02:05 Script organisation and habits 02:58 Visual language 10:10 Modularisation 14:24 Planning & Script Management 18:26 Bounding Box Management 23:36 The flow of channels in Nuke 30:50 Only work with the channel data you need at a given point in the script. 31:11 The causes of filtering and how to avoid them 34:18 Photography and Light 38:57 The Math behind the scenes
Thanks Chris for this! Never in a million years could I've ever gotten this kind of professional advice if it wasn't for you! I come from After Effects and it's taking me a long minute to be able to switch. But your knowledge, experience and specially your words and thoughts, just make not only my day! The rest of my whole career has completely changed! I feel enlightened. Thanks Foundry, and thanks again Chris! You rock!!!
What makes me happy is knowing that I'm on the right way. I have always been judicious with organization, and this is really essential for all composers. Thanks Chris, you rock!
@@21stcenturyscots Hi! Well I succeed to find a job as compositor back in 2019, but since I dived into 3D with Houdini mostly. But while keeping Nuke compositing for post-rendering tasks of course :) Are you working in the VFX industry ?
My advice is don't get into comp because its a guaranteed no jobs for juniors, especially since the past 2 years. I am a comper myself from CA, been working in this industry for 5 years. Most juniors work are being sent to India because they are "cheaper". Many of my juniors colleagues have been unemployed for over a year. Just my word of advice. Cheers everyone.
I know I am replying to a comment from 3 years ago but this statement couldn't be further from the truth. Compositing is one of the most sought after roles in VFX, right up there with good Houdini artists. Senior Compositors easily have their annual salary well in the 6-figures. Back when I was studying my final year in VFX, there were students that already scored their first studio job while still attending class (part-time). And what were their roles? Every single one were junior compositors. And after graduation, only students that got jobs were those who studied compositing (with a few animators and production assistant).
Nyuk has big problems with the alpha channel! You never know how he cuts the alpha channel next time! I do not understand why developers do not see this. Is it really impossible to make a kind of node that would cut off this alpha from all the channels? Or to make alpha always be in the default priority! Who needs black instead of alpha? It's impossible to remember how this confusion works
02:05 Script organisation and habits
02:58 Visual language
10:10 Modularisation
14:24 Planning & Script Management
18:26 Bounding Box Management
23:36 The flow of channels in Nuke
30:50 Only work with the channel data you need at a given point in the script.
31:11 The causes of filtering and how to avoid them
34:18 Photography and Light
38:57 The Math behind the scenes
Nice!
Thanks
Thanks Chris for this! Never in a million years could I've ever gotten this kind of professional advice if it wasn't for you! I come from After Effects and it's taking me a long minute to be able to switch. But your knowledge, experience and specially your words and thoughts, just make not only my day! The rest of my whole career has completely changed! I feel enlightened.
Thanks Foundry, and thanks again Chris! You rock!!!
What makes me happy is knowing that I'm on the right way. I have always been judicious with organization, and this is really essential for all composers. Thanks Chris, you rock!
These new videos are everything ive been looking for! thank you! I want more!
Great presentation. Also useful for people using other applications, thanks.
These days I am looking for a junior compositor post, so that video is very helpful and well explained.
Thank you !
Where are you working now, four years later?
@@21stcenturyscots Hi! Well I succeed to find a job as compositor back in 2019, but since I dived into 3D with Houdini mostly. But while keeping Nuke compositing for post-rendering tasks of course :)
Are you working in the VFX industry ?
Brilliant explanations. Thanx.
Excellent information! thanks for sharing
great Explanation, thanks mate
Excellent presentation, thank you!
@38:55 Why is the default motion blur "start" instead of center? It's a slight nuisance to change every time, lol.
Excellent.
A lot of neat tips and tricks here! thanks :)
Thanks for uploading this :)
good
Good explication
My advice is don't get into comp because its a guaranteed no jobs for juniors, especially since the past 2 years. I am a comper myself from CA, been working in this industry for 5 years. Most juniors work are being sent to India because they are "cheaper". Many of my juniors colleagues have been unemployed for over a year. Just my word of advice. Cheers everyone.
ahh.. i wish i had learned about this fact a lot sooner.
What are you saying? I don't understand
I know I am replying to a comment from 3 years ago but this statement couldn't be further from the truth. Compositing is one of the most sought after roles in VFX, right up there with good Houdini artists. Senior Compositors easily have their annual salary well in the 6-figures. Back when I was studying my final year in VFX, there were students that already scored their first studio job while still attending class (part-time). And what were their roles? Every single one were junior compositors. And after graduation, only students that got jobs were those who studied compositing (with a few animators and production assistant).
@@flobengogen where Bro ❓
@@flobengogen I'm also interested in jr composting
Nyuk has big problems with the alpha channel! You never know how he cuts the alpha channel next time! I do not understand why developers do not see this. Is it really impossible to make a kind of node that would cut off this alpha from all the channels? Or to make alpha always be in the default priority! Who needs black instead of alpha? It's impossible to remember how this confusion works