Haydn Symphony No. 35 | Il Giardino Armonico | Giovanni Antonini
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- Опубликовано: 10 май 2021
- Joseph Haydn (1732-1809): Symphony No. 35 in B Major, Hob. I:35 (1767/41)
Il Giardino Armonico | Giovanni Antonini, Conductor
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A big Thank You to our Patreon Florian Suter who generously supported this video!
In the lead-up to the 300th anniversary of Joseph Haydn's birth in 2032, the Joseph Haydn Foundation in Basel is organising, producing and financing the performance and recording of all 107 of the composer's symphonies by Il Giardino Armonico and Basel Chamber Orchestra under the artistic direction of Giovanni Antonini, one of the most highly-respected specialists in baroque, early classical and classical music, with its project Haydn2032.
Tags: Joseph Haydn, Haydn2032, Symphony No. 35, Il Giardino Armonico, Giovanni Antonini
A GREAT Music Symphony !!
What I like most about this apart from the HD video and hifi sound is the attitude of the players. They really seem to love this music and enjoy playing it. I remember seeing Roy Goodman say how much he like early Haydn. One day it will sink in in that Haydn didn't just churn out masterpieces in his later years. He was doing it his whole musical life.
The B-flat symphonies from this one until 1780 are magical. I hope the horns get an extra pint of beer after each performance!
Lovely Symphony and lovely musicians. Thanks once more for your great work on Haydn symphonies!
Fascinante !!! Todas las sinfonías de Haydn 2032 son una maravilla, un regalo y deleite para el espíritu. Mi compañía en largos viajes de trabajo y también en mis horas libres. Gracias por estas publicaciones a Giovanni Antonini / Il Giardino Armonico. Se les quiere y admira desde Chile . Saludos afectuosos !!!
endless beauty , thank you papa Haydn and thanks for the great conductor
This conductor&orchestra really perform this work with..GUSTO!
Un grand merci pour vos posts des symphonies de Haydn, compositeur trop déconsidéré en raison des génies qui l'ont largement éclipsé (Mozart et Beethoven essentiellement). Haydn est un grand compositeur dont j'écoute les oeuvres avec respect et admiration.
Screentime of conductor Antonini is limited to just a few quick medium shots - no egomaniacal closeups of the maestros facial expressions and grimaces. Bravo!
Very enjoyable! Haydn symphonies are always fresh and have high qualities.
Thank you very much for posting this excellent and inspiring performance!
Bravo!!!
This Fourth Movement (
Considering that these are all live concertos, this series almost reaches perfection in terms of accuracy (including horns) and sonority. Perhaps the tempo is more traditional (sometimes a little too fast?) but this is only a detail: from now on, those who want to listen to Haydn's symphonies will have to start from Antonini and Il Giardino Armonico
OMG yes yes yes yes yes !!!
Una delle sinfonie che preferisco, in particolar modo il primo movimento. Ottimamente eseguita nei tempi ed interpretazione
This note is prompted by Elaine Blackhurst's helpful comment following my previous contribution to this discussion. As the dating of Haydn's works has come into increasingly precise focus, it has become clear that, during his decades at the Esterházy court, the writing of symphonies tended to be concentrated at times when Haydn wasn't writing operas and other large-scale vocal works. This point is exemplified by the fact that there are no symphonies dated securely to 1766 or most of 1767 (until late in the second of those years, with No. 35). These were the years of the short opera 'La Canterina' (1766), besides the large Mass and the Stabat Mater mentioned previously. The converse applies to the years from late 1770 until 1773 - between what may have been the première of the opera 'Le Pescatrici' (September 1770) and that of 'L'Infedeltà delusa' (July 1773). This three-year stretch is particularly rich in impressive symphonies (whether securely dated on the basis of extant autograph scores, or plausibly assigned to that time). Based on a combination of primary source data (extant autograph scores) and informed speculation, Sonja Gerlach posited that the symphonies Nos. 44, 43, and 52 (in that order) date from the later months of 1770 and the early months of 1771, followed by No. 42 (autograph score dated 1771), and the three dated symphonies from 1772 (Nos. 47, 45, and 46). [This is written from my recollection of Gerlach's 1996 article, cited previously, rather than from current perusal of this source, and may therefore be subject to verification by other readers.] These were the years when Haydn was also writing the Opus 17 (1771) and Opus 20 (1772) string quartets, of which dated autograph scores survive.
Perfection!
(1 dicembre 1767) Anche nelle sinfonie "in maggiore" di questo periodo si affaccia un sentimento nuovo, misto di inquietudine e di rivolta che trasfigura il primo e l'ultimo tempo. Il contenuto dell'"allegro" haydniano, pur mantenendosi nei margini tradizionali della forza classica, passa dal divertimento al dramma e, spesso alla disperazione. LDC
A fantastic performance - technically and interpretively, and artistically and emotionally - of a very fine symphony that shows the composer in complete control of his musical language, rhetoric, and musical inspiration.