Bellissima esecuzione. Per anni l'ho suonato in chiesa, camuffato nei canti: Guarda quest'offerta, e Alleluja. Grazie per avermi riportato indietro nel tempo di almeno cinquant'anni.
Bellissima anche all'organo, grazie. Dopo la Toccata di Paradisi e questa Passacaglia, manca solo la Sarabande dal Quatrième Concert di Francois Couperin per completare l'Intervallo televisivo della nostra adolescenza ☺☺☺
Handel's HWV432 is a work that contains the essence of Baroque music, and the musical depth and complexity felt in each part capture my heart. The intense and delicate melody of this piece has timeless beauty and shows how Handel's outstanding composition is. This song allows listeners to experience various emotional journeys characteristically with emotions and atmosphere that change according to progress. Handel's song gives me deep satisfaction, and the depth of emotion and subtlety of expression in each part of the song are impressive. This piece is an example that illustrates the musical characteristics of the Baroque period, and you can feel Handel's musical genius and creativity incorporating into the whole piece. HWV432's performance allows listeners to realize again the beauty and creativity of classical music and occupies a special place in Handel's work. Handel's song expresses his musical depth and sensitivity well, and the harmony of the song's rhythm and melody leaves a strong impression on me. This Passacaglia is a wonderful piece that makes us discover the depth of classical music, and Handel's musical talent seems to be incorporated into each note and harmony of the piece. This performance provides me with a musical journey and allows me to rediscover the beauty and complexity of Baroque music through Handel's work. Each part of HWV432 illustrates the sophistication and richness of Baroque music, and this piece has a unique charm among Handel's works.
Esecuzione sapiente che rende gradevole e interessante l'ascolto. Però continuo a sostenere che si tratta di un brano che non si addice all'organo per ovvie ragioni.
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Bellissima esecuzione. Per anni l'ho suonato in chiesa, camuffato nei canti: Guarda quest'offerta, e Alleluja. Grazie per avermi riportato indietro nel tempo di almeno cinquant'anni.
Bellissima anche all'organo, grazie. Dopo la Toccata di Paradisi e questa Passacaglia, manca solo la Sarabande dal Quatrième Concert di Francois Couperin per completare l'Intervallo televisivo della nostra adolescenza ☺☺☺
Verissimo
Handel's HWV432 is a work that contains the essence of Baroque music, and the musical depth and complexity felt in each part capture my heart. The intense and delicate melody of this piece has timeless beauty and shows how Handel's outstanding composition is.
This song allows listeners to experience various emotional journeys characteristically with emotions and atmosphere that change according to progress. Handel's song gives me deep satisfaction, and the depth of emotion and subtlety of expression in each part of the song are impressive.
This piece is an example that illustrates the musical characteristics of the Baroque period, and you can feel Handel's musical genius and creativity incorporating into the whole piece. HWV432's performance allows listeners to realize again the beauty and creativity of classical music and occupies a special place in Handel's work.
Handel's song expresses his musical depth and sensitivity well, and the harmony of the song's rhythm and melody leaves a strong impression on me. This Passacaglia is a wonderful piece that makes us discover the depth of classical music, and Handel's musical talent seems to be incorporated into each note and harmony of the piece.
This performance provides me with a musical journey and allows me to rediscover the beauty and complexity of Baroque music through Handel's work. Each part of HWV432 illustrates the sophistication and richness of Baroque music, and this piece has a unique charm among Handel's works.
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Esecuzione sapiente che rende gradevole e interessante l'ascolto. Però continuo a sostenere che si tratta di un brano che non si addice all'organo per ovvie ragioni.