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Mark Bradford: Cerberus
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- Опубликовано: 27 сен 2019
- Inside his Los Angeles studio, #MarkBradford talks mythology, the civil rights movement and the urban jungle in his latest paintings, ahead of his exhibition ‘Cerberus’ at Hauser & Wirth London, 2 October - 21 December 2019. Fundamental to Bradford’s work is a process of layering. Just as the very fabric of each painting is formed from strata of pigmented paper which are scored, lacerated and stripped away, Bradford collides a multiplicity of references in his new works.
For the title of the exhibition, Bradford engages the many headed dog guarding the entryway to Hades, Cerberus. This mythological creature is a particularly resonant metaphor for Bradford, who has always been fascinated by interstitial spaces and figures. A consistent source of inspiration for the artist, mythology is a space in-between fact and fiction, history and imagination.
Another point of departure in developing the new works is the riots in Los Angeles known as the Watts Rebellion, which flared up in August 1965 and raged over six days. Bradford has long been interested in the ways in which populations, and particularly marginalized communities, are contained through the infrastructures of the urban environment. Developed using map-like grid motifs, ‘hot spots’ embedded into the surface of the artist’s paintings evoke the reports on the riots commissioned by the California Governor’s office in 1965, entitled ‘Violence in the City - An End or a Beginning?’
The video installation ‘Dancing in the Street’ (2019) features the iconic song penned by a trio of songwriters including Marvin Gaye, recorded by Martha and the Vandellas in 1964. This film takes the context of the civil rights movement at the time the hit song was released, layering the black-and-white footage of the band’s live performance onto landmarks of the industrial area of South Los Angeles where Bradford’s studio is located. As Bradford explains, ‘I’m taking a very old recording and projecting it onto buildings that in 1965 would have been burned down. It’s like recalling the spirit of that place, and at the same time inserting another history on top of it.’
Rooted in Bradford’s visceral approach to his materials, new works featured in the exhibition display an increasingly fluidity of form and composition and development in his visual language. The resulting surfaces are alive with webs, intersecting networks and liquid reflections as the topological grids of the city increasingly dissolve in his abstract compositions. Bradford describes, ‘It felt like the urban grid gave way to almost like an urban jungle. The land took back the city. Half-temple. Half-nature-reclaiming-it. Half-civilization.’
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Hauser & Wirth is an international contemporary and modern art gallery with spaces in Zurich, London, Somerset, New York, Los Angeles, Hong Kong, Gstaad and St. Moritz.
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I so look forward to the day when i can see his work in person!
Digital images don’t do it justice. They’re monumental.
He never disappoints
Muy bueno!!!
Very powerful underlying theme to this and the video guides the understanding
What a wonderful artist and the video design/editing was top notch!
totally!!!! Such a great story telling tension between the sound, the video and Mark's narration.
One of expressionist art on giant canvas... Super work
Hello from Greece
In modern greek cerberus(κερβερος) is used as an adjective to describe someone very stable and solid about his beliefs
wild! love Bradford's work
Great work!
Wow! Huge fan
Whoa.. This process is really interesting.
Its all set and strictly prepared before hand...that the impression I get!
Love this piece.
Instablaster.
Me gusta mucho su trabajo
wow!
wow
One big waaaaaaave of hyperconsciousness gargantua👌
nice :)
greek mythology is the gospel truth! dig deep,bro. dig deeper...
Years ago, Rosalind Krauss described Warhol's 'everything's pretty' aesthetic as an end-point in contemporary art. That's the problem with Bradford's work; it is merely pretty. Try as he might to make it meaningful , no meaning accrues. It's a problem with many gay artists who don't paint male nudes, including Ross Blechner, Lari Pittman, Jim Isermann.
THIS PROVES HOW LOST THE VALUE OF ART HAS FALLEN, PURE GARBAGE
It looks like some people have learned nothing beyond what they were told art was supposed to be when they were 8 or 9 years old.
I wish I could afford to work on this scale.
Mark Bradford's "value" is doing fine fetching asking prices as hugh as $11M...Someone likes "garbage" it seems.
Go cry about it on 4chan, dork
It looks like somebody ate a bunch of Mexican food and took a nasty diarrhea On a canvas and called it art
Oh, and to be sure, it's 'Mexican' food, so we can see the racism behind your distaste
You must be lost. You should be on 4chan cryng with the other incel creeps.