Is the interviewer a coffee addict or something? Sipping coffee whenever you want to say something doesn't make you an avant-garde. Sit humbly and listen to the master.
the fox. a fox. formerly a fox. formally a fox. stuffed fox. taxidermied fox on tree branch. fox on box. humble fox. humbled fox. plaintive fox. black bag black coat black object. fox turns head sees cars. walkers slow. cars fast. arrows of time forward march. in remake of this cars move backwards. car stops for pedestrian. sound of car crashing. sound of slurping coffee, long extended exaggerated noisy. snoring sounds with closeup of interviewer. “kind of a picture window, but not a picture window. things beyond the rectangle. not information that you as a filmmaker intended. aware of those rectangles.” relative sharpness. interviewer suddenly rushes out a door camera shows a passerby stopped agrees to come in. interviewed. asked to interview the interviewed. whats his line? let passerby ask 20 yesno qs then guess EGs profession. interviews the camera operator. camera operator begins making EGlike film using the camera. music added postproduction. camera operator asks herself questions. EG answers. fox is animated, first mechanically. fox barks. mechanized automated fox uses cellphone to call Michael Snow, who drops by with new coffee for interviewer, in stainless silver pot. MS shown entering door several times, followed by multiple times leaving the room backwards. fox wants coffee. fox is heard asking for coffee in French, but the camera shows the immobile taxidermied fox, with voiceover of fox making the coffee request. interviewer place tophat on fox head and wraps black wool scarf around fox’s neck. scarf (muffler) shown in closeup, then shown rapidly in different colors. EG continues to speak during these changes. interviewer given a microphone. assistant director tries to grab his coffee cup. struggle ensues. EG continues talking
Is the interviewer a coffee addict or something? Sipping coffee whenever you want to say something doesn't make you an avant-garde. Sit humbly and listen to the master.
It's a bit sad hearing him brutally criticize Tscherkassy who turned me on to Gehr. Tscherkassy is very fun just a very different kind of fun the Gehr
the fox. a fox. formerly a fox. formally a fox. stuffed fox. taxidermied fox on tree branch. fox on box. humble fox. humbled fox. plaintive fox. black bag black coat black object. fox turns head sees cars. walkers slow. cars fast. arrows of time forward march. in remake of this cars move backwards. car stops for pedestrian. sound of car crashing. sound of slurping coffee, long extended exaggerated noisy. snoring sounds with closeup of interviewer. “kind of a picture window, but not a picture window. things beyond the rectangle. not information that you as a filmmaker intended. aware of those rectangles.” relative sharpness. interviewer suddenly rushes out a door camera shows a passerby stopped agrees to come in. interviewed. asked to interview the interviewed. whats his line? let passerby ask 20 yesno qs then guess EGs profession. interviews the camera operator. camera operator begins making EGlike film using the camera. music added postproduction. camera operator asks herself questions. EG answers. fox is animated, first mechanically. fox barks. mechanized automated fox uses cellphone to call Michael Snow, who drops by with new coffee for interviewer, in stainless silver pot. MS shown entering door several times, followed by multiple times leaving the room backwards. fox wants coffee. fox is heard asking for coffee in French, but the camera shows the immobile taxidermied fox, with voiceover of fox making the coffee request. interviewer place tophat on fox head and wraps black wool scarf around fox’s neck. scarf (muffler) shown in closeup, then shown rapidly in different colors. EG continues to speak during these changes. interviewer given a microphone. assistant director tries to grab his coffee cup. struggle ensues. EG continues talking