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Avoiding TENSION in Large Chords and 2 Remedies that Fix Nearly ALL Recurring Problems - VIP Sample
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- Опубликовано: 31 июл 2024
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VIP Video - Week of February 19, 2018 - Double Feature
1. How to stay loose, avoid injury and cure tension in musical passages containing large chords. Examples given from Rachmaninoff Prelude in C-sharp minor Op.3 No.2, and Rachmaninoff Concerto No.3 (requested by Sami)
2. Two ways to fix problems after you've exhausted all practice techniques. Examples given from Liszt's Un Sospiro (requested by Joe)
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I'm a 30 year old self taught guitar player trying to move to piano. You inspire me not to learn piano the same way I learned guitar...
You inspire me to learn the piano like an adult and not like some kinda freakin' amateur LOL
Thank you for existing Josh.
I play both instruments and i also learned to play the guitar “the hipster way”
Josh i love the way you complimented garret and tossed shade as well. You caught yourself to. great lesson currently working on tchaikosvcy piano concerto no.1 and this helped alot with the intro.
You remind me not to over practice which may cause injury to my hands. Thanks for your teaching video. Expecting you will share more skills in RUclips. Cheers
Love the socks :)
In fact, a good piano is also very important in helping with preventing tendonitis and issues with the hand when playing the piano. I am speaking from experience as when I used to play on an old Yamaha that wasn't even in tune and keys were sticky. I had to press the keys extremely hard to produce sound and ended up developing tension in my arm and wrists, causing strains. Now that I have purchased a nice and neat Seiler Piano, these problems occur much, much lesser.
I love all of your piano advice! its always very helpful thank you for sharing what you've learned about piano!
also first comment lol
Hi Josh! Could you use a sound compressor in the audio of your videos? When you start playing the piano after talking, the audio gets so loud it hurts who is listening to it with headphones
Hiya Josh!! I was thinking the same thing. I listen with a headset, and I have to scoot the volume way up to hear what you're saying, then you demo something on the keys while making a point mid-sentence, and it blasts my ears, like the Rach 3 stuff just now. I thought it was just me. :)
In a workstation browser with small speakers on the table (or wall/floor) the sound is OK.
Am I going deaf or do I just not mind it? Maybe it's because my favorite pianist is Cziffra ; )
Do you have a recommendation for a music app on a large iPad to play from?
Not sure what that response really means...however, you seem unreasonably off put yet somehow obligated at having to provide what you consider a "response". My intention was to find a recommendation for an app that highlights the notes as they are played. It was just a simple question, James.
I don’t see the link to sign up. Where can I find it?
According to my understanding the weight you put on the key is not important, important is the speed of the hammer when it hits the string.
I would listen to more of your videos if I could hear them. The volume is too low.
I love your channel and I respect your knowledge...but, mentally, pianists use acceleration to produce sound not force or weight. Move the keys faster, not press the keys harder, to produce larger sounds. When you think force & weight make big sound, you're on your way to getting hurt or tense.
I'll agree that 'force' is a bit of a dangerous word to use when explaining technique, but he's totally right about using weight in my opinion. Yes, hammer speed is what creates volume and power, but the most efficient way I can think of to get that speed is by using your weight. Problems only seem to occur when you use weight in the wrong manner by trying to support it by tensing up your wrists or by allowing your bridge arch to collapse.
@@nostromissimo we likely use the same weight transfer technique... accelerate is a metaphor to promote a relaxed mental state....the reality is the fingers transfer upper body weight, just need to think about exactly what that entails, that is moving the hammers faster and faster not harder and harder...piano is a tricky thing to describe in a comment.
@@fidelmflores1786 I've had some top teachers, I mean 'top' teachers and they used the word 'weight'. Not to mention the countless times I've heard the word 'weight' used in masterclasses by the very best pianists. If thinking about weight rather than speed is good enough for them, it's good enough for me.
@@fidelmflores1786 force and acceleration are proportional. If something is accelerating, it's under the influence of force. Weight is also a force.