Giovanni Gabrieli: Sonata XVIII à 14
HTML-код
- Опубликовано: 20 окт 2024
- Giovanni Gabrieli (1557-1612): Sonata XVIII à 14
Aus: Canzone et Sonate (1615)
Schola Cantorum Basiliensis
Abschlusskonzert der Ensemblewoche 2022
Zink- und Posaunenklasse 2021-2022
Etienne Asselin, Benedetta Ceron, Tamsin Cowell, Clément Gester, Zink
Bethany Chidgey, Tenorzink
Henry van Engen, BJ Hernandez, Fryderyck Mizerski, Matthijs van der Moolen, Catherine Motuz, Masafumi Sakamoto, Emily Saville, Iris Tjoonk, Adrian Wehle, Posaune
Filip Hruby, Orgel
Live-Aufnahme in der Predigerkirche Basel, a=466, mitteltönig
Technik: BJ Hernandez, bjhernandezsound@gmail.com
Brilliant- such a great piece played by a great ensemble - well done 😊
Festliche Freude. Mitreißend. Vielen Dank
Beautiful. The way the various horns “reply” to each other seems to recreate the effect of horns echoing off of a canyon/mountains or something. Really cool.
Lovely playing and great to her this on period instruments. Thank you
Such majesty. I've listened countless times. Thank you.
My name is Giovanni Gabrieli but everybody calls me... Gabrieli.
Beautiful and true interpretation !
Thank you ❣
Superb and noble performance.
very interesting harmonics and played excellent. Bravi, well done!
❤️💕💕
First and only time I've seen/heard an actual Lysarden used in concert. Bravo! I'm learning to play one for our early music group. Its quite difficult to keep a secure grip on...is she using a neck strap in the video? I can't really see...
You can see another one here: ruclips.net/video/OD4rqtWx9h4/видео.html The player does not appear to have any other means of support for the instrument than his hands. I failed to master the cornetto many years ago, but I must admit I could be tempted to have a go at the tenor! Good luck with your efforts!
@@malcolmmcdonald9991 Thanks for the encouragement! The cornett family of instruments is one of the most difficult to get any competency on...I bow in wonder to those who can.