
A really good essay, Enjoyed it and had some laughs thanks. :) I guess visual comedy is still strong nowadays in animation, as this kind of art is still innocent I guess. The minions is a pretty good example.
Great video, Tati is criminally underappreciated.
Loved this, thank you for making it!
Bad horror can be salvaged by throwing blood at a wall. Bad drama can be salvaged with editing and music. Bad action can be salvaged with good story. Bad comedy destroys a movie. In a studio-style, linear production, it's safest to focus on the performers' heads and dialog.
Good physical comedy requires a benevolent dictator over the production, like Tati, Chaplin, or Jackie Chan. Or at least it needs a very functional oligarchy, like the Coen Bros., Woody Allen and his regular team, and Blake Edwards with Sellers. These people will gently transport the delicate egg of comedy from one end of the production to the other. If you can't get your gag through the finish line, don't even try making comedy.
This is a very well made video, you did such a great job! I actually laughed, alot!
I wouldn't have considered myself much of a film nerd in terms of looking at films based on their technique until recently, and one of the earlier things I was introduced to through video essays such as these was visual gag comedy (and action scenes, but that's besides the point). And honestly, insights like this I feel have been making more fond of simply watching movies because I can recognize and see things based on these fundamental techniques.
And realizing there are for sure better movies, for what ever it's worth I can at least appreciate something like the '06 Pink Panther movie for being a little more than a handful of actors in a room trying to exchange one-liners to the point the entire movie could be turned into a radio drama and no one would notice.
you analyze these so beautifully
It reminds me of the great British comedy "The Plank", the entire story evolves around the journey of a plank of wood... it tied together many funny sequences, with little or no dialogue needed.... it was all visual...
You can watch Buster Keaton's silent movie, "The General" and never loose track of the plot... it was told, visually... I love watching anything done by Jacques Tati, Buster Keaton, Peter Sellers and Norman Wisdom, they were masters of visual comedy...
This is a fantastic look into Tati's influences in and expansion of the visual comic form. I love Tati, and his work never fails to make me laugh. A brilliant essay.
However, while Chaplin and Lloyd are both filmmakers to remember, in the world of silent comedy, it's also important to look at the way Keaton influenced Tati. Keaton is the almost undisputed master of silent stunt work, and I think any essay that harkens back to physical comedy of the silver screen is remiss without at least a mention of his skills.
Tati himself mentioned Keaton as an influence, and a number of people who interviewed Keaton in his later years asked if he'd ever seen Tati's films since the latter thought so highly of Keaton's work. They met once, though I don't remember the outcome, and when I watch Tati's films, I see distinct similarities to Keaton's physicality and charismatic command of the screen.
Again, this essay is an excellent look at Tati, and while the silent screen features only briefly, I am always here to champion Buster Keaton.
I'm not sure if you already know it, but there already is a quite popular video essay on RUclips ("Buster Keaton - The Art of the Gag")
Yeah! That video is fantastic, and I'm glad that each essay focuses on a single filmmaker. I mainly wanted to point out the connection between Tati and Keaton, since Keaton's influence is clear in Tati's work.
Great analysis. Love the channel
I think you're absolutely right! I'm not acting, writing essays or filming a comedy, but this surely is valuable lesson - just need to pick the essence up when needed!
appreciate what you're doing here. keep it up
" the gag needs space and time enough for the audience to forget about the set up "
OMG i think i am in love with a sentence now
Cool channel. I like that you show how the movies should be made or just how they used to be made. It started off with silent movies where the dialog was used only when necessary, now all you hear is talk, no visuals, just special effects to fill in the large content gap....
Thank you very much! Lovely video!
Even with you priming me to laugh at it, the fish tank scene made me laugh outloud, and you're so right about the slow burn of a good sight or prat-gag.
The remake of Willy Wanka has a lot of problems, but Depp banging into the glass door gag gets me every time. In the theater I laughed for a half minute longer each time. My girlfriend at the time held her hand over my mouth the last time because I was out-loud belly laughing. Monster's Inc is a better overall film but does a similar bit and it never landed the same way, and I think you hit on it from a few angles in this video.
thank God I found this channel, I love every frame a painting. I don't know if it is my humor but I laughed a lot in this video
love Jacques Tati! Thank you for making this!
Oh man, that doorman just holding the doorknob gag got me good, haha
PLAYTIME is one of my alltime favorite films - the restaurant segment alone raises this film equal to or higher than classic US comedies such as BRINGING UP BABY, DUCK SOUP, IT'S A GIFT, LOVE AND DEATH, etc.).
Excellent analysis. Thank you for allowing my inner film studies major come out to play :-)
Great essay, Loved it!
this was very well done and inspired me to check out the director. nice work!
Absolutely fantastic! 👏🏻
What a great selection of clips! I laighed so much. I'm a film and photography student and I can't wait to discover Jaques Tati! Thanks :)
Thank you...this is a fantastic post!!!
One of my favorite moments of visual comedy is in the 1962 Lolita, how Kubrick portrays the movie theater scene. It's definitely worth the watch if you've never seen it.
Thanks for another great essay :3
1:40 When the two heads appear that looks like two eyes and a mouth. XD
That's Tati's savage attack on the totalitarian qualities of modern architecture. Architecture was a theme in his work, witness the two different kinds of houses in Mon Oncle, a "clean" modern one, and a "dirty" old one with lots of character and a singing bird. That movie should be required viewing in every architecture school.
When I was a child, about 9-13 I watched a French film late at night, (like you did) and all I can remember really is something like the house in 'Mon Oncle' but I don't recognise anything else, I've been watching clips for 40 minutes. I'm sure ( in my mind), there was a group of square buildings but I can't find that in the clips I've watched. Do you know if the film was on British tv in the late 70's, early 80's? I've been watching a lot of observational comedy on RUclips lately, this weekend I've watched 'my name is nobody' and searching for Lucky Luke, I ended up watching the French version of 2009, it was brilliant and my French is really pathetic.
as someone trained in classical mime, i have to disagree to the notion that mime means exaggeration. Mime is the art of making visible. It is more about the precise order of minute events than exaggeration. Doing to much is often detrimental to the clearness mime strives for. (you can see some of my stuff at floris-gerber.de/Regie.html)
Tati was the master of sound design... Inspiring many masters like Antonioni, Tarkovsky, Lynch in this regard. Lynch is one who has acknowledged Tati's influence on him.
Even though not mentioned, this has me thinking about classic Looney Tunes and Tom Jerry cartoons. They had minimal to no dialogue, but the sound was the key.
SOOOO glad I found your channel..
I never thought a fence and a bike would bring comedy, but here we are: 1:10
7:37 I have no idea why I laughed so hard on this one.
Great analysis and beautifully put together... Subscribed!
I love the Jaques Tati films, I laugh no matter how often I see them.
Really good video.
3:47 *Boop*
Absolutely well explained and true. Today, whenever I read film comedy, I know what's coming and I do not want to watch it.
Blake Edward's "Pink Panther" series was a clear example of this kind of humor. I think the last two didn't have Peter Sellers in them, so I will say all the ones with Sellers do fit this category. Also, if you see Twin Peaks: Fire Walk With Me" had several scenes (The Blue Rose Woman) that screems "Mon Oncle".
My thought on the last scene with the door, where he just passes through: "Maan! There is no more civilization!" :D
Fantastic. Nothing better than a good physical gag