I love it when people declare something (with absolute conviction) to be Truth (capital T). It is all about them and their ego's need for applause. I don't care if it is about music or religion or politics. If Truth, then it is not open for debate or nuance, and i am not going to waste my time with them but brush the dust off my feet and go to the next town. Who am i to disagree with Simon Cowell when he encourages performers to make a song their own?
his breath spots dont sit well with my ears. dont get me wrong Pahud is an amazing player. its just that when compare this version to some of the others, this one feels disconnected in certain areas.
ouch yet another player making up his own timing for this piece, not as it is written, Bach would turn in his grave -you just can't decide to stop and rest wherever you like especially with Bach
I got an email to say someone commented here but I can't see it here, something to the effect they thought I didn't play Bach, one of many wrong assumptions - their other assumption being Bach was open to 'interpretation' regarding timing, it's hard to believe people could be playing Bach and totally missing Bach's music, the sort of 'interpretation' they seek seems to belong to a different more abstract genre - perhaps have a little chat with true interpreters of Bach like Jean Rondeau, and notice you will not see him park the harspichord for a cup of tea between bars lol
Isn't music a form of art? And if so, that would make it so that one can interpret however they should like to, no? I personally loved this playing very much. I thought it was a blessing to the ears.
Though I don't really buy this version of the allemande (on the grounds that it lacks nuances in articulation and that timbre is too equal from start to finish), I however thought we were done for good with the metronomic interpretations of Bach's repertoire. As for Jean Rondeau, he does play with Lazarevitch on the later's bach album, I don't seem to have such an issue with interpretation. Now what is a true interpreter of Bach ? I tend to observe that most flute player having done extensive research on baroque style tend indeed to play with breathing pauses, inequal timings, etc. So ?
![Yailin La Mas Viral, @kreizyk.official - Dale 2 (Remix) [Video Oficial]](http://i.ytimg.com/vi/JaYHBzgqz94/mqdefault.jpg)
Это прекрасно! Слушаю Вас в Крыму !
I love it when people declare something (with absolute conviction) to be Truth (capital T). It is all about them and their ego's need for applause. I don't care if it is about music or religion or politics. If Truth, then it is not open for debate or nuance, and i am not going to waste my time with them but brush the dust off my feet and go to the next town.
Who am i to disagree with Simon Cowell when he encourages performers to make a song their own?
Io,che al divino da l'umano, /a l' etterno dal tempo era venuto
Dante, Paradiso, XXXI, 37-38.
É a flauta envolvente que meche com a mente de quem tá presente
Mc fiote 2017
never get tired of listening to this partita in A minor!
Johann Sebastian Bach:a-moll partita fuvolára BWV 1013
1. Allemande 00:00
2. Corrente 03:39
3. Sarabande 06:18
4. Bourrée angloise 09:51
Emmanuel Pahud-fuvola
Köszönöm az értékelést
Köszönöm az értékelést
grande Maestro 💪🏻😍 numero uno 🔝
0:07 Ahn, Ahn
Csodálatos, gyönyörű!💓💓💓
1:02 Allemande 2nd time through
GORGEOUS SIR, v. v. beautiful.
Simplesmente sublime
The best!
So tight!
Благодарю, вас!
Étant flûtiste, je joue régulièrement le vaste répertoire de Bach.
The way he plays Daphnis is also miraculous
Music of the night.
ok who was going to tell me emmanuel pahud was this hot
Right? I play the flute and have a huge crush on him 🤭
美しい
It’s sublime!
his breath spots dont sit well with my ears. dont get me wrong Pahud is an amazing player. its just that when compare this version to some of the others, this one feels disconnected in certain areas.
His performance embodying Bach’s musical aesthetics Ìs an order of magnitude more awesome
Браво!
ouch yet another player making up his own timing for this piece, not as it is written, Bach would turn in his grave -you just can't decide to stop and rest wherever you like especially with Bach
I got an email to say someone commented here but I can't see it here, something to the effect they thought I didn't play Bach, one of many wrong assumptions - their other assumption being Bach was open to 'interpretation' regarding timing, it's hard to believe people could be playing Bach and totally missing Bach's music, the sort of 'interpretation' they seek seems to belong to a different more abstract genre - perhaps have a little chat with true interpreters of Bach like Jean Rondeau, and notice you will not see him park the harspichord for a cup of tea between bars lol
Yeah, my favourite is Kuijken's interpretation.
Isn't music a form of art? And if so, that would make it so that one can interpret however they should like to, no? I personally loved this playing very much. I thought it was a blessing to the ears.
Though I don't really buy this version of the allemande (on the grounds that it lacks nuances in articulation and that timbre is too equal from start to finish), I however thought we were done for good with the metronomic interpretations of Bach's repertoire. As for Jean Rondeau, he does play with Lazarevitch on the later's bach album, I don't seem to have such an issue with interpretation. Now what is a true interpreter of Bach ? I tend to observe that most flute player having done extensive research on baroque style tend indeed to play with breathing pauses, inequal timings, etc. So ?
@@maryodonnell5760 "..totally missing Bach's music...etc." Not only Bach's music, they totally missing
the entire baroque music, style, and age.