Plugin Designer SCHOOLS YOU On Parallel Compression
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- Опубликовано: 3 окт 2024
- If you dig my message, maybe you'll dig my productions: / @sneakylittledevil5866
Or my analog and plugin creations: thehouseofkush...
If you're not using at least 4 compressors on your drums, you're not living life! Plugin Designer Gregory Scott spends thirty minutes explaining why. Enjoy!
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By far one of the best videos, I have watched. There are a lot of videos of mixers trying to explain what they do, but to actually watch them do it, unsolicited, in his natural element with no one is a real treat. I wasn't really concerned with what was going on with the sliders as I was with what Greg was doing with his facial expressions, body language, and eye movement. Watching how he listens, evaluates, adjusts, you can literally see when he is grooving to something and when he does not like something in his facial expressions. That is the gold stuff right there people at least for me, I get so much more information from his body language than I ever do by watching sliders on a screen move. Thank you, Gregory Scott, your videos are giving me an edge in school and have helped me tremendously in a very short time.
Man, thanks for getting it. There's a reason I keep my face on the screen the whole time and it's not because I want people to adore my grizzly mug. I've had the privilege of being in the room watching some top level guys work, and by far the most informative thing for me was what I saw on their face. A close second was where they were looking. By far my favorite aspect of mixing on an analog console is that you spend most of the time looking at the music, or (better) closing your eyes and turning knobs. People who mix ITB have never had that experience, which is a bummer. Anyway, thanks for paying attention 🤜🏻🤛🏽
Greg has such a way with words yes. I can just exactly understand what he means not just on a technical level.
I couldn't agree more - came here to say what you did already
Man you've no idea what a relief it is to watch a mixing tutorial where the music is actually good!
😂 if I hear one more cheesy Christian Hillsong esque multitrack session... 🤢
Let me just take a second to appreciate what I'm hearing and looking at. I'm part of this new generation that learned everything through the internet, I've watched far too many videos on sound recording, mixing, playing. I come back to this channel, specifically the how to hear compression video, very frequently to reset my ears. You have not only understood the intricate emotionality of sound, but you've have figured out how to teach it far beyond the quality any school could offer.
I always found it curious that videos made by and for sound engineers sound and look quite bad. But Gregory, you have perfected it.
The balance between your voice and the music is perfect, the tone of your voice is perfectly unintrusive, you make the most minute, minimal, microscopic difference in tone sound worlds apart. You make 30 minute single take, single angle videos far more informative and thought provoking than any course or workshop I've sat through.
It's the small things, you're not an engineer, you're an artist. Your visual presentation is inspiring, the framing and color composition of your videos is exactly what is needed to get into the zone without being distracting.
In short, I'm amazed. Every time I've wanted to explain the finesse in what we do to someone I've either shown them your videos or tried to emulate what I felt when I first found your channel. Thank you for being the absolute best teacher on this platform, thank you for giving this to us for free.
Damn, thank you! Weirdly, this channel makes me want to focus less on making plugins and more on teaching every aspect of music production. I don't know if 50 is a good age to plan a career shift, but I feel an itch coming on dammit!
@@TheHouseofKushTV Any age is a good age to go with the flow... do it! You're a great teacher man!
@@TheHouseofKushTV I will sign up if it's online in the evening :)
Combining a work life with family and music isn't always easy.
At the moment I am struggling with a track where the snare and clap have too much dynamics, now the problem is that it's not consistent.
When I encounter problems like that, I am instantly looking through your channel to see if any video would fit what problem I have. I like them so much. You are very calm and good with explaining the technical details so that everyone can understand it.
As I understand, some people use saturation and then hit a compressor to limit the dynamic range. Others just slam a limiter on the track and others are using only a limiter. I am actually thinking about surgically going in and editing these single hits that has too much volume to solve it.
It can be quite unpleasant to listen to, especially because snare and claps are quite high frequency with fast attack already.
Got some thinking to do...
:)
Amen, bro 💛
He is a genius indeed!
This wasn't a tutorial. It was an entire experience. Great stuff as usual!
I agree.. Ive finished the vid, and just like coming out of watching a film in the cinema , I can't stop thinking about it!
I emulated this method on my guitar buss and was blown away by the clarity, depth and imagery i was getting. I can pick out all the fine details of the playing, the room, the amp, all to the point of being able to actually 'see' it. This really made me rethink my workflow, seriously.
Mission accomplished, congrats!!
This is the second best videos of yours after the how to hear compression
100% agree
Dude it was so satisfying to be able to hear the compression on the first one he said we might not hear. It’s so cool to see your ears getting better!
He is the one singlehandedly makes me hear compression. The way he pointed out what to feel with clear descriptive words.
You should watch his "riding the mix bus" if you haven't already
Thanks!! I think it's about time I start strategizing a 'how to hear eq' series, and also vocal treatments, and... so many eps, so little time!
To gain so much knowledge while lost in an infectious groove has been a wildly pleasurable experience. Thank you.
I learned more about creative use of compression in that 30 minutes than I have in years, outstanding, thank you.
When you said you were going to explain with your body how you felt the different compression grooves I thought I had gotten to "that point" in compression videos where I get lost in the intention of it all. I can often understand what many of the compressor moves are doing, but I've always struggled to understand how they fit in a bigger picture, and usually people's explanations don't do much to help.
This was not at all the case in this video. Everything clicked with the hand movements, goddammit. You rock.
I've been using parallel compression on my drums for years, but never thought to have more than one compressed version. The idea of having several compressed versions each bringing to the table a different aspect of the sound was mind blowing for me. I've just given it a try with my current mix and the result is one of the best drum sounds I've ever gotten -- and it's a poorly tracked live recording with more bleed than a slaughterhouse! Thanks for the paradigm shift.
Rock on!
„more Bleed than a slaughterhouse“ holy shit what a brilliant & ironic, yet very deep comparison. It makes you chuckle, think, think even more, and then sad… You are a true wizard of words (and you may not even have put that much thought into it lol)
Greg ,this goes way beyond a “little helpful and useful”. For the first time, I think I understand how to use this technique . It’s all down to your unique presentation style, clear graphics and highly original analysis of what is going on here. I love to watch your videos early in the morning with my first coffee as it sets the tone for the day and gives me the motivation to get to it and try something out. Your channel stands out qualitatively head and shoulders above anything else I have ever watched. Thank you for your warm , unique and highly informative videos. A breath of fresh ( but warm and saturated) air …….
SO GLAD i'm finding you again. When I was new a couple years ago all of this was over my head but late you're the first channel i turn to when I'm in "learn mode." Thanks for everything and glad to see you're on the mend. Looking forward to the new stuff too!
Gregory, you are a Teacher. You have everything a teacher should have, from great understanding of the subject to amazing and creative ways to pass down your experience and your knowledge to us, your students. I thank you for that.
You're an amazing teacher m8! Never ceases to amaze me when I see a new HOK video. Please always ramble, there are few people with your experience in the world, even fewer who can teach it to others well, and even fewer who are willing to do so. Thank you for all the lessons!
Hey man, I just wanna let you know that I'm now a proud owner of the Blyss plugin. I found the demo extremely convincing so I purchased it. It because my first plugin I ever bought. Can't wait to use it for my upcoming songs' mastering
Oh, hey, I'm truly honored! Thanks for the support, and congrats in advance on bringing a new song into the world! 💪🏽
That frenetic compression is brutal! Fascinating way of doing it.
The classic trope is again, correct...
"The more you can separate the sounds, the greater control you have on the mix."
Fantastic stuff, less is definitely more.
Also, nice to hear someone else using the painting comparison. 🙂
Your bass compression is by far the best in the industry imo. So perfectly flat to the ear yet has dynamic. Just love it
Loved how Smash compression "splays" the snare out and brings the hihats into that percussive wah part from the guitar. It's perfect.
At last. This is what mixing videos should look like. We tend to focus on the technical side of things so mutch that the feel of the music is forgotten. Forget the settings and focus on what the music feels like or rather what it makes you feel. Great video. Under rated.
This whole fucking vid is a fucking masterclass in compression. I support Kush all damn day long.
Love your channel. You don’t teach tips. You teach fundamentals that we get to apply in our own situations. Thank you for walking through and describing what you hear as it helps me begin to hear too. It’s crazy how all it takes is someone to direct your ear to some small detail and then it’s like it’s unlocked. Per your videos I dropped down to using one eq and compressor to just get good with that. I’m looking forward now to slowly introducing parallel compression into my mixes.
this technique is simply brilliant.
Another great and inspiring video. Tomorrow morning I promise I'll be in a mix with four parallel compressors for the drum bus, trying desperatly to make my awful productions sound as good as yours. You're a voodoo master Gregory.
The absolute best explanation, and demonstration of sound engineering out there. I have watched so many videos. They are all the same. For those of us who learn by watching, and listening, House of Kush is invaluable.
Thank you so much... your hand movements really clicked with me in terms of how to hear/feel the groove that was being added by each compressor. Very enlightening!
I didn't know I plateaued until I watched these videos, it is magic, you are changing the way I think about so much, thank you! By far your videos have been the most fun i've had, and I really love music.
Thank you so much for this! I cannot stress how important it is to pass down knowledge and wisdom to future generations. You might not be a chart topping artist or a grammy winning producer, you are way more than that. Your contribution to the evolution of music is incomparable. By teaching so effectively, you pave the way for the future. Out of all the viewers here, I'm confident that more than a few of them will go on to be the next top producers/engineers/artists. You are the butterfly that creates a hurricane halfway across the world. 🤟
Thanks Gregory for the video. I'm a sound technician, work in a theater in Argentina, I find your videos and lessons very very useful and easy to watch, listen and learn. Thanks again for your work, it's always nice to go back to the bases and learn a little more every day.
That’s what we should be, artists. You’ve reminded us in an impressive way. Greetz from Berlin. Peace and love.
Holy shit...please more like this. This was SO HELPFUL to see you dive deep into the actual application on these concepts.
Jeez Gregory, you are always bringing some high level shit to the party. I wish I had the feel, as well as access to the emotional side of things. Often times we neglect that aspect and don't learn to develop that ability. By ability, I mean the know how to access, and analyze the emotional result of our mixing moves. Maybe I am just emotionally bankrupt.
Oh, hell man, the fact that you're even thinking about it is actually a huge sign that you're on the path. You'll find your version of it, for some of us it just takes a long time, for me it was close to 5 decades. It all happens inside and thru the body, and it's incredibly hard to stay connected to our body when we're focused, and doubly so when we're focused on a bright colorful screen.
At the risk of getting too pedantic, I can offer two pieces of advice. First, get out of your chair when mixing. Stand, walk around, be able to move. Second, watch me move (or not) when I'm actually mixing these sounds, you'll see that I'm pretty much just pushing faders around and squinting lifelessly, and then at some point my face reacts and my head starts to jiggle and then one or two moves later I light up and get all bobblehead. And most of all: I NOTICED THIS. My body felt the groove come together, it liked what it heard, and I respected that. That's really all there is to it, and I say that knowing it's a lot.
We all move uncontrollably in some way(s) when music grabs us. Lots of dudes just bob their heads, some people pump their fists and scrunch their faces, some twerk their booty and slowfuck the air... doesn't matter, just know your body's language for 'yes please more please' and learn to spot when it's happening while you mix. 🕺
@@TheHouseofKushTV man I feel this so much. Not only it makes mixing more fun but produces better results. Music is an emotional experience and mixing is an emotion enhancer.
absolutely
@@TheHouseofKushTV I think i love You man, and im not even gay ! I mean EVERY effing time i listen and watch a video from You , i feel like i get IT , and in that feeling i grow as a musician 🤔Respect !😉
@@MikkelGrumBovin Kush got something special. Dosent matter what cathegory your mixing. Im into Uplifting Trance for example, but his advice can be applied everywhere. I love the way he emphasizes to use your ears instead of rambling on with how things "should be done by the book". Theres plenty of channels like that! 👍
I wish there was someone as ispiring and soulful as you teach Tech House and Melodic House... Your overall attitude adda a greater sense of value to the information.
The hand movements were so helpful. Consider doing that more going forward! You communicated something words cannot. It became the linchpin of the educational value of the video. Without them I would’ve been lost when you blended the compressors. Thank you, you’re amazing.
one of the best audio channels out!
pure class
this man is a gift to humanity
Definitely eye-opening for me, doing a great job of explaining the feel in the change of each texture and groove. Keep it up
26:21 is the "Finally got that snare right" face
The most chill approach to mixing on the Tube. Cheers brother 👍
This is what I call good timing, Gregory! Black Friday...and there you are, showing us that we actually dig your compressors🤟🏻😎
can we please get hearing eq series please. watching all the hearing compression series changed my whole perspective on compression. you teach us to hear things. that i didn't find anywhere done this beautifully. Love you Greg!!
It's bubbling in the back of my brain as we speak 😊
GOLDEN EARS
As a retired hobbyist, this channel is all I've ever needed to make constant improvements. Thank you so much, Gregory.
how this channel gives me unnexpected asmr
This is such a good video. I enjoy seeing and hearing these intricasies of actual real world mixing process instead of these "this how you do it" kind of assertive tutorials the RUclips is full with.
The Chikka sounds almost like a delay effect for the snare and hats in Smash to me. Good stuff.
Lol “this how you do it” 😂
I'm going to add to the chorus of approval. I almost turned this off a couple of minutes in because I thought I'm never going to hear this. I kept with it though and by the halfway point I was hearing it. Gives me hope that I will get there one day and really get this mixing thing down. Thanks brother.
I've watched all your videos multiple times. Ive learned more from you in 6 months than the last 20 years mixing. Looking forward to more content.
Damn, right on!!
These videos are so slick. The colour pallette warms my eyes, and this guy is so damn handsome. The knowledge is so humbly presented. Love it.
Hands-down one of the best videos on compression out there. Great work and thanks for sharing!
Thank you for making and sharing this video. This has helped me in more than just the technical aspects of compression and mixing. It's also so wonderful in helping me hear what different compression sounds like, but also what they feel like.
GENIUS TECHNIQUE-definitely gonna experiment with this!
That was truly excellent..!
Gregory always opens the doors of audio perception to make us really listen, and to pay close attention to the emotion of a sound and the how it grooves.
24:45 “a pinging of the third eye” couldn’t have described that sensation better myself. Thankful for this amazing content!
he also does software, hardware and audio engineering. Amazing to meet people like you.
This man is like Bob Ross of Audio Engineering. With an equally unique hairstyle.
His hair makes All things possible
Gregory words cannot say how much I love your videos and you personally, I love how you take your time to make long videos and talk about everything in detail, no other person on youtube other then Dan Worral does all this, I appreciate everything you do and I learnt more with your videos then I coudlve ever thought, so thank you for everything you've done for us!
You're intimate unabated teaching style is very much appreciated !
You are such a good teacher, it’s incredible how you can put the things you hear into words so that we plebs can understand it.
One of my favorite things is the way you started bopping the instant the music started
man i love how the guy talks about sounds and the ability he has to describe the feelings related to it. i feel like any time i see one of his video i become more conscious and intentional with my mixing decision.
Keep it up
One of the best vids I've ever seen on compression. Can't wait to get your bundle of plugins, I've already been using your saturation/tube emulation plugins, amazing.
this man is a true master of his craft. I really appreciate you giving for free so much quality content when you dont really have to. thank you mix jesus love ya
Quality of these vids is insane bro
Thanks!
This is my first comment EVER on "mixing tutorial". I just can't explain how much I respect this guy, his tutorials and plugins! Thank you so much man...
We need more!! Iv watched ALL your videos 2-3 times! very helpful!
I love the emphasis on the texture groove and feeling of compressor as opposed to technicalities that people usually recite in other sources.
This channel is reallyamazing I'm waiting for every video like its a good TVseries. You're doing a huge service, thanks Gregory.
I'm really sorry to say that sometimes I wish you never have the KUSH business going on so we can enjoy more of this kind of education. It's just therapy. I keep going back to this one in particular to have some peaceful slow-burn time!
Love this groove and your analysis! Theres so much subjectivity in how we hear music. I’m heavily influenced by 60s and 70s production, and the 80s secondary. I’m happily stuck there and do not like most modern radio production. I love the Phil Spector wall of sound (ie Be My Baby) but don’t like the loss of transient nuances in today’s digital “loudness war.” Trying to find happy mediums…. Cheers Gregory!
Waoooh. Everytime i go on your channel Greg, It's like going on a deep meditation routine. This is not engineering... this is sound phenomenology ! Thanks for the knowledge, it's priceless !
your videos make me THÌNK about why I do things... like compression. I know the workings, but everytime I see one of your videos, I remember to not just do "as I use to do", but be creative and think about it.. just a few seconds.. works wonders! THANK YOU!
I discovered your channel about a month ago and it was like striking gold. I've since watched every single video from the past two years, and this was the last one I had on my list to check out. What an amazing send off. I've gained so much from your videos, the effect is incalculable. By far the best on RUclips.
I didn't realise i needed Matthew Mcconaughey to calmly talk about the crush of a compressor like he's talking about his Lincoln.
I love that you teach how to "experience" mixing elements. It opens up the senses to more than just the sound we initially hear.
I've noticed analog compression makes things sound like they are in a place or in like some sort of super subtle "reverb" in the mix, even when the compressor isn't doing anything and is just ran through. That alongside the obvious changes compressors can make to transients make this now the most important tool alongside EQ. Super eye opening video man thank you.
Such a wonderful alternative to the usual garbage YT "influencers". This is actual knowledge being passed along.
Garbage is absolutely correct!!!!
I wouldn't call them garbage , it's more like kids just trying to make videos for the sake of running a youtube channel and not really passing trough a lot of information
Easily one of the best videos I’ve ever seen on compression. You did such an incredible job taking your time to explain things. Thanks so much this video should be on any audio engineers playlists. I will definitely come back to this from time to time for reference.
This is a painting by using deferent colors !!! He is a genius ! Amazing tutorial !!! Tank you Gregory !
Rewatching this video a couple of years later…man, I miss your content; hope you are well.
First time I can start to make sense of compression, thank you!
Your comments at 27 minutes about adding tambourine or shakers and THEN turning down the drums a bit as you do so, and your mentioning of introducing the (dry) THUD of the drum kit etc. etc. is pure genius! Great, great inspiration! No need for a track to sound "the same" from beginning to end! It's nice to give our brains something switched around during a mix. LOL
I remember years ago my mastering engineer sent me a video of the clariphonic...I was blown away...I wanted to have it! It just sounded Expensive When the plugin version dropped it became the first plugin I purchased in 2012... You have always given deep insight and plugins that not only do their job, but help to give an emotional response and realism. In this video you can actually visualize the drummer hitting the hihat. The sound comes alive. Your contribution to the audio community continues to be inspiring. Thank you for this..
Excellent discussion! Thanks for posting. 50k+ views and no dislikes, that says a lot about the quality of the video.
What i really love about this video is that it teaches HOW to hear, what to look for in a sound, how to be creative about it. Really liked the concept of blending the colors with other instruments (the guitar in this instance.)
I've been producing and mixing for around 20 years now, and you have still managed to show me some new ideas and ways of looking at things. I may even borrow some of these ideas in my next production. Thank you for that!
Not much of an engineer here, just a producer trying to clean up my mixes. I really appreciate the no nonsense, hands on, listening-focused approach you take to explaining these concepts. You're doing a great service. Appreciate your vids more than you know.
Really like the crush signal, puts that 1 to 2k „tap“ impulse that’s so important to the feel , but few people give that area much love because they feel it’ll be hard or get in the vocal’s way, but that snap transient is so important, when it’s there it takes the need to turn the drums up away, gets a natural balance back in there, well done, great video, informative as always…
Agreed. 500Hz can also give that same transient impact as 2k, but with a woody, tough vibe rather than sharper metallic crack.
@@TheHouseofKushTV I try and get that area from my overheads, which by me sit behind the Drummer snare side about 1.8 m high and floor Tom side about 0.9 m high but both exactly the same distance from the snare drum, usually have them full range, HO @ 70-90Hz, it’s the core of my sound, close mics I use to “fill in” the sound and bring out particular character parts of the individual drums, all phase, and sometimes time aligned aligned too to an omni measurement microphone placed above the kick equidistant to floor and snare, use that for a bit of mono dirt or crush as needed…works for me…
@@TheHouseofKushTV thanks for all the likes and answer, keep up the wonderful work you’re doing, showing people that “breaking the rules” is actually no “creative rules”, only the ones in physics
My friend, I am happy to watch all the ads on your videos, it's the least I can do for the content you provide.
Hoping you are well! Saw your last video and wishing you the best!
Gregory man! THIS IS EPIC AGAIN! Thanks for sharing your understanding!
Snare on that smash bus is just perfection!
50 are the new 30 Greg!!! Thanks so much fo sharing your "musical" knowledge feeding the technical one and no all the way around. Kush are all around my production and mixes duty's
Love these videos. I don't even produce music anymore. But I just really enjoy the content. The chill ambient lighting, the background rack of equipment, the tonality of your voice. It's all very ASMR-ish to me and has a welcome vibe to it. And the content is so good.
Thanks!
Lmao your name and profile photo. Brings me back to pokemon crater.
I look forward to this videos so fucking much man..I struggle with mixing and compression and these analytical type tutorials are exactly what I need. much love happy spanksgiving!
Your videos are so relaxing. Excellent information without being all hyped up.
superb... as usual. still gold even after a few years
Really appreciate the walk-through - each audio example illustrates the collective subtle differences and additive colors that compression can bring out in the mix and with the groove - great stuff!
It's almost the middle of 2023, and this video hasn't aged a day.
Dear Gregory, I could've written this under any or all of your videos, and there would always be the same conclusion...
As a person who is turning 50, I have had the luck to live off of and with music - from the music and for the music. So I lived through all these changes in the Recording / Mixing / Producing world - I have tried it all - from the cheapest studios to those worth 100s of thousands of $$$.
But In all these years I met so very few people like You.
You are, as "oxymoronic" as it sounds, so "down-to-earth-spiritual" kind of person, and everything that so many psychological self help books try to teach you, which you actually can't learn, but you can recognize it when someone is born with it and has shaped it to perfection.
How opposite of everything else on the Internet.
The rest is all the same - too loud, too shiny, too bright, copy-pasted stuff.
This is why your content (no, I can't call it "stuff", it urges for distinction from others) is so great. I have been subscribed to Kush Bundle more than once for a certain period of time, when I needed to mix and produce, and will do it again & again, until it is available...
Love your Plugins a lot! Hardware is, unfortunately, too far away from me - over the ocean and more...
But the way you teach and/or explain them, with, again, laid-back, easy on the ears, "low-key" way is amazing.
Thank you for sharing your knowledge and enriching both us who have been in the business since analogue days, and produced more than few published and successful records, as well as all younger (or older) artists who are learning it from the beginning now, doesn't matter if it is hobby or business.
It really teaches, reminds and upgrades everyone's knowledge. Simply Perfect!
I would like to ask you a geeky question, but I understand if you, for the sake of business, don't want to, or can't answer it...
And the question is, would you just quickly compare each of those 4 compressors to other standard ones, after which you probably (as every clever person deos), modeled them after, and then upgraded them to perfection --- which they are! -
They definitely have the "Sauce" of their own - But which of those 4 in the Series are they made after? L2A, 76, Puig, Dbx, API - I think I can recognize some of them, but I would like to know which was your inspiration for Kush Compressors.
And another, much less important stuff - but - which DAW are you using up there - is it a Cubase with adjusted Mask, or Reaper with adjusted mask or something third....
Another thing which is stirred to perfection - the "look-of-it-all" - Design is just splendid as all the rest!
Keep doing this, please - and I will just hope that You won't ever have to sell your business to someone, who will then make you leave the steering wheel.
I understand that people have to make business decisions for prosperity, but I am sure that the entire world of Audio, especially the part that had the luck to run into Your content, would be devastated.
I try not to measure the world with my measurements - but that last fact is something that I am pretty damn sure everyone will agree with.
Once again, thank You Gregory! - And I strongly advice anyone who hasn't already - to try these VST-s, they are definitely (another Oxymoron) - Standardly Unique!
Hey! Recently subscribed. I must say I dont regret it! Keep up and keep "feeding" us. Love ur extreme taste in detail for groove! That's music to my ears! 😎
Part of the magic of what you do is how it works for so many levels of experience among your viewers. Some of us never tried parallel compression at all, and some of us tried it with one compression bus but haven't really *gotten* it. Some of us have seen the value but never tried it with four buses and learned what you just taught us about mixing the tones/grooves. Like. some of us -- let's say a friend of mine -- have flipped through the presets on, oh, I don't know, let's say the UBK-1 and thought 'This sounds good.' 'This doesn't.' 'This is pumping too much,' or 'this one's too bright,' and never thought about going with four plugins or instances in parallel like this to gain the benefits of each and smooth over the less-desired contributions. I'm sure such people -- you know, like my, uh, friend -- are grateful.
I looooove how the compressors dance together and mould the track into familiar concepts, feelings, material amd light!!
Show some love and attention to frequencies or withold for drama! Very cool.
You are not from this world ! Seriously what a video !!!!!! Mad respect Greg 🙏
You could make a full mixing course that’s more expensive than all other options and I would sign right up with no hesitation. This is a masterful delivery of knowledge and technique. Please keep making more of these! ❤️
Same.