@@countre_organs3520 U pay to play on an organ!?.. I only have to ask and i can play for free... I dont know where ur from but paying to play organ seems unnecesary wasted money to me.
@@Aleksandr_Skrjabin Hey there, I live in Germany notmaly in Germany you Just need to ask.I wanted to Play this Organ but many friends told me that they wanted to Play there and they paid 100€ for 1 Hour
@@countre_organs3520 Mhhh strange, i live next to u in Netherlands, and i have to ask and can play. But maybe its for those who have experience they are more likely to let them play on an Organ.
2nd section is so beautiful, 3rd section terrifying (like the end of the world), before Bach brings it all back together... astounding music, beyond description. ruclips.net/video/cLZLoRVOTSI/видео.html
Oh...more from you please! This was fantastic; your playing is always brilliantly registered, impeccably articulated, and totally immersed in what Bach created. Thank you so so much.
Wunderschöne Aufführung dieses majestätischen und perfekt komponierten Meisterwerks in verschiedenen Tempi mit durchsichtigen doch warmherzigen Tönen der historischen Orgel und mit künstlerisch kontrollierter Dynamik. Wahrlich intelligenter und genialer Organist!
@@schmuelschperling1459 Yes and that is the one note that does not fit on any non-French organ (the H contra). But in this recording - captured perfectly by the camera - it could nevertheless be realised with the help of the registrant with Kontraposaune 32'.
What a tremendous composition and the intensity of the interpretation of Master Van Doeselaar is outstanding. Thanks to him, now this is one of my favorite Bach pieces.
Me too... the notes can also blur, so that harmony overlaps with harmony (bell-ringing sonorities). On the piano, it is not possible to play all Bach's notes without compromising tempo; here is a transcription that emphasises the descending bass, but the final bass note can be held with the third pedal and then the upper notes can shimmer with, or without pedal wash... for me this minute and a half is one of the most astounding break outs in the whole of musical literature. Just so unexpected and so mind-blowing. And fast, which think should be. ruclips.net/video/cLZLoRVOTSI/видео.html
Magníficos momentos con los que sentirse en la Gloria literalmente. Simplemente sublime en su completo. Infinitas gracias por compartir tanto arte y belleza. ¡FELICITACIONES!💛💜❤💚💙🌝⚘
"...when the Puritans revert to flutes"? Do you know what a Puritan is? I think you're confusing _Puritans_ with _purists._ Either way, your last sentence makes no sense.
Is there a reason the organ is tuned a half-step above our modern-day tuning? I was under the impression that Baroque tunings were generally lower than modern-day, not higher.
Roughly speaking, you can say that the Italians mainly wrote concertos and opera, with star singers, and the French wrote more stylised danceable suites. In Germany, at the end of the Baroque period, they tried to reconcile the two styles and that was exactly what Bach tried to do. The resulting mixing style forms the basis for the classical style. At the beginning of the Baroque, the centre of gravity was mainly in Italy (opera), and then in France (dance) - at the end of the Baroque, the centre of gravity was in Germany, where the countless courts and courtyards were an ideal place for composers.
Beautiful piece, performance, and instrument - however I will ask why the second part, "Gravement," is always played so quickly, especially in this performance, which is the quickest by far I've ever heard? It is still beautiful, but in any case it is in no way played gravement (gravely) here, neither in terms of tempo or expression. Was the "Gravement" marking included by Bach originally, or was it editorial? Is the performer trying to change that to make it more historical here? I have the utmost respect for this excellent organist, but he is in no way following the "gravement" indication as I understand it, so please correct me if I am wrong. Here is my understanding of the definition of gravement/grave: "Grave - very slow and solemn"
The 'gravement' marking is originally included by Bach. Though, the interpration of Van Doeselaar here has to be seen more as a interpretation of character instead of an interpretation of tempo/pace. Gravement in the sense of 'dramatic'.
1st part - fast, exciting / 2nd part - slow and lush / 3rd part - the most astonishing 'break out', although Bach (of course) manages to resolve it ruclips.net/video/cLZLoRVOTSI/видео.html
I remember an organization that played it wonderfully it really reminds me so much but so many things it also reminds me of when I smelled the smell of wood in the JB see you tomorrow apart we are in an idle we are in this smell of wood so characteristic in this audio of Arpeggio menu music what do I know Jean-Sébastien Bach on passes everything flies over everything it was the end of all my thought is all poetry it's something that I can't even define because you are carried away by your instrument because you never know if it's yourself who commands while if it's time that takes you and takes you away according to the wind of the beauty of the hands, what am I saying two hands that are short that fly away an aesthetic and auditory marvel
Bach was only 19 years old as he created this masterpiece. An example of what a young man can do for the "Future". Instead of vandalizing pieces of fine arts.
0:07 Très vitement
1:34 Gravement
7:06 Lentement
The Second Part brings me immediately to tears, after the introduction.
Of course Bach knew what he was doing.
And the chioce to add Zimbelstern to the first section is genius!
This piece is like opening a window into Heaven
If someone would ask me what kind of God I believe , I would reply : the one, who J.S.Bach praised
Van Doeselaar is both a virtuoso and a genius on the organ. It thrill me to watch and listen to him.
This is organ is one of the seven wonders of today's world. It really is an unbelievable instrument.
Yes, only a piano is more complex.
But sadly expensive to Play it. You have to pay 100€ for 1 Hour 😪😪😪😪
@@countre_organs3520 U pay to play on an organ!?.. I only have to ask and i can play for free... I dont know where ur from but paying to play organ seems unnecesary wasted money to me.
@@Aleksandr_Skrjabin Hey there, I live in Germany notmaly in Germany you Just need to ask.I wanted to Play this Organ but many friends told me that they wanted to Play there and they paid 100€ for 1 Hour
@@countre_organs3520 Mhhh strange, i live next to u in Netherlands, and i have to ask and can play. But maybe its for those who have experience they are more likely to let them play on an Organ.
I cannot fathom just how beautiful this music is...
Beautiful. I just realized, when I hear organ music from Bach, I want to bow down and feel really humble...
2nd section is so beautiful, 3rd section terrifying (like the end of the world), before Bach brings it all back together... astounding music, beyond description. ruclips.net/video/cLZLoRVOTSI/видео.html
Oh...more from you please! This was fantastic; your playing is always brilliantly registered, impeccably articulated, and totally immersed in what Bach created.
Thank you so so much.
Wunderschöne Aufführung dieses majestätischen und perfekt komponierten Meisterwerks in verschiedenen Tempi
mit durchsichtigen doch warmherzigen Tönen der historischen Orgel und mit künstlerisch kontrollierter Dynamik. Wahrlich intelligenter und genialer Organist!
Este es el mejor canal que existe actualmente en RUclips sin ningún tipo de duda.
This is mindblowing in every aspect.
Seeing this, I remember how my first organ teacher told me: „Your music making should move and shake, not you yourself“ 😂😂😂
Wonderful music! Wonderfully played by a great musician!
Amazing organ and player. Thank you for this recording!
Really enjoy the pulling out of the 32' reed for the 'ghost' low B!
Is that the dissonant overtone we can here near the end when he plays a very low note? What is the explanation behind that?
@@schmuelschperling1459 Yes and that is the one note that does not fit on any non-French organ (the H contra). But in this recording - captured perfectly by the camera - it could nevertheless be realised with the help of the registrant with Kontraposaune 32'.
@@schmuelschperling1459 3:49
I have been wondering how that low B1 note waa played. Now I know.
Бесподобно! Огромное спасибо! Очень теплая интерпретация, подхватывает поток!
What a tremendous composition and the intensity of the interpretation of Master Van Doeselaar is outstanding. Thanks to him, now this is one of my favorite Bach pieces.
Prachtig uitgevoerd op dit majestueuze orgel in deze fantastisch klinkende kerk!
Bachs music sounds so impressive on this organ! Very well played!
Van Doeselaar...my king at the queen!!!!🤗💪👍👍
Absolutely fantastic played🍃thank you
A beauty that transcends all😂 periods, genres - time itself.
The central section is amazing.
All the piece, but the central section is from another galaxy.
@@saidtoshimaru1832 It makes the Earth so small regarding the Majesty of the Universe.
I prefer the last movement in a faster tempo, but this is good to listen to as a change .
Me too... the notes can also blur, so that harmony overlaps with harmony (bell-ringing sonorities). On the piano, it is not possible to play all Bach's notes without compromising tempo; here is a transcription that emphasises the descending bass, but the final bass note can be held with the third pedal and then the upper notes can shimmer with, or without pedal wash... for me this minute and a half is one of the most astounding break outs in the whole of musical literature. Just so unexpected and so mind-blowing. And fast, which think should be. ruclips.net/video/cLZLoRVOTSI/видео.html
Nada melhor para o dia do que apreciar Bach ❤️
I love those huge major chords to close out a piece. Oofda, and that little bit of echo after Leo lets up.
Brutal, beautiful, astonishing.
Moves me everytime I listen to this. Music and mathematics never cease to amaze me
The key I'm hearing is mainly Ab major instead of G major of how it was written. It so well played
The a is tuned to 465hz
This dude rocks
Magníficos momentos con los que sentirse en la Gloria literalmente. Simplemente sublime en su completo. Infinitas gracias por compartir tanto arte y belleza. ¡FELICITACIONES!💛💜❤💚💙🌝⚘
Please more videos from this organ Master.
1. Très vitement - 00:07
2. Gravement - 01:33
3. Lentement - 07:05
Stunning and joyful. And thank you for a tutti final section. SUCH a disappointment and unbalancing when the Puritans revert to flutes.
"...when the Puritans revert to flutes"? Do you know what a Puritan is? I think you're confusing _Puritans_ with _purists._ Either way, your last sentence makes no sense.
@@herrickinman9303 er, no I'm not 😄 I was half-jokingly referring to an attitude, an approach.
Excellent playing !
Maravilloso. Muchas gracias
Very very beautiful.
It feels like my soul is taking a shower
Waiting for the prelude and fugue in C major BWV 531
I love it,i love it...did i say that i i love it!!!? Do not think about leaving this planet! You are the best of all!I love ..y got it?☺️🤘
It's impressive that Mr. Doeselaar doesn't miss a single note when he shakes his head so much...
😄
🤣🤣🤣 so true
Awesome!!
Merci beaucoup de se moment qui va droits au cœur
This channel is amazing keep it up
Is there a reason the organ is tuned a half-step above our modern-day tuning? I was under the impression that Baroque tunings were generally lower than modern-day, not higher.
A lot organs were tuned to around A=465hz back then, simply to shorten the pipes and save money
Possibly "Old High Choir Tone", but am not 100% sure...
can someone give a very rudimentary eli5 explanation of the differences between the french, german, italian, etc styles?
Roughly speaking, you can say that the Italians mainly wrote concertos and opera, with star singers, and the French wrote more stylised danceable suites. In Germany, at the end of the Baroque period, they tried to reconcile the two styles and that was exactly what Bach tried to do. The resulting mixing style forms the basis for the classical style. At the beginning of the Baroque, the centre of gravity was mainly in Italy (opera), and then in France (dance) - at the end of the Baroque, the centre of gravity was in Germany, where the countless courts and courtyards were an ideal place for composers.
Beautiful piece, performance, and instrument - however I will ask why the second part, "Gravement," is always played so quickly, especially in this performance, which is the quickest by far I've ever heard? It is still beautiful, but in any case it is in no way played gravement (gravely) here, neither in terms of tempo or expression. Was the "Gravement" marking included by Bach originally, or was it editorial? Is the performer trying to change that to make it more historical here? I have the utmost respect for this excellent organist, but he is in no way following the "gravement" indication as I understand it, so please correct me if I am wrong.
Here is my understanding of the definition of gravement/grave:
"Grave - very slow and solemn"
The 'gravement' marking is originally included by Bach. Though, the interpration of Van Doeselaar here has to be seen more as a interpretation of character instead of an interpretation of tempo/pace. Gravement in the sense of 'dramatic'.
@@bach Ah, interesting - thanks. It would be interesting to know what all these markings meant at the time.
1st part - fast, exciting / 2nd part - slow and lush / 3rd part - the most astonishing 'break out', although Bach (of course) manages to resolve it ruclips.net/video/cLZLoRVOTSI/видео.html
Жаль, что нельзя поставить 100 лайков. Люблю Вас слушать.
너무 훌륭합니다.
oooh the suspension of that delayed resolution. talk about organus interruptus
DIVINE!!!
¡Qué maravilla! 😂😀
echt! bedankt!
03:48 - Leuk, die lage BB !!
Can you do the 8 short preludes and fugues ?
Our goal is to record and publish ALL of Bach. So stay tuned and be patient, eventually also these works will be released.
@@bach lovely
trionfo! meraviglioso
Bellísima música
That 32' moment on the low B would be a decent solution to the unplayable note - if I wouldn't already be using it
endlich!!
Machtig!
Finally
Deep
❤️🎵
2:37
Heute in der Oberkirche Cottbus gehört.
Ab major? 🤔
G major, 465Hz
@@gambe96More correctly in G major with A=465Hz
Où sont les premiers temps ?
I have asked the Hamburger police, but they also couldn‘t find them😢
Not really a fan of the pedal registration here. Kinda muddies the whole thing up. I imagine it worked better in situ. Beautiful performance tho.
Captain Nemo's favourite music?
😮 didn't know that, the black and white tv show you mean?
@@matthias4522 the book by Jules Verne, of course upload.wikimedia.org/wikipedia/commons/0/08/CAPTAIN_NEMO_PLAYING_THE_ORGAN.jpg
8:56
I remember an organization that played it wonderfully it really reminds me so much but so many things it also reminds me of when I smelled the smell of wood in the JB see you tomorrow apart we are in an idle we are in this smell of wood so characteristic in this audio of Arpeggio menu music what do I know Jean-Sébastien Bach on passes everything flies over everything it was the end of all my thought is all poetry it's something that I can't even define because you are carried away by your instrument because you never know if it's yourself who commands while if it's time that takes you and takes you away according to the wind of the beauty of the hands, what am I saying two hands that are short that fly away an aesthetic and auditory marvel
How about some punctuation? No one wants to read 7 lines of run-on sentence!
At 1:35 it almost seems Bach anticipated Mahler’s resurrection.
Such a beautiful❤ Protestant Organ Music, oh I mean JS. Bach Organ Piece (BWV 572) ❤❤❤❤
Mr van Doeselaar dissipates a lot of energy through constant fidgeting - it's distracting and ... he should channel it into the music!
Ok
Hes an organist, he's not used to people looking at him when he plays.
@@saidtoshimaru1832 He's on RUclips
I was being ironic.
@@saidtoshimaru1832 Yes OK - over my head - irony doesn't suit the internet
Bach was only 19 years old as he created this masterpiece. An example of what a young man can do for the "Future". Instead of vandalizing pieces of fine arts.
7:20