Great video man. One thing to add from my days in grad school, the Hudson River School landscape painters (Cole, Durand, etc.) didn't have access to Ult blue as it was still ridiculously expensive. They used Prussian blue mostly. I find it much tougher to work with personally, nearly as bad as Thalo. A very gifted Prof of mine and an exceedingly skilled landscape painter shared with us his "shortcut" for getting these naturally-desaturated greens. Try mixing some greens with a high quality Ivory Black (now Bone Black) and your yellows (Cad Light, Lemon or Medium). It's a surprising little hack that I suspect other historical painters used before French Ult Blue became so affordable.
For distant greens I like mixing cerulean blue with yellow ochre or cerulean and cadmium yellow with a little bit of cadmium red light. Sometimes I'll gray greens with burnt umber. A lot of interesting greens can be made using black as a base.
Great job. Thanks. It would be good to explain what it was you didn't like about the mountain in the background. I thought it looked really good. But in the end, changing it was the right choice. I also like the reference to Tischler.
I was led here from your pin on Pinterest, and just had to come here to say how grateful I am for your content. Pinterest is chalked full of click bait art "lessons", so when I stumbled across your page, I was in awe of all the helpful tutorials and mixing guides you have so thoughtfully taken the time to make and share with self taught artists. Thank you so much Sam, you have no idea how much you helped me find my passion for painting.
Thanks for the report. I've lived in California all my life, most of it has been in N. CA. I can't tell you how many times I have seen it do the complete opposite from what the weather forecast tells. As the old saying goes..Everyone talks about the weather, but nobody ever does anything about it, or something like that.
Great video man. One thing to add from my days in grad school, the Hudson River School landscape painters (Cole, Durand, etc.) didn't have access to Ult blue as it was still ridiculously expensive. They used Prussian blue mostly. I find it much tougher to work with personally, nearly as bad as Thalo. A very gifted Prof of mine and an exceedingly skilled landscape painter shared with us his "shortcut" for getting these naturally-desaturated greens. Try mixing some greens with a high quality Ivory Black (now Bone Black) and your yellows (Cad Light, Lemon or Medium). It's a surprising little hack that I suspect other historical painters used before French Ult Blue became so affordable.
Your teachings are Simply that of a Perfect Teacher who Knows exactly what it is to understand the art of teaching. 🙏🙏🙏💖💖💖
For distant greens I like mixing cerulean blue with yellow ochre or cerulean and cadmium yellow with a little bit of cadmium red light. Sometimes I'll gray greens with burnt umber. A lot of interesting greens can be made using black as a base.
Beautiful painting excellent explanation.
Demonstrating your skill and talent very well indeed Sam, lovely.
owww,. so gorgeous variety of greens :)
Thanks Sam. Beautiful work ❤
Gorgeous! 😍
Truly helpful thank you Sam! Your video has perfect timing
Good tips for getting better in landscape painting 🖼️
Very helpful Sam. Thanks for sharing your expertice. Yes I would love the E-book.
Perfect timing for this to come up! I've been struggling all morning with exactly this!
Very useful video and discussion. Thank you for sharing your expertise.
Thanks Sam. Well explained. Thanks.
another gem, well done
Great job. Thanks. It would be good to explain what it was you didn't like about the mountain in the background. I thought it looked really good. But in the end, changing it was the right choice. I also like the reference to Tischler.
What a great demo ...well explained as well
I was led here from your pin on Pinterest, and just had to come here to say how grateful I am for your content. Pinterest is chalked full of click bait art "lessons", so when I stumbled across your page, I was in awe of all the helpful tutorials and mixing guides you have so thoughtfully taken the time to make and share with self taught artists. Thank you so much Sam, you have no idea how much you helped me find my passion for painting.
Love the painting and how you handled the intensity of the greens! Very instructive! Thank you!
Excellent work
Beautiful, looks like Glencoe.
Nicely done. 😊
So helpful! thank you.
great stuff Sam it turned out better than i thought it wound the greens and everything
Greetings from Guernsey . Saw some of your work last week in a gallery in St Peter Port. Inspirational .Thank you
I thought the picture you are painting here looks like Scotland! Thanks for a great video!😊
No not the exact rendition but unmistakably, in part, the Three Sisters. Wonderful work to go along with wonderful memories.
Thanks for the report.
I've lived in California all my life, most of it has been in N. CA. I can't tell you how many times I have seen it do the complete opposite from what the weather forecast tells.
As the old saying goes..Everyone talks about the weather, but nobody ever does anything about it, or something like that.
Thanks for a great video. I'm currently working on a landscape painting and this helped me out of "green hell"!
❤❤❤❤❤❤👏👏👏👏👏🙏🏾🙏🏾🙏🏾🙏🏾
background music is same as being put on hold on the phone..its repetitive and triggering.Its unnecessary.