I just saw that if you put the time stamps in the disruption, and someone googles this or a related video, that google shows the list of time stamps too. As a “in this video”.
I know im asking the wrong place but does someone know a trick to get back into an Instagram account..? I was stupid forgot the account password. I would appreciate any help you can offer me
@Nolan Brock I really appreciate your reply. I got to the site through google and Im waiting for the hacking stuff now. Takes quite some time so I will reply here later when my account password hopefully is recovered.
I cannot think of another composer who literally wrote the essential 'book' for so many instruments. Every violinist will study all the sonatas and partitas for life, all pianist will always study the well tuned clavier (I&II) and 2&3 part inventions, and all organist will study the fuges and chorales. It is insane what was in this composer's mind.
My personal prize of number one in the rankings of best violin interpreter of Bach has now officially passed from Hillary Hahn to Shunske Sato. Hahn's interpretations and loving and firm. Sato's are playful and effortless, like a tiny gymnast on the parallel bars flitting and flipping naturally without a single hesitation,
The way Sato interprets Bach shows us the close connection between speech and music. Bach went to a school in which he were taught rhetoric. Sato´s phrasing makes the harmonics talk and the line of melody realize a profound prosodic. If we want, we can also understand from where language came. OFK
Never ever heard Bach's Solo Violin Sonatas so deeply, honestly, intimately, even spiritually and ABSOLUTE uniquely experienced. What a genius you are, Mr. Sato! Thank you very much!!! 🙏💐🌺💐🙏💐🌺💐🙏💐🌺💐🙏
I know no other violinist who is listening to the sound of his violon expressing the music that was written down by Bach, as Shunske Sato is capable of. He really brings it home to the soul of it all. That is such a gift.
I love way Sato plays the Prelude (Adagio) where the triple and 4stops are so hard to get good in pitch, and the bow must emphasize the leading voice. When I heard this BWV 1005 first time with Grumiaux I thought "wonderfully played", with Sato I think: "OK, so there is really beautiful music in here!."
Not feeling well, on the couch with my eyes closed, hearing this video, hearing the adagio, thinking: he might have played that when one of his children just had died, feeling immensely sad. And then the other movements: powerfull, hopefull, vigerous, difficult to play! Hé Bach, you are not playing on your cembalo here! Thank you so much for this video! Mr. Sato, you are the best!
Bach is an impossibility. Can someone compose music which, by all means, is timeless in the sense that every listener doubts it was written centuries ago? Can someone compose concertos, sinfonias, sonatas, cantatas, masses and passions, pieces for choral and organ, chamber music, string quartets and music for every instrument in existence in such a way that all of such compositions became the landmarks by which every other composer would be measured from that moment on? Can someone possibly talk about Fugues and not include a deep analysis of the works by Bach? Who would think of a composer being imprisoned for a month so that he would not leave his assignment as a musical director for one of those European princes? Who could possibly be a master composer and write sublime music in such quantities and diversity, some of such compositions in a new tuning procedure, and still have time to compose for one of the most difficult instruments ever invented (the organ)? Who can possibly write one sonata a month or one cantata every week for several years in a row? For all these reasons, the existence of such a composer is not possible. And so Bach is an impossibility...
agree, but - if i remember right - he wrote 2(!) cantatas for every sunday over several years, and after the first performance of the monumental st.matthew`s passion his bosses reduce his income. how sick was that?!
Surely everyone, believers and non-believers like me, can admit that the "impossible" Bach is proof that some things will always be a mystery we cannot explain.
I've fallen in love with the tone of this violin and Mr. Sato's approach and interpretation. Very faithful to what Bach himself would have had mind when he composed the piece...
Also Arthur Grumiaux plays all Bach with a beautiful tone. HOWever, Grumiaux plays with a modern bow and a "modern violin technique", which allows him more volume, but the double stops need more "attacca" in order for the bow to grip three (and worse, four) strings and thereby sometimes create a stop/begin effect, where Sato is able to get a more even flow. Just my 25 cents. I love both violinists.
Caro Shunske, ogni volta mi fai piangere di commozione e di gioia. Mi fai toccare con mano il Paradiso. Fai esultare nello Spirito l'anima santa di Johann Sebastian e di tutti i Santi nella gloria divina...! I tuoi sono CAPOLAVORI ASSOLUTI. Sei prezioso per il mondo. Ringrazio Dio per il dono che ci ha fatto della tua persona. Grazie! 🙏💘🕊️
Some of the greatest music is born from the greatest of constraints. A fuge of this magnitude and beauty on a violin is one of the greatest artistic feats of humanity empowered by the gifts God gave Bach and his will to use those gifts to the highest possible level.
Fehlerlose und wunderschöne Aufführung dieser technisch anspruchsvollen und perfekt komponierten Sonate im gut phrasierten Tempo mit seidigem doch gut artikuliertem Ton der Solovioline und mit sorgfältig kontrollierter Dynamik. Die traumhaft schönen Doppelgriffe klingen fast außerirdisch. Was für ein genialer Violinist!
@ notaire 2🌟 oui, je ressens très souvent Sensei SATO dans Bach comme hors de ce monde, OU bien étant habité par Bach réincarné. Hors limites, ré- inventeur à coup sûr. Bonne soirée à toi, au sein des merveilles🌟✨
dude.... i mean really, is it normal to cry every time that i listen to this ? i mean i dont wanna exaggerate but all the sonatas and partitas are just amazing music how can i explain this feeling, and the way that sato plays this music its just amazing, know i understand why the greek people had different words for love because i dont know sato but i love him dude i would love to meet him and listen to him playing this music i really love him but not in a romantic way thats why i love greek culture because they words to say ´´love´´ i dont know i just dont wanna exaggerate but i just love bach and the way that sato plays his music
15:31 That’s the feeling of been able to play and to be able to listing to this wonderful music!! Bach, his music, it’s just amazing and he plays Bach so good !!!!
Bravo sir! The way you so tastefully extracted the melody throughout your performance was breathtaking. So Musical. Thanks to all who engaged in bringing this performance to light!
A obra de Bach é inigualavelmente pungente, ela consegue penetrar o mais profundo de nossas emoções e fazer-nos sentir coisas antes não sentidas, consegue fazer-nos sentir à vez luto e alegria, tristeza e felicidade. Na sua época, os pintores com pincel e tinta pintavam a natureza e o mundo circundante, mas Bach pintou o universo com a música.
“The joyfully affirmative fugue of the C major sonata, No. 3, is a gigantic piece of 354 bars, approaching in its majesty and power the Ciacona of the D minor Partita. Its subject is one of Bach’s favorite tunes, a quotation from the Pentecost antiphon, Veni Sanctus Spiritus (Come Holy Ghost)…This magnificent work, like the rest of the sonatas for violin solo, was presumably intended for performance in church.” - H. Geiringer
As an amateur I’ve tried to play the fugue, my favorite perhaps of all the violin sonatas and partitas. All I get is mud when it comes to the double and multiple stops. Bravo, sir, for making this sparkle.
@@nickyork8901 I practiced for a year to get the allegro assai right, but it still sounds "meh" compared to Hilary Hahn. The rest of the piece was amazing, but the allegro assai of this specific piece is one of the most difficult in violin repertoire. Don't get me wrong, I'm not saying he's bad, he's amazing.
Although you do realise. This is a different pitch to the standard baroque pitch 415 Hertz I think it’s French court pitch I don’t know but all I know this is lower than the standard of 415 hertz
@@henrykwieniawski7233 I may or may not have perfect pitch, but the Netherlands Bach Society commented somewhere else as to what the tuning was. They said that Sato said that he tuned the violin to A = 405 Hz. If you want perfect pitch, use perfect pitch training:ruclips.net/video/6oBs_et7l5o/видео.html (Just kidding - it doesn't work)
@@randomoneforstuff3696 Ah, I see! Yeah, my relative pitch is good enough to have people confuse it for perfect pitch. Funny thing is many musicians can’t even sing or identify a note unless it’s on staff paper! So yeah, I’m perfectly happy with what I got, haha :)
Quest' esecuzione è il risultato di cultura, gusto straordinario, sensibilità e profonda conoscenza dello strumento utilizzato. Grazie mille per le molteplici emozioni provate durante l'ascolto. Un saluto caro
Thank you for uploading! I’ve been waiting for this sonata to be uploaded once I saw the others go up...currently working on this sonata and am grateful to have such a wonderful interpretation (and production quality!) to use as inspiration so I don’t give up on the fugue!
Het Brodsky kwartet heeft deze sonate in augustus 2021 omgezet naar strijkkwartet. Dat levert heel mooie muziek op maar Sato steekt in zijn eentje het kwartet naar de kroon, hoe goed zij ook spelen en hoe muzikaal hun transcriptie ook is. Beide zijn een feest om naar te luisteren, mede met dank aan Bach.
🙏Les sonates et partitas pour violon !? : l’œuvre d'un démiurge interprété par des "extra-humains"... Voilà 50 années que j'écoute cette musique avec la même adoration mêlée de perplexité... Un flux sans fin, un puits sans fond. Et lorsqu'en plus c'est sous les doigts de Shunske Sato, c'est inimaginable... "The abstract thing of Bach...🙏
As the others suites and partitas you've already uploaded, this is very very beautiful and interesting. In my opinion, you shuld upload a BWV 1004 version similar to these, becose the one you've already uploaded is so different (different violin, different tuning pitch, different acustic, but Sato's playing skills are always at the top)
Je découvre Sato dans cette sonate pour violon seul ; un des commentaires évoque justement Hilary Hahn dans ce répertoire ; mais il faut aussi penser au rôle prééminant que Sato exerce chez la Netherlands Bach Society ; quels talents chez chacun -d'eux .!
Diese seidige Klang fiel mir etwas unnatürlich. Ich stosste den Equalizer-Regel bei 4 KHz und 12 Khz auf, und sofort erschienen die Krätze und Reibelungen, wohl nicht in dem Mass, wie bei anderen. Bei Mischung sind die oberste Frequenzen einfach abrasiert - so konnte Herr Sato eiene menge Seide auf seine wohl darmsaitige Tongabe zusätzlich bekommen. Ist es Möglich, dass ich was nicht richtig verstehe? Jede können das ausprobieren.
Can someone explain why he chooses to add so much rubato? (like in the repeat of the first section of the Allegro assai) Was that a common practice back then? It's not distasteful most of the time, but just curious.
Arrangement walk through his good gentle god by this play on returning same phrasing on this music aslike Bach own organ playing with a few players, by on my images . Maybe Bach tryed a metalic to violin strings aslike withG. I listened Mr.Bach tryed new self styles in a music concert ansumble beside teaching on formal with composings. Mr.SATOs Bach art string violin is full his passions . New good passion holder in this achieved sounds is in this members . He needs an all while concert rental bigger wear for solo in concer HEBBOW for full best on smart good looking on elegant happy hall! I hope to see your art concerts on RUclips again .
Beautiful interpretation! But this sound is not real! It is so manufactured. What a dream it would be to pick up a fiddle and for it to sound like this! I don’t mean to take anything away from this wonderful playing and I’m sure his tone production is impressive, however it is not what we are listening to!
Have you ever played in a gigantic resonant church? You know, like those Bach thought about his music being played in? Yes a violin won't sound like this in a small dry room but believe me, if you were listening to this live in one of those churches, this would be pretty close, except live would probably be even more beautiful.
Of course maestro Sato plays very well: beautiful sound and extremly good intonation. I don't like his interpretations: the exaggeration of every expressive nuance implicate the loss of the harmonic, melodic, rythmic and formal structures, that are the heart of baroque music expression, especially in Bach. I don't want to be polemic but only to know opinion that are different from mine, so what do you think? Have a nice day
As an amateur violinist, I am in awe of this playing. (And to all the performances of the NBS!) As a life-long Lutheran, I have been steeped in Bach since birth. Both my parents were active in church music. (Yes, my father was an organist.) I first started playing movements from the Bach sonatas and partitas over 50 years ago. About 40 years ago, I put gut strings on a modern violin, tuned it to A=415Hz, and purchased a treble viol bow because it was available, and I did not know where I could get an affordable baroque violin bow. About 15 years ago, I purchased modern reproductions of a baroque violin and bow. To me, Sato's playing is both logical and emotional, which I believe applies to much of Bach's music. It takes enormous technique and musicianship to play these pieces the way Sato can. His playing and ornaments have individuality and personality that bring the music alive and make his playing identifiably different than that of other excellent baroque and "modern" performers of Bach. I am often delighted to hear phrases and think, "I have not thought of it that way before."
I have also seen comments on other baroque specialists that they are robotic when played exactly as written. However, after probably years of playing these sonatas, shunske knows where to stretch the rubato. I once played a flute sonata for a year and I know that from just playing it straight, that this is not what Bach always wanted or expected.
In the other videos, they mention that the tuning they used for this set is lower than the usual A=392 Hz. That's one reason why it sounds dark. I mean I find 392 Hz already dark.
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell. Jesus Christ came from heaven to earth for one purpose only - to die on cross for remissions of pre-existing sins of every single person and to resurrect. Jesus Christ providing forgiveness from pre-existing sins for every single person, salvation from eternity in hell and free entry to eternity in heaven for all who repent of sins in Jesus Christ. Other side of death is eternity. Eternity in hell. Or eternity in heaven through Jesus Christ. Penalty of pre-existing sins already paid by Jesus Christ on The Cross. Accept HIM. Repent sins in Jesus Christ name. Be saved from eternal in hell. Enter heaven. Enjoy heavenly music. For free.
I find it quite inappropriate for the performer to be moving around like a spastic during a Bach Performance. It's not just about playing notes... I would advise to the hosts of the channel to make it an audio only video.
![[DRAGON BALL LEGENDS REVEALS ＆ STUFF] LEGENDS FESTIVAL 2024 Special Edition Part 1](http://i.ytimg.com/vi/mV5bGIswTtQ/mqdefault.jpg)
0:19 Adagio
4:58 Fuga
15:35 Largo
19:01 Allegro assai
I just saw that if you put the time stamps in the disruption, and someone googles this or a related video, that google shows the list of time stamps too. As a “in this video”.
I know im asking the wrong place but does someone know a trick to get back into an Instagram account..?
I was stupid forgot the account password. I would appreciate any help you can offer me
@Ian Gerald instablaster :)
@Nolan Brock I really appreciate your reply. I got to the site through google and Im waiting for the hacking stuff now.
Takes quite some time so I will reply here later when my account password hopefully is recovered.
@Nolan Brock It worked and I finally got access to my account again. Im so happy:D
Thank you so much, you saved my account !
I cannot think of another composer who literally wrote the essential 'book' for so many instruments. Every violinist will study all the sonatas and partitas for life, all pianist will always study the well tuned clavier (I&II) and 2&3 part inventions, and all organist will study the fuges and chorales. It is insane what was in this composer's mind.
the same thing applies for the cello suites
@@Orca-stra HE is a gift to humanity
Lute, harpsichord, orchestra, vocal music...
saxophone missing, of course haha
And flute !
My personal prize of number one in the rankings of best violin interpreter of Bach has now officially passed from Hillary Hahn to Shunske Sato. Hahn's interpretations and loving and firm. Sato's are playful and effortless, like a tiny gymnast on the parallel bars flitting and flipping naturally without a single hesitation,
Hiliary plays perfectly, Sato with full emotion, and Ithzak plays with power
The way Sato interprets Bach shows us the close connection between speech and music. Bach went to a school in which he were taught rhetoric. Sato´s phrasing makes the harmonics talk and the line of melody realize a profound prosodic. If we want, we can also understand from where language came. OFK
Never ever heard Bach's Solo Violin Sonatas so deeply, honestly, intimately, even spiritually and ABSOLUTE uniquely experienced. What a genius you are, Mr. Sato! Thank you very much!!!
🙏💐🌺💐🙏💐🌺💐🙏💐🌺💐🙏
I know no other violinist who is listening to the sound of his violon expressing the music that was written down by Bach, as Shunske Sato is capable of. He really brings it home to the soul of it all. That is such a gift.
As a violinist, I have nothing to say about this marvelous interpretaion. Just my big, big respect to Mr. Shunske. Bravo
I love way Sato plays the Prelude (Adagio) where the triple and 4stops are so hard to get good in pitch, and the bow must emphasize the leading voice. When I heard this BWV 1005 first time with Grumiaux I thought "wonderfully played", with Sato I think: "OK, so there is really beautiful music in here!."
Not feeling well, on the couch with my eyes closed, hearing this video, hearing the adagio, thinking: he might have played that when one of his children just had died, feeling immensely sad. And then the other movements: powerfull, hopefull, vigerous, difficult to play! Hé Bach, you are not playing on your cembalo here!
Thank you so much for this video! Mr. Sato, you are the best!
Bach is an impossibility. Can someone compose music which, by all means, is timeless in the sense that every listener doubts it was written centuries ago? Can someone compose concertos, sinfonias, sonatas, cantatas, masses and passions, pieces for choral and organ, chamber music, string quartets and music for every instrument in existence in such a way that all of such compositions became the landmarks by which every other composer would be measured from that moment on? Can someone possibly talk about Fugues and not include a deep analysis of the works by Bach? Who would think of a composer being imprisoned for a month so that he would not leave his assignment as a musical director for one of those European princes? Who could possibly be a master composer and write sublime music in such quantities and diversity, some of such compositions in a new tuning procedure, and still have time to compose for one of the most difficult instruments ever invented (the organ)? Who can possibly write one sonata a month or one cantata every week for several years in a row? For all these reasons, the existence of such a composer is not possible. And so Bach is an impossibility...
And yet, your comment is a monument to Bach!
Impressive!
agree, but - if i remember right - he wrote 2(!) cantatas for every sunday over several years, and after the first performance of the monumental st.matthew`s passion his bosses reduce his income. how sick was that?!
Surely everyone, believers and non-believers like me, can admit that the "impossible" Bach is proof that some things will always be a mystery we cannot explain.
Yes . Beautifully put. He is an enigma!
Excellent comment!
Mr Sato take this to another level, yet again, in his performance. A complete revelation.
I've fallen in love with the tone of this violin and Mr. Sato's approach and interpretation. Very faithful to what Bach himself would have had mind when he composed the piece...
Also Arthur Grumiaux plays all Bach with a beautiful tone. HOWever, Grumiaux plays with a modern bow and a "modern violin technique", which allows him more volume, but the double stops need more "attacca" in order for the bow to grip three (and worse, four) strings and thereby sometimes create a stop/begin effect, where Sato is able to get a more even flow. Just my 25 cents. I love both violinists.
Herzlichen Dank für diese wunderbare Musik...an die Netherlands Bach Sociey und Shunske Sato für sein tiefes, beeindruckendes Spiel!
By far the greatest performance of this work in existence
So eine schöne Bachinterpretation habe ich schon lange nicht mehr gehört. Was für ein Ton. Das ist mehr als Perfektion. Danke
Caro Shunske, ogni volta mi fai piangere di commozione e di gioia. Mi fai toccare con mano il Paradiso. Fai esultare nello Spirito l'anima santa di Johann Sebastian e di tutti i Santi nella gloria divina...! I tuoi sono CAPOLAVORI ASSOLUTI. Sei prezioso per il mondo. Ringrazio Dio per il dono che ci ha fatto della tua persona. Grazie! 🙏💘🕊️
Some of the greatest music is born from the greatest of constraints. A fuge of this magnitude and beauty on a violin is one of the greatest artistic feats of humanity empowered by the gifts God gave Bach and his will to use those gifts to the highest possible level.
Fehlerlose und wunderschöne Aufführung dieser technisch anspruchsvollen und perfekt komponierten Sonate im gut phrasierten Tempo mit seidigem doch gut artikuliertem Ton der Solovioline und mit sorgfältig kontrollierter Dynamik. Die traumhaft schönen Doppelgriffe klingen fast außerirdisch. Was für ein genialer Violinist!
@ notaire 2🌟
oui, je ressens très souvent Sensei SATO dans Bach comme hors de ce monde, OU bien étant habité par Bach réincarné.
Hors limites, ré- inventeur à coup sûr.
Bonne soirée à toi, au sein des merveilles🌟✨
I have no words to describe how amazing this performance is..
I love how time is taken in the fugue to really let those beautiful harmonies in the 4 note chords to ring in the space
This interpretation of Alegro Assai always brings a smile to my face
dude.... i mean really, is it normal to cry every time that i listen to this ? i mean i dont wanna exaggerate but all the sonatas and partitas are just amazing music how can i explain this feeling, and the way that sato plays this music its just amazing, know i understand why the greek people had different words for love because i dont know sato but i love him dude i would love to meet him and listen to him playing this music i really love him but not in a romantic way thats why i love greek culture because they words to say ´´love´´ i dont know i just dont wanna exaggerate but i just love bach and the way that sato plays his music
Its totally normal. me myself cried 😂
Yep, it is normal
佐藤さんの演奏を見て聴いてバロックヴァイオリンへの興味が深くなりました。
素敵な演奏ですね。
15:31 That’s the feeling of been able to play and to be able to listing to this wonderful music!! Bach, his music, it’s just amazing and he plays Bach so good !!!!
A deeply human rendition. Perfectly baroque and profoundly expressive.
Bravo and thank you!
Bravo sir! The way you so tastefully extracted the melody throughout your performance was breathtaking. So Musical. Thanks to all who engaged in bringing this performance to light!
A obra de Bach é inigualavelmente pungente, ela consegue penetrar o mais profundo de nossas emoções e fazer-nos sentir coisas antes não sentidas, consegue fazer-nos sentir à vez luto e alegria, tristeza e felicidade. Na sua época, os pintores com pincel e tinta pintavam a natureza e o mundo circundante, mas Bach pintou o universo com a música.
“The joyfully affirmative fugue of the C major sonata, No. 3, is a gigantic piece of 354 bars, approaching in its majesty and power the Ciacona of the D minor Partita. Its subject is one of Bach’s favorite tunes, a quotation from the Pentecost antiphon, Veni Sanctus Spiritus (Come Holy Ghost)…This magnificent work, like the rest of the sonatas for violin solo, was presumably intended for performance in church.” - H. Geiringer
Such beauty and vibrancy in Sato's playing!
As an amateur I’ve tried to play the fugue, my favorite perhaps of all the violin sonatas and partitas. All I get is mud when it comes to the double and multiple stops.
Bravo, sir, for making this sparkle.
As a bit of consolation the fugue is in my opinion the hardest movement in all of the six partitas and sonatas, even harder than the chaconne
Wow is all I can say! There's literally nothing to criticize here. Wonderful playing, videography and audio quality. Absolutely Spectacular!
but the allegro assai had a lot of mistakes hehe, but still a beautiful performance, a bit of practice would do
@@jobstevenson5346 Not necessarily mistakes, Sato's scales just sound a little raspy and not as refined as other people's.
@@jobstevenson5346 you are joking right? This guy couldn't make a mistake if he tried...hard. He knows this music inside out, and is a complete star.
@@nickyork8901 I practiced for a year to get the allegro assai right, but it still sounds "meh" compared to Hilary Hahn. The rest of the piece was amazing, but the allegro assai of this specific piece is one of the most difficult in violin repertoire. Don't get me wrong, I'm not saying he's bad, he's amazing.
@@nickyork8901 The best version of this that I heard was Hilary Hahn, and she said that she took atleast 3 years to master this
i love the sound of baroque violin. Great!!!! Thank you Sato.
Although you do realise. This is a different pitch to the standard baroque pitch 415 Hertz I think it’s French court pitch I don’t know but all I know this is lower than the standard of 415 hertz
@@rishibhalla6487 The violin is tuned to A = 405 Hz, which is a bit odd. Sato probably has a reason, though.
@@randomoneforstuff3696 How can you tell? Do you have perfect pitch? If so, I'm jealous, lol. I only have really good relative pitch.
@@henrykwieniawski7233 I may or may not have perfect pitch, but the Netherlands Bach Society commented somewhere else as to what the tuning was. They said that Sato said that he tuned the violin to A = 405 Hz. If you want perfect pitch, use perfect pitch training:ruclips.net/video/6oBs_et7l5o/видео.html (Just kidding - it doesn't work)
@@randomoneforstuff3696 Ah, I see! Yeah, my relative pitch is good enough to have people confuse it for perfect pitch. Funny thing is many musicians can’t even sing or identify a note unless it’s on staff paper! So yeah, I’m perfectly happy with what I got, haha :)
Quest' esecuzione è il risultato di cultura, gusto straordinario, sensibilità e profonda conoscenza dello strumento utilizzato.
Grazie mille per le molteplici emozioni provate durante l'ascolto.
Un saluto caro
La più bella interpretazione di questa sonata ...
Soli Deo Gloria
Bravissimo Maestro!
Sei un formidabile violinista, per tecnica, personalità, interpretazione, complimenti!
W il Divino Bach e i suoi esecutori!
10:32 and 13:06 turning violin music into an orchestral firework. that’s shunske sato.
Altissime qualità artistiche, musica celestiale che arriva al cuore
I am left speechless by this performance. (I am a violinist.)
How I came here I recalled Bach has works in the thousandths so i typed 1005 BMW and brought me here. I am listening so far it's good. :D
I'm left speechless, thundrerstruck, blown away... Which Galaxy was this again..?
the Milky Way
@@randomoneforstuff3696 kek
Thank you for uploading! I’ve been waiting for this sonata to be uploaded once I saw the others go up...currently working on this sonata and am grateful to have such a wonderful interpretation (and production quality!) to use as inspiration so I don’t give up on the fugue!
Het Brodsky kwartet heeft deze sonate in augustus 2021 omgezet naar strijkkwartet. Dat levert heel mooie muziek op maar Sato steekt in zijn eentje het kwartet naar de kroon, hoe goed zij ook spelen en hoe muzikaal hun transcriptie ook is. Beide zijn een feest om naar te luisteren, mede met dank aan Bach.
Bravo Bach und Sato! ❤️😍🎼🎵👏☘️🇮🇪
Muy bueno, en momentos parecen dos violines, cantas perfectamente las dos voces 😊❤️
🙏Les sonates et partitas pour violon !? : l’œuvre d'un démiurge interprété par des "extra-humains"... Voilà 50 années que j'écoute cette musique avec la même adoration mêlée de perplexité... Un flux sans fin, un puits sans fond. Et lorsqu'en plus c'est sous les doigts de Shunske Sato, c'est inimaginable... "The abstract thing of Bach...🙏
As the others suites and partitas you've already uploaded, this is very very beautiful and interesting. In my opinion, you shuld upload a BWV 1004 version similar to these, becose the one you've already uploaded is so different (different violin, different tuning pitch, different acustic, but Sato's playing skills are always at the top)
Bravo Maestro Sato
Wonderful series. Am looking forward to the Partita in E. Many thanks to everyone involved in the project.
Excelente!!! Magnica musica e interpretacion !!!! Bravo
It's the beautiful gut strings. :)
Como siempre este canal y sus magníficas interpretaciónes 👏👏👏
Thanks for sharing! This is beautiful! I hope you could record more of these wonderfull videos! Gracias
Nice performance and audio quality as always!
Magnificent! BTW, the fugue's theme: London Bridge is Falling Down...
played very tenderly.
simply....beautiful
Domo arigato gozaimashta, Sato San !!! Subarashi desta ne !!!!
Georges. Ch. FEB.2nd 2021.
Wonderful!!!! Thank you!
sympa ! belle ambiance !!
This is awesome! And he's playing at A=400hz or something. Way below even baroque tuning!
Je découvre Sato dans cette sonate pour violon seul ; un des commentaires évoque justement Hilary Hahn dans ce répertoire ; mais il faut aussi penser au rôle prééminant que Sato exerce chez la Netherlands Bach Society ; quels talents chez chacun -d'eux .!
18:55 Oh wow! Amazing! 😎
London bridge is falling down~
Twoset brought me here lol
Clearly, Bach was an alien.
我不認為巴哈需要用這麼多的自由速度，很多人說這是感情的表現，但這是巴哈😅不需要這麼多感情，這麼多自由速度反而破壞了原本曲子的美感
Wonderful!
Perfect
Il serait intéressant de savoir sur quel instrument baroque joue si intensément Shuneske Sato dans ces œuvres géniale de Bach ?
it is an Cornelius Kleynman violin (made available by Frans Wytema for Shunske Sato).
Exceptionnel!
,bliss. Arigato shenskeSan
Il paradiso in terra, per tutti
Man jow you play that violin... and violin how sound
Diese seidige Klang fiel mir etwas unnatürlich. Ich stosste den Equalizer-Regel bei 4 KHz und 12 Khz auf, und sofort erschienen die Krätze und Reibelungen, wohl nicht in dem Mass, wie bei anderen. Bei Mischung sind die oberste Frequenzen einfach abrasiert - so konnte Herr Sato eiene menge Seide auf seine wohl darmsaitige Tongabe zusätzlich bekommen.
Ist es Möglich, dass ich was nicht richtig verstehe? Jede können das ausprobieren.
👏👏👏👏👏
Thumbnail. Lightsaber.
👍👍👍👍👍
Sato made all preceding interpretations totally outdated.
I know, his approach is totally fresh! And on a Baroque violin, which is fiendishly difficult to play well.
Can someone explain why he chooses to add so much rubato? (like in the repeat of the first section of the Allegro assai) Was that a common practice back then? It's not distasteful most of the time, but just curious.
@20:30 is it just me or is the low notes in the next couple measures like a duck honking slightly off pitch
You're right😅
my g string pov:
中国社会有很多这种善良的人，他们很多都在受苦中
🥰
💥💛💚❤️💥
Arrangement walk through his good gentle god by this play on returning same phrasing on this music aslike Bach own organ playing with a few players, by on my images .
Maybe Bach tryed a metalic to violin strings aslike withG.
I listened Mr.Bach tryed new self styles in a music concert ansumble beside teaching on formal with composings.
Mr.SATOs Bach art string violin is full his passions .
New good passion holder in this achieved sounds is in this members .
He needs an all while concert rental bigger wear for solo in concer HEBBOW for full best on smart good looking on elegant happy hall!
I hope to see your art concerts on RUclips again .
what is the building at the very beginning - factory, dosshouse, railway station ... ? this somber place as tomb\crypt, brr brr ...
It's an old "light factory" where electricity was generated out of coal.
Beautiful interpretation! But this sound is not real! It is so manufactured. What a dream it would be to pick up a fiddle and for it to sound like this! I don’t mean to take anything away from this wonderful playing and I’m sure his tone production is impressive, however it is not what we are listening to!
Have you ever played in a gigantic resonant church? You know, like those Bach thought about his music being played in? Yes a violin won't sound like this in a small dry room but believe me, if you were listening to this live in one of those churches, this would be pretty close, except live would probably be even more beautiful.
Well, all recorded music is to some degree not pure. It will always be different even for us viewers , also depending on our headset/sound system.
12:13
20:32 🤌
Of course maestro Sato plays very well: beautiful sound and extremly good intonation.
I don't like his interpretations: the exaggeration of every expressive nuance implicate the loss of the harmonic, melodic, rythmic and formal structures, that are the heart of baroque music expression, especially in Bach.
I don't want to be polemic but only to know opinion that are different from mine, so what do you think?
Have a nice day
As an amateur violinist, I am in awe of this playing. (And to all the performances of the NBS!) As a life-long Lutheran, I have been steeped in Bach since birth. Both my parents were active in church music. (Yes, my father was an organist.) I first started playing movements from the Bach sonatas and partitas over 50 years ago. About 40 years ago, I put gut strings on a modern violin, tuned it to A=415Hz, and purchased a treble viol bow because it was available, and I did not know where I could get an affordable baroque violin bow. About 15 years ago, I purchased modern reproductions of a baroque violin and bow. To me, Sato's playing is both logical and emotional, which I believe applies to much of Bach's music. It takes enormous technique and musicianship to play these pieces the way Sato can. His playing and ornaments have individuality and personality that bring the music alive and make his playing identifiably different than that of other excellent baroque and "modern" performers of Bach. I am often delighted to hear phrases and think, "I have not thought of it that way before."
I have also seen comments on other baroque specialists that they are robotic when played exactly as written. However, after probably years of playing these sonatas, shunske knows where to stretch the rubato. I once played a flute sonata for a year and I know that from just playing it straight, that this is not what Bach always wanted or expected.
the Chaconne in D is overrated. this is where it's really at.
... 450 ans d’évolution du violon pour au final jouer baroque, devant un troupeau de néons ... ... ...
Le violon a évolué mais pas la musique de Bach.....
😅
for me this is way to fast, its almost an allegretto!.. Sato is a great musician though
very dark! why?
Because he's using a barouqe violin, that makes sound so dark and heavy. Btw sorry for my bad English anyway
In the other videos, they mention that the tuning they used for this set is lower than the usual A=392 Hz. That's one reason why it sounds dark. I mean I find 392 Hz already dark.
Origins of music unevidenced. Except it is gift to humanity from God the Creator. Music continues in heaven. Discontinues in hell.
Jesus Christ came from heaven to earth for one purpose only - to die on cross for remissions of pre-existing sins of every single person and to resurrect. Jesus Christ providing forgiveness from pre-existing sins for every single person, salvation from eternity in hell and free entry to eternity in heaven for all who repent of sins in Jesus Christ.
Other side of death is eternity. Eternity in hell. Or eternity in heaven through Jesus Christ.
Penalty of pre-existing sins already paid by Jesus Christ on The Cross. Accept HIM. Repent sins in Jesus Christ name. Be saved from eternal in hell. Enter heaven. Enjoy heavenly music. For free.
I think that it sounds more like Shostakovich, or Prokofiev.....!!!
Vaggos Walker lol??
motto naiyounoaru ennsouwo nozomu
An out of tune open G?
バッハに水彩画的な中身がない演奏は似合わない
I find it quite inappropriate for the performer to be moving around like a spastic during a Bach Performance. It's not just about playing notes... I would advise to the hosts of the channel to make it an audio only video.
Yeah, maybe he could look like a robot or something that has no life, 'cause u know, music is all about looking dead anyways...
much too sharp on open strings. shame...
Make it stop - torture
@mizzothify mizzothifi Why? This performance is not worthy of Bach.
@mizzothify mizzothifi standard English.
@@thethikboy what the fuck are you weirdo
Bravo Maestro Sato