How to Make a Giant Creature - Creating the Head
HTML-код
- Опубликовано: 13 авг 2014
- How to Make a Giant Creature
Creating the Head at Legacy Effects
FULL Series: bit.ly/GiantCreatureWebsYT
Now that the prototype is built, it's time to start constructing the full-scale pieces of the giant creature. In this episode, watch the dragon-like head come to life through an advanced sculpting process, after which it's refined, detailed, and painted for a realistic look.
Watch the ENTIRE "How to Make a Giant Creature" #webseries: bit.ly/GiantCreatureWebsYT
HOW TO MAKE A GIANT CREATURE - The Webseries
Produced by Stan Winston School for WIRED in association with: Legacy Effects, Condé Nast Entertainment & Stratasys
Executive Producers: Matt Winston, Erich Grey Litoff
Producers: John Ales, David Sanger
Director of Photography: John Ales
Production Coordinators: Maggie Sayer, Teresa Loera
Camera Department: John Ales, Jake Borowski, Ben Saltzman, Peter Gould, Chris Trueman
Production Intern: Nick Norton
Post-Production:
Lead Editor: Damien Acker
Editor and Live Editorial Lead: Yukako Shimada
Editors: Peter Gould, Jacob Goodman
Assistant Editors: Jake Borowski, Ben Saltzman
Giant Creature LIVE Team:
Live Coordinator: Christopher Vaughan
Live Editorial: Yukako Shimada
Cameras: Jake Borowski, Peter Gould, Ben Saltzman
Sound: Chris Trueman
Giant Creature Live Assistant: Ryan Cultrera
Production Interns: Nick Norton, Marni Roberts
Social Media for SWSCA: Andy Franco
Stan Winston School website: www.stanwinstonschool.com
All Music by Position Music
GIANT CREATURE CREATED BY LEGACY EFFECTS
Website: www.legacyefx.com
Giant Creature Project Supervisor: Alan Scott
DESIGN: Jim Charmatz, Kourtney Coats, Darnell Isom, Scott Patton, Greg Smith
Won-Il Song, Bodin Sterba
RAPID-PROTOTYPING: Jason Lopes
ART DEPARTMENT: David Monzingo-Supervisor, Vance Hartwell, Trevor Hensley, Akihito Ikeda, Mark Killingsworth, Mark Maitre, Jason Matthews, Paul Mejias, Rob Ramsdell, Christopher Swift
FABRICATION DEPARTMENT: Dawn Dininger, Ted Haines, Bruce D. Mitchell, Tracey Roberts, Amy Whetsel
PAINTERS: John Cherevka, Erick De La Vega, Jamie S. Grove, Derek Rosengrant
MODEL DEPARTMENT: David Merritt-Supervisor, Brian Claus, Ken Cornett, Alan Garber, Jesse Gee, James Springham
MECHANICAL DEPARTMENT: Peter Weir Clarke, David Covarrubias, Rich Haugen, Seth Hays, Russ Herpich, Hiroshi 'Kan' Ikeuchi, Jeff Jingle, Jim Kundig,
Richard Landon, Lon Muckey, Brian Namanny, Hannah Wilk
ELECTRONICS DEPARTMENT: Rodrick Khachatoorian, Greg Keto
MOLD DEPARTMENT: Damian Fisher-Supervisor, Javier Contreras, Tony Contreras, Lou Diaz, Jeff L. Deist, Chris Grossnickle, Clay Martinez, Jacob Roanhaus, Frank Ryberg, Jaime Siska, Gary Yee
FOAM DEPARTMENT: Cory Czekaj-Supervisor, Ken Culver, Jacob Roanhaus
HAIR DEPARTMENT: Connie Grayson Criswell
3D PRINTING BY STRATASYS
Website: www.stratasys.com
Terry Hoppe, Bonnie Meyer Darren Perry, Isaac Damhoff, Michael Block, Jay Beversdorf, Kevin Nerem, Mac Cameron, Paul Merrill, Dan Wahtera, Jamal Muhammad, Bill Morrow, J Consuelo Mendez
RANCHO CA OFFICE UNDER TERRY HOPPE: Steve Gibson, Mark Bashor, Patrick Brault
BILLERICA OFFICE UNDER TERRY HOPPE: Leslie Frost
ADDITIONAL STRATASYS STAFF: Jessica Songetay, James Berlin, Chris Cates, Dustin Kloempken, Cathleen Kadletz, Marc Downie, Ryan Litman, Daryl Baumgartner
FUR BY NATIONAL FIBER TECHNOLOGY: www.nftech.com
Maggie Bloomer, Kim Clark, Fred Fehrmann, Emile Gagne, Carol Goans, Juan Gomez, Talia Harvey, Kaitlin Hardy, Allison LeSaffre, Kate Maloney, Chris McMullen, Abby Roy
"AUGMENTED REALITY" BY BLIPPAR: blippar.com/en/
Marc Florestant-3D Artist, Leon Tyler, Radu Nicolau, Matt Banyard, Gareth Upton, Mike Harris, Brian Morales, Cheena Jain, Patrick Aluise
FOAM MILLING BY ALCHYMIA: Alfred Kuan
SOUND EFFECTS BY ANARCHY POST: www.anarchypost.net
Dan Snow, Tom Boykin
SOUND & LIGHTING CONTROLLERS BY ADAFRUIT: www.adafruit.com
SPECIAL THANKS: John Rosengrant, Shane Mahan, Lindsay MacGowan
New Deal Studios: Shannon Gans, Matthew Gratzner, Ian Hunter
website: newdealstudios.com
______________________________
Visit the Stan Winston School WEBSITE: www.stanwinstonschool.com
SUBSCRIBE to #SWSCA on RUclips: bit.ly/Zp70T4
Category
Entertainment
FULL SERIES here: bit.ly/GiantCreatureWebsYT - Adrienn
This is the content we need
I saw the dragon at Comic-Con. Honestly, I was little disappointed to see it wasn't a suit this time. Still cool :P
We want a TV show with *Stan Winston School* and *Legacy Effects* :)
Please mass produce miniature ones, would love one
amazing..
Thanks for bring this (:
Absolutely fascinating. Thanks for sharing.
@ 4:31 are they painting it with wet clay? Slip?
"you can have 2 or 3 guys completely refine that sculpture, add detail, add realism, take out the eyes... and so it's not a team of sculptors for a week to get that done, it's 2 or 3 guys for a couple of days..."
...Until the next generation of faster, more precise CNC machines/3d printers puts those 2 or 3 sculptors out of work as well.
The machines will never do away with humans. They'll always need slaves.
Check out my clockwork A.I. vid - we're still safe.
vimeo.com/andrewwoodward/artificial-intelligence
HistorianHimself Once something is done 3D printing it still has to be cleaned and refined, just like what happened with the head. 3D printing is a great tool, but only one tool. This Giant Creature was a great use of many types of materials. And great art needs great artists, I think those sculptors are safe for some time- Teresa
I wonder if the rest of the team of sculptors who were made unnecessary by the 3d printer thought they'd be safe for some time...
Instructed by mere words interpreted by an AI, literally speaking creatures into existence 🪄
And the detail wouldn’t be an issue later in the process