I've never seen such a configuration for two-piano playing. The bravura performance was marred by fishbowl acoustics. Hopefully, these pianists re-recorded this ragtime suite in a studio.
Very original, entertaining, great fun performance, perfect rhythm and technique! Love everything about it , including the two charming young pianists!
I don't think 4 hands versions (one or two pianos) offer any important advantage on their counterparts of 2 hands, in most works. One single piano/guy can do the same in most cases, and without need of coordinating, or the effect of dependability on the other guy. That is, better in terms of musicality and expression. This can be seen better in more expressive - less rythmical works like, for example, Guastavino's "las niñas de Santa Fe", where we can see the players more busy trying to perform in identical tempo, rallentando, etc., in comparison with two hands version... and the price is payed in terms of expression. Nice interpretation, however, of these two guys.
Beautifull position back to back ... and of course excellent music. Great ! Love the choreography too ... Brilliant and fun, love it.
I've never seen such a configuration for two-piano playing. The bravura performance was marred by fishbowl acoustics. Hopefully, these pianists re-recorded this ragtime suite in a studio.
Very original, entertaining, great fun performance, perfect rhythm and technique! Love everything about it , including the two charming young pianists!
조성일님이 혹쉬 마제파 중1때 치신분인가.. 그 영상 보고 온건데
저도 그영상 보고옴
저도ㅋㅋ
진짜 멋있어요.. 다음에 연주하면 꼭 보러 가고싶다 ㅠㅠ
What's their names please ?!!
Interesting, as Bolcom always is. What a pity the performance had to be so poorly recorded. I assume such sound was not deliberate.
Ahah. I didn't realize until 3 min that they were sharing a bench back to back,
May I know which institute or college you guys are from?
This is amazing performance and a great composition too
와훗~!
엄청난 감동입니다~♡
Oh god this piece is fun
6:57
멋지네요
악보는 어디서 구하나요
오빠들 사랑해요~~~~
Sunglasses!!!!!!!
조성일님 소개좀 부탁해요.
터치가 엄청나요
Perfect !
헐 이벌
조성일님 중학교영상보고 찾아온사람?
혹시 악보 어디서 구하셨어요?
굿잡~
I don't think 4 hands versions (one or two pianos) offer any important advantage on their counterparts of 2 hands, in most works. One single piano/guy can do the same in most cases, and without need of coordinating, or the effect of dependability on the other guy. That is, better in terms of musicality and expression. This can be seen better in more expressive - less rythmical works like, for example, Guastavino's "las niñas de Santa Fe", where we can see the players more busy trying to perform in identical tempo, rallentando, etc., in comparison with two hands version... and the price is payed in terms of expression. Nice interpretation, however, of these two guys.
Some tracks need two pianos, one for bass chords and one for main complex melody.
crowd pleaser for sure
B