Got My Mojo Workin- Rick Fines and Carlos Del Junco
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- Опубликовано: 8 май 2012
- Rick Fines and Friends 2012. Here is a rare and wonderful guest appearance from the great Carlos del Junco. He is playing a Muddy Waters tune Got My Mojo Workin. Filmed and Edited by Tony Buell- Anthony Lawrence Enterprises with the help of Henry Pinzon, Jeremy Kelly, Rob Viscardas and Alex Unger. Showplace Peterborough
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Rick Fines and his P’boro connections are the finest in Canadian Blues. They rule!
What a brilliant performance, WOW!!
Love it probably my favourite harp player
Firing on all cylinders! 🔥
Love it Carlos. I Love the fact that Carlos is playing a Diatonic like a Chromatic Harmonica !!
instablaster
Canada's Best without question.
Carlos, this is great stuff !!!
Great stuff!
Unique sounding
Geilster Blues Harp Sound!
Hope to meet you this 2017 summer, at The Hornby Island Blues Camp. All the best.
super musique
Ab-Fab
Up to the minute 4.20 he plays with harmonica LA in 2th position, then we see that he changes harmonica ... after 4.20 min which tonality harp uses and in which position? .....Fantastic!
Angelo BlueHARP
Uses Hohner Golden Melody blues harp even overblows n bends notes into another key harps not made for.WOW virtuoso que no?😯
Hi Angelo, thanks for your comment. I switched to an E harp - 1st position - and using a delay pedal set to a dotted eighth pattern with an equal volume on the one repeat you hear...gives the illusion of playing staccato 16th note pattern..!
Thank you Maestro :) ... a really creative version of Got my Mojo ... with a fantastic phrasing WOW... chapeau!.... the use pedal delay very creative idea... :) Saluti from Italy!!! :-D
Got to play your harp till your lips bleed...
No, you gotta play till they don't bleed no mo....
That is how i used to busk and practice...in the past..
Untill my lips would bleed and my harmonica would get out of tune...
Sorry to burst the bubble, but having seen everyone from Sonny Terry to Paul Butterfield, Corky Seigel, Junior Wells, James Cotton, and for me still the master of contemporary blues harp, Norton Buffalo, the difference I'm afraid is one of inherent style. What most all of these modern harp guys seem to lack, is the intrinsic sense to STOP showing the F*** off. The song sets the tone, the pace, the speed, and too many technically proficient players just can't seem to get over themselves, out there, center stage. It's all about the notes per second, and halfway through I forget what damn tune it is they're playing. There was a beauty in economy, when records were limited to 3 minutes. You gotta cut the s**t out, man. Listen to Stevie Ray play "Lenny." Why can't any harmonica players see the difference?
Thank you, I enjoyed the irony of using SRV as an example of restraint.
Alex Eden haha I was thinking the same!
Anyway, when you are a ‘special guest’, the idea is to show off a bit, not keep it simple. Jerry Portnoy shows off from time to time, as do Charlie Musselwhite, Rick Estrin, Rod Piazza, Dennis Gruenling et al. Just saying :)
You're a fucking idiot, the typical blues nazi who just can't live the modern times and recognise the genius when they're alive ....Carlos will be remembered, when you'll be lost in oblivion
@@christelleberthon preach
Sorry Christelle, I love to death your playing, plus Adam Gussow, Jason Rickinghall et al, but I have to say I am not an idiot or blues nazi, and yes I agree, I do not see anything at all in this guy. Certainly can’t sing. Sorry
Distorsión No no ,no,
Del junco the best but acoustic guitar solo? No