(TMEA All-State 2021-2022 #2) Henri Kling, Etude #21 from "40 Characteristic Etudes"

Henri Kling, Etude #21 from "40 Characteristic Etudes"
TMEA All-State 2021-2022 #2
Kling #21 is a beautiful larghetto in Concert G major. Use the cadenza towards the end of the etude to express your own unique musical interpretation of the the piece!
Horn: Engelbert Schmid, F,Bb,Eb Triple Horn
Mouthpiece: Laskey 775Ge
Microphone: Rode M5 Matched Pair
Camera: Sony A7C
Audio Editing Software: Logic Pro X
Video Editing Software: Final Cut Pro X
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Website: scottlegerhorn...
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#TMEA #Kling #FrenchHorn

[@ScottLegerHorn]

Hi all,
If you’re watching this for TMEA, note that there is currently some discrepancy on what note the turn is marked over. The demonstration offered by TMEA performs the turn over the G (G-A-G-F#-G), however most recordings, including this one, play the turn over the E (E-F#-E-D#-E). If it becomes clear which version is meant for the TMEA audition, I’ll edit this comment.
Sometimes music is messy! It isn’t always clear what’s marked and this is old music with a lot of typos and misprints. Keep practicing and ask your teachers for their advice.

[@omdrn1707]

Gavin Reed, how is the etude selector, released a video demonstration the turn on G.

[@evancernoch1138]

Thank you sir

[@tylerlambert2665]

I love being a freshman and having to play this 😃

[@Discrxtq]

same 😁

[@guyinagame4793]

did i ask
Smh

[@anthonygreen3036]

@@guyinagame4793 bro shut up he’s just trying to get us to pity him🙄

[@guyinagame4793]

@@anthonygreen3036 what an actual pleb not being able to play this EASY piece

[@theMrHal0]

@@guyinagame4793 Lol, if this isn't just as hard as the other two etudes, you're not preparing this one enough.

[@nrom6786]

If you set it to 2x speed it sounds... interesting

[@evancernoch1138]

Beautiful playing sir.

[@ScottLegerHorn]

Thank you!

[@cinnatoastycrunch1635]

I haven’t even started looking at this one yet. It sounds very nice though so I think I’ll have fun playing it.

[@benskelton3228]

Nice playing

[@ScottLegerHorn]

Thanks!

[@azogman]

1:08

[@heisenberg970]

Scott how do I do vibrato like that. I think I know how but it doesn’t sound good enough to use in performance

[@evancernoch1138]

What are the notes for the turn?

[@dianawolf894]

This is the one!😁

[@mooshi7479]

0:24
just a time stamp for me

[@ponchitooo8005]

0:50

[@ironninjapi3870]

What change does the cadenza ad lib. make to the section?

[@ScottLegerHorn]

The marking “cadenza ad lib.” more or less means that you can play this passage unmeasured with a lot of rubato and nearly out of time. However, you still do have to play the written notes and stick to the same approximate rhythm.

[@williamnabors5185]

Basically you can “ad lib” the tempo during the section , and it’s technically all one measure. Obviously you should make the tempo sliding sound good as it does in this video, but it’s a very minor level of improvisation in a technical competition.