Hey Mark, The broad spectrum of lessons is great. You’re the best teacher I’ve seen and you have a unique skill for thoroughly breaking things down so they’re clear and understandable. You’re also great at knowing what parts of a specific technique, style or bass line people will struggle with and teaching how to best conquer those hurdles. After 23 years of playing pick and finger style bass, you were the one that showed me how to play slap, clearly answering all the questions I had and demonstrating some awesome slap bass lines to play. Thank you!
Great break down of how to apply a scale ( or mode) into a working form of music. That's the thing with learning scales, you learn a scale, but the big question is, what or how do you apply that scale to become a piece of music? This little short actually speaks volumes upon that subject. Thanks.
Thanks Mark. I needed that! I love that your lessons are so diverse that you catch technique, or theory, or equipment, riffs, plus numerous other topics, when the next video comes out. No need sidetracking by asking if you will do something else. You probably have it covered.
All your videos are great. Videos on how to practice (reach goals) would be nice. For example, your excellent sight reading course does this well, emphasizing doing the printed exercises until "that's too easy." That's clear and very effective. But theory is harded to know how to practice. For example, you have great videos on intervals with perfect information. But it's harder to know how to practice that info and know when one has reached an interval-related goal. That's just an example, but what I mean, in general, is adding suggestions on any given topic on how to practice it would help. Or maybe a 10-20 minute video on how to be disciplined with practice. I personally do not value gear reviews. They are popular, but I have finally learned that chasing gear detracts from learning the instrument. Thanks for all your exemplary teaching.
Mark - if you could do a lesson to show how to make my fretting fingers longer, younger and less arthritic I would be very grateful. Only kidding. Actually I enjoy everything you post. I enjoy listening to slapping and tapping but they aren't techniques I will be working on this week. When I first started playing bass my inspirations were John Paul Jones, John Entwistle, Paul McCartney, on and on. I was a music major in college (trumpet) but didn't work in the field - I turned into a software engineer. Thank you for all of the fantastic free stuff you put on RUclips. I have purchased one of your courses. What I need is continued inspiration to practice, practice, practice.
great video as always. I like your theory and technique videos. I’d be interested in one where you talk about tuning in 5ths. Videos like this one remind a novice like me to work on things we don’t always do like barring. Thanks for literally teaching me the bass from day 1.
this lesson made me realise I only ever use rest stroke - took a few attempts to work out why the double stops sounded so dead! more than happy with the content of this channel tho...I was put off by the length of the videos at first but I prefer these longer more in depth lessons now
Any change of giving a slap bass lesson in a key other than E? Could you possibly do a lesson covering some bass lines in another key like Bflat? Or possibly in a 1625 progression?
Done a lot of slap riffs in keys other than E. As for 1625 progressions, I've actually been thinking of moving away from it because I use it too much. Guessing you might be joking
@@talkingbasslessons No, wasn't joking about doing a slap riff in 1625, I was just using that progression as an example. I'll look further through your library to find the other slap riffs not in E. Thanks
I only have two of your courses, -- so I feel a bit like a moocher, gleaning what I can from your free RUclips videos... Having said that, -- here are are some of the ideas you've tossed out there on the live streams over the last year: * bass transcription of Black Bird (chords) * Steve Harris playing style deep analysis * Song breakdown and analysis of RHCP Californication * Song Repertoires ... I'm not sure what you mean by "song repertoire" -- but when you mentioned it, I immediately thought, "cool, Country & Western Standards, Blues Bar Repertoire, Greatful Dead Repertoire, Biker Bar Repertoire"... Your 5 Must Know Led Zepplin Riffs could be expanded to a note by note deep analysis. For example, Ramble On: JPJ is doing root/5th, this part is a bit of the major scale, then an arppeggio, now look out here comes the hard part: here is how to practice the diddle de diddle diddle part... All five of those songs are mini clinics in how to play Rock & Roll, ( I think you said that)... And if I was making a wish list for song breakdowns that are nowhere to be found on the internet, my top two choices would be: Bouree - Jethro Tull and Post Toastee - Tommy Bolin... It kills me that I can't figure out Post Toastee on my own. It is played at a moderate tempo, - and I should have all the "vocabulary" to do it, - but it's beyond me. I know it's an obscure, cheesey as hell, out dated song, but I feel like it will unlock a few things for me. I'm thinking of paying the Cover Solutions guy to transcribe the bass lines, but he would probably decline! Anyway, that's my $.02 - Things are going well for me at work; so I will be getting a good computer at the end of the month when they have all the sales... And get the Essential Chord Tones and Walking Bass courses. Cheers
Good stuff Mark. My sweet spot is real book tunes with upright bass lines that are difficult to pick up when not in the charts. Wayne Shorter tunes are a good example With Ron Carter on bass. Perhaps “Witch Hunt?” Also enjoy modern stuff like your video on Love Games slap. Have you done any two handed tapping yet? Like the interlude in Biscayne by Nestor Torres? Of course many folks will appreciate Billy Sheehan too.
Done a 3 video series devoted to tapping from basics of linear tapping through to contrapuntal stuff. There was a time I was better known for tapping and slapping vids. When I first met Jon Liebman, he jumped out on me with his hand outstretched saying "Hey! You're the tapping guy!!"
Hey Mark, great lesson and well explained, I actually now have a grasp on how to use a double stop, cheers. What effect are you using to get that bass sound?
Gear reviews would be cool, also explanation of amps and cabinets. For example watts and their appropriate speaker cabinets like 4x10 or 8x10. Stuff like that.
This is a great channel with excellent content bro! Currently I am realizing there are a lot of ways to play the same thing but with different fingerings and I keep asking myself “why?” Is it because the song you are playing requires it or because it’s more known and so you just go with what’s comfortable? Otherwise great channel and I look forward to the next lesson! 🤘🏻
It's not really about learning the same riff or bass line with different fingerings. It's more about learning the building blocks of intervals, scales and arpeggios with different fingerings. This allows you to play whatever you want with the notes right there under your fingers no matter where you are on the fretboard. They're also the key to allowing the freedom to move around the entire fretboard. I've done many, many lessons on the benefits.
@@talkingbasslessons I use the numbers system and a friend said I could play the 1 and 5, 6 and 2, 7 and 3 to get a chord named the broken chord, his explanation wasn't really clear so I'm left in the dark especially on how to slide while holding both numbers at the same time I'll surely go through your playlist to find sliding, thanks a lot for the attention 😅🙏
@@talkingbasslessons been playing for 3 months now, I really don't know where I'm headed, I just learn how to play songs, add pentatonics to make it sound nice😏
Since you're asking, I've been wondering about when to or why use some scale, mode or chord. I remember you mentionning in your mode lesson that one of them (don't remember which one) gives somewhat on an oriental sound. I known stuff like, pentatonic major for a rock up-beat song, or A minor sounds sad and I also remember you talking about some intervals which sound menacing or creepy and so frequently used in metal. Maybe that's too big of an idea for only one video, but my question is: what to use to achieve X feel or sound.
There's much more to it than learning the sound of a particular scale. Remember, the sound can't always be quantified in a basic 'happy' 'sad' 'evil' 'spacey' way that we always talk about when giving out the basics. Context is everything. I would also avoid thinking too much about scales to be honest. Start with intervals. Learn all of them and how they sound. Then start looking at every tune and riff you play in terms of intervals. Next learn chord construction. Learn the intervallic construction of the triads, seventh chords, extensions, inversions, suspensions, added note chords. Learn them all (as arpeggios not chords on bass). Then learn about chord progressions. Study chord charts. Study songs. Learn a basic major and minor scale then learn the chords within the key. Analyse chord progressions in this way. See diatonic progressions and then chromatic chord movement. Only then do you need to start looking at other modes and scales. Learn everything from a harmony perspective. The chord progression of a song is the harmonic background. Everything is built from that (including melody and bass lines).
Mark, your lessons are amazing. Thank you very much. I have a question: The scale is G dorian and the bass clief is from Bb. I thought the bass clief should be F.
There are two main ways to write out modal music in terms of key signature. By mode as you mentioned (F major for G Dorian) or by closest major/minor quality. In that case Dorian, phrygian, Aeolian and Locrian would all be classed as minor types. Ionian, Lydian and Mixolydian are major types. This is the more common method because it encompasses more scales (especially synthetic scales) that might not be major modes. For instance, for scales like Lydian Dominant, Aeolian flat 5, Ultralocrian etc. What key sig would you use from a parent key perspective? You would have to assume a complete knowledge of Harmonic and melodic minor modes. Way easier to go by the closest major or minor scale. Just go by the third. Dorian has a minor 3rd. It's a minor key. Lydian has a major 3rd so it's a major key. Just add the necessary accidentals like you would in a harmonic or melodic minor scale.
Be careful thinking that technique is the most important part. It's a fundamental aspect of playing when you get started but beyond that you shouldn't really have to think about it that much. If your technique is clean and your practice is done correctly it becomes a lesser thing to think about.
What model of bass is that you use??? I have one similar to you the cheaper version ibanez sound gear SR300E I really like it.. and would love to upgrade to yours but I cant seem to find it... is it custom
You won't find one like mine that easily. It's an SR1000 I bought in about 1993. Before that I used to use a good old Westone Thunder Jet (still got it). The pickups were originally stock Ibanez PJ set. I then put some EMG's in there (you'll see them on a lot of my older vids). Then I had the Sims Super Quads fitted a couple of years ago.
@@talkingbasslessonsthanks for that at least now I know what to look for... I admire your SR1000 everytime I see it And thanks for the videos I have only been learning to play for about 2-3 years still got a long way to go but your video's help a lot.. especially with the theory
What side of rhythm are you thinking about? I generally tell people the way to develop your rhythm is to start by learning to read. I learned more about rhythm by learning the basics of music notation than I ever have from anywhere else.
@@talkingbasslessons Ah, I see what you mean, thanks. I have your reading course I have not gotten to rythm part of Vol 1 yet. When I get there, I bet I'll have the info I need. Thanks and have a great week!
I have barely any background in gospel playing so I tend to stay away from it. I don't like pretending I know my way around gospel tunes just for the channel. I had a cool idea of visiting my friend Daric Bennett over in the States and visiting his local church so I could sit in with him and have him show me the ropes. Vlog style.
Not any more. I don't have time. Talkingbass takes up all my time 24/7 (literally). However, I may set up a bit of an exclusive system in the future in which I provide one on one lessons at regular intervals and provide access to all the Talkingbass courses so I can coach that person through the material. It would probably be fairly expensive considering I'd be providing all the Talkingbass content but it's really the only option at the moment. Plus, it would only be available to a VERY limited number of people. Like I said, I don't have time to provide regular weekly lessons
Hey Mark, The broad spectrum of lessons is great. You’re the best teacher I’ve seen and you have a unique skill for thoroughly breaking things down so they’re clear and understandable. You’re also great at knowing what parts of a specific technique, style or bass line people will struggle with and teaching how to best conquer those hurdles.
After 23 years of playing pick and finger style bass, you were the one that showed me how to play slap, clearly answering all the questions I had and demonstrating some awesome slap bass lines to play.
Thank you!
this is by far the best bass channel
Can't go wrong with funky double-stops. Thanks Mark!
I love these lessons where I can come away learning a new technique and a new riff. I’ts very satisfying and rewarding, Thanks Mark!
Great break down of how to apply a scale ( or mode) into a working form of music. That's the thing with learning scales, you learn a scale, but the big question is, what or how do you apply that scale to become a piece of music? This little short actually speaks volumes upon that subject. Thanks.
Technical, step by step instructions such as this one are by far your best stuff. Simply excellent.
Thanks Mark. I needed that!
I love that your lessons are so diverse that you catch technique, or theory, or equipment, riffs, plus numerous other topics, when the next video comes out. No need sidetracking by asking if you will do something else. You probably have it covered.
All your videos are great. Videos on how to practice (reach goals) would be nice. For example, your excellent sight reading course does this well, emphasizing doing the printed exercises until "that's too easy." That's clear and very effective.
But theory is harded to know how to practice. For example, you have great videos on intervals with perfect information. But it's harder to know how to practice that info and know when one has reached an interval-related goal.
That's just an example, but what I mean, in general, is adding suggestions on any given topic on how to practice it would help. Or maybe a 10-20 minute video on how to be disciplined with practice.
I personally do not value gear reviews. They are popular, but I have finally learned that chasing gear detracts from learning the instrument.
Thanks for all your exemplary teaching.
Mate,, you and your videos just keep getting better and better. Knock me down with a feather. THANKYOU and well done 👏👏👏👏
You basically explained a scale shape and notes all over the fretboard in a simple and short manner. Amen!
Mark - if you could do a lesson to show how to make my fretting fingers longer, younger and less arthritic I would be very grateful. Only kidding. Actually I enjoy everything you post. I enjoy listening to slapping and tapping but they aren't techniques I will be working on this week. When I first started playing bass my inspirations were John Paul Jones, John Entwistle, Paul McCartney, on and on. I was a music major in college (trumpet) but didn't work in the field - I turned into a software engineer. Thank you for all of the fantastic free stuff you put on RUclips. I have purchased one of your courses. What I need is continued inspiration to practice, practice, practice.
Well said Art 👍
Stephen Costello Thanks!
I've never really bothered with Double Stops, but the lesson will definitely get me to incorporate it more for flavor to the basslines! Awesome work!
great video as always. I like your theory and technique videos. I’d be interested in one where you talk about tuning in 5ths.
Videos like this one remind a novice like me to work on things we don’t always do like barring. Thanks for literally teaching me the bass from day 1.
To me, technique and music theory, but I enjoy just about every aspect of this channel.
I especially love your bass licks and line breakdowns. Very helpful.
Love your channel. Just recently heard about you. Love all what you do. Techniques are really helpful and your instructions are very easy. Thank you!
I use double stops and chords all the time in the band I play in at Church. When executed properly, they can really add some extra stuff to the band.
Always good seeing you Mark..I’d like to see more gear info related, but what you’ve been doing is great. 👍👨🏻
Thank you so much , everything you do is blowing our minds , thank you captain , some odd times things would be beautiful
this lesson made me realise I only ever use rest stroke - took a few attempts to work out why the double stops sounded so dead!
more than happy with the content of this channel tho...I was put off by the length of the videos at first but I prefer these longer more in depth lessons now
Hi Mark, for a suggestion would welcome any lessons on adding bass to fingerstyle acoustic guitar pieces.
I want to see bass content bring anything you want :)
Any change of giving a slap bass lesson in a key other than E? Could you possibly do a lesson covering some bass lines in another key like Bflat? Or possibly in a 1625 progression?
Done a lot of slap riffs in keys other than E. As for 1625 progressions, I've actually been thinking of moving away from it because I use it too much. Guessing you might be joking
@@talkingbasslessons No, wasn't joking about doing a slap riff in 1625, I was just using that progression as an example. I'll look further through your library to find the other slap riffs not in E. Thanks
I only have two of your courses, -- so I feel a bit like a moocher, gleaning what I can from your free RUclips videos...
Having said that, -- here are are some of the ideas you've tossed out there on the live streams over the last year:
* bass transcription of Black Bird (chords)
* Steve Harris playing style deep analysis
* Song breakdown and analysis of RHCP Californication
* Song Repertoires
... I'm not sure what you mean by "song repertoire" -- but when you mentioned it, I immediately thought, "cool, Country & Western Standards, Blues Bar Repertoire, Greatful Dead Repertoire, Biker Bar Repertoire"...
Your 5 Must Know Led Zepplin Riffs could be expanded to a note by note deep analysis. For example, Ramble On: JPJ is doing root/5th, this part is a bit of the major scale, then an arppeggio, now look out here comes the hard part: here is how to practice the diddle de diddle diddle part...
All five of those songs are mini clinics in how to play Rock & Roll, ( I think you said that)...
And if I was making a wish list for song breakdowns that are nowhere to be found on the internet, my top two choices would be: Bouree - Jethro Tull and Post Toastee - Tommy Bolin...
It kills me that I can't figure out Post Toastee on my own. It is played at a moderate tempo, - and I should have all the "vocabulary" to do it, - but it's beyond me.
I know it's an obscure, cheesey as hell, out dated song, but I feel like it will unlock a few things for me. I'm thinking of paying the Cover Solutions guy to transcribe the bass lines, but he would probably decline!
Anyway, that's my $.02 - Things are going well for me at work; so I will be getting a good computer at the end of the month when they have all the sales... And get the Essential Chord Tones and Walking Bass courses.
Cheers
I enjoy the different and more uncommon techniques.
Gear reviews, lessons and liked the clog following your cruise ship gig
great tone mark
Mark that Ibanez sounds really good
I always love theory vids, especially since Im trying to learn how to write my own stuff. But, I like all the vids!
Good stuff Mark. My sweet spot is real book tunes with upright bass lines that are difficult to pick up when not in the charts. Wayne Shorter tunes are a good example With Ron Carter on bass. Perhaps “Witch Hunt?” Also enjoy modern stuff like your video on Love Games slap. Have you done any two handed tapping yet? Like the interlude in Biscayne by Nestor Torres? Of course many folks will appreciate Billy Sheehan too.
Done a 3 video series devoted to tapping from basics of linear tapping through to contrapuntal stuff. There was a time I was better known for tapping and slapping vids. When I first met Jon Liebman, he jumped out on me with his hand outstretched saying "Hey! You're the tapping guy!!"
Just put Tapping for bass guitar lesson into RUclips search and it'll come up (rather than listing them all here). Or Tapping Talkingbass
Hey Mark, great lesson and well explained, I actually now have a grasp on how to use a double stop, cheers.
What effect are you using to get that bass sound?
GREAT GREAT GREAT MARK
Great lesson Mark! Hit us with some super duper advanced slap stuff :D:D
Have you checked out the slap course over at Talkingbass? That goes from absolute beginner to advanced.
@@talkingbasslessons I already done few months ago all Slap course on talkingbass and I'm looking out for more!:))
What is that bass hes using it looks amazing and it sounds perfect but I cant figure out what brand or make it is
Gear reviews would be cool, also explanation of amps and cabinets. For example watts and their appropriate speaker cabinets like 4x10 or 8x10. Stuff like that.
I covered all this in the Bassic Fundamentals course (in the setup and gear module). I might do a little lesson on impedance here.
@@talkingbasslessons I must have missed that video. You've got so many...
Just keep on doing what you’re doing you’re doing okay
This is a great channel with excellent content bro! Currently I am realizing there are a lot of ways to play the same thing but with different fingerings and I keep asking myself “why?” Is it because the song you are playing requires it or because it’s more known and so you just go with what’s comfortable? Otherwise great channel and I look forward to the next lesson! 🤘🏻
It's not really about learning the same riff or bass line with different fingerings. It's more about learning the building blocks of intervals, scales and arpeggios with different fingerings. This allows you to play whatever you want with the notes right there under your fingers no matter where you are on the fretboard. They're also the key to allowing the freedom to move around the entire fretboard. I've done many, many lessons on the benefits.
I.m intrigued by the pickups on that guitar. Shed some light on them someone please?
Please cover sliding on the neck while playing broken chords🙏 thanks, your content is really helpful 😌🤙🏽
Did a lesson not too long ago on sliding. When you say broken chords are you meaning 'playing chords' or arpeggios. I've done many lessons on both.
@@talkingbasslessons I use the numbers system and a friend said I could play the 1 and 5, 6 and 2, 7 and 3 to get a chord named the broken chord, his explanation wasn't really clear so I'm left in the dark especially on how to slide while holding both numbers at the same time
I'll surely go through your playlist to find sliding, thanks a lot for the attention 😅🙏
@@tshepomahlalela8457 Roger Roger, what's your vector Victor.
@@talkingbasslessons been playing for 3 months now, I really don't know where I'm headed, I just learn how to play songs, add pentatonics to make it sound nice😏
Since you're asking, I've been wondering about when to or why use some scale, mode or chord. I remember you mentionning in your mode lesson that one of them (don't remember which one) gives somewhat on an oriental sound. I known stuff like, pentatonic major for a rock up-beat song, or A minor sounds sad and I also remember you talking about some intervals which sound menacing or creepy and so frequently used in metal. Maybe that's too big of an idea for only one video, but my question is: what to use to achieve X feel or sound.
There's much more to it than learning the sound of a particular scale. Remember, the sound can't always be quantified in a basic 'happy' 'sad' 'evil' 'spacey' way that we always talk about when giving out the basics. Context is everything. I would also avoid thinking too much about scales to be honest. Start with intervals. Learn all of them and how they sound. Then start looking at every tune and riff you play in terms of intervals. Next learn chord construction. Learn the intervallic construction of the triads, seventh chords, extensions, inversions, suspensions, added note chords. Learn them all (as arpeggios not chords on bass). Then learn about chord progressions. Study chord charts. Study songs. Learn a basic major and minor scale then learn the chords within the key. Analyse chord progressions in this way. See diatonic progressions and then chromatic chord movement. Only then do you need to start looking at other modes and scales. Learn everything from a harmony perspective. The chord progression of a song is the harmonic background. Everything is built from that (including melody and bass lines).
@@talkingbasslessons Wow, thanks a lot
Hey mark what kind of pickups do you have by the way your bass sounds super tasty
Sims Super Quads
Hey Mark - What is your bass model?
theory for me,but all of its great
Mark, your lessons are amazing. Thank you very much. I have a question: The scale is G dorian and the bass clief is from Bb.
I thought the bass clief should be F.
There are two main ways to write out modal music in terms of key signature. By mode as you mentioned (F major for G Dorian) or by closest major/minor quality. In that case Dorian, phrygian, Aeolian and Locrian would all be classed as minor types. Ionian, Lydian and Mixolydian are major types. This is the more common method because it encompasses more scales (especially synthetic scales) that might not be major modes. For instance, for scales like Lydian Dominant, Aeolian flat 5, Ultralocrian etc. What key sig would you use from a parent key perspective? You would have to assume a complete knowledge of Harmonic and melodic minor modes. Way easier to go by the closest major or minor scale. Just go by the third. Dorian has a minor 3rd. It's a minor key. Lydian has a major 3rd so it's a major key. Just add the necessary accidentals like you would in a harmonic or melodic minor scale.
@@talkingbasslessons Thank you very much. You have no idea how much I learn from you. A hug from Brazil.
@@talkingbasslessons PARKLIFE!
Can you do more lessons on using piano style And different melodies with it?
Have you already seen my tapping videos? Especially the contrapuntal one? If not, check that out first.
TECHNIQUE CONTENT PLEASEEEE it’s the most important part
Be careful thinking that technique is the most important part. It's a fundamental aspect of playing when you get started but beyond that you shouldn't really have to think about it that much. If your technique is clean and your practice is done correctly it becomes a lesser thing to think about.
Theory. Technique. Thanks
What model of bass is that you use??? I have one similar to you the cheaper version ibanez sound gear SR300E I really like it.. and would love to upgrade to yours but I cant seem to find it... is it custom
You won't find one like mine that easily. It's an SR1000 I bought in about 1993. Before that I used to use a good old Westone Thunder Jet (still got it). The pickups were originally stock Ibanez PJ set. I then put some EMG's in there (you'll see them on a lot of my older vids). Then I had the Sims Super Quads fitted a couple of years ago.
@@talkingbasslessonsthanks for that at least now I know what to look for...
I admire your SR1000 everytime I see it
And thanks for the videos I have only been learning to play for about 2-3 years still got a long way to go but your video's help a lot.. especially with the theory
@@jakjak8467 Thank you
Playing Bass with a drummer for the first time tips!
Stanley Clark was the first bass player, funk ing up the jazz with these two and three note stops with a call and response in the groove...
Yup Stanley used these a lot. They actually just come over from guitar and, to some extent, piano.
@@talkingbasslessons when I saw upright (dog house) players doing chords...well that changed the game...
that's an interesting ibanez bass...😮😮😮
the no1 bass channel
Double stops ? I'm still trying to wrap my head and fingers around SINGLE stops, LOL!!!!
Oh, and lessons on developing rythm. Do you already have those?
What side of rhythm are you thinking about? I generally tell people the way to develop your rhythm is to start by learning to read. I learned more about rhythm by learning the basics of music notation than I ever have from anywhere else.
@@talkingbasslessons Ah, I see what you mean, thanks. I have your reading course I have not gotten to rythm part of Vol 1 yet. When I get there, I bet I'll have the info I need. Thanks and have a great week!
Gospel bass licks???
I have barely any background in gospel playing so I tend to stay away from it. I don't like pretending I know my way around gospel tunes just for the channel. I had a cool idea of visiting my friend Daric Bennett over in the States and visiting his local church so I could sit in with him and have him show me the ropes. Vlog style.
This is probably way more specific than you're asking for, but; an analysis of Dean Town by Vulfpeck would be awesome.
missed it
Sir can you give me a bass guitar ..??
Sadly no
Do you offer Skype lessons?
Not any more. I don't have time. Talkingbass takes up all my time 24/7 (literally). However, I may set up a bit of an exclusive system in the future in which I provide one on one lessons at regular intervals and provide access to all the Talkingbass courses so I can coach that person through the material. It would probably be fairly expensive considering I'd be providing all the Talkingbass content but it's really the only option at the moment. Plus, it would only be available to a VERY limited number of people. Like I said, I don't have time to provide regular weekly lessons
@@talkingbasslessons yes, totally understood. You do great work. Best regards and thanks!
Keep....putting on black tops....
that's an interesting ibanez bass...😮😮😮