MESA Rosette™ Acoustic DI-Preamp Demo
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- Опубликовано: 20 сен 2024
- MESA Rosette™ Acoustic DI-Preamp Demo
For those looking to go Direct with your acoustic instrument, MESA has designed the new Rosette Acoustic DI Preamplifier with a concise range of professional tone-shaping features and thorough connectivity options.
The Rosette DI-Preamp is based on the same Input and EQ circuitry found in the Rosette 2x8 Combo (minus the microphone input), all derived from high-end recording console design. A wide range of high impedance pickups can be accommodated with the Rosette’s optimized, current source-biased FET input stage. Phase relation can be switched for the best Tone and can also assist in feedback elimination. Two different sweep-able filters also assist with feedback elimination in a live performance environment. The variable NOTCH FILTER feature surgically cuts a narrow band of a chosen frequency to combat feedback in the live environment with minimal effect on the overall tone. The HI-PASS Filter cuts frequencies in the sub-harmonic range and is aimed at eliminating unwanted low frequency feedback on stage as well as tightening up the low-end for specific instruments or musical styles. The footswitchable BOOST provides up to a +6dB volume increase for stepping out in a solo or other musical sections requiring higher volumes and the MUTE Footswitch mutes your signal to all outputs except the TUNER OUT, for to provide silent tuning. The professional EQ Section incorporates fixed shelving BASS and TREBLE controls plus two semi-parametric MID bands covering LOW and HIGH midrange frequencies. These can overlap for finite control over adjacent midrange frequencies or one might be used to combat feedback while the other is applied for Tone shaping duties.
The Rosette DI-Preamp back panel offers optimized Outputs to connect to a wide range of amps, effects, FX Return jacks, powered monitors and live sound and recording inputs and delivers studio-quality sound in any live or recording application. The XLR balanced Preamp Out is optimized for connection to powered monitor inputs or professional power amps while the 1/4” unbalanced Preamp Out is used for connecting to an amplifier input or FX Return jack expecting Line Level signal. The Line Level Series FX Loop accomodates nearly any style of FX signal level and the studio-quality DIRECT OUT provides for Pre or Post EQ options and includes a Pin 1 Ground Lift.
The Rosette Series is designed not just for acoustic guitars, but also for vocals, ukulele, mandolin, dobro, violin/fiddle, cello, upright bass, and and other uniquely acoustic instruments.
Recorded with various guitars and instruments into the Rosette DI Preamp, directly into the API 1608 Console from the Rosette DI Pre DIRECT OUTPUT set to POST EQ. Some playing examples include the Dunlop MXR Reverb pedal, as shown. Light mastering for optimized level and no other post production.
Rosette Acoustic DI Preamp:
mesaboogie.com/...
Check out the MESA Rosette™ 300 / Two:Eight Acoustic Combo here:
www.mesaboogie.com/amplifiers/acoustic/acoustic-combo-series/rosette-300/index.html
Huge thanks to Tal Morris for his music, time & energy to demonstrate the Rosette DI Preamp:
icehousestudios
Just brought mine today. It's brilliant. Will definitely be my everyday tool along with 5 other Mesa products, and yes, I am biased. To those who think you can just use a mixer channel, you guys need to hear it first, it's like a very expensive console channel and it's nothing short of amazing.
I'm a Boogie fan and I'm getting one . I've had my mk iv since the 80s with absolutely no issues. I trust these guys 100% and I know I'm getting a good quality amp.
Thanks for thekind words, Dennis. Let us know what you think when you get yours in hand! :D
Most definitely
Closing out with Bach's Prelude from BWV 998. Nice.
Nice job Tal!
Tal FTW! :D
Short of just going out and getting an acoustic amp or PA system. I've found that my sun $ 100 Pyle PVAMP60 1x8 open back combo on the clean channel with a reverb is as close as an electric acoustic will sound to it's natural unplugged self. Pyle calls their PVAMP series an electric guitar amp because it has the OD & reverb integrated. The issue still with acoustic electric is that feedback at volume is the chronic issue. The Pyle solid state PVAMP series is really a starter pack level electric guitar amp. The clean channel is it's greatest feature. It's almost a toneless sound even with a 3 EQ tone stack. It's not the speaker because I was able to mod the Pyle combo to be a passive cabinet with a VHT 6W pedal amp & their Redline V-Four tone stack preamp and really get amazing sound from the open back cabinet.
I see too many acoustic combo amps even as closed back speaker cabinets. To me, the acoustic unplugged is it's bowl projecting & filling the room ambiently from the sound hole. By using the open back which has a looser bass that escapes thru the back of the cabinet. Open back cabs are that way and fill a room with sound that it more ambient & natural, which is what an acoustic is really about. The mids & highs are present from the front of the speaker. But that little 1x8 fills the room quite nicely with 60W of solid state power. I don't need to turn the volume of the Ovation's preamp up to anything more than 1/2 way, the amp's volume knob can go to 2/3-3/4 volume for a sweet spot that is less likely to get into feedback problems. It's on the cusp of starting to find that feedback oscillation from the soundhole even sitting right in front of the amp. I use a wireless guitar system to retain the freedom and advantage of an acoustic guitars "unplugged" state. I can play higher gain crunchy style music and get more of an electric guitars style from it, but the feedback can come out of nowhere, so high gain rock is worthless to even attempt with the gear I'm using. At it's best though and no feedback issues, the Ovation blows away it's hollow body electric guitar equivalents (your 335 style electrics with F-holes). The Ovation I'm using has the traditional middle of the top round soundhole and not the Oak Leaf cluster of sound holes that add up to a single round soundhole. It's an Applause super shallow bowl AE-128. Comparatively that super shallow bowl sacrifices depth & projection. The upside to the SS bowl though is it has a little higher overhead before that nagging acoustic feedback appears.
Many acoustic amps are more like stereo amplifiers, they will have a woofer 6-8 inch with a tweeter separately. The Pyle for me was an accidental acoustic amp that I originally bought for a Epiphone LP with P90's. As the Pyle failed to satisfy for the electric guitars I have, the LP & Squier Strats, it has proven to be the exclusive go to amp for the Ovation Applause AE. I could play the Ovation on the tube amp or even the solid state combos with amp models & effects, but the Ovation would lose it's natural sound and voice. The Pyle seems to let the Ovation shine in that regard. It's amazing, I can strum the Ovation with the preamp effectively turned off to hear it as it would be unplugged, even though it's plugged into the Pyle. A slight turn of the Applause's preamp volume and I'm getting that same unplugged Ovation voice & tone with the Pyle's reverb effect. I don't know if I'd be happier with an acoustic amp or the Pyle with an acoustic electric, but the Pyle does the acoustic plugged in so well, I don't see any need to buy an expensive acoustic electric solid state amp. I can amost run the Ovation into the Cambridge Soundworks Model 88 as a clock radio amp as well and get the Applause's natural & ambient voice & tone. Although the clock radio amp isn't quite nearly as loud as the Pyle.
need to know more about that 2nd guitar in this video, that baby sounds amazing
I should not be watching gear vids! So broke, yet love to struggle and to play through what I do still have. A friend had a Mesa Boogie MK 1 combo. I fell in love with the tone that would could pouring out of that.
Suena increible!
Man, that Larrivee sounds like it could use a better pick up. It sounds like all I hear is the undersaddle transducer....
My dream acoustic effects...
Really great preamp, but it'll be better if it'll be also chorus, delay & reverb on board!
Doesn't seem to help piezo quackiness and artificiality much, other than being able to play with mids like any EQ.
I really like this amp. This one is a little different and it seems as if A tone button has been turned way down low and you cannot turn it back up No matter what you do thereby giving the effect of a large blanket has been placed over the amplifier giving it a sort of a muted jazz tone. If this what you’re looking for you have found the goal at the end of the rainbow. Other people may not want quite that muted muffled jazzy sound but I really like it. Of course I really like jazz a lot.
Aside from that. I took my D 42 Martin and was about to pull my hair out until I finally found the magic gold tone that I really liked. You are really gonna have to work to find the sound that you like with this amp but if you spend the time you can really find some gold here. Same thing with my nylon string acoustic Taylor. I spent the time but I have taken photographs of my settings of I find what I like for each guitar so I can get back to it easily rather than suffer through the long turning of knobs until I find that gold spot. It has a different sound it’s not like others. However if you want a clear True sound from your guitar right away you cannot go wrong with the Fishman Loudbox performer. I have both. But I just got to tell you I mean really if you spend the time with this Mesa Rosett amplifier you are going to find some gold there but you got a hunt for it. And you will find some gold that you will not find in the Loudbox performer even though the lockbox box performer is an outstanding first class a number one amplifier. It’s just that the Mesa has a different sound that you really have to dig for it but once you find it you’re gonna like it.
You should get your ears checked, really!
@@saintmovies7735 I'll take that into advisement. But I really do like the amp. I spent a long time later and finally found some better tones. You just gotta spend time with it. With my D18e 2020 martin guitar. My fishman loudbox performer sounds a bit better than this mesa does to me.
Thanks.
About specs: Maximum impedance?, Megahohms???, & Output impedance (In the Di XLR) ??? I want to know that specific dara.
Thanks.
Damm bro, I gotta get one...!!!!!
Could you run an electric guitar's piezo signal through this and out into a....I dunno the PA or what else?
Absolutely! Direct to the PA, or a powered monitor, or a power amp input, or a regular amp input or FX Return jack. The back panel Outputs cover any base needed whatever the power / speaker source is.
So cool
Sounds great! Can it be used on upright bass?
Is there a tube in it?
Top
Can I connect my Acoustic Guitars to this and send the output to my Mark V? If so, any trade-offs between getting this or the Rosette? Thanks Again
Preamp out to FX Return of the Mark V?
You might as well just use one channel on the mixer.
Wow......
I think I liked it better when no lights were on.
no for me that doesn't sound acoustic at all. As well as the same series "acoustic amp". With all the respect Mesa
Quaky AF
sounds harsh. must be the guitar