Bonjour, J'aime beaucoup la chute brutale et violente de votre interprétation, qui clôture cette danse au rythme effréné. A chaque fois que j'entends l'Égyptienne, je ne peux m'empêcher de penser à ce passage des Évangiles relatant la danse de Salomé devant le Roi Hérode et sa cour, au terme de laquelle, piégé par la séduction de cette danse et la promesse inconsidérée qu'il fait à la jeune danseuse, celle-ci, à la demande de sa mère, le contraint à faire décapiter Jean-Baptiste pour que sa tête lui soit offerte sur un plateau !
J'avoue avoir été emballé par cette interprétation. L'instrument est bien enregistré et produit un son net et acéré, mais néanmoins riche et sans agressivité. Quant à l'interprétation, elle suggère l'idée d'une improvisation qui , j'en suis certain, aurait plu à Ramaeu - hormis un trilles un peu exagéré vers la fin , qui casse l'atmosphère. Mais c'est un péché bien veniel , après tant de brio ! Qui êtes-vous, vous qui semblez isolé dans un pays triste et humide ? ! On espère vous ré-entendre, dans Scarlatti par exemple !
Желаю большого количества слушателей музыки,которая заставляет ещё более хотеть слушать. Редко,когда музыкант из всех возможностей инструмента может извлечь ещё что то,но в данном случае именно так. Необыкновенно то,что клавесин в каждом произведении выдает новые оттенки цвета,как новый цвет. Вы художник,Бруно. Художник с большой буквы!! Успехов вам в творчестве и желаю вам посетить с концертами Россию,где много людей ценителей музыки!!
Amazing… I love his Les Cyclopes piece. You are my favorite modern harpsichordist. Can you kindly provide some details on your harpsichord background? Please post more. Excellent interpretation/arrangements.
Congratulations Bruno. So impressive: thoughtful, confident and with a brilliant sound and effective expression. Really top quality rendering of this demanding piece. You are a star.
Bruno Martin has the uncanny ability to let his audience feel transported back to the time and place piece where and when the piece was composted and first performed in the "cantabile" (singing" style that Bach, for example, was said by his son, Christian, to prefer. This is just just one of many such wondrous time travels Bruno offers, in which the exotic flavors and scents of the Middle East mix with those of the West so enchantingly.
@@BrunoMartinsHarpsichord I would love to know your opinion 😊 as someone who knows the piece so well. I posted the link, but unfortunately RUclips instantly deleted it 😠 It’s easy to find though, if you search „Alexandra Dovgan Rameau“ My grandfather was a church musician and played harpsichord very well. I usually don‘t like it when these baroque pieces are played on piano, but the Rameau sounds beautiful on both instruments
Vous devriez préciser que votre clavecin est un von Nagel. d'autant qu'il a un e superbe sonorité. Félicitation pour être parvenu à rendre intelligible cette partition énigmatique. Eviter : les pulls Jacquard et de numéroter les siècles en chiffres arabes. Le XVIIIe siècle mérite bien cela !
SO BEAUTIFUL!❤️Ive played the piano since i was 10, i am 18 now and ive always wanted to pick the haprsichord.Do you think itll be hard for a pianist to adjust to the harpsichord?
Great - the instrument has a fine sound, the acoustic is clean and crisp, the playing a delight to hear and enjoy.
I am very glad that you appreciated it, thanks a lot!
Very elegant and "cantabile" way of playing! Excellent interpretation!
I stand grateful for the appreciation!
never seen this guy, straight out of nowhere, very impressive, very complex piece, super cool
Very happy that you would enjoy it, thanks a lot!
An Interesting and musical approach!! Bravo!
It’s very kind of you, thanks a lot!
Delicious! Rameau with lasers! Thanks a lot from Brazil!
Refreshing interpretation. Well done!
Thank you very much!
Bonjour,
J'aime beaucoup la chute brutale et violente de votre interprétation, qui clôture cette danse au rythme effréné. A chaque fois que j'entends l'Égyptienne, je ne peux m'empêcher de penser à ce passage des Évangiles relatant la danse de Salomé devant le Roi Hérode et sa cour, au terme de laquelle, piégé par la séduction de cette danse et la promesse inconsidérée qu'il fait à la jeune danseuse, celle-ci, à la demande de sa mère, le contraint à faire décapiter Jean-Baptiste pour que sa tête lui soit offerte sur un plateau !
C'est vraiment impressionnant, merci beaucoup !
whaou didn't know this piece, great ! The ending is absolutely non expected
Thank you!
Side note, I love your red harpsichord 😀❤️ It looks and sounds beautiful
I liked it too! 😉
What a unique and interesting rendition of yours!! Especially the beginning section is so rare rendition.
Thanks a lot!!
Beautifully played 😍
Might be the most "free" performance of this piece I've heard.. Liked it! :)
My student came up with a similar “free” performance. We shouldn’t get locked into later centuries’ views about notation and interpretation.
J'avoue avoir été emballé par cette interprétation.
L'instrument est bien enregistré et produit un son net et acéré, mais néanmoins riche et sans agressivité.
Quant à l'interprétation, elle suggère l'idée d'une improvisation qui , j'en suis certain, aurait plu à Ramaeu - hormis un trilles un peu exagéré vers la fin , qui casse l'atmosphère. Mais c'est un péché bien veniel , après tant de brio !
Qui êtes-vous, vous qui semblez isolé dans un pays triste et humide ? !
On espère vous ré-entendre, dans Scarlatti par exemple !
Very inspiring performance. Thank you!
Glad you enjoyed it, thank you!
Beautiful performance.
My pleasure!
Beautifully played - an amazing performance!
Glad you enjoyed it!
Желаю большого количества слушателей музыки,которая заставляет ещё более хотеть слушать. Редко,когда музыкант из всех возможностей инструмента может извлечь ещё что то,но в данном случае именно так. Необыкновенно то,что клавесин в каждом произведении выдает новые оттенки цвета,как новый цвет. Вы художник,Бруно. Художник с большой буквы!! Успехов вам в творчестве и желаю вам посетить с концертами Россию,где много людей ценителей музыки!!
Love this piece and very well payed by Bruno Martins!
It’s a beautiful piece and I am very thankful for your appreciation!
Il est facile de tomber dans la confusion dans cette pièce, et vous arrivez à rendre le tout clair et imaginatif .
Toutes mes félicitations! Du Canada
Vous avez décrit mes plus sincères intentions, et je vous en remercie! Merci du soutient outre-Atlantique!
Fantastic. One of Rameau’s more difficult suite movements. So we’ll done.
Glad that you enjoyed it, the difficulty here beautifully serves musicality!
@@BrunoMartinsHarpsichord Your approach to the harpsichord is unique, but to a point it reminds me of Gustav Leonhardt's touch.
@@MAMRetro I'm so honored that you'd think that, I have a huge admiration for Gustav Leonhardt.
Magnificent!!!
Masterful. Bravo.
Thank you very much!
I thank God I found this channel. Brilliant interpretation all videos but I particularly love this pice thank you Bruno God bless you
Very happy to have you, thanks a lot!
BRAVO! BRAVÍSSIMO!!!
Amazing… I love his Les Cyclopes piece. You are my favorite modern harpsichordist. Can you kindly provide some details on your harpsichord background? Please post more. Excellent interpretation/arrangements.
Is that a zuckerman kit? Do you know the maker?
@@broquemusician Oh! It's made by Reinhard Von Nagel
Congratulations Bruno. So impressive: thoughtful, confident and with a brilliant sound and effective expression. Really top quality rendering of this demanding piece. You are a star.
I'm thrilled!! Thanks a lot for the kind encouragement.
Lovely ❤ subscribed
Thanks and welcome!
Magnifique
Ravi que ça vous plaise!
Una verdadera danza nocturna ... maravilloso.
Thank you very much!
Merci pour cette interprétation passionnée !
Ravi qu’elle soit plaisante !
Bruno Martin has the uncanny ability to let his audience feel transported back to the time and place piece where and when the piece was composted and first performed in the "cantabile" (singing" style that Bach, for example, was said by his son, Christian, to prefer. This is just just one of many such wondrous time travels Bruno offers, in which the exotic flavors and scents of the Middle East mix with those of the West so enchantingly.
Beautiful!
I love this piece. First heard it when Alexandra Dovgan played it on a Dutch TV show. Have you seen this?
Thank you! I have never heard her version but will be sure to.
@@BrunoMartinsHarpsichord I would love to know your opinion 😊 as someone who knows the piece so well. I posted the link, but unfortunately RUclips instantly deleted it 😠 It’s easy to find though, if you search „Alexandra Dovgan Rameau“
My grandfather was a church musician and played harpsichord very well. I usually don‘t like it when these baroque pieces are played on piano, but the Rameau sounds beautiful on both instruments
Thanks a lot for the recommendation, I enjoyed it a lot and found it very refined!
Les oiseaux dans le ciel, beauty music. Charme et elegance.
Thanks a lot!
Very fine performance a very fine instrument. Rameau at his best. Is the last chord really correct? What a statement. Severe .
bravo
Merci beaucoup
....YES !!!!!❤
Very very good! ......enjoyable to the max! Almost a bravura performance.
Thank you very much!
Excelente interpretación
Very grateful!
I love this piece, this one and the allemand 2 from first book of harpsichord III are the pieces that sound the most delightfull to me
Rameau is indeed quite the unique composer! I love his repertoire too.
¡Wonderful! Greetings from Colombia
Thank you!!
0:39
Emocionante ouvir te
Obrigadíssimo!
wow
Merci 🙏
De rien!
Wow
Конечно прежде всего великолепный исполнитель и тонкий музыкант,где нет места безвкусице и нагромождениям.
Muito brabo!
Obrigadão!
bravo!
Thanks!
Wow, nice piece. Was that a "discord cadence" at the end? A 6th in there?
Amongst other things, an « end of performance » cadence! It is an incredible piece.
❤️❤️❤️❤️❤️👍👍👍
😊😊😊😊😊😊😊😊
Vous devriez préciser que votre clavecin est un von Nagel. d'autant qu'il a un e superbe sonorité.
Félicitation pour être parvenu à rendre intelligible cette partition énigmatique.
Eviter : les pulls Jacquard et de numéroter les siècles en chiffres arabes. Le XVIIIe siècle mérite bien cela !
SO BEAUTIFUL!❤️Ive played the piano since i was 10, i am 18 now and ive always wanted to pick the haprsichord.Do you think itll be hard for a pianist to adjust to the harpsichord?
It’s not that hard, it’ll just require a lot of adjustments... Best of luck! 😊
@@BrunoMartinsHarpsichord thanks so much✨
...h.e.a.v.e.n......💙
It is to me… thanks!