Thank you Bozhana. I’d not heard that piece before. I can see why it’s one of your favorites. Very sensitively played with great control and beautiful tone.
Listening to romantic guitar music is like taking a journey through time and space. It's a ride through the ups and downs of love, and an exploration of the human heart.
Hi Bozahna. You play this two pieces absolutely wonderful. There are many versions that differ from each other depending on the performer. Your version is definitely the most beautiful that I've ever heard❤
Bozhana 🇧🇬 Pavlova was born in Pleven, Bulgaria. From 2003 to 2008 she studied at the National Music School "Ljubomir Pipkov" in Sofia with Prof. Stolina Dobreva. After that she became a student at Conservatory Vienna Private University in the class of Prof. Jorgos Panetsos. In 2012 she began her Master's degree in classical guitar. In addition, Bozhana is studying pedagogics for guitar at the University of Music and Performing Arts, Vienna with Prof. Walter Würdinger. Bozhana is a laureate of a number of competitions in Bulgaria, Romania, Montenegro, Croatia, Albania, Germany and Italy
@@Th3Alfisti Yes, according to Karl Scheit in _Sämtliche Präludien_ (8), "Tárrega wrote this prelude (_Oremus_) on 30th November 1909, only 15 days before his death."
@@chriseliothernandez It seems that "Oremus" is not a note for note transcription, but contains a Schumann theme. My sheet music book did not say, yet in the liner notes to "Pablo Garibay: Guitar Recital," Graham Wade writes, "Oremus (Let us pray), an elegiac prelude echoing a plaintive theme from Schumann’s Opus 99, was written on 30 November 1909, fifteen days before Tárrega’s death." So it seems the piece can still be considered an Tarrega work inasmuch as one would consider Sor Op. 9 a Sor piece and not Mozart, though it was indeed inspired by Schumann.
I like the guitar, I prefer even more traditional sound than that but overall it’s nice. Tarrega is an amazing composer. He knew, and understood music. Bozhana, obviously, and excellent musician, but I don’t like it when the first piece is milked, played so slowly. That is just a matter of preference though. It doesn’t take away That is just a matter of preference though; It doesn’t take away from your talent. from your talent.
This piece loses its masculine romanticism when played this way. Maybe I'm biased because I'm a man and also it was composed by a man. Sorry, Bonzhana, but you play very well.. ❤
Excelente interpretación. Una verdadera Endecha. Congratulaciones ❤
Thank you Bozhana. I’d not heard that piece before. I can see why it’s one of your favorites. Very sensitively played with great control and beautiful tone.
The most beautiful play of this song in my life. 😊
Listening to romantic guitar music is like taking a journey through time and space. It's a ride through the ups and downs of love, and an exploration of the human heart.
Magnifique!🙏❤️
Excelente sonido e interpretación.
Hi Bozahna. You play this two pieces absolutely wonderful. There are many versions that differ from each other depending on the performer. Your version is definitely the most beautiful that I've ever heard❤
Beautiful! Thank you!
Браво, Божана! Поздрави от България!
Beautiful as always! Thank you!
Thanks to all (the Composer,the Players, the Siccas,the Internet...).
I can't see this played any other way. Excellent.
Wonderfull ❤
Thank you for providing such a lovely, relaxing and rich sounding performance.
I have visited Bulgaria and it is a beautiful country and this piece is wonderful and played beautifully with passion. Thank you!
Atmosfere magiche!!! bello lo strumento e bravissima l'interprete!!!
Thanks!
Wonderful 💯
I thought I heard all the versions... this is eye opening... wow.
Bozhana 🇧🇬 Pavlova was born in Pleven, Bulgaria. From 2003 to 2008 she studied at the National Music School "Ljubomir Pipkov" in Sofia with Prof. Stolina Dobreva. After that she became a student at Conservatory Vienna Private University in the class of Prof. Jorgos Panetsos. In 2012 she began her Master's degree in classical guitar. In addition, Bozhana is studying pedagogics for guitar at the University of Music and Performing Arts, Vienna with Prof. Walter Würdinger.
Bozhana is a laureate of a number of competitions in Bulgaria, Romania, Montenegro, Croatia, Albania, Germany and Italy
Oremus es un preludio que Tarrega compuso días previos a su partida, quizás como un ruego por su vida. Un belleza su interpretación. ❤
😘❤🔥👍 THX Bozhana !!!
Thank you ❤️
Lovely. My daily respite at Siccas Guitars.
First comment ❤❤...nice video 🎉❤
Exquisite tone...bravo
Strålande och utmärkt!
😮 amazing
Very beautiful!
I’m learning to play like you 😊
Limpio, legible y con gran sonido.
👍✔
Beauteful music.
Technically simple, but that is not anything, beautiful playing bozhana, such an inspired moment from tarrega
I like to play Endecha, Oremus is still on my to learn list 😅
I find Endecha harder to play, is it the other way around for you?
Nice👍😊
완벽하다!!!
Nice 👍🏼🙂
First
I can't tell if the music or the girl is more beautiful.
Toca de mas
Hello, is this a Spanish Composition?
yes, this is a composition by the godfather of the guitar Francisco Tarrega, propably one of his last before his death
@@Th3Alfisti Yes, according to Karl Scheit in _Sämtliche Präludien_ (8), "Tárrega wrote this prelude (_Oremus_) on 30th November 1909, only 15 days before his death."
No no. It's written by Schumann. The transcription to guitar is by Tarrega.
@@chriseliothernandez It seems that "Oremus" is not a note for note transcription, but contains a Schumann theme. My sheet music book did not say, yet in the liner notes to "Pablo Garibay: Guitar Recital," Graham Wade writes, "Oremus (Let us pray), an elegiac prelude echoing a plaintive theme from Schumann’s Opus 99, was written on 30 November 1909, fifteen days before Tárrega’s death." So it seems the piece can still be considered an Tarrega work inasmuch as one would consider Sor Op. 9 a Sor piece and not Mozart, though it was indeed inspired by Schumann.
I like the guitar, I prefer even more traditional sound than that but overall it’s nice. Tarrega is an amazing composer. He knew, and understood music. Bozhana, obviously, and excellent musician, but I don’t like it when the first piece is milked, played so slowly. That is just a matter of preference though. It doesn’t take away That is just a matter of preference though; It doesn’t take away from your talent. from your talent.
This piece loses its masculine romanticism when played this way. Maybe I'm biased because I'm a man and also it was composed by a man. Sorry, Bonzhana, but you play very well.. ❤
Such a weird take lmao