For those that have written to me, you can donate to my channel through this link www.paypal.com/donate/?hosted_button_id=YDF4C7ZRM8A8L or alternatively through the "Thanks" button located directly below the video. I appreciate your interest in and support of the channel.
In this session, we study the tone color or tone quality of notes of the same pitch when played (duplicated) on different strings. Even though two notes of the same pitch are both producing the same fundamental frequency that doesn’t mean they are producing the same waveform. The sound of a plucked string produces not just the fundamental frequency but also various harmonics in varying amounts which together form the sound we hear.
0:53 Moving C6 Diminished chords to second string set 1:40 NB Hard-to-play C6 voicing - can be replaced by C major temporarily 3:26 PLAYTHROUGH 3:30 C6 #1 - 3rd inversion - root on 2:1 3:35 B dim #1 - root position - root on 5:2 3:39 C6 #2 - root position - root on 5:3 3:43 B dim #2 - 1st inversion - root on 3:4 3:47 C6 #3 - 1st inversion - root on 3:5 3:52 B dim #3 - 2nd inversion - root on 4:9 3:55 C6 #4 - 2nd inversion - root on 4:10 3:59 B dim #4 - 3rd inversion - root on 2:12 4:04 C6 #5 - 3rd inversion- root on 2:13 BACKWARDS 4:08 B dim #4 4:12 C6 #4 4:15 B dim #3 4:19 C6 #3 4:23 B dim #2 4:28 C6 #2 4:31 B dim #1 4:35 C6 #1 5:45 Until you own it you can't use it 5:50 Game Changer: Tone color of pitch - difference between average guitar player and musician who happens to play guitar 9:28 Comparing same chords on different string sets for tone color 2nd string set 9:59 first string set 3:30
Hello, Mike. I am sure there is a good reason you are starting this course with Major 6 Diminished scale, rather than any other - major 7 or major triads followed by Diminished. What is the reasoning behind it? Thanks a lot!!!
Hello Igor, thanks for your question there's several reasons I choose to begin with the Major 6th Diminished scale. Firstly, the 6th chords are more stable on their own. Whereas the Major 7th wants to move. In jazz, it's not uncommon to substitute a 6th chord for a Maj7th chord if the melody (of the head) in that measure is the root of the chord, because the root and the Maj7 might clash. From a jazz perspective the Maj6 chord is a vertically inverted major pentatonic scale of 1 (2) 356; and its full symbol Maj6\9. Secondly, the Major 6th diminished scale is a very guitarist friendly scale to harmonize a melody virtually at sight once you are fimiliar with the concept. I hope this helps. Warm regards, Mike
Thanks, Mike! What a terrific and thoughtful response - and it makes a lot of sense! I digest your chord melody lessons daily, with rare exceptions, and I enjoy them on almost organic level. I go slowly and repeat many of the lessons as they become the foundation for later lessons. For example, I went back to review lesson 8 while working on 14. That way, I make sure I own that knowledge forever, i.e., it's forever in my memory and my fingers. I remember your inarguable dictum: 'Until you own it you can't use it! ' I'm having a blast - I'm so glad I have found you! Thanks a million, Mike! Happy holidays to you and yours!
Hello Igor, that's an excellent approach, as you know learning to play music on the guitar is an accumulative process the review section of our practice program is where we grow. Here's a quote I'm sure you will enjoy! "One must always practice slowly. If you learn something slowly, you forget it slowly." ~ Itzhak Perlman. Warm regards, Mike
when I get to c6 , I "borrow the 7" ahah not that I can´t play it but CMaj7 is much more practical and easy to use at fast tempos , Cmaj triad is a good option too
Hello, Mike. I am sure there is a good reason you are starting this course with Major 6 Diminished scale, rather than any other - major 7 or major triads followed by Diminished. What is the reasoning behind it? Thanks a lot!!!
For those that have written to me, you can donate to my channel through this link www.paypal.com/donate/?hosted_button_id=YDF4C7ZRM8A8L or alternatively through the "Thanks" button located directly below the video. I appreciate your interest in and support of the channel.
These videos are pure gold.
Thank you, Francis, I'm glad you found the lessons helpful. Warm regards, Mike
In this session, we study the tone color or tone quality of notes of the same pitch when played (duplicated) on different strings.
Even though two notes of the same pitch are both producing the same fundamental frequency that doesn’t mean they are producing the same waveform.
The sound of a plucked string produces not just the fundamental frequency but also various harmonics in varying amounts which together form the sound we hear.
Great Content. Thank You For sharing. have a nice day!❤👍
Thank you
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0:53 Moving C6 Diminished chords to second string set
1:40 NB Hard-to-play C6 voicing - can be replaced by C major temporarily
3:26 PLAYTHROUGH
3:30 C6 #1 - 3rd inversion - root on 2:1
3:35 B dim #1 - root position - root on 5:2
3:39 C6 #2 - root position - root on 5:3
3:43 B dim #2 - 1st inversion - root on 3:4
3:47 C6 #3 - 1st inversion - root on 3:5
3:52 B dim #3 - 2nd inversion - root on 4:9
3:55 C6 #4 - 2nd inversion - root on 4:10
3:59 B dim #4 - 3rd inversion - root on 2:12
4:04 C6 #5 - 3rd inversion- root on 2:13
BACKWARDS
4:08 B dim #4
4:12 C6 #4
4:15 B dim #3
4:19 C6 #3
4:23 B dim #2
4:28 C6 #2
4:31 B dim #1
4:35 C6 #1
5:45 Until you own it you can't use it
5:50 Game Changer: Tone color of pitch - difference between average guitar player and musician who happens to play guitar
9:28 Comparing same chords on different string sets for tone color
2nd string set 9:59 first string set 3:30
Thanks Mike.
Thank you. I'm glad you found the lesson helpful. Warm regards, Mike
Very hood
Thank you, José, all the very best from Australia!
Hello, Mike. I am sure there is a good reason you are starting this course with Major 6 Diminished scale, rather than any other - major 7 or major triads followed by Diminished. What is the reasoning behind it? Thanks a lot!!!
Hello Igor, thanks for your question there's several reasons I choose to begin with the Major 6th Diminished scale. Firstly, the 6th chords are more stable on their own. Whereas the Major 7th wants to move. In jazz, it's not uncommon to substitute a 6th chord for a Maj7th chord if the melody (of the head) in that measure is the root of the chord, because the root and the Maj7 might clash. From a jazz perspective the Maj6 chord is a vertically inverted major pentatonic scale of 1 (2) 356; and its full symbol Maj6\9. Secondly, the Major 6th diminished scale is a very guitarist friendly scale to harmonize a melody virtually at sight once you are fimiliar with the concept. I hope this helps. Warm regards, Mike
Thanks, Mike! What a terrific and thoughtful response - and it makes a lot of sense! I digest your chord melody lessons daily, with rare exceptions, and I enjoy them on almost organic level. I go slowly and repeat many of the lessons as they become the foundation for later lessons. For example, I went back to review lesson 8 while working on 14. That way, I make sure I own that knowledge forever, i.e., it's forever in my memory and my fingers. I remember your inarguable dictum: 'Until you own it you can't use it! ' I'm having a blast - I'm so glad I have found you! Thanks a million, Mike! Happy holidays to you and yours!
Hello Igor, that's an excellent approach, as you know learning to play music on the guitar is an accumulative process the review section of our practice program is where we grow. Here's a quote I'm sure you will enjoy! "One must always practice slowly. If you learn something slowly, you forget it slowly." ~ Itzhak Perlman. Warm regards, Mike
@@MikeHayesGuitar A great quote, indeed, Mike! It truly hits home! Thanks!!!
when I get to c6 , I "borrow the 7" ahah not that I can´t play it but CMaj7 is much more practical and easy to use at fast tempos , Cmaj triad is a good option too
Hello Raul, yes C maj triad works well. All the very best with your guitar playing! Mike
@@MikeHayesGuitar with you too, have learn a lot from your channel, cheers!
Hello, Mike. I am sure there is a good reason you are starting this course with Major 6 Diminished scale, rather than any other - major 7 or major triads followed by Diminished. What is the reasoning behind it? Thanks a lot!!!