Re: Renata Tebaldi "Un bel di vedremo"
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- Опубликовано: 29 сен 2024
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So gorgeous, and her gorgeous hands!!
Sublime !
Meravigliosa !
Divina !
So many people are moved man,trust me....for you to talk about Tebaldi as "just voice, nothing else" is so shallow and ignorant, La Tebaldi sang with great diction, feeling every word she sang, divine phrasing, volcanic strength or angelic softness according to what the score required. To you Callas is the best, and to many others too, but to me, and quite a few other people, they were equally great in their own areas and it's completely pointless and stupid to look for a virtual winner.
Tebaldi had the rare (excellent or horrible) chance to live in the time of the greatest operatic divas of all time. And yes, Callas. I'm just one more person inlove with her genius - in a way, her art was something like a parent and a teacher to me - I grew up with it, eager to always hear more.
With this said, Tebaldi is a remarkable artist - the kind that, unfortunately, is nowhere around on the world stages, nor will be, considering the mediocre level both on, behing and in front of the stage.
Tebaldi shouldn't be shadowed by Callas - they are two different artists, each one with a unique and distinctive artistic signature. And this rivalry should have never taken place - there aren't too much Tebaldis, nor Callases, so anybody had got to choose between them.
In fact, there are no more of their kind.
I'm very thankful for this remarcable rendition of hers.
Il piu' grande soprano italiano.....
@@malenasheytanova9967
Если бы мне предложили создать робота с самым прекрасным голосом, какой только можно представить, я бы дала ему голос Тебальди.
Есть множество прекрасных певиц и сейчас, достойных восхищения. У них , может быть, не такие совершенные, но все же великолепные голоса.
Соня Йончева , например.
Мягкий, невероятно женственный, нежный и одновременно чувственный голос и прекрасная выучка.
Обожаю ее Мими. Но это просто пример. Хороших певцов, повторяю, много и сейчас.
Главное в исполнении даже не совершенство голоса, а прелесть живого человеческого чувства. Поэтому Вы правы, когда говорите, о том, что каждый хороший певец или певица неповторим. Как и хороший мастер, художник.
assim como se procura outra Callas, procura-se a "herdeira" da Tebaldi. Poderia ter sido a Aprile Millo, mas maluca demais e desperdiçando superagudo até na Saída, não sei que fim levou. Com voz, beleza e presença temos, no momento, a Netrebko, que quer cantar tudo, até papéis consagrados às sopranos mais leves, como "Lucia" ela põe em seu repertório. Tomara que esse caminho não faça sua voz "balançar" e ela ir pro banco.
I absolutely love Tebaldi. Everyone always praises Callas, while I never listen to her (I don't know why, I just don't enjoy her singing). But Tibaldi has been in my playlist for 10 years, she is always there.
They are all great. Renata Tebaldi' s voice sounds like coming from the skies.
Maria Callas' voice sounds like coming from deep earth.
KOSTAS TRENT
Bellísima Aria en a dulce voz de Renata Tebaldi.
The best ever! Even Callas agreed and wished she had her voice.
She brings such emotion in her voice she's amazing ❤️
Brava Tebaldi
Beautiful and heart wrenching
condivido la Tebaldi con una bellezza di voce e potenza ineguagliabile la Callas con una tecnica molto virtuosa e magica ,che faceva delle sue interpretazioni inripetibili veramente due grande
Esta versión es una verdadera delicia para los oídos y los ojos
non sono un grande esperto di lirica ma cristo che voce e che interpretazione ....non puoi non commmuoverti!!!tutto rispetto x la Callas e le altre ma questa interpretazione ti fa venire i brividi ... ♥♥♥
This was my first Opera from a met matinee on the radio I was an immediate opera and tebaldi fan. Gorgeous.
Wow! Wow! Wow! I am speechless, so beautiful and hurtful!
Quels grands bonheurs la voix e le jeu de scène !!! Merci Renata ...
Excellent !
Maravillosa, fantástica, espléndida, grandiosa.
3.10 da brividi!
Magnifient voice! Listen to the purity of her sound as she ends the aria.
La piu' GRANDE DI SEMPRE
Bellissimo canto
1 Million views!!! We did it.
Me encanta la voz de Renata Tebaldi en este Aria está tan expresiva y tan dulce que te transporta al drama, pero es una lastima la interrupción...
One of a kind.
grande..nn ripetibile
@83DeaththeKid Absolutely, Just MAGIC,
è lei Cio Cio San....
House of Gucci. Mauritzo is having his espresso, tips the waiter, gets on his bike and rides to his office
not knowing what is coming his way. This music is played, no words just a chorus humming. Perfecto
Not a better sound for what was to come.
Act as though Callas isn't both beautiful and exceptionally talented.
Superb!
René Pariente: comment se fait-il que pareille voix ne soit pas proposée plsa souvent: rappelez-vous pouur Toscanini: una voce d'angelo.
LYRICS
Un bel dì, vedremo
levarsi un fil di fumo
sull'estremo confin del mare.
E poi la nave appare.
Poi la nave bianca
entra nel porto,
romba il suo saluto.
Vedi? È venuto!
Io non gli scendo incontro. Io no.
Mi metto là sul ciglio del colle e aspetto,
e aspetto gran tempo
e non mi pesa,
la lunga attesa.
E uscito dalla folla cittadina,
un uomo, un picciol punto
s'avvia per la collina.
Chi sarà? chi sarà?
E come sarà giunto
che dirà? che dirà?
Chiamerà Butterfly dalla lontana.
Io senza dar risposta
me ne starò nascosta
un po' per celia
e un po' per non morire
al primo incontro;
ed egli alquanto in pena
chiamerà, chiamerà:
"Piccina mogliettina,
olezzo di verbena"
i nomi che mi dava al suo venire.
Tutto questo avverrà,
te lo prometto.
Tienti la tua paura,
io con sicura fede l'aspetto.
Renata Tebaldi was born to sing Puccini
Sublime. La perfezione di questa interpretazione è un portento dell'arte del canto.
Meravigliosa Voce!!
Roberto la Tebaldi è’ meglio della Callas
Roberto ti amo tantissimo amore mio
No one does it like CALLAS! NO COMPARISON!
Diciamo tanto della Callas ma avevamo ed abbiamo(xche' x me è sempre e tale rimarrà) una cantante lirica al disopra di tutti che è Renata Tebaldi
Hello pretty lady 💖
I am immensely fortunate to have seen live performances of Madama Butterfly with Leontyne Price, Renata Scotto, Yasuko Hayashi... the list goes on. However, this video of Renata Tebaldi is astonishing. Those who fault her as an actress must see this. I was artistic director of a professional regional theater for nearly thirty years and I am here to say that Tebaldi's performance here is not only vocally ravishing, but I have never been so moved by "Un bel di vedremo" as I was watching this video. She is utterly connected with every word, every gesture, every moment. Her "meanings" are perfectly articulated throughout the aria. I have always loved Renata Tebaldi as a singer, but this video reveals a dimension and a depth to her that, frankly, I didn't know existed. Perhaps she simply needed great directors to access all that she had inside. I would do anything to get my hands on the complete opera video, if it exists. I'd appreciate any suggestions. In the meantime, thank you, Renata... this is astounding! It is art in its highest form.
A question for you Steve: You are very competent in Opera and what do you think about Dal Monte? i mean "la Toti"
Antonello Bada' I’m sorry, but I’m not familiar with the artist you mention. Please tell me more!
@@stevecampo1618 thanks for answering back. Toti dal Monte was a Soprano in the 20's to 40's she was Toscanini's favourite.
Antonello Bada' Sorry for my slow response. I will search for recordings of the singer you mention and let you know what I come up with. Thanks!
Inpresionante
Vedere la Tebaldi cantare e muoversi è di una bellezza autentica
Si vede che ha studiato i movimenti delle geisha, come muove le mani. Stupenda.
Vero
davvero! sono d'accordo
Hello pretty lady 💖
Ehhhh....nel podio delle migliori.... delle eccezionali !!!
Callas è cantante immensa, è vero. Ma Tebaldi in «Un Bel dì vedremo»,
come in altre delle "sue" opere, TEBALDI ha qualcosa che penetra nella carne...E non è "coca cola".
Just to add to what I previously posted, I am really at a loss to understand how these two sublime artists could have ever been compared. Tebaldi was a modern Twentieth Century soprano whose repertoire was rooted in Puccini and the verismo composers, as well as a few Verdi roles. Callas's art was rooted in a much earlier period (bel canto) and she had a three octave range which enabled her to undertake everything. Callas did not have the vocal velvet of Tebaldi. She was a different artist altogether. Bashing one against the other is stupid and shows an innate ignorance about music. Two different artistic approaches COMPLETELY.
EXACTLY! I personally prefer Callas - she put bags of personality into her performances which made them so electric. She became the characters she portrayed - and she is the standard for the acting. You weren't watching someone play Cio Cio, you were watching Cio Cio. She's heartbreaking in every performance. Rebaldi's voice is of course divine and when she hits 'that' note, well, it's sublime. Let's appreciate the total gorgeousness that each performer brings.
Well, I love Maria but mainly for her "hard" roles as Fioria Tosca (for me the best one) but, for Cio CIo...I reaally prefer Tebaldi and much more, Victoria de Los Angeles, whose voice and technique is absolutely perfect for such a role. In fact Victoria is , for me, one of the best of the history, with a perfection you can barely listen to. But, as I said above, I also do like Callas, Tebaldi or other ones (Freni is a wonderful and credible Mimi).
You're right, of course. For operas like Norma, Anna Bolena, Sonnambula, Medea, Iphegine, Lady Macbeth, Armida, Alceste, Lucia, and the heavy Verdi operas, Callas is the point of reference. For the operas of the early part of the Twentieth Century (those of Puccini, Cilea, Catalani, etc), Tebaldi's voice was tailor made for them. It's just that Callas was able to command a much wider more far more diversified repertoire. Callas was a demonic genius. There won't be another like her...............ever.
I agree, all of them are superb, but each one has her "perfect match" roles
Larry Mitchell
Magnifica voce chiara comprensibile in ogni passaggio, potente e aggraziata dà un piacere immenso nell'ascoltarla. Un bel regalo della natura. Grazie natura.
😊0ttisimo
Natura ,sentimento , tecnica sublime ,meravigliosa ❤️
Callas' Butterfly never made me close to tears, as Tebaldi does here.
Concordo
I agree. For me, Callas' voice was more suited to the heavier dramatic roles like Tosca.
Tebaldi was Madame Butterfly here.
Absolutely beautiful.
fantastica: bellezza di suono, di legato, di sfumature, di accenti....un lento avvicinarsi di onde emozionali ripetute
No doubt about it. Tebaldi had a ravishing vocal endowment and she was a wonderfully disciplined artist. No reason whatsoever to compare her and Maria Callas. Both had different attributes, sought different artistic goals, and really specialized in their own respective repertoires. Both defined a period in Italian opera that we will not likely encounter again.
Brava to both of these and sublime goddesses.
+Larry Mitchell Sooooooo well said. Bravo to you.
+Larry Mitchell So perfectly said
Larry Mitchell nilla pizzinonpass0
di apprendimento
non passa piunilla piz
I totally agree!!!
Well said and I do so agree.
Yes, her voice is one of nature's greatest miracles but listen to what she does with it. It's bright and girlish and dark and angry and hopeful and playful and she is the most sincere actress, this IS Butterfly.
Very insightful commentary.
Orfeus80 Yes, very well said, completely true
After Callas this is my favorite.
Wir haben sie bewundert und geliebt, Tebaldi, Siepi, Wunderlich und viele mehr. Aber erst heute wissen wir Alten in welcher großartigen Zeit wir damals lebten. Es bleibt uns die Erinnerung.
Absolutely !!!!!
Damn you Pinkerton!!!!
Haha after seeing the movie from 1995, I changed my Steam account username to exactly what your comment is.
+ardin salim most men are assholes like him!
Never trust a man who promises you the Earth.
Well he felt entitled and amused himself with Butterfly.
Each was gifted x
Outstanding. Absolutely great. Renata Tebaldi was one of the best if not the best of her generation. Her vocal range was absolutely unbelievable. No singer of today can come even close.
I agree. Heavenly voice, heavenly performance, so breath taking and that white kimono was perfection.
Il ne faudrait pas oublier MARIA CALLAS
How do you feel about Leontyne Price???? Priceless?
⁶⁶@@maryleone2023
One of the best unforgetable emotional Aria... Reneta Tebaldi is singing so beautifully ... touching your heart... 😍🙏❤️💐
В этой опере Рената божественна! Каждая нота каждый жест отточенные! Непревзойденное исполнение!
She sings beautifully. I stay away from as much opera as I can - at least all at once, or I'd probably kill myself - haaaa. Music and singing like this is too EMOTIVE. Makes me want to cry, which I do not often do. Still, when I wasn't listening and first heard this, I asked my mom what it was (she loved opera). I said back then, "OMG!" And so, sometimes music can just be too beautiful to bear. (Okay, is that dramatic enough, people? :)
ci
I feel exactly what you feel.
I love opera. It fills me with joy.
crying to music is always a good sign. it means that the artist can unite truth and beauty in her performance. crying to the music sets your soul free.
Tebaldi and Callas are the Queens of Opera; personally, I prefer Tebaldi's timbre.
Marvelous, celestial!!!!!
No one like her. This is the must beautiful performance of Madam butterfly.
Hello pretty lady 💖
This aria is the most beautiful ever written.
Just a little bit less than 20,000 views and we will help Tebaldi break into the 1 million view category. Common guys. Don't let it be a 10 years + wait. We can do it.
Almost at 2 mil now.
If you are a fan of Renata Tebaldi, then enjoy this for it's unparalleled beauty . If you are a fan of Maria Callas, then go over to her version on youtube, but please refrain from commenting that Tebaldi is second to Callas. Many opera lovers, including yours truly, prefer Tebaldi for the unequaled richness of her voice.
For me, Callas sounded like she had a broken heart ; La Tebaldi broke your heart.
J A McKenzie : Agree or not , that is the best comment I have read ever on this issue. If you are interested in only the sound , Renata Tebaldi's voice is incomperable . A huge voice perhaps not easy to equate with a 15year old girl. I was convinced that it was only the auditory aspect that counted until I saw Frederic Mitterands movie of Madame Butterfly with Ying Huang. Ms. Huang is a lovely soprano but it is the combination of the visual with the music that really makes it very special. I recommend watching and listening.
PAUL VESELY Thanks Paul, I'll look for it. I probably have a soft spot for Tebaldi : My Dad played opera when I was a kid. About 15 ago I heard Tebaldi on TV and loved her so that I bought a double CD set. When Dad died I went through his old records- the Butterfly I heard as a child was Tebaldi! Maybe I remembered her voice. I had never known until I found the old 45 record that it was her.
Same here!
Callas is my favorite soprano, but I like Tebaldi as well. I have all of her recordings and she has a spectacularly beautiful voice. And I also like Sutherland. Callas, Tebaldi, and Sutherland are all great artists of the operatic stage. This praising one and bashing the other is ridiculous.
Riguardo spesso questo video ed ogni volta mi commuovo fino alle lacrime. Meravigliosa Butterfly, grande la Tebaldi. Numero uno.
In questo 'opera si , è insuperabile 🌹✨✨✨
The best Mdme Butterfly ever. Period
This work by Puccini is a masterpiece of creative genius. He has revealed to us what it is to love another person with all your soul. This love is beautiful and pure. Puccini shows how we should live to give all to the beloved. This is to my mind the highest purpose of the true art. I cannot praise this performance enough. Thank you for the posting.
I totally disagree with your conclusion. She lost all, not only her life, also her child, and her tradition and her ancestor, relative's connection. It is the very most sacrifice, most tragic of the saddest thing on earth. No one should live as she did.
Duh! In case you hadn't noticed it's a tragedy (as are most Puccini's opera's) He usually deals with flawed love and his heroines almost invariably are poorly treated and die a tragic death. Puccini certainly didn't see his female leads love in the way your suggesting.
Renata Tebaldi riesce sempre ad emozionarmi con questa stupenda interpretazione!
grande la nostra renata.
No tengo palabras
She was the only ONE.
The silkiness, the velvety of Her voice is incredible
Made in ITALY.
Grand. Most beautiful performance. It is golden operatic era. Glorious, thank u!
My teacher's mentor saw Tebaldi live and said that when she sang it was like pure gold came out of her mouth and showerwed over the audience.
I can only agree 1000 % , The Schneider-Siemssen Family was always a close personal Friend to her. Vocie Di Angeli :-)
After Callas she is my favorite.
So you're saying she gave the audience a golden shower? ( ͡° ͜ʖ ͡°)
@@johnareiter73 Callas as Butterfly???
@@johnareiter73 ¡ Never ! Callas was not and never will be Butterfly. Callas was a product of marketing. Her voice, metallic, out of pitch will never reach the beauty of Tebaldi, Moffo, Caballé, Tomowa Sintow and many others. Callas was a great actress, I agree, but, opera needs singers with beatiful voices, not actresses, and Callas voice was not beautiful. When I was young I thought Callas was the number one and the only one in the planet, but, as I grew up, I realised that I was wrong. After many years of listening and going to recitals, concerts and operas, I realised what I am telling you. Callas was not the star that many people think she was. I invite you to listen carefully, without knowing who is singing.
Miss Tebaldi💖 is extraordinary. Marvelous soprano🌟. One of the best ever🌹. So lovely and sophisticated.☀️
I love your word, sophisticated. She does have the hightest music IQ, to me.
Extremely beautiful rendition . Voice has the emotion! She was a tall and classy. lady!
Heartbreaking aria. Damn Pinkerton for breaking her heart!
@@debbiejohnson2789 Give credit to Puccini to write on this, how many poor japanese women at that time to be in the same boat. Despised by their own family and society, and eventually despised by american society and their american boys in the same time.
It is the glory turning point of opera to turn attention from queen king duke prince into oridinary poor and depressed people, Bravo Puccini.
@@debbiejohnson2789 Tebaldi's acting alone deserves gold medal. Not even seen the same from Japanese or Chinese sopranos. Her japanese movements are superb, exact. It cannot be learned or mastered simply by just do it. Shows her devotion to the finest of the finest art, no stone unturned. Shame to those modern over paid stars of casual walk not even 10 % of this version. Not even to go to her voice to be wowed.
I am really at a loss to understand how these two sublime artists could have ever been compared. Tebaldi had a ravishing vocal endowment and she was a wonderfully disciplined artist. No reason whatsoever to compare her and Maria Callas. Both had different attributes, sought different artistic goals, and really specialized in their own respective repertoires. Tebaldi was a modern Twentieth Century soprano whose repertoire was rooted in Puccini and the verismo composers, as well as a few Verdi roles. Ms Tebaldi’s voice is bright and girlish and dark and angry and hopeful and playful, as -I think- the voice of Choi Choi in Madame Butterfly should sound. Callas' art was rooted in a much earlier period (bel canto) and she had a three octave range which enabled her to undertake everything. Callas did perhaps not have the vocal velvet of Tebaldi. She was a different artist altogether. Bashing one against the other is stupid and shows an innate ignorance about music. Two different artistic approaches COMPLETELY. Both divas defined a period in Italian opera that we will not likely encounter again.
La Tebaldi , La Magnificent.💚⭐
OMG! I have to say one of the best butterflies i have ever heard and seen acted splendidly... Voice soo warm and emotions very well understood. What I also very much liked is that Tebaldi actually acts like a Japanese woman...with the etiquitte and everything....the way she moves her hands, the way she walks, her restricted movement, her shy character, everything! Officially the perfect Butterfly!
A great artist! When I play Madama Butterfly, the natural stage movements and the vocal elegance of Renata Tebaldi are always great lessons for me
Her diction is so clear yet she is doing so much with the music. This is superb.
Per emissione, timbro privilegiato, cavata e fermezza dei suoni (senza sottintenderne la forza dell'interpretazione stilizzatissima), la Tebaldi è qui ineguagliabile. Mi piacerebbe approfondire le motivazioni che hanno basato i 50 bastian-contrari del "pollice verso"...
Emissione. Cavata del suono. Timbro privilegiato. Interpretazione stilizzatissima.
Lei, signore, possiede un'invidiabile capacità di sintesi. :)
Sono da sempre un fan di Maria. Ma qui siamo alla perfezione, nessun tremolio, nessuna sbavatura. Dizione perfetta, potente. Ma solo Maria è divina.
evidentemente guardano questi video senza capirne nulla ma vogliono lo stesso lasciare un segno facendo una figuraccia comunque anche essendo digiuni di musica lirica non si puo non apprezzare la perfezione di questa interpretazione
Grazie! Osservazione più che logica!
+giò lupo
sono già 147 intenditori che non apprezzano questa interpretazione sublime della Tebaldi.
la ragione ?
la scarsa registrazione che non ha niente à vedere con la verità artistica.
questa interpretazione meravigliosa della Tebaldi può essere apprezzata soltanto dei professionisti e quelli che conoscano la vera arte lirica.
per il resto del mondo la bassissima qualità di questa registrazione è la ''prova'' che La Tebaldi aveva poca voce.
di più la sua voce in questo video non è neanche l'ombra alla voce che aveva dal vivo La Tebaldi.
non è la colpa del pubblico ma dei tecnici del suono che non hanno riuscito di fare una registrazione degna di questa voce divina.
io la penso così.
Singing and acting of the highest quality. Overwhelming.
Por que tantas comparaciones ......Callas Tebaldi............son 2 voces completamentes diferentes........... ambas fueron excelentes........que viva la Opera.....................
¡ Sí ! y no. Tebaldi fue, es y será una gran cantante. Callas, no. El éxito de la Callas el producto de la mercadotecnia y saber acostarse con los millonarios adecuados. Su voz nunca fue bella. Siempre gritada, desafinada y horrible. Un producto de la publicidad y la mercadotecnia que maneja a las masas. ¡ Es la realidad ! Hay que escuchar a las grandes, así en audio , sin saber quien es la que canta, para darse cuenta de los gritos desafinados de la Callas y de las bellas notas producidas por las demás, llámense Tebaldi, Scotto, Caballé, Tomowa-Sintow, Moffo y tantas otras grandes.
Desgraciadamente con la Callas sucede lo mismo que con muchas cosas en todo el planeta, se dejan llevar por la influencia de la mercadotecnia, pero la realidad es otra.
La voz de la Callas, metálica, desafinada, gritona, logró colocarse en el top gracias a lo que menciono en el párrafo anterior. ¡ La mercadotecnia tiene su magia y es cabrona ! Callas fue una gran actriz, pero la ópera necesita cantantes, no actrices.
@@josevaladez por fin alguien que sabe la verdad de como fue el estrellato de la endeble y efímera Callas frente a la fulgurante excelsa la única soprano absoluta del siglo XX la Diva RENATA TEBALDI te felicito tú si sabes
@@rodolfoalonso7568 ¡ Gracias ! Eres la primera persona que me contesta. Te envío un saludo desde Monterrey, México.
@@josevaladez bueno es que no todos son sabedores de la gran RENATA TEBALDI si vieras la colección de discos que poseo de ella hasta de los piratas de aquella época cuando se le grababa en vivo pocos mejor dicho nadie sabe la ella y su legado ni de su grandeza saludos también de CD México lo bueno del RUclips es que no uso mis discos
@@rodolfoalonso7568 ¡ Qué maravilla ! Tienes un tesoro. ¡ Felicitaciones !
Aprovechando la conversación cibernética ¿ Sabes dónde puedo comprar el dvd de "La Boheme" con Renata Tebaldi y Jussi Björling ? Solamente he visto algunos videos cortos, pero me encantaría adquirir la ópera completa.
even after all this time, her voice rings out and touches my soul.
fnikitathomas
She, callas and sutherland are the only ones that literally bring me tears
fnikitathomas Vera Galupe Borszk brings me to tears - of laughter.
👍👍
Mi chiamo Barney Gumble ho 40 anni, sono single e bevo. Non piangete per me sono già morto
A beautiful opera and Diva Tebaldi interprets Butterfly exquisitely! The hand movements and kimono work are perfect.
every move is finely crafted and tuned, just as her voice and singing. Great demo of her perfection on every tinny little thing.
A magnificent Italian soprano voice. Brava Renata for such compelling and moving Cio Cio San
Come aveva fatto bene il grande maestro Toscanini ha chiamarla voce d'angelo non è seconda a nessuna neanche alla Callas,
The voice of a woman I will prefer to call it - much better than the banal compliment: "voice of an angel"
Tebaldi for me is better than Maria Callas.
Superb. What a beautiful voice. So much feeling. Sends chills all through me.
Jesus Christ!!!.. What a Gift😘
Just astounding, that performance, both visually and aurally. Stirs something inside the listener that is close to sublime.
She really shows a lot of control and did not become steely in the high notes like I've heard in other recordings of hers. This must be the voice Puccini wrote this for...
Superb! She was magnificent!
Un bel dì, vedremo
Levarsi un fil di fumo
Sull'estremo confin del mare
E poi la nave appare
Poi la nave bianca
Entra nel porto
Romba il suo saluto
Vedi? È venuto!
Io non gli scendo incontro, io no
Mi metto là sul ciglio del colle e aspetto
E aspetto gran tempo
E non mi pesa
La lunga attesa
E uscito dalla folla cittadina
Un uomo, un picciol punto
S'avvia per la collina
Chi sarà, chi sarà?
E come sarà giunto
Che dirà, che dirà?
Chiamerà Butterfly dalla lontana
Io senza dar risposta
Me ne starò nascosta
Un po' per celia
E un po' per non morire
Al primo incontro
Ed egli alquanto in pena
Chiamerà, chiamerà
"Piccina, mogliettina
Olezzo di verbena"
I nomi che mi dava al suo venire
Tutto questo avverrà, te lo prometto
Tienti la tua paura
Io con sicura fede l'aspetto
Tibaldi is Butterfly this brings me to tears every time! to be so in love with an character from an opera for half my life now...... Bless your Soul Renetta Tibaldi and thank you, in Jesus Holy name Amen
Tebaldi’s sound rolls over you like intense sunlight emerging from the clouds.
What a glorious artist. And what an utterly gleaming and seamless sound.
No one can sing this moving aria like this lady, also the genius of Puccini is stunning
Just a little bit less than 100 thousand more views and this will have 1 million views. Common guys, we can do it.
I met Madame Tibaldi at a bank in Fort Lauderdale, in 1968. Very nice person
I met her backstage at the Met after Andrea Chenier. She was very sweet and gracious.
This is one of my favorite arias and I've never heard anyone do it as well as Tebaldi.
Allora vada dalla Callas, noi ci "accontentiamo" della Tebaldi ben volentieri.
That voice! Glory to God!
P.S. How do you assume that every one in the world is moved by Callas? I know lots of people that genuinely HATE listening to her, for example I love her in certain roles just as much as I can't stand her in others...and I think also theatrically Tebaldi here is perfect...she's portraying a young innocent girl sticking to her utopic love and not surrending to reality, what was she supposed to do? rip her hair and scream to show raw emotion?come on swim, let's be serious.....
Come possono dire che non interpreta... sublime... vocalmente poi la MIGLIORE...
Extraordinary acting adds to her legendary voice to bring the character to life.
She is my favorite. The voice is rich and smooth.
uno può essere fan oppure no della Tebaldi in entrambi i casi dovrebbe ammettere che questo soprano é un interprete e non solo cantante di levatura storica in Puccini! ha per fortuna inciso quasi tutto la sua tosca cio cio san fanciulla del west e altre sono nonostante gli anni ancora di riferimento così come nel tardo verdi forza otello aida sono all'apice di una ideale classifica con pochissime possibilità di confronto con altre cantanti!
Beat Butterfly ever. In this case not even Montserrat Caballe or Maria Callas could Touch her.
Try Maria Bieshu before jumping to conclusion))
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Thank you for putting this up , beautiful just beautiful
Bravissima anche come attrice
Bella..e io che da bimba la consideravo poco attraente
Es impresionante cómo une una preciosa voz a una intensidad y capacidad dramática extraordinarias. Emocionante, perfecta, grandiosa.
her voice is really amazing!
Voce llimpida,cristallina,dolce,ma nello stesso tempo drammatica e potente.